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144 articles
Book Review
Courbet’s Landscapes: The Origins of Modern Painting
04/2023 | 1441 | 165
Pages: 479-480
related names
Reviewer:
Morton, Mary (Morton, Mary)
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artists:
Reviewed Items
subjects:
Courbet’s Landscapes: The Origins of Modern Painting By Paul Galvez. 208 pp. incl. 75 col. ills. (Yale University Press, New Haven and London, 2022), £35. ISBN 978–0–300–24413–7. | :
Illustrations
Attributed works:
5. Source of the Lison, by Gustave Courbet. 1864. Oil on canvas, 91 by 73 cm. (Private Collection).
Short Notice
Gustave Courbet in Brussels: two of his female sitters and their radical social and political circles
05/2021 | 1418 | 163
Pages: 444-447
related names
Author:
Marechal, Dominique (Marechal, Dominique)
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artists:
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Illustrations
Attributed works:
1. Albert Breyer, by Géruzet frères, Brussels. 1873–76. Photograph, 9.7 by 5.6 cm., mounted on card, 10.3 by 6.2 cm. (Private collection; courtesy Francis Sartorius).
Attributed works:
2. Plants, by Albert Breyer. 1839. Breyerotype. (From L. Roosens: ‘Albrecht Breyer, de eerste reflectografie en haar verdere ontwikkeling’, Photohistorisch Tijdschrift 12 (1989), p.88).
Attributed works:
3. Fanny Breyer-Van Bruyssel, by Gustave Courbet. 1858. Oil on canvas, 91.4 by 72.7 cm. (Metropolitan Museum of Art, New York).
Attributed works:
4. Laure Sanders-Janné, later Laure Fontaine-Janné, by Gustave Courbet. 1858. Oil on canvas, 92 by 75.5 cm. (Royal Museums of Fine Arts of Belgium, Brussels; photograph J. Geleyns).
Attributed works:
5. Gustave Courbet aged thirty-nine, by Gilbert Louis Radoux. 1858. Albumen silver print, 21.8 by 16.4 cm. (Private collection; from C. Joly, ed.: exh. cat. Courbet-Clergue, rencontre photographique, Ornans (Musée Courbet) 2016–17, p.27).
Article
‘Madame de Brayer’ identified: Courbet and his Brussels portraits, 1856–58
09/2019 | 1398 | 161
Pages: 732-736
related names
Author:
Marechal, Dominique (Marechal, Dominique)
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artists:
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subjects:
Illustrations
Attributed works:
1. Portrait of Fanny Breyer, née Van Bruyssel, by Gustave Courbet. 1858. Oil on canvas, 91.4 by 72.7 cm. (Metropolitan Museum of Art, New York).
Attributed works:
2. Gustave Courbet, by Gilbert Louis Radoux. 1858. Photograph, reproduced in O. Chevalier: ‘Hetzel et Courbet’, Les Amis de Gustave Courbet, Bulletin 15 (1955), p.20.
Attributed works:
3. Portrait of J.A. Van Laethem, by Gustave Courbet. c.1856. Oil on canvas, 52 by 49 cm. (Private collection; photograph courtesy Doyle Auctioneers & Appraisers).
Attributed works:
4. Portrait of Laure Janné, by Gustave Courbet. 1856–57. Oil on canvas, 92 by 75.5 cm. (Royal Museums of Fine Arts of Belgium, Brussels; © RMFAB, Brussels; photograph J. Geleyns – Art Photography).
Attributed works:
5. Portrait of Miss Jacquet, by Gustave Courbet. 1857. Oil on canvas, 81 by 65 cm. (Private collection; photograph courtesy Sotheby’s, Inc. © 2014).
Article
Eugène Boudin’s beach scenes at the Salon during the 1860s
05/2019 | 1394 | 161
Pages: 374-387
related names
Author:
Manoeuvre, Laurent (Manoeuvre, Laurent)
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dates:
Illustrations
Attributed works:
1. Detail of Fig.23.
Attributed works:
10. Beach scene, by Eugène Boudin, here identified as A meeting on a beach. 1866. Canvas, 73.5 by 104 cm. (Private collection).
Attributed works:
11. Caricature of The beach at Trouville by Eugène Boudin, exhibited at the Salon in 1866, by ‘Bertall’, published in ‘Le Salon de 1866’, Le Journal Amusant, no.545 (9th June 1866).
Attributed works:
12. Figures on a beach, by Eugène Boudin. 1865. Pencil and watercolour on paper, 17.4 by 13.7 cm. (Musée du Louvre and Musée d’Orsay, Paris).
Attributed works:
13. Beach scene, by Eugène Boudin. 1865. Pencil and watercolour on paper, 13 by 19.4 cm. (Musée du Louvre and Musée d’Orsay, Paris).
Attributed works:
14. Figures on a beach, by Eugène Boudin. 1865. Pencil and watercolour on paper, 14 by 18.2 cm. (Musée du Louvre and Musée d’Orsay, Paris).
Attributed works:
15. Children on a beach, by Eugène Boudin. 1865. Pencil and watercolour on paper, 10.6 by 14.6 cm. (Musée du Louvre and Musée d’Orsay, Paris).
Attributed works:
16. Bathers, by Eugène Boudin. 1865. Pencil and watercolour on paper, 9.2 by 17.3 cm. (Musée du Louvre and Musée d’Orsay, Paris).
Attributed works:
17. Study of a dog, by Eugène Boudin. 1865. Pencil on paper, 8.2 by 11 cm. (Musée du Louvre and Musée d’Orsay, Paris).
Attributed works:
18. The jetty, by Eugène Boudin, from L’Art à Paris en 1867, Album autographique, 7th edition, Paris 1867.
Attributed works:
19. Beach scene, by Eugène Boudin, from L’Art à Paris en 1867, Album autographique, 7th edition, Paris 1867.
Attributed works:
2. Bathing hour at Trouville beach, by Eugène Boudin. 1864. Canvas, 67.5 by 104 cm. (Art Gallery of Ontario, Toronto).
Attributed works:
20. The jetty at Le Havre, by Eugène Boudin, from L’Art à Paris en 1867, Album autographique, 17th edition (Paris 1867).
Attributed works:
21. Leaving for the pardon, Finistère, by Eugène Boudin, from L’Art à Paris en 1867, Album autographique, 17th edition (Paris 1867).
Attributed works:
22. Beach scene, by Eugène Boudin. 1867. Canvas, 63 by 89 cm. (National Museum of Western Art, Tokyo).
Attributed works:
23. Beach scene, by Eugène Boudin, here identified as Beach near Trouville, painted in 1864 and reworked in 1869. Canvas, 67.3 by 104.1 cm. (Minneapolis Institute of Art).
Attributed works:
24. Reading on the beach, by Eugène Boudin. 1869. Pencil and watercolour on paper, 12.5 by 18.5 cm. (Private collection).
Attributed works:
25 and 26. Beach scenes, by Eugène Boudin (recto and verso of a single sheet). 1868. Pencil and watercolour on paper, 13.2 by 21 cm. (Private collection).
Attributed works:
3. Concert at Deauville casino, by Eugène Boudin. 1865. Canvas, 41 by 73 cm. (National Gallery of Art, Washington).
Attributed works:
4. Drawing by Eugène Boudin after Fig.2, illustrated in L’Autographe au Salon et dans les Ateliers (13th May 1865), p.27.
Attributed works:
5. Bathing hour at Trouville beach, by Eugène Boudin. 1864. Canvas, 31.1 by 48.5 cm. (Private collection).
Attributed works:
6. Bathing hour at Trouville beach, by Eugène Boudin. c.1865. Pencil on paper, 20 by 30 cm. (Private collection).
Attributed works:
7. Bathing hour at Trouville beach, by Emile Vernier after Eugène Boudin. c.1865. Lithograph. (Musée Villa Montebello, Trouville).
Attributed works:
8. Beach scene, by Eugène Boudin. c.1865. Pencil on paper, 20 by 30 cm. (Private collection).
Attributed works:
9. Beach scene, by Eugène Boudin. 1866. Watercolour over pencil on paper, 13.5 by 25.7 cm. (Private collection).
Book Review
The Société des Trois in the Nineteenth Century: The Translocal Artistic Union of Whistler, Fantin-Latour, and Legros. By Melissa Berry
09/2018 | 1386 | 160
Pages: 803
Article
Paul Durand-Ruel and James Duncan of Benmore
07/2018 | 1384 | 160
Pages: 558-571
related names
Author:
WATSON, Andrew M. (WATSON, Andrew M.)
Subjects
art literature:
media:
Illustrations
Attributed works:
1. Landscape with figures (‘La toilette’), by Camille Corot. 1859. Canvas, 150 by 89.5 cm. (Private collection, Paris).
Attributed works:
10. A eunuch’s dream, by Jean Lecomte du Nouÿ. 1874. Panel, 39.3 by 65.4 cm. (Cleveland Museum of Art).
Attributed works:
11. The Death of Sardanapalus, by Eugène Delacroix. 1827. Canvas, 392 by 496 cm. (Musée du Louvre).
Attributed works:
12. The triumph of Ariadne, by Hans Makart. 1874. Canvas, 784 by 476 cm. (Upper Belvedere, Vienna).
Attributed works:
13. The Bay of Naples (morning), by Auguste Renoir. 1881. Canvas, 59.7 by 81.3 cm. (The Metropolitan Museum of Art, New York).
Attributed works:
15. Diana surprised, by Jules Joseph Lefèbvre. 1879. Canvas, 279 by 371.5 cm. (Museo Nacional de Bellas Artes, Argentina).
Attributed works:
4. Morning, by Théodore Rousseau. 1865. 200 by 136 cm. Whereabouts unknown. (From Catalogue de tableaux modernes composant la collection de M. Duncan de Londres, Hôtel Drouot, Paris 15th April 1889, no.29).
Attributed works:
5. Evening, by Théodore Rousseau. 1865. 200 by 136 cm. Whereabouts unknown. (From Catalogue de tableaux modernes composant la collection de M. Duncan de Londres, Hôtel Drouot, Paris 15th April 1889, no.30).
Attributed works:
6. Interior of a Dominican convent in Madrid, by Eugène Delacroix. 1831. Canvas, 130.2 by 161.9 cm. (Philadelphia Museum of Art).
Attributed works:
7. The sheepshearers, by Jean François Millet. c.1857–61. Canvas, 41.2 by 28.5 cm. (The Art Institute of Chicago).
Attributed works:
8. Crossing the ford, evening by Camille Corot. c. 1868.Canvas. 99 by 135 cm. (Musée des Beaux-Arts de Rennes).
Attributed works:
9. The wood-gatherers, by Pierre Billet. 1874. Canvas, 113 x 148 cm. (Private collection).
Attributed works:
Fig.14. Night, by William-Adolphe Bouguereau. 1883. Canvas, 208.3 by 107.3 cm. (Hillwood Estate, Museum & Gardens, Washington).
Western art unattributed:
2. The Duncan family, showing James Duncan far right. c.1870–75. Photograph, 14.5 by 17.2 cm. (Private collection).
Western art unattributed:
3. Benmore House. Argyllshire. Duncan’s picture gallery is on the right. c.1889–90. Photograph, 13.3 by 20.6 cm (Private collection).
Book Review
Horace Vernet and the Thresholds of Nineteenth-Century Visual Culture. Edited by Daniel Harkett and Katie Hornstein; Horace Vernet. Dessinateur lithographe 1816–1838: Catalogue raisonné de l’oeuvre lithographié. Edited by Pierre Sanchez
07/2018 | 1384 | 160
Pages: 608-610
Publication Received
Noir: The Romance of Black in 19th-Century French Drawings and Prints. Edited by Lee Hendrix
06/2018 | 1383 | 160
Pages: 525-526
Obituary
Linda Nochlin (1931–2017)
01/2018 | 1378 | 160
Pages: 76-77
related names
Author:
Adler, Kathleen (Adler, Kathleen)
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art literature:
places:
subjects:
Illustrations
Attributed works:
Linda Nochlin standing in front of Deborah Kass’s 1997 work Orange Disaster (Linda Nochlin). 2014. (Photograph Clint Spaulding/Patrick McMullan; Painting: © Deborah Kass / Artists Rights Society (ARS), New York).
Article
Gustave and the goat: Rauschenberg’s ‘Monogram’ and Courbet’s ‘The painter’s studio’
12/2017 | 1377 | 159
Pages: 956-963
related names
Author:
Wainwright, Lisa (Wainwright, Lisa)
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dates:
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Illustrations
Attributed works:
1. Monogram, by Robert Rauschenberg. 1955–59. Oil, paper, fabric, printed paper, printed reproductions, metal, wood, rubber shoe heel and tennis ball on canvas, with oil on Angora goat and rubber tyre on wood (Moderna Museet, Stockholm).
Attributed works:
10. Detail of Fig.1 showing a photograph of three bankers from Guaranty Bank, taken from Life magazine. (Photograph Lisa Wainwright).
Attributed works:
2. The second state of construction of Monogram, by Robert Rauschenberg. 1956–58. Photographed by Rudy Burckhardt c.1958. (Robert Rauschenberg Foundation, New York).
Attributed works:
3. Detail of Fig.2.
Attributed works:
4. The painter’s studio: a real allegory summing up seven years of my artistic and moral life, by Gustave Courbet. 1854–55. (Musée d’Orsay, Paris).
Attributed works:
5. Robert Rauschenberg with Monogram at the Moderna Museet, Stockholm. 1980. (Courtesy Moderna Museet, Stockholm; photograph Harry Nahkala).
Attributed works:
6. Autobiography, by Robert Rauschenberg. 1968. (San Francisco Museum of Modern Art).
Attributed works:
7. Detail of Fig.1 showing a signboard fragments spelling ‘DAD’ and collaged images of a highwire walker and the bank interior, taken from Life. (Photograph Lisa Wainwright).
Attributed works:
8. Detail of Fig.1 showing collaged photographs of the crowd at Coney Island and small footprints, both taken from Life. (Photograph Lisa Wainwright).
Attributed works:
9. Detail of Fig.1 showing a photograph of tennis player Earl Buchholz taken from Life. (Photograph Lisa Wainwright).
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