By using this website you agree to our Cookie policy

Search

18 articles
Exhibition Review
Bill Brandt / Henry Moore
06/2020 | 1407 | 162
Pages: 520-524
related names
Reviewer:
Harrison, Martin (Harrison, Martin)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Bill Brandt / Henry Moore The Hepworth Wakefield 7th February–1st November | :
Illustrations
Attributed works:
1. Liverpool Street extension, by Bill Brandt. 1940, printed c.1948. Gelatin silver print, 24.4 by 19.3 cm. (Edwynn Houk Gallery, New York; exh. The Hepworth Wakefield).
Attributed works:
2. Tube shelter perspective: the Liverpool Street extension, by Henry Moore. 1941. Pencil, wax crayon, coloured crayon, watercolour, wash, pen and ink on paper, 48 by 43.5 cm. (Tate, London; exh. The Hepworth Wakefield).
Attributed works:
3. Contact sheet for details of Auguste Rodin’s Walking man (1877–78), by Henry Moore. 1967. 25.2 by 20.3 cm. (Henry Moore Foundation; exh. The Hepworth Wakefield).
Attributed works:
4. Nude, Baie des Anges, by Bill Brandt. 1959. Gelatin silver print, 61.6 by 52.1 cm. (  Bill Brandt Archive Ltd, London; exh. The Hepworth Wakefield).
Publication Received
Alberto Giacometti: A Line through Time. By Claudia Milburn and Calvin Winner
11/2018 | 1388 | 160
Pages: 986
Exhibition Review
Francis Bacon and the Masters. Norwich
08/2015 | 1349 | 157
Pages: 558 -559
related names
Reviewer:
Vernon, Jonathan (Vernon, Jonathan ; V., J.)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
37. Portrait of Isabel Rawsthorne, by Francis Bacon. 1966 (Tate, London; exh. Sainsbury Centre for Visual Arts, Norwich)
Attributed works:
38. A young woman, by Pablo Picasso. 1909 (State Hermitage Museum, St Petersburg; exh. Sainsbury Centre for Visual Arts, Norwich)
Attributed works:
39. Crucifixion, by Francis Bacon. 1933 (Private collection; exh. Sainsbury Centre for Visual Arts, Norwich)
Attributed works:
40. The Crucifixion, by Alonso Cano. c.1636-38 (State Hermitage Museum, St Petersburg; exh. Sainsbury Centre for Visual Arts, Norwich)
Publication Received
John Golding: Finding the Absolute. With an essay by Charlotte de Mille.
07/2015 | 1348 | 157
Pages: 488
related names
Reviewer:
Vernon, Jonathan (Vernon, Jonathan ; V., J.)
Subjects
artists:
Exhibition Review
Art in East Anglia
01/2014 | 1330 | 156
Pages: 46-48
related names
Reviewer:
Radford, Robert (Radford, Robert)
Subjects
dates:
places:
Illustrations
Attributed works:
55. Reclining figure, by Henry Moore. 1930. Ironstone, 11.5 by 17.5 cm. (Sainsbury Centre, University of East Anglia, Norwich).
Attributed works:
56. Storm on Yarmouth beach, by John Sell Cotman. 1831. Watercolour, 37 by 53.5 cm. (Norwich Castle Museum and Art Gallery; exh. Sainsbury Centre, University of East Anglia, Norwich).
Attributed works:
57. Crucifixion. English School, c. 1395. Panel, 92.5 by 48.5 cm. (Berger Collection at the Denver Art Museum; exh. Sainsbury Centre, University of East Anglia, Norwich).
Book Review
The Biography of a Building: How Robert Sainsbury and Norman Foster Built a Great Museum
04/2013 | 1321 | 155
Pages: 268
related names
Reviewer:
Kidd, Alex (Kidd, Alex)
Subjects
artists:
subjects:
Illustrations
Attributed works:
61. Exterior view of the Sainsbury Centre for Visual Arts, University of East Anglia, Norwich (1978), showing the Crescent Wing, by Foster Associates, 1991.
Exhibition Review
The Artist’s Studio. Compton Verney and Norwich
01/2010 | 1282 | 152
Pages: 56-57
related names
Reviewer:
Vaizey, Marina (Vaizey, Marina)
Subjects
dates:
dates:
subjects:
Reviewed Items
subjects:
The Artist’s Studio | institution: Compton Verney , institution: Sainsbury Centre for Visual Arts
Illustrations
Attributed works:
67. Interior of a studio, by Octave Tassaert. 1845. Canvas, 46 by 38 cm. (Musée du Louvre, Paris; exh. Sainsbury Centre for Visual Arts, Norwich).
Attributed works:
68. The artist in his studio with his man Gibbs, by George Morland. c.1802. Canvas, 63.5 by 76.2 cm. (Nottingham City Museums and Galleries; exh. Sainsbury Centre for Visual Arts, Norwich).
Attributed works:
69. A studio in Montparnasse, by C.R.W. Nevinson. 1926. Canvas, 127 by 76.2 cm. (Tate, London; exh. Sainsbury Centre for Visual Arts, Norwich).
Attributed works:
70. The shelf: object and shadow in front view, by Rodrigo Moynihan. 1982–83. Canvas, 71.1 by 91.5 cm. (Tate, London; exh. Sainsbury Centre for Visual Arts, Norwich).
Exhibition Review
Polish art. Norwich
08/2009 | 1277 | 151
Pages: 562-563
related names
Reviewer:
Radford, Robert (Radford, Robert)
Subjects
artists:
dates:
places:
print:
Reviewed Items
subjects:
Take a Look at Me Now: Contemporary Art from Poland | institution: Sainsbury Centre for Visual Arts
subjects:
The Art and Theatre of Tadeusz Kantor: An Impossible Journey | institution: Sainsbury Centre for Visual Arts
Illustrations
Attributed works:
56. Children at their desks, from The dead class, by Tadeusz Kantor. 1975. Mixed media, 150 by 150 by 420 cm. (Cricoteka Collection, Kraków; exh. Sainsbury Centre for Visual Art, Norwich).
Attributed works:
57. Kolorobloki, by Nicolas Grospierre. 2006. Aluminium, 100 by 70 cm. (Collection of the artist; exh. Sainsbury Centre for Visual Art, Norwich).
Attributed works:
58. Tanagram, by Anna Molska. 2006–07. Video projection, 4 minutes, 3 seconds. (Foksal Gallery, Warsaw; exh. Sainsbury Centre for Visual Art, Norwich).
Exhibition Review
Francis Bacon. Norwich, Wisconsin and Buffalo
12/2006 | 1245 | 148
Pages: 865-867
related names
Reviewer:
Radford, Robert (Radford, Robert)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Francis Bacon in the 1950s | institution: Albright-Knox Art Gallery , institution: Milwaukee Art Museum , institution: Sainsbury Centre for Visual Arts
Illustrations
Attributed works:
68. Sketch for a portrait of Lisa, by Francis Bacon. 1955. Canvas, 61 by 54.9 cm. (Robert and Lisa Sainsbury Collection, University of East Anglia, Norwich; exh. Sainsbury Centre for Visual Arts, Norwich).
Attributed works:
69. Figure study II, by Francis Bacon. 1945. Canvas, 145 by 128.5 cm. (Huddersfield Art Gallery; exh. Sainsbury Centre for Visual Arts, Norwich).
Attributed works:
70. Study for a portrait of Van Gogh V, by Francis Bacon. 1957. Canvas, 187.7 by 137.5 cm. (Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington; exh. Sainsbury Centre for Visual Arts, Norwich).
load more