Bill Brandt / Henry Moore
The Hepworth Wakefield
7th February–1st November |
:
Illustrations
Attributed works:
1. Liverpool
Street extension,
by Bill Brandt.
1940, printed
c.1948. Gelatin
silver print,
24.4 by 19.3
cm. (Edwynn
Houk Gallery,
New York; exh.
The Hepworth
Wakefield).
Attributed works:
2. Tube shelter
perspective: the
Liverpool Street
extension, by
Henry Moore.
1941. Pencil,
wax crayon,
coloured crayon,
watercolour,
wash, pen and
ink on paper, 48
by 43.5 cm.
(Tate, London;
exh. The
Hepworth
Wakefield).
Attributed works:
3. Contact sheet
for details of
Auguste Rodin’s
Walking man
(1877–78), by
Henry Moore.
1967. 25.2
by 20.3 cm.
(Henry Moore
Foundation; exh.
The Hepworth
Wakefield).
Attributed works:
4. Nude, Baie
des Anges, by
Bill Brandt. 1959.
Gelatin silver
print, 61.6 by
52.1 cm. ( Bill
Brandt Archive
Ltd, London; exh.
The Hepworth
Wakefield).
Publication Received
Alberto Giacometti: A Line through Time. By Claudia Milburn and Calvin Winner
55. Reclining figure, by Henry Moore. 1930. Ironstone, 11.5 by 17.5 cm. (Sainsbury Centre, University of East Anglia, Norwich).
Attributed works:
56. Storm on Yarmouth beach, by John Sell Cotman. 1831. Watercolour, 37 by 53.5 cm. (Norwich Castle Museum and Art Gallery; exh. Sainsbury Centre, University of East Anglia, Norwich).
Attributed works:
57. Crucifixion. English School, c. 1395. Panel, 92.5 by 48.5 cm. (Berger Collection at the Denver Art Museum; exh. Sainsbury Centre, University of East Anglia, Norwich).
Book Review
The Biography of a Building: How Robert Sainsbury and Norman Foster Built a Great Museum
61. Exterior view of the Sainsbury Centre for Visual Arts, University of East Anglia, Norwich (1978), showing the Crescent Wing, by Foster Associates, 1991.
67. Interior of a studio, by Octave Tassaert. 1845. Canvas, 46 by 38 cm. (Musée du Louvre, Paris; exh. Sainsbury Centre for Visual Arts, Norwich).
Attributed works:
68. The artist in his studio with his man Gibbs, by George Morland. c.1802. Canvas, 63.5 by 76.2 cm. (Nottingham City Museums and Galleries; exh. Sainsbury Centre for Visual Arts, Norwich).
Attributed works:
69. A studio in Montparnasse, by C.R.W. Nevinson. 1926. Canvas, 127 by 76.2 cm. (Tate, London; exh. Sainsbury Centre for Visual Arts, Norwich).
Attributed works:
70. The shelf: object and shadow in front view, by Rodrigo Moynihan. 1982–83. Canvas, 71.1 by 91.5 cm. (Tate, London; exh. Sainsbury Centre for Visual Arts, Norwich).
56. Children at their desks, from The dead class, by Tadeusz Kantor. 1975. Mixed media, 150 by 150 by 420 cm. (Cricoteka Collection, Kraków; exh. Sainsbury Centre for Visual Art, Norwich).
Attributed works:
57. Kolorobloki, by Nicolas Grospierre. 2006. Aluminium, 100 by 70 cm. (Collection of the artist; exh. Sainsbury Centre for Visual Art, Norwich).
Attributed works:
58. Tanagram, by Anna Molska. 2006–07. Video projection, 4 minutes, 3 seconds. (Foksal Gallery, Warsaw; exh. Sainsbury Centre for Visual Art, Norwich).
68. Sketch for a portrait of Lisa, by Francis Bacon. 1955. Canvas, 61 by 54.9 cm. (Robert and Lisa Sainsbury Collection, University of East Anglia, Norwich; exh. Sainsbury Centre for Visual Arts, Norwich).
Attributed works:
69. Figure study II, by Francis Bacon. 1945. Canvas, 145 by 128.5 cm. (Huddersfield Art Gallery; exh. Sainsbury Centre for Visual Arts, Norwich).
Attributed works:
70. Study for a portrait of Van Gogh V, by Francis Bacon. 1957. Canvas, 187.7 by 137.5 cm. (Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington; exh. Sainsbury Centre for Visual Arts, Norwich).