1. The runners, by Robert Delaunay. 1924. Oil on canvas, 114 by 146 cm.
(Musée d’art moderne de Troyes; photograph Olivier Frajman).
Attributed works:
2. The runners, by Robert Delaunay. (From the catalogue of the
exhibition Kunst und Sport, Düsseldorf 1926; Harry Ransom
Center, University of Texas at Austin, Book Collection).
Attributed works:
3. The runners, by Robert Delaunay. 1924–25. Oil on canvas,
153 by 203 cm. (Fridart Foundation; photograph Courtauld Institute,
London).
Attributed works:
4. The runners, by Robert Delaunay. 1930. Oil on canvas,
112.8 by 145.5 cm. (Private collection).
Attributed works:
5. The version of The runners exhibited at the Salon des Indépendants,
Paris, 1925. (From L’Art vivant, 20th March 1925; Bibliothèque nationale
de France, département Sciences et techniques, FOL-V-5897).
Attributed works:
6. Record I, by Robert Delaunay. (From the catalogue of the exhibition
Französische Kunst der Gegenwart, Vienna, 1926; Library, National
Gallery of Art, Washington, David K.E. Bruce Fund).
Attributed works:
7. The runners, by Robert Delaunay. 1926. Oil on canvas, 171 by 190 cm.
(Private collection; photograph akg-images).
Attributed works:
8. The runners, by Robert Delaunay. 1926. Oil on canvas, 65 by 81 cm.
(Private collection).
Attributed works:
9. Installation view of the exhibition Kunst und Sport in Düsseldorf,
1926. Photograph by Julius Söhn, Düsseldorf. (Harry Ransom Center,
University of Texas at Austin; Carlton Lake Collection of French
Manuscripts, 204.8).
Exhibition Review
Siah Armajani: Follow This Line. Walker Art Center, Minneapolis
21. Seven rooms of hospitality: Room for deportees, by Siah Armajani. 2017. Metal, wood, barbed wire, mailbox, hat and handbag, 243.8 by 305.4 by 111.1 cm. (Courtesy the artist and Rossi & Rossi; exh. Walker Art Center, Minneapolis).
Attributed works:
22. Dictionary for building: The garden gate, by Siah Armajani. 1982–1983. Wood, paint and book, 241.6 by 81.9 by 188 cm. (Walker Art Center, Minneapolis).
Attributed works:
23. Irene Hixon Whitney Bridge, Minneapolis. Designed by Siah Armajani. 1988. (Photograph Barbara Economon; courtesy Walker Art Center, Minneapolis).
Article
A portrait by John Singer Sargent of Arsène Vigeant
31. Portrait of the fencing master Arsène Vigeant, by John Singer Sargent (Copyright of the Musée de La Cour d'Or, Metz; photograph by Laurianne Kieffer)
Attributed works:
32. Portrait of Carolus-Duran, by John Singer Sargent (Copyright of the Sterling and Francine Clark Art Institute, Williamstown; photograph by Michael Agee)
Attributed works:
33. Man seated, holding a foil, by John Singer Sargent (Musée du Louvre, Paris; copyright RMN-Grand Palais, Paris; photograph by Adrien Didierjean)
Attributed works:
34. Henry Fouqier, by John Singer Sargent. From C.-M. de Vaux: Les Hommes d'épée, Paris 1882
Attributed works:
35. The fencing master (portrait of Arsène Vigeant), by Carolus-Duran (Present whereabouts unknown, formerly Musée du Luxembourg, Paris; copyright of Sophie Boegly)
Attributed works:
36. Master Vigeant, by Jean-Antoine Injalbert, cast by Pierre Bingen (Musée d'Orsay, Paris; copyright of Philippe Chuzeville)
Attributed works:
37. Vigeant's study, by Frédéric Regamey. Frontispiece to A. Vigeant: Ma Collection d'escrime, Paris 1892
Article
Toulouse-Lautrec in Catford: new information about ‘La Chaîne Simpson’
10. La Chaîne Simpson, by Henri de Toulouse-Lautrec. 1896. Colour lithograph, 82.8 by 120 cm. (Bibliothèque Nationale, Paris).
Attributed works:
11. Cycle Michael, by Henri de Toulouse-Lautrec. 1896. Brush lithograph, 81.5 by 121 cm. (National Museum of Wales, Cardiff).
Western art unattributed:
12. ‘The Simpson Lever Chain’, Illustrated London News (20th June 1896), p.790. (Copyright the British Library).
Western art unattributed:
13. Photograph showing ?Henri de Toulouse-Lautrec with Louis Bouglé and W.S. Simpson at the Catford Cycle Track, June 1896. Unidentified press cutting. (Lewisham Local History and Archive Centre).