Rosario de Velasco
By Estrella de Diego, Elena Rodríguez
Carballo, Víctor Ugarte Farrerons, Toya
Viudes de Velasco and Miguel Lusarreta.
144 pp. incl. 57 col. + b. & w. ills. (Museo
Nacional Thyssen-Bornemisza, Madrid,
2024), €30. ISBN 978–84–17173–89–0. |
:
In the Eye of the Storm:
Modernism in Ukraine,
1900–1930s
Museo Thyssen-Bornemisza, Madrid
29th November 2022–30th April 2023 |
:
Illustrations
Attributed works:
1. Design for the
Chess Room
at the Central
Red Army Club,
Kharkiv, by Vasyl
Yermilov. 1920.
Colour pencil,
watercolour
and ink on
paper pasted on
cardboard, 19.2 by
17.4 cm. (National
Art Museum of
Ukraine, Kyiv; exh.
Museo Thyssen-
Bornemisza,
Madrid).
Attributed works:
2. Costume
design for Juliusz
Słowacki’s play
Mazepa for the
Taras Shevchenko
Theatre, Kyiv, by
Vadym Meller.
1920. Gouache
and pencil on
paper, 54 by 42
cm. (Museum of
Theatre, Music,
and Cinema
Arts of Ukraine,
Kyiv; exh.
Museo Thyssen-
Bornemisza,
Madrid).
Attributed works:
3. Dairymaid,
by Mykhailo
Boichuk. Early
1920s. Tempera
on canvas, 95 by
45 cm. (National
Art Museum of
Ukraine, Kyiv;
exh. Museo
Thyssen-
Bornemisza,
Madrid)).
Rembrandt’s Light (Dulwich Picture Gallery, 4th October
2019–2nd February 2020). |
:
subjects:
Here: Black in
Rembrandt’s Time (Rembrandt House Museum, 5th March–31st May). |
:
subjects:
Inside Rembrandt (Wallraf-Richartz-Museum and Fondation
Corboud, Cologne, 1st November 2019–1st March 2020; and National
Gallery, Prague, 25th September–31st January 2021) |
:
subjects:
Rembrandt and Amsterdam Portraiture, 1590–
1670 (Museo Nacional Thyssen-Bornemisza, Madrid, 18th February–
24th May). |
:
subjects:
Rembrandt Laboratory: Rembrandt’s Technique Unravelled (Rembrandt House Museum, 21st September 2019−16th February 2020). |
:
Rembrandt’s Social Network: Family, Friends and Acquaintances, and Inspired
by Rembrandt: 100 Years of Collecting by the Rembrandt House Museum (The Rembrandt House Museum 7th
June–1st September 2019). |
:
subjects:
Young Rembrandt: Rising Star, (Stedelijk Museum De Lakenhal 2nd
November 2019–9th February 2020).
(Ashmolean Museum, Oxford,
27th February–7th June 2020, re-opened until 1st November)
|
:
Illustrations
Attributed works:
1. Portrait of an old man (Rembrandt’s father), by Rembrandt.
c.1627−30. Red and black chalk with brown wash, 18.9 by 24 cm.
(Ashmolean Museum, Oxford).
Attributed works:
2. Travellers resting (The Rest on the Flight into Egypt?), from
Rembrandt’s studio(?). c.1628−30(?). Oil on paper, mounted onto panel,
38 by 33.7 cm. (Mauritshuis, The Hague).
Attributed works:
3. Self-portrait, by Rembrandt. c.1629. Oil on panel, 72.3 by 57.8 cm.
(Walker Art Gallery, National Museums Liverpool).
Attributed works:
4. The abduction of Proserpina, by Rembrandt. c.1630−31. Oil on panel,
84.4 by 79.5 cm. (Gemäldegalerie, Staatliche Museen zu Berlin).
Attributed works:
5. A Black boy, by Gerrit Dou. c.1630−33. Oil on panel, 43.3 by 33.8 cm.
(Niedersächsisches Landesmuseum, Hannover).
Attributed works:
6. Mercury, by Pieter Lastman. c.1620−25. Red and white chalk, on lightorange
prepared paper, 28.2 by 20.9 cm. (Fondation Custodia, Frits Lugt
Collection, Paris).
Attributed works:
7. Standing oriental warrior, by Rembrandt. c.1627. Red chalk, 30.5 by
16.5 cm. (Kupferstich-Kabinett, Staatliche Kunstsammlungen Dresden).
Attributed works:
8. Standing oriental warrior, traditionally attributed to Rembrandt but
possibly by Jan Lievens. c.1627. Red chalk, 27.9 by 17.9 cm. (Staatliche
Graphische Sammlung, Munich).
Attributed works:
9. Installation view of ‘Rembrandt Laboratory’ at the Rembrandt House
Museum, Amsterdam.
100. The head of St John the Baptist, attributed to Bartolomeo Manfredi. c.1618 (Robilant & Voena, London)
Attributed works:
101. The card players, attributed to Antiveduto Gramatica. 1615-18 (The Wellington Museum, Apsley House, London; exh. National Gallery of Ireland, Dublin)
Attributed works:
102. The calling of St Matthew, by Hendrick ter Brugghen. c.1617-19 (Musée d'art moderne André Malraux, Le Havre; exh. Thyssen-Bornemisza Museum, Madrid)
Attributed works:
98. The chicken vendor, by the Pensionante del Saraceni. c.1615-22 (Museo Nacional del Prado, Madrid; exh. Thyssen-Bornemisza Museum, Madrid)
Attributed works:
99. The taking of Christ, by Caravaggio. 1602-03 (On permanent loan to the National Gallery of Ireland, Dublin)
78. Plate with quinces, grapes, figs and plums, by Juan de Zurbarán. c.1645 (Private collection; exh. Museo Thyssen-Bornemisza, Madrid)
Attributed works:
79. The house at Nazareth, by Francisco de Zurbarán. c.1644-45 (Fondo Cultural Villar Mir, Madrid; exh. Museo Thyssen-Bornemisza, Madrid)
Attributed works:
80. Agnus Dei, by Francisco de Zurbarán. 1639 (Museo de la Real Academia de Bellas Artes de San Fernando, Madrid; exh. Museo Thyssen-Bornemisza, Madrid)
Publication Received
Alma-Tadema e i pittori dell’800 inglese. La collezione Pérez Simón. Edited by Véronique Gérard-Powell, with contributions by Juan Antonio Pérez Simón and Charlotte Ribeyrol.
25. Amazone de face, by Edouard Manet. 1882–83. Canvas, 73 by 52 cm. (Museo Thyssen-Bornemisza, Madrid).
Attributed works:
26. Amazone de profil, photograph by Fernand Lochard of 1883, of a painting by Edouard Manet. Albumen print, 10 by 7 cm. (Morgan Library & Museum, New York).
Attributed works:
27. L’Amazone, by Edouard Manet. 1882–83. Canvas, 114 by 86 cm. (Villa Flora, Sammlung Hahnloser, Winterthur).
Attributed works:
28. Jeune fille en costume d’amazone, photograph by Fernand Lochard, 1883. Pen and ink annotations, c.1900, by Léon Leenhoff. Albumen print, 10.5 by 7 cm.; on card 28.5 by 20 cm. (Morgan Library & Museum, New York).
Attributed works:
29. Equestrian portrait of Mlle Croizette, by Carolus-Duran. 1873. Canvas, 340 by 312 cm. (Musée des Beaux-Arts, Tourcoing).
Attributed works:
30. Woman in a riding habit (L’Amazone), by Gustave Courbet. 1856. Canvas, 115.6 by 89.2 cm. (Metropolitan Museum of Art, New York).