1. Decorative plaque (the Emotan Panel), by Isaac O. Edokpolo.
c.1959–66. Wood, 39 by 29.5 by 2 cm. (Penn Museum, Philadelphia).
Attributed works:
10. Detail of Fig.1, showing the medallion.
Attributed works:
11. Isaac O. Edokpolo’s business card. 9 by 7 cm.
(Photograph Norma Wolff).
Attributed works:
12. Decorative plaque, by Isaac O. Edokpolo. Before 1966. Wood,
approximately 38.53 by 26 cm. (Private collection; photograph
Norma Wolff).
Attributed works:
2. Emotan, by John Alexander Danford. 1954. Bronze, height 182.9 cm.
without base. (Photograph Barbara Blackmun, 1994).
Attributed works:
3. John Danford working on Emotan in his studio in Chelsea, London,
3rd April 1953. (Keystone Press; Alamy).
Attributed works:
4. A group of chiefs’ wives at a palace ceremony, their hair decorated
with coral ornaments and brass feathers. 1994. (Photograph the author).
Attributed works:
5. The Emotan shrine as it appears today. (Photograph 21st June 2018,
courtesy AllTimePost.com).
Attributed works:
6. The newly crowned O. ba of Benin Kingdom, Eheneden Erediauwa,
is guided through a symbolic bridge by the palace chiefs during his
coronation in Benin City, Nigeria, 20th October 2016. (Photograph
Reuters / Akintunde Akinleye; Alamy).
Attributed works:
7. Decorative plaque, by Isaac O. Edokpolo. c.1960s. Wood, 30 by 28 cm.
(Private collection; photograph Michael Graham Stewart).
Attributed works:
8. Carved container. Late 19th century. Coconut, height 12.7 cm.
(Metropolitan Museum of Art, New York).
Attributed works:
9. Prototype medallion for the London Royal Society of
Arts, by Thomas Pingo. 1790. Silver, diameter 4.4 cm.
(Metropolitan Museum of Art, New York).
Book Review
Loot: Britain and the Benin Bronzes
Dividing the Spoils: Perspectives on Military Collections and the British Empire
Dividing the Spoils: Perspectives on
Military Collections and the British
Empire
Edited by Henrietta Lidchi and Stuart
Allan. 344 pp. incl. 31 b. & w. ills. (Manchester
University Press, Manchester, 2020), £85.
ISBN 978–1–5261–3920–7. |
:
subjects:
Loot: Britain and the Benin Bronzes
By Barnaby Phillips. 416 pp. incl. 15 col. + 26
b. & w. ills. (Oneworld Publications, London,
2021), £10.99. ISBN 978–0–86154–313–7. |
:
Illustrations
Attributed works:
6. Trophy head. Kumasi, Ghana, 18th or
19th century. Gold, height 20 cm. (Wallace
Collection, London).
Book Review
Embodiments. Masterworks of African Figurative Sculpture, C. Hellmich and M. Jordán, eds.
52. Mother and child. Nineteenth century. Photograph taken in 1969 showing the sculpture with her drummer in the village of Eloyi (Afo), Nigeria (Richard H. Scheller Collection, California; photograph by Anna Craven, courtesy National Commission for Museums and Monuments, Nigeria).
A-Wood Coffer, Carved from a Single Block. From Benin, about 1891. Decorated with the Dual Twist and Non-Terminous Plait-Motives. Height, 67 cm. (Victoria and Albert Museum). Two Examples of Nigerian Wood-Carving
Non-western art unattributed:
B-Ceremonial Stool of Carved Wood, from Benin, Late Nineteenth Century. Decorated with the Dual Twist, Non-Terminous Plait and Ribbon-Cross. Height, 42 cm. (Victoria and Albert Museum). Two Examples of Nigerian Wood-Carving
Plate I. A-The Stone Figures of Esie as They Were Seen from the Entrance to the Grove. The Stone Figures of Esie in Nigeria
Non-western art unattributed:
Plate I. B-The Priest of Esie Paying Homage to the Figure of the King Which Can be Seen at the End of the Horse-Shoe-Like Space. The Stone Figures of Esie in Nigeria
Non-western art unattributed:
Plate II. A-The Figure of the King. The Stone Figures of Esie in Nigeria
Non-western art unattributed:
Plate II. B-Female Figure. The Stone Figures of Esie in Nigeria
Non-western art unattributed:
Plate II. C-Figure Showing the Nupe Tribal Mark. The Stone Figures of Esie in Nigeria
Non-western art unattributed:
Plate II. D-Figure Showing Nupe Tribal Mark upon a Background of Oblique Cuts. The Stone Figures of Esie in Nigeria