By using this website you agree to our Cookie policy

Search

51 articles
Book Review
The ‘Black Art’ Renaissance: African Sculpture and Modernism across Continents
07/2021 | 1420 | 163
Pages: 644-646
related names
Reviewer:
MCBREEN, Ellen (MCBREEN, Ellen)
Subjects
Reviewed Items
subjects:
The ‘Black Art’ Renaissance: African Sculpture and Modernism across Continents By Joshua I. Cohen. 304 pp. incl. 83 col. + 18 b. & w. ills. (University of California Press, Oakland, 2020), £54. ISBN 978–0–520–30968–5. | :
Illustrations
Non-western art unattributed:
8. Mask, southwest Ivory Coast. Wood, pigments, nails, raffia and cowries, height 37 cm. (Private collection; courtesy Archives Claude Picasso; photograph Maurice Aeschimann).
Book Review
Nature’s Experiments and the Search for Symbolist Form. By Allison Morehead
01/2019 | 1390 | 161
Pages: 94-95
related names
Reviewer:
Thomson, Belinda (Thomson, Belinda)
Subjects
media:
places:
Illustrations
Attributed works:
6. Study for Décor, by Maurice Denis. c.1890–91. Charcoal and pastel on paper, 31.2 by 24.7 cm. (Private collection).
Article
The ‘Martinoff Drawings’: a quest for Russian art at the South Kensington Museum
12/2018 | 1389 | 160
Pages: 1006-1015
related names
Author:
Hardiman, Louise (Hardiman, Louise)
Subjects
Illustrations
Attributed works:
1. Copy of decoration in a sixteenth-century manuscript of the Gospels in the Patriarchal Library, Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 39.3 by 26.7 cm. (Victoria and Albert Museum, London, no.M.10.b: 8881).
Attributed works:
10. Detail of The mitre of the Patriarch Job (1586–1605) in the treasury of the Patriarch, Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 30.5 by 21.6 cm. (Victoria and Albert Museum, London; no.M.10.b: 8854).
Attributed works:
11. Detail of Two pairs of eyeglasses, and cases for same, of the Patriarch Nikon (1652–1658) in the treasury of the Patriarch, Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 35.5 by 25.4 cm. (Victoria and Albert Museum, London; no.M.10.a: 8858).
Attributed works:
12. A saccos (dalmatic) of the Metropolitan Dionysy, made by order of Tsar Ivan Vasilievich (1530–1584) in the treasury of the Patriarch, Moscow, 16th century (second half), by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 38 by 26.8 cm. (Victoria and Albert Museum, London; no.M.10.b: 8873).
Attributed works:
2. Detail of Church of the Holy Trinity, Ostankino, near Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 36.9 by 24.2 cm. (Victoria and Albert Museum, London; no.M.10.a: 8845).
Attributed works:
4. Detail of The Panagia of the Patriarch Job (1586–1605) in the treasury of the Patriarch, Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 25.4 by 36.3 cm. (Victoria and Albert Museum, London; no.M.10.a: 8842).
Attributed works:
5. Detail of A halo from the image of the Virgin in the sacristy of the Convent of the Transfiguration of Our Lord, Staraya Russa, Novgorod, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 35.5 by 28.5 cm. (Victoria and Albert Museum; London; no.M.10.a: 8861).
Attributed works:
6. Detail of The Pastoral Staff of the Patriarch Nikon (1652–1658), in the treasury of the Patriarch, Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 28.5 by 35.5 cm. (Victoria and Albert Museum, London; no.M.10.a: 8855).
Attributed works:
7. A censer at the Convent of the Blessed Virgin, Serpukhov, Province of Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 37 by 28.5 cm. (Victoria and Albert Museum, London, no.M.10.a: 8849).
Attributed works:
8. Detail of The klobouk (headdress of the Greek friars), of the Patriarch Nikon (1652–1658), in the treasury of the Patriarch, Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 33 by 22.9 cm. (Victoria and Albert Museum, London; no.M.10.b: 8853).
Attributed works:
9. A sash of the Patriarchs, in the treasury of the Patriarch, Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 36.8 by 22.9 cm. (Victoria and Albert Museum, London; no.M.10.b: 8877).
Non-western art unattributed:
3. Reliquary or triple cross, after a seventeenth-century original at the Cathedral of the Dormition, Moscow, at the time of reproduction. c.1881. Electrotype, 32.4 by 16.5 by 3.2 cm. (Metropolitan Museum of Art, New York).
Publication Received
Alberto Giacometti: A Line through Time. By Claudia Milburn and Calvin Winner
11/2018 | 1388 | 160
Pages: 986
Publication Received
The Legacies of Bernard Smith: Essays on Australian Art, History and Cultural Politics. Edited by Jaynie Anderson, Christopher R. Marshall and Andrew Yip
11/2018 | 1388 | 160
Pages: 986-987
Book Review
Photography and Sculpture: The Art Object in Reproduction. Edited by Sarah Hamill and Megan R. Luke
11/2018 | 1388 | 160
Pages: 983-984
Article
From Giotto to the Bushmen: Roger Fry at the Slade 1909–13
09/2018 | 1386 | 160
Pages: 727-733
related names
Author:
Elam, Caroline (Elam, Caroline; E., C.; E., C. M.)
Subjects
media:
places:
subjects:
Illustrations
Attributed works:
1. Vision, volumes and recession, by Walter Sickert. c.1923, published 1929. Etching, 20 by 11.1 cm. (Courtauld Gallery, London).
Attributed works:
2. The unknown god: Roger Fry preaching the new faith, by Henry Tonks. Exhibited 1923. Canvas, 41.5 by 56 cm. (Private collection; courtesy Pym’s Gallery, London).
Attributed works:
3. Poster for the first Post-Impressionist exhibition, Grafton Galleries, London. 1910. Lettering by Roger Fry. 76.3 by 50.9 cm. (The Courtauld Gallery, London).
Attributed works:
4. The meeting at the Golden Gate from John Ruskin, Giotto and his Works in Padua, Orpington 1900, p.77. (Warburg Institute, London).
Attributed works:
5. Detail of The meeting at the Golden Gate, by Giotto. c.1305. Fresco. (Arena Chapel, Padua; Bridgeman Images).
Attributed works:
6. Some later primitives and Madame Tisceron, by John Currie. 1912. Tempera on canvas, 46 by 127 cm. (The Potteries Museum and Art Gallery, Stoke-on-Trent; Bridgeman Images).
Attributed works:
7. John Donne arriving in heaven, by Stanley Spencer. 1911. Canvas, 37 by 40.5 cm. (Fitzwilliam Museum, Cambridge).
Exhibition Review
Joan Miró: Sculptures 1928–1982. Centro Botín, Santander
09/2018 | 1386 | 160
Pages: 786-788
related names
Reviewer:
Watkins, Nicholas (Watkins, Nicholas)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
19. The Centro Botín, Santander, photographed from the Pareda Gardens, June 2017. (Photograph Belen de Beneto).
Attributed works:
20. Souvenir de la Tour Eiffel, by Joan Miró, cast by Fundicío Parellada, Barcelona. Bronze, 334 by 54 by 80 cm. (Private collection; exh. Centro Botín, Santander).
Attributed works:
21. Personnage et oiseau, by Joan Miró, cast by Fundicío Parellada, Barcelona. Bronze, 104 by 63 by 20 cm. (Private collection; exh. Centro Botín, Santander).
Exhibition Review
Emil Nolde: Colour is Life. Scottish National Gallery of Modern Art, Edinburgh
08/2018 | 1385 | 160
Pages: 684-686
related names
Reviewer:
Lloyd, Jill (J. L.) (Lloyd, Jill (J. L.); L., J.)
Subjects
artists:
dates:
Illustrations
Attributed works:
25. Slowenians, by Emil Nolde. 1911. Canvas, 80 by 69.5 cm. (Nolde Foundation, Seebüll; exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
26. Frisians, man and woman, by Emil Nolde. 1910. Canvas, 69.5 by 89.5 cm. (Nolde Foundation, Seebüll; exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
27. Skater, by Emil Nolde. Watercolour on paper, 25.8 by 18 cm. (Nolde Foundation, Seebüll; exh. Scottish National Gallery of Modern Art, Edinburgh).
Exhibition Review
Man Ray. Kunstforum Wien, Vienna
06/2018 | 1383 | 160
Pages: 509-512
related names
Reviewer:
Strauss, Andrew (Strauss, Andrew)
Subjects
artists:
dates:
museums and institutions:
places:
Illustrations
Attributed works:
26. The rope dancer accompanies herself with her shadows, by Man Ray. 1916. Canvas, 132.1 by 186.4 cm. (Museum of Modern Art, New York; exh. Kunstforum Wien, Vienna).
Attributed works:
27. Solarized portrait of Lee Miller, by Man Ray. 1929. Silver gelatin print, 30.5 by 25.4 cm. (Museum Ludwig, Cologne; exh. Kunstforum Wien, Vienna; © Man Ray Trust).
Attributed works:
28. Untitled (Rayograph), by Man Ray. 1923. Silver gelatin print, 50.5 by 37.5 cm. (Museum Ludwig, Cologne; exh. Kunstforum Wien, Vienna; © Man Ray Trust).
load more