4. Detail of the painted ceiling in the Sala dell’Armeria (Room 21),
Gallerie degli Uffizi, Florence, depicting a Persian soldier by
Ludovico Buti. 1588–89. (Photograph the author).
Attributed works:
6. Medusa, by Caravaggio. 1595–98. Oil on canvas applied on a wooden
shield, 60 by 55 cm. (Gallerie degli Uffizi, Florence).
Non-western art unattributed:
1. Shield. Persia, late 16th century. Gold damascened steel, Indian cane,
silk, mother-of-pearl, leather and velvet, diameter 64.5 cm. (Museo
Nazionale del Bargello, Florence).
Non-western art unattributed:
2. Detail of Fig.1, showing figures serving food to an authority
on a higher seat.
Non-western art unattributed:
3. Detail of Fig.1, showing men on horseback and on foot using spears and
arrows to hunt lions.
Non-western art unattributed:
5. Silk fragment with a figured motif. Yazd, Persia, late 16th or
early 17th century. Silk lampas, 70.5 by 36 cm. (Museo Nazionale
del Bargello, Florence).
Non-western art unattributed:
7. Shield. Persia, 17th century. Indian cane covered with silk,
metal umbo painted in black with golden arabesque engravings
and originally embellished with turquoises and other precious
stones, 20 by 62 cm. (Palazzo Ducale, Venice).
Non-western art unattributed:
8. Tray with a scene of lovers in a pavilion. Gujarat, late 16th or early
17th century. Mother-of-pearl and lacquer on wood, diameter 43.5 cm.
(Aga Khan Museum, Toronto).
Book Review
Loot: Britain and the Benin Bronzes
Dividing the Spoils: Perspectives on Military Collections and the British Empire
Dividing the Spoils: Perspectives on
Military Collections and the British
Empire
Edited by Henrietta Lidchi and Stuart
Allan. 344 pp. incl. 31 b. & w. ills. (Manchester
University Press, Manchester, 2020), £85.
ISBN 978–1–5261–3920–7. |
:
subjects:
Loot: Britain and the Benin Bronzes
By Barnaby Phillips. 416 pp. incl. 15 col. + 26
b. & w. ills. (Oneworld Publications, London,
2021), £10.99. ISBN 978–0–86154–313–7. |
:
Illustrations
Attributed works:
6. Trophy head. Kumasi, Ghana, 18th or
19th century. Gold, height 20 cm. (Wallace
Collection, London).
1. Louis-Philippe with the plan of the Gallery of Battles, Versailles,
by F.X. Winterhalter. 1841. Canvas, 284 by 184 cm. (Musée des
châteaux de Versailles et de Trianon).
Attributed works:
2. The duc d’Orléans leaving the Palais Royale to go to the Hôtel de
Ville, 31st July 1830, by Horace Vernet. 1832. Canvas, 215 by 261.5 cm.
(Musée des châteaux de Versailles et de Trianon).
Attributed works:
3. Louis-Philippe and his five sons leaving the Palace of Versailles
through the Gate of Honour after having reviewed the troops in the
courtyards, 10th June 1837, by Horace Vernet. Canvas, 367 by 394 cm.
(Musée des châteaux de Versailles et de Trianon).
Attributed works:
4. Taking of the city of Constantine, 13th October 1837, by Horace
Vernet. 1839. Canvas, 512 by 518 cm. (Musée des chateaux de Versailles
et de Trianon).
Attributed works:
5. Detail of Capture of the Smala of Abd el-Kader at Taguin, 16th
May 1843, showing the duc d’Aumale accepting the surrender, by
Horace Vernet. Canvas, 140 by 450 cm. (Musée des châteaux de
Versailles et de Trianon).
Attributed works:
6. Detail of Capture of the Smala of Abd el-Kader at Taguin, 16th
May 1843, showing the harem women, by Horace Vernet. Canvas,
140 by 450 cm. (Musée des châteaux de Versailles et de Trianon).
Attributed works:
7. Louis-Philippe and the royal family visit the Crusades rooms at
Versailles, July 1844, by Prosper Lafaye. 1844. Canvas, 61 by 86.5 cm.
(Musée des châteaux de Versailles et de Trianon).
Exhibition Review
Aftermath: Art in the Wake of World War One. Tate Britain, London
22. The floating one, by Ernst Barlach. 1927, cast 1987. Bronze, 213 by 74 by 68 cm. (SchleswigHolsteinische Landesmuseen Schloss Gottorf, Schleswig; exh. Tate Britain, London).
Attributed works:
23. Grey day, by George Grosz. 1921. Canvas, 115 by 80 cm. (Nationalgalerie, Berlin; exh. Tate Britain, London).
Attributed works:
24. Wire, by Paul Nash. 1918–19. Watercolour, chalk and ink on paper, 48.6 by 63.5 cm. (Imperial War Museums, London; exh. Tate Britain, London).
Article
A new contribution to the biography of Leonardo da Vinci