Art & War in the Renaissance:
The Battle of Pavia Tapestries
de Young, Fine Arts Museums
of San Francisco
19th October 2024–12th January 2025 |
:
Illustrations
Attributed works:
7. Installation
view of Art
& War in the
Renaissance:
The Battle of
Pavia Tapestries
at the de Young,
Fine Arts
Museums of San
Francisco, 2024.
Attributed works:
8. Detail from
the Incursion
of the imperial
baggage
train into the
battlefield and
surrender of the
Swiss pikemen,
designed by
Bernard van
Orley, woven
under direction
of Willem and
Jan Dermoyen,
Brussels. c.1528–
31. Wool, silk,
metal-wrapped
thread. (Museo
e Real Bosco di
Capodimonte,
Naples; exh. Fine
Arts Museums of
San Francisco).
Attributed works:
9. Advance of
the imperial
army and
counterattack
of the French
cavalry led by
François I, by
the workshop
of Bernard van
Orley. c.1526–28.
Pen, ink and
grey wash on
paper, 37 by
77cm. (Musée du
Louvre, Paris;
exh. Fine Arts
Museums of San
Francisco).
Exhibition Review
Frank Stella. New York, Fort Worth and San Francisco
93. Standard Station, Amarillo, Texas, by Ed Ruscha. 1963 (Whitney Museum of American Art, New York; exh. de Young, Fine Arts Museums of San Francisco)
Attributed works:
94. America's future, by Ed Ruscha. 1979 (Collection of Levi Strauss & Co., San Francisco; exh. de Young, Fine Arts Museums of San Francisco)
Attributed works:
95. Coyote, by Ed Ruscha. 1986 (Fine Arts Museums of San Francisco; exh. de Young, Fine Arts Museums of San Francisco)
Book Review
Embodiments. Masterworks of African Figurative Sculpture, C. Hellmich and M. Jordán, eds.
52. Mother and child. Nineteenth century. Photograph taken in 1969 showing the sculpture with her drummer in the village of Eloyi (Afo), Nigeria (Richard H. Scheller Collection, California; photograph by Anna Craven, courtesy National Commission for Museums and Monuments, Nigeria).
Article
The spirit of France: the 1940–46 exhibition of French art in the United States
35. Skating, by Edouard Manet. 1877. Canvas, 92 by 71.7 cm. (Harvard Art Museums, Cambridge MA).
Attributed works:
39. Two young girls at the piano, by Auguste Renoir. 1892. Canvas, 111.8 by 86.4 cm. (Metropolitan Museum of Art, New York).
Attributed works:
40. Avenue at Chantilly, by Paul Cézanne. 1887. Canvas, 81.3 by 64.8 cm. (Toledo Museum of Art OH).
Western art unattributed:
36. Installation of the exhibition of French art at the National Gallery of Art, Washington, 1941.
Western art unattributed:
38. Visitors at the opening of Masterpieces of French Art at the Art Institute of Chicago, April 1941, with Claude Monet’s Jetty at Le Havre (1868; private collection).
Western art unattributed:
7. Crowds at the opening of Masterpieces of French Art at the Art Institute of Chicago, April 1941. The large painting in the centre is The Hermitage at Pontoise (c.1867), by Camille Pissarro, lent by Justin K. Thannhauser, who later donated it to the Solomon R. Guggenheim Museum, New York. To its left is Edgard Degas’s Victoria Dubourg (c.1866–68; Toledo Museum of Art), lent by Paul Louis Weiller; to its right is Edouard Manet’s Autumn (1881), lent by the Musée des Beaux-Arts, Nancy.
Exhibition Review
The Cult of Beauty. London, Paris and San Francisco
54. Louise Jopling, by John Everett Millais. 1879. Canvas, 125 by 76 cm. (National Portrait Gallery, London; exh. Victoria and Albert Museum, London).
Attributed works:
55. Laus Veneris, by Edward Burne-Jones. 1873–78. Canvas, 122 by 183 cm. (Laing Art Gallery, Newcastle upon Tyne; exh. Victoria and Albert Museum, London).
Attributed works:
56. The peacock frieze, by Albert Moore. 1872–73. Charcoal and white chalk on paper, 55.5 by 192 cm. (including frame). (Victoria and Albert Museum, London).
83. Cocktail dress (tribute to Mondrian), by Yves Saint Laurent. Autumn/Winter 1965. Woollen jersey. (Foundation Pierre Bergé-Yves Saint Laurent; exh. de Young Museum, San Francisco).
Attributed works:
84. Marina Schiano in evening gown, by Yves Saint Laurent. Autumn/Winter 1970. Wool crepe with a lace back. (Estate of Jeanloup Sieff; exh. de Young Museum, San Francisco).
Article
Poussin, Titian and Mantegna: Some Observations on the 'Adoration of the Golden Calf' at San Francisco
45. Lot Leaving Sodom, by Matthias Stomer. 158.7 by 128.5 cm. (Bob Jones University Collection, Greenville, S. C.; Exh. De Young Museum, San Francisco).
Attributed works:
46. Danaë, by Hendrick Goltzius. 173.4 by 200 cm. (Los Angeles County Museum of Art; Exh. De Young Museum, San Francisco).