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3 articles
Article
Art and the Theatre-II
02/1935 | 383 | 66
Pages: 54-55+58-61+64-66+68
related names
Author:
Fischel, Oskar (Fischel, Oskar)
Subjects
artists:
dates:
dates:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
Fig. 1. Illustration from the Lyons Terence, by Johann Trechsel. Woodcut. 1493. Fig. 2.-Design for a Stage, Attributed to Aristotile da San Gallo (Uffizi Gallery, Florence). Fig. 3.-The Rederijker Stage (The Feast of Herod, Detail), by Hans Sebald Beham. 1539. Fig. 4.-Reconstruction of a Typical Shakespearean Stage, after Albright. Fig. 5.-The Stage in the Jesuit College at Rennes. Engraving by Moreau after L'hermitais
Attributed works:
Fig. 1. Plan for the Hall and Stage Designed by Inigo Jones for a Masque by Campion. 1607
Attributed works:
Plate I. A-The Martyrdom of St. Apollonia. Miniature by Jean Fouquet. From the Book of Hours of Estienne Chevalier (Musée Condé, Chantilly). Art and the Theatre-II.
Attributed works:
Plate I. B-The Passion of Christ (Detail), by Hans Memling (R. Pinacoteca, Turin). Art and the Theatre-II.
Attributed works:
Plate I. C-The Story of Job (Detail). School of Dirk Bouts (Wallraf-Richartz Museum, Cologne). Art and the Theatre-II.
Attributed works:
Plate II. A-The Story of Esther, by Filippino Lippi. About 1480. (Musée Condé, Chantilly). Art and the Theatre-II
Attributed works:
Plate II. B-The Circumcision of Isaac. Tapestry after Bernard van Orley. About 1530. (The Great Hall, Hampton Court Palace). Art and the Theatre-II
Attributed works:
Plate III. B-Haman and Mordecai, from the Story of Esther. Engraving by Jacques Beauvarlet after Jean Francois de Troy. Art and the Theatre-II
Attributed works:
Plate III. D-The Marriage of Cana, By Jan Steen (Formerly in the Sedelmeyer Collection, Paris). Art and the Theatre-II
Attributed works:
Plate IV. B-The Stage of the Hôtel de Bourgogne, from an Engraving by Abraham Bosse. About 1630. Art and the Theatre-II
Attributed works:
Plate IV. C-A Labour of the Boy Hercules, by Giuliano di Baccio d'agnolo. Stucco Relief. 1539. (Montughi, Near Florence). Art and the Theatre-II
Attributed works:
Plate IV. D-The Triumph of the Cross, by Tommaso Lauretti. About 1600. (The Hall of Constantine in the Vatican, Rome). Art and the Theatre-II
Attributed works:
Plate V. A-Cleopatra's Feast, by Jacob Jordaens. Design for a Tapestry (Print Room, Berlin). Art and the Theatre-II
Attributed works:
Plate V. B-Scene from the Italian Comedy Harlequin as Model, in the Hôtel de Bourgogne. Etching by Hucquier after Claude Gillot. Art and the Theatre-II
Attributed works:
Plate V. D-Scene from le Glorieux by Destouches. Engraving by N. Dupuis after Nicolas Lancret. About 1740. Art and the Theatre-II
Western art unattributed:
Fig. 2. Ground Plan of a School Theatre
Western art unattributed:
Plate III. A-Astronomical Clock (Detail). 1560. (St. Mary's Church, Lübeck). Art and the Theatre-II
Western art unattributed:
Plate III. C-Reproduction of the "Schouburgh" at Amsterdam, from Zeesen's Description of the Town in 1637. Art and the Theatre-II
Western art unattributed:
Plate IV. A-The Adoration of the Shepherds, from the Carved Altarpiece from Pailhe. 1480. (Musée Cinquantenaire, Brussels). Art and the Theatre-II
Western art unattributed:
Plate V. C-The Rederijker Stage in the "Eickboom" House. About 1710. (Lierre, Belgium). Art and the Theatre-II
Article
Art and the Theatre-I
01/1935 | 382 | 66
Pages: 4-5+7-9+12-14
related names
Author:
Fischel, Oskar (Fischel, Oskar)
Subjects
dates:
places:
places:
subjects:
Illustrations
Attributed works:
Plate II. A-The Last Judgment. Miniature by François Fouquet, from a MS. of the City of God. (The Municipal Library at Mâcon). Art and the Theatre-I.
Attributed works:
Plate II. C-The Seven Deadly Sins and Their Virtuous Counterparts. Miniature by François Fouquet, from a MS. of the City of God (Meermanno-Westreenianum Museum, the Hague). Art and the Theatre-I.
Attributed works:
Plate III. A-Conjectural Plan of the Stage of Mary Magdalene. (From the Shaksperian Stage, by Victor E. Albright). Art and the Theatre.-I.
Attributed works:
Plate III. B-The Castle of Perseverance. (From the Macro Plays, Edited by F. J. Furnival and A. W. Pollard). Art and the Theatre.-I.
Attributed works:
Plate III. C-The Virtues and Vices. Miniature by François Fouquet, from a MS. of the City of God. (Bibliothèque Nationale, Paris). Art and the Theatre.-I.
Western art unattributed:
Plan of the Resurrection Play in the Theatre at Perranzabulo
Western art unattributed:
Plate I. A-The Last Judgment (The Wenhaston Doom). English. End of the Fifteenth Century. 2.5 by 5.2 m. (Wenhaston Church, Suffolk.). Art and the Theatre.-I.
Western art unattributed:
Plate I. B-The Screen in the Cathedral at Naumberg. Art and the Theatre.-I.
Western art unattributed:
Plate II. B-Plan of the Mystery Play at Donaueschingen (Fürst Fürstenberg). Art and the Theatre-I.
Western art unattributed:
Plate III. D-The Martyrdom of St. John the Evangelist, from a MS. of the Apocalypse (Chantilly). Art and the Theatre.-I.
Article
Tapestries of The Seven Deadly Sins-II
02/1912 | 107 | 20
Pages: 277-279+282-285+289
related names
Author:
Wood, D. T. B. (Wood, D. T. B.)
Subjects
dates:
Illustrations
Western art unattributed:
Plate I-The History of Redemption (A) The Trinity in Creation. Tapestries of "The Seven Deadly Sins"-II
Western art unattributed:
Plate I-The History of Redemption (B) Le Procés de Paradis. Tapestries of "The Seven Deadly Sins"-II
Western art unattributed:
Plate I-The History of Redemption (C) The Charter of Redemption. Tapestries of "The Seven Deadly Sins"-II
Western art unattributed:
Plate I-The History of Redemption (D) The Annunciation and Incarnation. Tapestries of "The Seven Deadly Sins"-II
Western art unattributed:
Plate I-The History of Redemption (E) Justice and Mercy in the Last Judgment. Tapestries of "The Seven Deadly Sins"-II
Western art unattributed:
Plate II-The Allegory of Mankind (F) Man Attacked by Justice, Defended by Mercy. Tapestries of "The Seven Deadly Sins"-II
Western art unattributed:
Plate II-The Allegory of Mankind (G) Man Armed by Mercy, Grace-of-God and Peace. Tapestries of "The Seven Deadly Sins"-II
Western art unattributed:
Plate II-The Allegory of Mankind (H) Man Disarmed, Attacked by Luxury and Gluttony, Defended by Hope. Tapestries of "The Seven Deadly Sins"-II
Western art unattributed:
Plate II-The Allegory of Mankind (J) Man in Fetters, Visited by the Patriarcus. Tapestries of "The Seven Deadly Sins"-II
Western art unattributed:
Plate II-The Allegory of Mankind (K) Man Presented before the Trinity by Grace-of-God. Tapestries of "The Seven Deadly Sins"-II
Western art unattributed:
Plate III-The Allegory of Virtues and Vices (L) Charity Challenging the Vices. Tapestries of "The Seven Deadly Sins"-II
Western art unattributed:
Plate III-The Allegory of Virtues and Vices (M) Christian Knight Armed by the Virtues. Tapestries of "The Seven Deadly Sins"-II
Western art unattributed:
Plate III-The Allegory of Virtues and Vices (N) Christian Knight Charging at the Head of the Virtues against the Vices. Tapestries of "The Seven Deadly Sins"-II
Western art unattributed:
Plate III-The Allegory of Virtues and Vices (P) Angel Driving the Tempter and the Vices to Hell. Tapestries of "The Seven Deadly Sins"-II
Western art unattributed:
Plate III-The Allegory of Virtues and Vices (Q) The Vices in Despair. Tapestries of "The Seven Deadly Sins"-II
Western art unattributed:
Plate III-The Allegory of Virtues and Vices (R) The Vices on the Left of the Throne. Tapestries of "The Seven Deadly Sins"-II