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28 articles
Article
Avignon around 1500: the workshop of Jean II Changenet
01/2024 | 1450 | 166
Pages: 44–53
related names
Author:
Elsig, Frédéric (Elsig, Frédéric)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Annunciation, here attributed to Jean II Changenet. c.1485–90. Oil on wood, 80 by 59 cm. (Musée du Petit Palais, Avignon).
Attributed works:
10. St Sebastian destroying the idols, here attributed to Jean II Changenet. c.1490–95. Oil on panel, 81.6 by 54.6 cm. (Philadelphia Museum of Art).
Attributed works:
11. St Sebastian pierced by arrows, here attributed to Jean II Changenet. c.1490–95. Oil on panel, 82.5 by 55.7 cm. (Philadelphia Museum of Art).
Attributed works:
12. St Sebastian cured by St Irene, here attributed to Jean II Changenet. c.1490–95. Oil on panel, 82.5 by 55.2 cm. (Philadelphia Museum of Art).
Attributed works:
13. Death of St Sebastian, here attributed to Jean II Changenet. c.1490–95. Oil on panel, 82.4 by 55.5 cm. (Philadelphia Museum of Art; Bridgeman Images).
Attributed works:
14. Intervention of St Sebastian during the plague in Rome, here attributed to Jean II Changenet. c.1490–95. Oil on panel, 81.8 by 55.4 cm. (Walters Art Gallery, Baltimore; Bridgeman Images).
Attributed works:
15. St Sebastian before Diocletian and Maximian, here attributed to Jean II Changenet. c.1490–95. Oil on panel, 81.5 by 55.7 cm. (State Hermitage Museum, St Petersburg; Bridgeman Images; Fine Art Images).
Attributed works:
16. Reconstruction of the Life of St Sebastian altarpiece in its opened state.
Attributed works:
17. Three prophets, by the Master of the Three Prophets (Josse Lieferinxe?). c.1500. Oil on panel, 61 by 95 cm. (Musée du Louvre, Paris).
Attributed works:
18. Crucifixion, by the Master of the Crucifixion of the Parliament of Burgundy (Henri Changenet?). c.1511–12. Oil on panel, 170 by 126 cm. (Bridgeman Images; Musée du Louvre, Paris).
Attributed works:
19. Crucifixion of the Parliament of Burgundy, by L. Gaultier. 1618. Engraving. (From H. Picardet: Remonstrances faictes en la cour de parlement de Bourgogne..., Paris 1618, p.248).
Attributed works:
2. St Michael, here attributed to Jean II Changenet. c.1485–90. Oil on wood, 80 by 59 cm. (Musée du Petit Palais, Avignon; Bridgeman Images).
Attributed works:
20. Adoration of the Magi, Flight into Egypt and Assumption, by Giovanni Grassi (based on a design by Jean II Changenet). 1491–95 (conception) and 1500–01 (completion). Oil on panel, each panel 124 by 62 cm. (© Yvan Bourhis; Church of Saint-Jean-Baptiste, Gretz-Armainvilliers).
Attributed works:
21. Group of men, by the Master of the Three Prophets (Josse Lieferinxe?). c.1490–1500. Oil on panel. (Private collection).
Attributed works:
3. Marriage of the Virgin, here attributed to Jean II Changenet. c.1485–90. Oil on panel, 80 by 60 cm. (Musées royaux des Beaux-Arts, Brussels).
Attributed works:
4. Visitation, here attributed to Jean II Changenet. c.1485–90. Oil on panel, 37 by 45 cm. (Musée du Louvre, Paris).
Attributed works:
5. Circumcision, here attributed to Jean II Changenet. c.1485–90. Oil on panel, 78 by 58.5 cm. (NPL – DeA Picture Library and G. Dagli Orti; Bridgeman Images; Musée du Petit Palais, Avignon).
Attributed works:
6. Adoration of the Christ Child, here attributed to Jean II Changenet. c.1485–90. Oil on panel, 38 by 47 cm. (Musée du Louvre, Paris).
Attributed works:
7. Reconstruction of the Life of the Virgin altarpiece in its opened (above) and closed (below) states.
Attributed works:
8. Assumption, here attributed to Jean II Changenet. c.1485–90. Oil on wood, 80 by 60 cm. (Musée du Petit Palais, Avignon).
Attributed works:
9. Pilgrims in front of the tomb of St Sebastian, here attributed to Jean II Changenet. c.1490–95. Oil on panel, 82 by 55 cm. (Galleria Nazionale di Palazzo Barberini, Rome; photograph Luisa Ricciarini; Bridgeman Images).
Article
Battening spalliera paintings: reflections on twenty-five years of research
01/2020 | 1402 | 162
Pages: 37-45
related names
Author:
Barriault, Anne B. (Barriault, Anne B.)
Subjects
Illustrations
Attributed works:
1. Story of Virginia, by Sandro Botticelli. c.1500. Oil and tempera on panel, 86 by 165 cm. (Accademia Carrara, Bergamo).
Attributed works:
10. Fight between the Lapiths and centaurs, by Piero di Cosimo. c.1500–15. Oil on panel, 71 by 260 cm. (National Gallery, London).
Attributed works:
2. Story of Lucretia, by Sandro Botticelli. c.1500. Oil and tempera on panel, 83.8 cm by 176.8 cm. (Isabella Stewart Gardner Museum, Boston).
Attributed works:
3. Episodes from the life of Alexander the Great, by the workshop of Ghirlandaio. 1493–94. Tempera on panel, 76 by 229.5 cm. (Victoria and Albert Museum, London).
Attributed works:
4. Julius Caesar and the crossing of the Rubicon, by the workshop of Ghirlandaio. 1493–94. Tempera and gold on panel, 73.5 by 170 cm. (Victoria and Albert Museum, London).
Attributed works:
5. The story of Griselda: Part one, marriage, by the Master of the Story of Griselda. c.1494. Oil and tempera on panel, 61.6 by 154.3 cm. (National Gallery, London).
Attributed works:
6. The back of the panel illustrated in Fig.5, showing vertical battens used to stabilise the panel and/or attach it to its setting. (National Gallery, London).
Attributed works:
7. Alexander the Great, by the Master of the Story of Griselda. c.1500. Tempera on panel, 105.4 by 50.8 cm. (The Barber Institute of Fine Arts, University of Birmingham).
Attributed works:
8. Claudia Quinta, by Neroccio de’ Landi and the Master of the Story of Griselda. c.1493–94. Tempera on panel, 104 by 46 cm. (National Gallery of Art, Washington).
Attributed works:
9. Detail of Fig.10, showing Hylonome and Cylarus.
Exhibition Review
Albrecht Altdorfer and art c.1500
05/2015 | 1346 | 157
Pages: 370-371
related names
Reviewer:
Evans, Mark (Evans, Mark)
Subjects
dates:
dates:
subjects:
subjects:
Illustrations
Attributed works:
82. Holy Family with St Augustine (or Lawrence), by Albrecht Altdorfer (Kunsthistorisches Museum, Vienna)
Attributed works:
83. Landscape with pollarded willows, by Wolf Huber (Szépmüvészeti Múzeum, Budapest; exh. Kunsthistorisches Museum, Vienna)
Attributed works:
84. Apostles from the central compartment of the Assumption of the Virgin altarpiece from the Cistercian abbey of Zwettl, by the Master of the Zwettl High Altar (Church of St Barbara, Adamov, near Brno; exh. Kunsthistorisches Museum, Vienna)
Article
Selling Leonardo’s ‘Virgin of the rocks’
12/2011 | 1305 | 153
Pages: 803-804
related names
Author:
Wells, Thereza (Wells, Thereza)
Subjects
collectors and dealers:
dates:
museums and institutions:
subjects:
subjects:
subjects:
Publication Received
Caterina Sforza and the Art of Appearances: Gender, Art and Culture in Early Modern Italy
12/2011 | 1305 | 153
Pages: 832
related names
Reviewer:
Bercusson, Sarah (Bercusson, Sarah)
Subjects
patrons:
subjects:
Reviewed Items
subjects:
Caterina Sforza and the Art of Appearances: Gender, Art and Culture in Early Modern Italy | author: Vries, Joyce de
Article
A rediscovered prototype by Quinten Metsys: ‘Christ blessing with the Virgin in adoration’
02/2010 | 1283 | 152
Pages: 76-81
related names
Author:
Platt, Hugo (Platt, Hugo)
Author:
Stainer-Hutchins, Kiffy (Stainer-Hutchins, Kiffy)
Author:
Watney, Simon (Watney, Simon)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
1. Christ blessing, here attributed to Quinten Metsys. c.1491–1505. Panel, 37.6 by 30.4 cm. (Holy Trinity Church, Bradford-on-Avon, Wiltshire).
Attributed works:
10. Christ, by the workshop of Quinten Metsys. c.1510–25. Panel, 60.2 by 34.6 cm. (National Gallery, London).
Attributed works:
11. Virgin, by the workshop of Quinten Metsys. c.1510–25. Panel, 60.3 by 34.7 cm. (National Gallery, London).
Attributed works:
2. The Virgin in adoration, by Quinten Metsys. c.1491–1505. Panel, 34.7 by 26.5 cm. (Trustees of the Rt. Hon. Olive, Countess Fitzwilliam’s Chattels Settlement; Lady Juliet Tadgell).
Attributed works:
3. Reconstruction of the original state of Figs.1 and 2.
Attributed works:
4. Detail of Fig.1.
Attributed works:
5. Detail of Fig.1.
Attributed works:
6. Detail of Fig.2.
Attributed works:
7. Detail of Fig.2.
Attributed works:
8. Virgin at prayer, by Quinten Metsys and workshop. c.1505. Panel, 40.9 by 30.6 cm. (Koninklijk Mus­eum voor Schone Kunsten, Antwerp).
Attributed works:
9. Christ as saviour, by Quinten Metsys and workshop. c.1505. Panel, 40.9 by 30.8 cm. (Koninklijk Mus­eum voor Schone Kunsten, Antwerp).
Article
A new contribution to the biography of Leonardo da Vinci
08/2009 | 1277 | 151
Pages: 543
related names
Author:
Gwynne, P.G. (Gwynne, P.G.)
Subjects
dates:
patrons:
Book Review
Francesco II Gonzaga: The Soldier-Prince as Patron
03/2009 | 1272 | 151
Pages: 171-172
related names
Reviewer:
Brown, Clifford M. (Brown, Clifford M.)
Subjects
dates:
places:
Reviewed Items
subjects:
Francesco II Gonzaga: The Soldier-Prince as Patron | author: Bourne, Molly
Article
Severo Calzetta da Ravenna and the indirectly cast bronze
12/2006 | 1245 | 148
Pages: 810-819
related names
Author:
Stone, Richard E. (Stone, Richard E.)
Subjects
dates:
Illustrations
Attributed works:
1. Tomyris with the head of Cyrus, by Severo Calzetta da Ravenna. Early sixteenth century. Bronze, 30.8 cm. high. (Frick Collection, New York; photograph by Michael Bodycomb).
Attributed works:
10. Candlestick in the form of a siren, by Severo Calzetta da Ravenna. First half of the sixteenth century. Bronze, 24 cm. high. (National Gallery of Art, Washington; photograph by Dylan Smith).
Attributed works:
11. Radiograph of Fig.10 (radiograph by Dylan Smith, digitally enhanced by the author).
Attributed works:
12. Sea monster, by Severo Calzetta da Ravenna. Detail of the monster’s face showing a surviving iron nail as seen through the open mouth. First half of the sixteenth century. Bronze. (National Gallery of Art, Washington; photograph by Dylan Smith).
Attributed works:
13. Sea monster, by Severo Calzetta da Ravenna. Early sixteenth century. Bronze, 11.4 by 24.7 cm. (Frick Collection, New York; photograph by Michael Bodycomb).
Attributed works:
14. Detail of the radiograph of Fig.2, showing the threaded connection between the proper right foot and the base (author’s radiograph, digitally enhanced).
Attributed works:
15. The inkpot in Fig.13, showing integral mounting screw. (Photograph by Michael Bodycomb).
Attributed works:
16. Detail of Fig.13, showing Severo’s signature and hole threaded to receive the inkpot screw. (Photograph by Michael Bodycomb).
Attributed works:
2. Radiograph of Fig.1 (author’s radiograph, digitally enhanced).
Attributed works:
3. Neptune on a sea-monster, by Severo Calzetta da Ravenna. Early sixteenth century. Bronze, height of the figure, excluding trident: 33.9 cm. (Frick Collection, New York; photograph by Michael Bodycomb).
Attributed works:
4. Radiograph of Fig.3 (author’s radiograph, digitally enhanced).
Attributed works:
5. Cleopatra, by Severo Calzetta da Ravenna. First half of the sixteenth century. (Two versions.) Bronze, both 26.4 cm. high. (Metropolitan Museum of Art, New York).
Attributed works:
6. Radiograph of both bronzes in Fig.5 (author’s radiograph, digitally enhanced).
Attributed works:
7. David with the head of Goliath, by Severo Calzetta da Ravenna. First half of the sixteenth century. Bronze, 24.1 cm. high. (Metropolitan Museum of Art, New York).
Attributed works:
8. Radiograph of Fig.7. Overlay showing the probable positions of the iron nails and the central armature wire (author’s radiograph, digitally enhanced).
Attributed works:
9. Radiograph of Fig.1, three-quarters view. Overlay showing the probable positions of the nails in forearms and the central armature wire (author’s radiograph, digitally enhanced).
Publication Received
Jheronimus Bosch. La question de la chronologie
02/2006 | 1235 | 148
Pages: 128
related names
Reviewer:
Huys Janssen, Paul (Huys Janssen, Paul; Janssen, Paul Huys)
Subjects
dates:
Reviewed Items
subjects:
Jheronimus Bosch. La question de la chronologie | author: Elsig, Frédéric
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