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31 articles
Book Review
E. McKnight Kauffer: The Artist in Advertising
06/2022 | 1431 | 164
Pages: 631-632
related names
Reviewer:
Powers, Alan (Powers, Alan)
Subjects
Reviewed Items
subjects:
E. McKnight Kauffer: The Artist in Advertising Edited by Caitlin Condell and Emily M. Orr. 276 pp. incl. 262 col. + 42 b. & w. ills. (Rizzoli Electa, New York, 2020), $65. ISBN 978–0– 8478–6774–5. | :
Illustrations
Attributed works:
6. Design for Eno’s Fruit Salt, by E. McKnight Kauffer. 1931. Brush, gouache and graphite on paper, 45.2 by 33.2 cm. (Cooper Hewitt, Smithsonian Design Museum, New York; © Smithsonian Institution; photograph Matt Flynn).
Article
Laura Knight on display: book jackets and self-promotion in the 1920s
07/2021 | 1420 | 163
Pages: 594-603
related names
Author:
Beazley-Long, Sally (Beazley-Long, Sally)
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artists:
dates:
Illustrations
Attributed works:
1. Dust jacket for Fidelity by Susan Glaspell, design by Laura Knight. 1924. Lithograph, 19 by 13 cm. (front cover). (Private collection; © reproduced with permission of The Estate of Dame Laura Knight DBE RA 2021. All rights reserved; photograph courtesy Peter Harrington Books).
Attributed works:
10. A quarrel, by Laura Knight. 1923. Aquatint, 22 by 17.5 cm. (Scottish National Gallery, Edinburgh; © reproduced with permission of The Estate of Dame Laura Knight DBE RA 2021; Bridgeman Images).
Attributed works:
11. Evening, by Laura Knight. 1923. Aquatint, 22.4 by 14.9 cm. (Victoria and Albert Museum, London; © reproduced with permission of The Estate of Dame Laura Knight DBE RA 2021).
Attributed works:
12. A crowd, by Laura Knight. 1923. Aquatint, 10.2 by 12.7 cm. (Russell- Cotes Art Gallery and Museum, Bournemouth; © reproduced with permission of The Estate of Dame Laura Knight DBE RA 2021).
Attributed works:
13. Self-portrait, by Laura Knight. 1922. Lithograph, 14.9 by 13.6 cm. (Frontispiece to C. Marriott: Laura Knight: A Book of Drawings, London 1923; © reproduced with permission of The Estate of Dame Laura Knight DBE RA 2021).
Attributed works:
14. Self-portrait, by Laura Knight. 1922. Oil on canvas, 59.5 by 59.5 cm. (Museum of New Zealand, Te Papa Tongarewa; © reproduced with permission of The Estate of Dame Laura Knight DBE RA 2021; Bridgeman Images).
Attributed works:
15. Jarrolds advertisement, The Times (8th May 1925), p.9.
Attributed works:
2. Dust jacket for Heart’s Blood by Ethel M. Kelley, design by Laura Knight. 1924. Lithograph, 19 by 13 cm. (front cover). (Private collection; © reproduced with permission of The Estate of Dame Laura Knight DBE RA 2021).
Attributed works:
3. Dust jacket for Strait is the Gate by André Gide, design by Laura Knight. 1924. Lithograph. 19 by 13 cm. (front cover). (Private collection; © reproduced with permission of The Estate of Dame Laura Knight DBE RA 2021; photograph courtesy Ashton Rare Books).
Attributed works:
4. Front cover and spine of the dust jacket for The Glory of the Conquered by Susan Glaspell, design by Laura Knight. 1925. Lithograph, 19.5 by 14 cm. (Victoria and Albert Museum, London; © reproduced with permission of The Estate of Dame Laura Knight DBE RA 2021).
Attributed works:
5. Front cover and spine of the dust jacket for The Farthing Spinster by Catherine Dodd, design by Laura Knight. 1925. Lithograph. 19.5 by 14 cm. (Victoria and Albert Museum, London; © reproduced with permission of The Estate of Dame Laura Knight DBE RA 2021).
Attributed works:
6. The mystery man, by Laura Knight. Black ink on laid paper, 30.2 by 23.9 cm. (National Gallery of Canada, Ottawa; © reproduced with permission of The Estate of Dame Laura Knight DBE RA 2021).
Attributed works:
7. Front cover and spine of the dust jacket for Spring, by Ladislas St Reymont, design by Paul Nash. 1926. Lithograph. (Victoria and Albert Museum, London).
Attributed works:
8. Front cover and spine of the dust jacket for Summer by Ladislas St Reymont, design by Paul Nash. 1926. Lithograph. (Victoria and Albert Museum, London).
Attributed works:
9. Front cover and spine of the dust jacket for The Modern Movement in Art by R.H. Wilenski, design by Edward McKnight Kauffer. 1927. Lithograph. (Victoria and Albert Museum, London).
Exhibition Review
Engineer, Agitator, Constructor: The Artist Reinvented
03/2021 | 1416 | 163
Pages: 283-285
related names
Reviewer:
Huber, Stephanie (Huber, Stephanie)
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Reviewed Items
subjects:
Engineer, Agitator, Constructor: The Artist Reinvented Museum of Modern Art, New York 13th December 2020–10th April 2021 | :
Illustrations
Attributed works:
19. The hand has five fingers, by John Heartfield. 1928. Lithograph, 97.8 by 74.3 cm. (Merrill C. Berman Collection, Museum of Modern Art, New York).
Attributed works:
20. Advertising technique 1, design for a journal cover, by Nikolai Sedelnikov. 1930. Letterpress, 29.8 by 23 cm. (Merrill C. Berman Collection, Museum of Modern Art, New York).
Attributed works:
Opposite 18. Electrification of the entire country, by Gustav Klutsis. c.1920. Cut-andpasted gelatin silver prints, printed and painted paper on paper with gouache, ink, and pencil, 46.5 by 27.5 cm. (Merrill C. Berman Collection, Museum of Modern Art, New York).
Exhibition Review
Art Deco by the Sea
01/2021 | 1414 | 163
Pages: 72-75
related names
Reviewer:
Fair, Alistair (Fair, Alistair)
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Reviewed Items
subjects:
Art Deco by the Sea Laing Art Gallery, Newcastle upon Tyne 17th October 2020– 27th February 2021 | :
Illustrations
Attributed works:
21. Gathering shell fish, St Sevan, by J.W. Tucker. c.1932. Tempera on panel, 25 by 35.5 cm. (Laing Art Gallery, Newcastle upon Tyne).
Attributed works:
22. EKCO AD76 circular radio, designed by Wells Coates. Bakelite, height approx. 41 cm. (Private collection; exh. Laing Art Gallery, Newcastle upon Tyne; photograph John Clark).
Attributed works:
23. North Berwick, design for a poster for the London & North Eastern Railway, by Andrew Johnson. 1930. Bodycolour and pencil on board, 101.6 by 127 cm. (Tyne and Wear Archives and Museums; exh. Laing Art Gallery, Newcastle upon Tyne).
Exhibition Review
Toulouse-Lautrec: Resolutely Modern. Grand Palais, Paris
01/2020 | 1402 | 162
Pages: 64-67
related names
Reviewer:
Thomson, Richard (Thomson, Richard)
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dates:
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Reviewed Items
subjects:
Toulouse-Lautrec: Resolutely Modern Grand Palais, Paris 9th October 2019–27th January | :
Illustrations
Attributed works:
16. Yvette Guilbert singing Linger, Longer, Loo, by Henri de Toulouse-Lautrec. 1894. Peinture à l’essence on cardboard, 58 by 44 cm. (Pushkin State Museum of Fine Arts, Moscow; exh. Grand Palais, Paris).
Attributed works:
17. In bed, by Henri de Toulouse- Lautrec. c.1892. Oil on cardboard, 53.5 by 70 cm. (Musée d’Orsay, Paris; exh. Grand Palais, Paris).
Exhibition Review
Women’s Work. Ditchling Museum of Art + Craft
10/2019 | 1399 | 161
Pages: 866-868
related names
Reviewer:
Wolf, Hope (Wolf, Hope)
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dates:
subjects:
Illustrations
Attributed works:
18. Ruff, by Catherine ‘Casty’ Cobb. 1930s. Silver gilt, diameter 12.9 cm. (Worshipful Company of Goldsmiths, London; exh. Ditchling Museum of Art + Craft).
Attributed works:
19. Barron and Larcher’s workshop. 1930s. (Crafts Study Centre, University for the Creative Arts; exh. Ditchling Museum of Art + Craft).
Attributed works:
20. Installation view of Women’s Work at the Ditchling Museum of Art + Craft, 2019, showing printed textiles by Barron and Larcher on the left (Girton, 1923–40, Small Captain, 1923– 40, and Chevron/ Winchester, 1930s) and textiles and wood blocks by Enid Marx on the right (Spook, c.1930s, and Ogee, c.1930s) (photograph Sam Moore).
Exhibition Review
Red Vienna: 1919–1934. Wien Museum MUSA, Vienna
10/2019 | 1399 | 161
Pages: 868-871
related names
Reviewer:
Opitz, Christian Nikolaus (Opitz, Christian Nikolaus)
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Illustrations
Attributed works:
22. Young man, by Franz Barwig the Elder. 1924–27. Bronze, height 210 cm. (Wien Museum MUSA, Vienna).
Western art unattributed:
21. Work Unit for Gas, Water and Electric Facilities posing before the Karl-Marx-Hof, Vienna. c.1929. Photograph, 13 by 18 cm. (Wien Museum MUSA, Vienna).
Western art unattributed:
23. Franz Cizek’s art class for young people. c.1930. Photograph, 12 by 17 cm. (Wien Museum MUSA, Vienna; inv. no.305.439).
Exhibition Review
Charles Rennie Mackintosh: Making the Glasgow Style. Kelvingrove Art Gallery and Museum, Glasgow
08/2018 | 1385 | 160
Pages: 681-684
related names
Reviewer:
Donnelly, Max (Donnelly, Max)
Subjects
dates:
Illustrations
Attributed works:
22. Book binding for L’Evangile de L’Enfance de Notre Seigneur Jésus Christ, by Jessie M. King. c.1900–01. Tooled vellum with gilding, 30.6 cm by 23.5 cm. (Glasgow Museums; exh. Kelvingrove Art Gallery and Museum, Glasgow).
Attributed works:
23. Stencil card for the decoration of the Hill House, Helensburgh, designed by Charles Rennie Mackintosh and made by Guthrie & Wells. 1904. Card and paint, 54 cm by 41.5 cm. (Glasgow Museums; exh. Kelvingrove Art Gallery and Museum, Glasgow).
Attributed works:
24. Water sprite, designed by William Gibson Morton and probably made by William Stewart. 1895– 96. Leaded coloured glass, 72 cm by 64.2 cm. (Glasgow Museums; exh. Kelvingrove Art Gallery and Museum, Glasgow).
Book Review
Explodity: Sound, Image, and Word in Russian Futurist Book Art. By Nancy Perloff & Aleksandr Zhitomirsky: Photomontage as a Weapon of World War II and the Cold War. By Erika Wolf & Communist Posters. Edited by Mary Ginsberg
03/2018 | 1380 | 160
Pages: 260-261
related names
Reviewer:
Collier, Marie (Collier, Marie)
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