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48 articles
Article
Nicéphore Niépce and the industry of photographic replication
12/2021 | 1425 | 163
Pages: 1112-1119
related names
Author:
Siegel, Steffen (Siegel, Steffen)
Subjects
Illustrations
Attributed works:
1. Cardinal Georges d’Amboise, by Nicéphore Niépce. 1827. Print on paper after a heliographic plate, 16.6 by 13 cm. (Musée Nicéphore Niépce, Chalon-sur-Saône).
Attributed works:
2. Georges Cardinal d’Amboise Grand Ministre d’Estat et Legat en France, by Isaac Briot. 1633. Engraving, 16.6 by 13 cm. (Musée Nicéphore Niépce, Chalon-sur-Saône).
Attributed works:
3. A horse and groom, by Nicéphore Niépce. 1825. Print on paper after a heliographic plate, taken from a copy of an etching by Dirck Stoop (1651), 14.7 by 10 cm. (Bibliothèque nationale de France, Paris).
Attributed works:
4. View from the window at Le Gras, by Nicéphore Niépce. 1826. Heliograph, 25.8 by 29 cm. (Harry Ransom Humanities Research Center, University of Texas at Austin).
Attributed works:
5. The Holy Family, by Nicéphore Niépce. 1826. Helio-engraved metal plate (tin-led-alloy), taken from an engraving by Étienne-Jehandier Desrochers after Le Brun, probably early 18th century, 26.7 by 19.8 cm. (Musée Nicéphore-Niépce, Chalon-sur-Saône).
Attributed works:
6. A prisoner, by Nicéphore Niépce. 1826. ‘Gravure vernie’ of a print by Jean-Baptiste de Poilly after a drawing by François Verdier, probably early 18th century, 24.5 by 18 cm. (Musée Nicéphore-Niépce, Chalonsur- Saône).
Attributed works:
7. Landscape (‘after Le Lorrain’), by Nicéphore Niépce. 1826–27. Helioengraved metal plate (tin), 14.2 by 20.8 cm. (Musée Nicéphore-Niépce, Chalon-sur-Saône).
Attributed works:
8. Cardinal Georges d’Amboise, by Nicéphore Niépce. 1826. Helioengraved metal plate (tin), 17.9 by 14.1 cm. (Musée Nicéphore-Niépce, Chalon-sur-Saône).
Attributed works:
9. Composition, by John William Draper. c.1840. Daguerreotype, 8.2 cm by 10.2 cm. (Photographic History Collection, National Museum of American History, Smithsonian Institution, Washington).
Article
Laura Knight on display: book jackets and self-promotion in the 1920s
07/2021 | 1420 | 163
Pages: 594-603
related names
Author:
Beazley-Long, Sally (Beazley-Long, Sally)
Subjects
artists:
dates:
Illustrations
Attributed works:
1. Dust jacket for Fidelity by Susan Glaspell, design by Laura Knight. 1924. Lithograph, 19 by 13 cm. (front cover). (Private collection; © reproduced with permission of The Estate of Dame Laura Knight DBE RA 2021. All rights reserved; photograph courtesy Peter Harrington Books).
Attributed works:
10. A quarrel, by Laura Knight. 1923. Aquatint, 22 by 17.5 cm. (Scottish National Gallery, Edinburgh; © reproduced with permission of The Estate of Dame Laura Knight DBE RA 2021; Bridgeman Images).
Attributed works:
11. Evening, by Laura Knight. 1923. Aquatint, 22.4 by 14.9 cm. (Victoria and Albert Museum, London; © reproduced with permission of The Estate of Dame Laura Knight DBE RA 2021).
Attributed works:
12. A crowd, by Laura Knight. 1923. Aquatint, 10.2 by 12.7 cm. (Russell- Cotes Art Gallery and Museum, Bournemouth; © reproduced with permission of The Estate of Dame Laura Knight DBE RA 2021).
Attributed works:
13. Self-portrait, by Laura Knight. 1922. Lithograph, 14.9 by 13.6 cm. (Frontispiece to C. Marriott: Laura Knight: A Book of Drawings, London 1923; © reproduced with permission of The Estate of Dame Laura Knight DBE RA 2021).
Attributed works:
14. Self-portrait, by Laura Knight. 1922. Oil on canvas, 59.5 by 59.5 cm. (Museum of New Zealand, Te Papa Tongarewa; © reproduced with permission of The Estate of Dame Laura Knight DBE RA 2021; Bridgeman Images).
Attributed works:
15. Jarrolds advertisement, The Times (8th May 1925), p.9.
Attributed works:
2. Dust jacket for Heart’s Blood by Ethel M. Kelley, design by Laura Knight. 1924. Lithograph, 19 by 13 cm. (front cover). (Private collection; © reproduced with permission of The Estate of Dame Laura Knight DBE RA 2021).
Attributed works:
3. Dust jacket for Strait is the Gate by André Gide, design by Laura Knight. 1924. Lithograph. 19 by 13 cm. (front cover). (Private collection; © reproduced with permission of The Estate of Dame Laura Knight DBE RA 2021; photograph courtesy Ashton Rare Books).
Attributed works:
4. Front cover and spine of the dust jacket for The Glory of the Conquered by Susan Glaspell, design by Laura Knight. 1925. Lithograph, 19.5 by 14 cm. (Victoria and Albert Museum, London; © reproduced with permission of The Estate of Dame Laura Knight DBE RA 2021).
Attributed works:
5. Front cover and spine of the dust jacket for The Farthing Spinster by Catherine Dodd, design by Laura Knight. 1925. Lithograph. 19.5 by 14 cm. (Victoria and Albert Museum, London; © reproduced with permission of The Estate of Dame Laura Knight DBE RA 2021).
Attributed works:
6. The mystery man, by Laura Knight. Black ink on laid paper, 30.2 by 23.9 cm. (National Gallery of Canada, Ottawa; © reproduced with permission of The Estate of Dame Laura Knight DBE RA 2021).
Attributed works:
7. Front cover and spine of the dust jacket for Spring, by Ladislas St Reymont, design by Paul Nash. 1926. Lithograph. (Victoria and Albert Museum, London).
Attributed works:
8. Front cover and spine of the dust jacket for Summer by Ladislas St Reymont, design by Paul Nash. 1926. Lithograph. (Victoria and Albert Museum, London).
Attributed works:
9. Front cover and spine of the dust jacket for The Modern Movement in Art by R.H. Wilenski, design by Edward McKnight Kauffer. 1927. Lithograph. (Victoria and Albert Museum, London).
Article
Valentín Carderera and the dissemination of Goya’s graphic work in France
12/2020 | 1413 | 162
Pages: 1048-1055
related names
Author:
Fayos-Perez, Paula (Fayos-Perez, Paula)
Subjects
art literature:
places:
Illustrations
Attributed works:
1. Witches disguised as normal people, from the Sueños (Dreams) series, by Francisco de Goya y Lucientes. 1796–97. Pencil, ink and black chalk on paper, 24.6 by 18.4 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
2. Sketch of man with the head of a snake, by Prosper Mérimée. Pen and ink on paper, 18.7 by 11 cm. (Musée du Louvre, Paris).
Attributed works:
3. Woman / Serpent, by Francisco de Goya y Lucientes. 1797–98. Pen, ink and wash over pencil, 21.1 by 14.7 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
4. They make use of them (Se aprovechan), preliminary drawing for the Disasters of war, no.16, by Francisco de Goya y Lucientes. c.1810–14. Red chalk over pencil on paper, 16.5 by 23 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
5. They don’t like it (No quieren), from the Disasters of war, by Francisco de Goya y Lucientes. c.1810–13. Etching and drypoint with aquatint on paper, 15.5 by 20.6 cm. (British Museum, London).
Attributed works:
6. Don Quixote, by Francisco de Goya y Lucientes. c.1812–20. Pen, ink and wash on paper, 20.7 by 14.5 cm. (British Museum, London).
Attributed works:
7. Don Quixote after Goya, by Félix Braquemond. Etching and wash, 23.8 by 17.8 cm. (Repr. V. Carderera: ‘François Goya: sa vie, ses dessins, ses eaux-fortes’, Gazette des Beaux-Arts 7 (1860), opposite p.216).
Article
New light on Pierre Bonnard’s wife and model Marthe
05/2020 | 1406 | 162
Pages: 412-419
related names
Author:
Whelan, Lucy (Whelan, Lucy)
Subjects
artists:
dates:
Illustrations
Attributed works:
1. Man and woman, by Pierre Bonnard. 1900. Oil on canvas, 115 by 72.3 cm. (Musée d’Orsay, Paris; RMN Grand-Palais).
Attributed works:
2. Diary sketches, by Pierre Bonnard. Pages of his Agenda 1928 dated 21st–24th March 1928. Pencil on paper, page 13.5 by 7.5 cm. (Bibliothèque nationale de France, Paris).
Attributed works:
3. Woman with dog (Mme Bonnard and her dog Ubu), by Pierre Bonnard. 1906. Oil on wood panel 36.5 by 45 cm. (Musée des Beaux-Arts, Reims).
Attributed works:
4. The window, by Pierre Bonnard. 1925. Oil on canvas, 108.6 by 88.6 cm. (Tate, London).
Attributed works:
5. The bath, by Pierre Bonnard. 1925. Oil on canvas, 86 by 120 cm. (Tate, London).
Attributed works:
6 and 7. Illustrations for Marie, by Pierre Bonnard. 1898. Process prints, page 18.5 by 11.6 cm. (Repr. in P. Nansen: Marie, dessins de Pierre Bonnard, Paris 1898, pp.29 and 35 respectively; Bibliothèque national de France, Paris).
Attributed works:
8. Studio of Pierre Bonnard, Le Cannet, France, by Henri Cartier- Bresson. 1944. Gelatin silver print, 27 by 17.4 cm. (Fondation Henri Cartier-Bresson, Paris; Henri Cartier-Bresson / Magnum Photos).
Book Review
Art and Emergency: Modernism in Twentieth-Century India. By Emilia Terracciano
10/2019 | 1399 | 161
Pages: 887-888
related names
Reviewer:
Singh Johal, Rattanamol (Singh Johal, Rattanamol)
Subjects
places:
subjects:
Reviewed Items
subjects:
Art and Emergency: Modernism in Twentieth-Century India By Emilia Terracciano. 304 pp. incl. 74 col. + b. & w. ills. (I.B. Tauris, London, 2017), £69. ISBN 978–1–78453–109–6. | :
Illustrations
Attributed works:
7. Untitled, by Nasreen Mohamedi. c.1972. Photograph (courtesy Kiran Nadar Museum of Art, New Delhi; © Heirs of Nasreen Mohamedi).
Exhibition Review
Edvard Munch: Love and Angst. British Museum, London
07/2019 | 1396 | 161
Pages: 578-581
related names
Reviewer:
Lloyd, Jill (J. L.) (Lloyd, Jill (J. L.); L., J.)
Subjects
artists:
dates:
museums and institutions:
subjects:
Illustrations
Attributed works:
1. The sick child I, by Edvard Munch. 1896. Lithograph, 43.2 by 57.3 cm. (Munch Museum, Oslo; exh. British Museum, London).
Attributed works:
2. Vampire II, by Edvard Munch. 1895/1902. Colour lithograph, 38.6 by 55.3 cm. (Private collection; exh. British Museum, London).
Attributed works:
3. Two human beings. The lonely ones, by Edvard Munch. 1899. Woodcut print, 39.4 by 55.5 cm. (Munch Museum, Oslo; exh. British Museum, London).
Exhibition Review
Fernand Léger: New Times, New Pleasures. Tate Liverpool
03/2019 | 1392 | 161
Pages: 230-233
related names
Reviewer:
Dalwood, Dexter (Dalwood, Dexter)
Subjects
artists:
dates:
museums and institutions:
styles:
Illustrations
Attributed works:
1. Leisure – Homage to Louis David, by Fernand Léger. 1948–49. Canvas, 154 by 185 cm. (Centre Pompidou, Paris; exh. Tate Liverpool).
Attributed works:
2. Trois femmes sur fond rouge, by Fernand Léger. 1927. Canvas, 138.5 by 95.5 cm. (Musée d’Art Moderne et contemporain de Saint-Étienne Métropole; exh. Tate Liverpool).
Attributed works:
3. Essential joys, new pleasures. Pavilion of Agriculture, Paris, International Exhibition, by Fernand Léger and Charlotte Perriand. 1937/2011. Acrylic paint, collage and print on paper on board, 350 by 941 cm. (Museo Nacional Centro de Arte Reina Sofía, Madrid; © ADAGP, Paris and DACS, London; exh. Tate Liverpool).
Exhibition Review
Charles White: A Retrospective. Museum of Modern Art, New York
11/2018 | 1388 | 160
Pages: 968-970
related names
Reviewer:
Hylton, Richard (Hylton, Richard)
Subjects
dates:
Illustrations
Attributed works:
22. Paul Robeson (Study for Contribution of the negro to democracy in America), by Charles White. 1942–43. Carbon pencil over charcoal, with additions and corrections in white gouache, border in Wolff crayon, on cream drawing board, 63.2 by 48.4 cm. (Princeton University Art Museum, Princeton NJ; © The Charles White Archives; exh. Museum of Modern Art, New York).
Attributed works:
23. Awaken from the unknowing, by Charles White. 1961. Compressed brown and grey vine charcoal with scratching out, blending and erasing on cold-pressed illustration board, 78.7 by 142.2 cm. (Blanton Museum of Art, The University of Texas at Austin; © The Charles White Archives; exh. Museum of Modern Art, New York).
Attributed works:
24. Wanted poster series #17, by Charles White. 1971. Oil wash and pencil on poster board, 152.4 by 76.2 cm. (Flint Institute of Arts, Flint MI; © The Charles White Archives; exh. Museum of Modern Art, New York).
Book Review
Horace Vernet and the Thresholds of Nineteenth-Century Visual Culture. Edited by Daniel Harkett and Katie Hornstein; Horace Vernet. Dessinateur lithographe 1816–1838: Catalogue raisonné de l’oeuvre lithographié. Edited by Pierre Sanchez
07/2018 | 1384 | 160
Pages: 608-610
Publication Received
Noir: The Romance of Black in 19th-Century French Drawings and Prints. Edited by Lee Hendrix
06/2018 | 1383 | 160
Pages: 525-526
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