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5 articles
Article
Federico Zuccari and the chapel of the Dukes of Urbino at Loreto: the design for the altar of the Annunciation
12/2015 | 1353 | 157
Pages: 832-835
related names
Author:
Russo, Antonio (Russo, Antonio)
Subjects
dates:
Illustrations
Attributed works:
13. Design for the vault and side walls of the chapel of the Dukes of Urbino, by Federico Brandani. After 1570. Fol.49 of the Largest Talman Album (Ashmolean Museum, Oxford)
Attributed works:
14. Design for the back wall of the chapel of the Dukes of Urbino, by Federico Brandani. After 1570. Fol.48 of the Largest Talman Album (Ashmolean Museum, Oxford)
Attributed works:
16. Annunciation, by Federico Barocci. 1572-74 (Pinacoteca Vaticana, Vatican City)
Attributed works:
17. Annunciation, by Federico Barocci and workshop. 1596 (S. Maria degli Angeli, Assisi)
Attributed works:
18. Project of the altar for the chapel of the Dukes of Urbino at Loreto, by Federico Zuccari. 1582-83 (Gabinetto Nazionale dei Disegni e delle Stampe degli Uffizi, Florence)
Attributed works:
19. Reconstruction of the chapel of the Dukes of Urbino on the design of Federico Zuccari with Barocci's altarpiece of the Annunciation inserted
Western art unattributed:
15. Chapel of the Dukes of Urbino, or of the Annunciation, basilica of the Holy House of Loreto
Article
Federico Brandani’s paper model for the Chapel of the Dukes of Urbino at Loreto
01/2014 | 1330 | 156
Pages: 04-11
related names
Author:
Santucci, Giovanni (Santucci, Giovanni)
Subjects
collectors and dealers:
dates:
museums and institutions:
Illustrations
Attributed works:
1.Design for the elevation of the back wall of a chapel, identified as the Chapel of the Dukes of Urbino in the Basilica of the Holy House of Loreto, here attributed to Federico Brandani. After 1570. Pen, brown ink and brown watercolour over red and black chalk underdrawing with white lead, 27.5 by 23.2 cm. Fol.48 of the Largest Talman Album. (Ashmolean Museum, Oxford).
Attributed works:
10. Detail of the stucco frames on the left side of the barrel vault of the chapel illustrated in Fig.6, and the Dormition of the Virgin between Faith and Hope, by Federico Zuccari. 1582-83. Fresco.
Attributed works:
11. Detail of Fig.2, showing the mouldings of the cornice of the pedestal of the Corinthian order.
Attributed works:
12. Detail of the cornice of the pedestal of the Corinthian order in Fig.8.
Attributed works:
13. Cartouche on the left side of the vault of the chapel illustrated in Fig.6.
Attributed works:
14. Reconstruction of the original arrangement of Figs.1 and 2, with the eighteenth-century glued strips removed: a. = cuts in paper; b. = original folds in the paper; c. = later accidental folds in the paper.
Attributed works:
15. Assembly of a three-dimentional paper model of Figs.1 and 2 following the original cuts and folds, with eighteenth-century additions removed except for the base of Fig.1.
Attributed works:
16. Design for the elevation of two walls and half a barrel vault for a gallery with the Barberini coat of arms. Here attributed to Pietro da Cortona's workshop. After 1630. Pen, brown ink and brown watercolour over lead pencil with white lead, 25.4 by 40.9 cm. Fol.47v of the Larger Talman Album. (Ashmolean Museum, Oxford).
Attributed works:
17. Assembly of a three-dimensional paper model of Fig.16 following the original cuts and folds, with eighteenth-century restorations removed.
Attributed works:
18. Design for the proposed elevation of S. Domenico, Siena, by Baldassarre Peruzzi. After 1531. Pen, brown ink and brown watercolour, 26.5 by 41.1 cm. (Gabinetto Disegni e Stampe, Galleria degli Uffizi, Florence.)
Attributed works:
19. Reconstruction of the original cuts and folds of Fig.18: a. = cuts; b. = original folds; c. = later damage.
Attributed works:
2. Design for the elvation of the walls and barrel vault of a chapel, identified as the Chapel of the Dukes of Urbino in the Basilica of the Holy House of Loreto, here attributed to Federico Brandani. After 1570. Pen, brown ink over red and black chalk underdrawing with white lead, 21.7 by 73 cm. Fol.49 of the Largest Talman Album. (Ashmolean Museum, Oxford).
Attributed works:
20. Reconstruction of Fig.18 as an architectural model, with modern restorations removed.
Attributed works:
3. Detail of Fig.2 showing the 'Tre Mete' emblem on the vault.
Attributed works:
4. Detail of Fig.2 showing the 'Virtus et Honor' emblem on the vault.
Attributed works:
5. Detail of Fig.1 showing the 'Tre Mete' emblem above the altar.
Attributed works:
6. The Chapel of the Dukes of Urbino, or of the Annunciation. 1571-84. Basilica of the Holy House of Loreto.
Attributed works:
7. Detail of Fig.2, showing the design for the architectural framework of the chapel's side walls and for the Adoration of the shepherds.
Attributed works:
8. The left side wall of the chapel illustrated in Fig.6, showing the architectural framework and the Marriage of the Virgin, by Federico Zuccaro. 1582-83. Fresco
Attributed works:
9. Detail of Fig.2, showing the design for the stucco frames of the vault.
Article
Battista Franco as a Designer for Maiolica
06/1976 | 879 | 118
Pages: 386-410
related names
Author:
Clifford, Timothy (Clifford, Timothy)
Author:
Mallet, J. V. G. (Mallet, J. V. G.; Mallet, John)
Subjects
artists:
artists:
artists:
artists:
artists:
dates:
places:
sources:
subjects:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
36. Sheet of Studies Probably Connected with Decorations of the Duomo, Urbino, by Battista Franco. Pen and Brown Ink. (Musée du Louvre).
Attributed works:
37. Design for a Dish and Other Sketches, by Battista Franco. Pen and Brown Ink, 25.9 by 39.7 cm. (Windsor Castle). Reproduced by Gracious Permission of H. M. the Queen.
Attributed works:
38. Back of Plate with Angels Holding the Instruments of the Passion. Maiolica, Urbino (Fontana Workshop); c.1545-51. (Gambier-Parry Collection, Courtauld Institute of Art).
Attributed works:
39. (Cat.4) Design for a Plate with the Reception of a Warrior by King Priam, by Battista Franco. (Victoria and Albert Museum).
Attributed works:
40. (Cat.27) Design for a Plate with Hercules and Cacus, after Battista Franco.
Attributed works:
41. (Cat.26) Plate with Hercules and Cerberus. Urbino (Fontana Workshops); c.1545-51.
Attributed works:
43. (Cat.3) Dish with the Rape of Helen. Urbino (Fontana Workshops); c.1560-65.
Attributed works:
44. (Cat.2) Dish with King Priam Seated in Council with His Sons. Urbino (Fontana Workshops); c.1560-65.
Attributed works:
45. (Cat.2b) Dish with King Priam Seated in Council with His Sons. Urbino (Alfonso Patanazzi Workshop); c.1580.
Attributed works:
46. (Cat.5) Design for Dish with the Reception of Helen by King Priam, after Battista Franco. 47. (Cat.5) Dish with the Reception of Helen by King Priam. Urbino (Fontana Workshops); c.1545-51. 48. (Cat.5a) Dish with the Reception of Helen by King Priam. Duchy of Urbino (?Pesaro); c.1560. 49. (Cat.6a) Dish with Cassandra Raving. Duchy of Urbino, lustred at Gubbio; c.1550. 50. (Cat.6, Drawing A) Design for Dish with Cassandra Raving, by Battista Franco. 51. (Cat.6) Dish with Cassandra Raving. Urbino (Fontana Workshops); c.1545-51.
Attributed works:
52. (Cat.6, Drawing B) Drawing of Camels, by Battista Franco.
Attributed works:
53. (Cat.8, Drawing C) Design of Centre of Dish with Discovery of Achilles, after Battista Franco.
Attributed works:
54. (Cat.8) Dish with the Discovery of Achilles. Urbino (Fontana Workshops); c.1560-65.
Attributed works:
55. (Cat.8a) Dish with the Discovery of Achilles. Urbino (Fontana Workshops); c.1570.
Attributed works:
56. (Cat.8, Drawing A) Design for Centre of Dish with the Discovery of Achilles, by Battista Franco.
Attributed works:
57. (Cat.8, Drawing B) Design for Dish with the Discovery of Achilles, by Battista Franco.
Attributed works:
58. (Cat.7) Design for Dish with ?the Greek Fleet Assembled at Aulis, after Battista Franco. 59. (Cat.9) Dish with the Greeks and Trojans Fighting Outside a Palisade. Urbino (Fontana Workshops); ?1559. 60. (Cat.9a) Cistern with Greeks and Trojans Fighting Outside a Palisade. Urbino (Fontana Workshops); c.1560-65. 61. (Cat.9b) Dish with the Greeks and Trojans Fighting Outside a Palisade. Urbino (Patanazzi Workshops); c.1580. 62. (Cat.10) Design for Plate with Aeneas Defending the Body of Pandarus from Diomedes, by Battista Franco. 63. (Cat.10) Plate with Aeneas Defending the Body of Pandarus from Diomedes. Urbino (Fontana Workshops); c.1545-51.
Attributed works:
64. (Cat.11) Dish with Achilles Putting on His Armour. Urbino (Fontana Workshops); c.1560-65. 65. (Cat.11a) Cistern with Achilles Putting on His Armour. Urbino (Patanazzi Workshops); c.1580. 66. (Cat.11*) Design for Dish with Priam(?) Begging for the Corpse of Hector from Achilles, by Battista Franco. 67. (Cat.12) Design for Plate with the Greeks Getting into the Trojan Horse, by Battista Franco. 68. (Cat.13) Design for Plate with Trojans Dragging the Horse into Troy, by Battista Franco. 69. (Cat.14) Plate with the Greeks Battering down the Gates of Priam's Palace. Urbino (Fontana Workshops);c.1545-51.
Attributed works:
71. (Cat.15) Plate with Pyrrhus Killing Priam. Probably Urbino (Fontana Workshops); c.1545-51.
Attributed works:
72. (Cat.17) Design for Plate with Ascanius with a Flame Round His Head, by Battista Franco.
Attributed works:
73. (Cat.17) Plate with Ascanius with a Flame Round His Head. Urbino (Fontana Workshops); c.1545-51.
Attributed works:
75. (Cat.17) Inscription on Back of Cat. No.17, Fig.73.
Attributed works:
76. (Cat.18) Plate with Troy Burning and in Ruins. Urbino (Fontana Workshops);c.1545-51.
Attributed works:
77. (Cat.19) Design for Plate with Aeneas Carrying Anchises on His Shoulders, by Battista Franco. 78. (Cat.19a) Plate with Aeneas Carrying Anchises on His Shoulders While Creusa Is Carried off. Urbino (Fontana Workshops); c.1545-51. 79. (Cat.19 Note) Dish with Aeneas Carrying Anchises (The Centre after Raphael). Urbino (Fontana Workshops); c.1550. 80. (Cat.21) Design for Dish with the Madness of Hecuba, after Battista Franco. (Windsor Castle). Reproduced by Gracious Permission of H. M. the Queen. 81. (Cat.22) Dish with? the Goddess Latona Crossing the River. Urbino (Fontana Workshops);? c.1545-51. 82. (Cat.23) Dish with Diana and Her Nymphs Bathing. Urbino (Fontana Workshops); c.1560-65.
Attributed works:
83. Detail of Back of Dish Cat.22, Fig.81.
Attributed works:
84. (Cat.24) Design for Dish with Claudia Quinta Refloating the Boat, by Battista Franco.
Attributed works:
85. Design for Dish with Four Herdsmen in a Landscape, by Battista Franco.
Attributed works:
86. Pilgrim Flask with Four Herdsmen in a Landscape. Urbino (Fontana Workshops);c.1560-65.
Attributed works:
87. Dish with Saul and Abimelech. Duchy of Urbino, c.1570. In the Manner of Battista Franco. (Herzog Anton Ulrich-Museum,Brunswick).
Attributed works:
88. Dish with Marcus Curtius. Duchy of Urbino (? Pesaro); c.1555. In the Manner of Battista Franco. (Musée des Beaux-Arts, Rouen).
Western art unattributed:
42. (Cat.1) Plate with Paris and Oenone. Duchy of Urbino; c.1560.
Western art unattributed:
70. (Cat.14a) Plate with the Greeks Battering down the Gates of Priam's Palace.? Pesaro, Late Nineteenth Century.
Western art unattributed:
74. (Cat.16) Plate with Venus Restraining Aeneas from Killing Helen. Duchy of Urbino; c.1560.
Article
Taddeo Zuccaro as a Designer for Maiolica
07/1963 | 724 | 105
Pages: 304+306-315
related names
Author:
Gere, John (Gere, John; Gere, J. A.; G., J. A.; G., J.)
Subjects
artists:
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
13. Caesar Destroying the Bridge at Geneva, by Taddeo Zuccaro. Pen and Brown Wash, 33.4 by 34 cm. (Collection The Earl of Leicester, Holkham Hall.)
Attributed works:
14. Caesar Destroying the Bridge at Geneva, by Taddeo Zuccaro. Pen and Brown Wash, 26.2 by 32.5 cm. (Nationalmuseum, Stockholm.)
Attributed works:
15. Caesar Destroying the Bridge at Geneva. Dish. Urbino, Fontana Workshop, Third Quarter of the Sixteenth Century. 43.8 cm. Diameter. (Victoria and Albert Museum.)
Attributed works:
16. A Naval Battle. Cistern. Urbino, Fontana Workshop, Third Quarter of the Sixteenth Century. 54 cm. Diameter. (Museo Nazionale, Florence.)
Attributed works:
17. A Banquet in a Piazza. Stucco Relief by Federico Brandani. (Palazzo Ducale, Urbino.)
Attributed works:
18. The Distribution of Food and Wine to the Roman People. Stucco Relief by Federico Brandani. (Palazzo Ducale, Urbino.)
Attributed works:
19. The Distribution of Food and Wine to the Roman People. Dish. Urbino, Fontana Workshop, Third Quarter of the Sixteenth Century. 42.6 cm. Diameter. (Musco Civico, Pesaro.)
Attributed works:
20. A Banquet in a Piazza, Here Attributed to Taddeo Zuccaro. Red Chalk and Red Wash, 31.9 cm. Diameter. (Louvre.)
Attributed works:
21. A Combat of Gladiators. Dish. Probably Urbino, Fontana Workshop, Third Quarter of the Sixteenth Century. 45.4 cm. Diameter. (Formerly Fountaine Collection, Narford Hall.)
Attributed works:
22. A Naval Battle, Here Identified as a Copy after Taddeo Zuccaro. Pen and Brown Wash, 32.5 cm. Diameter. (British Museum.)
Attributed works:
23. The Crowning of Caesar (?). Cistern. Urbino, Fontana WorkShop, Third Quarter of the Sixteenth Century. 54 cm. Diameter. (Museo Nazionale, Florence.)
Attributed works:
24. A Battle with Elephants. Cistern, Fontana Workshop, Third Quarter of the Sixteenth Century. 55.5 cm. Diameter. (Metropolitan Museum of Art, New York.)
Attributed works:
25. 'Caesar Saving the Citizen.' Dish. Urbino, Fontana Workshop, Third Quarter of the Sixteenth Century. 45 cm. Diameter. (Museo Nazionale, Florence.)
Attributed works:
26. Soldiers Digging a Trench, Here Identified as a Copy after Taddeo Zuccaro. Pen and Brown Wash, 18.7 cm. Diameter. (Louvre.)
Attributed works:
27. A Chariot Race, after Taddeo Zuccaro. Pen and Brown Wash, 26.6 by 32.5 cm. (Louvre.)
Attributed works:
28. Soldiers Digging a Canal, Here Attributed to Taddeo Zuccaro. Pen and Brown Wash, 18.7 cm. Diameter. (Albertina, Vienna).
Attributed works:
29. Soldiers Fording a River, Here Attributed to Taddeo Zuccaro. Pen and Brown Wash, 18.5 cm. Diameter. (Biblioteca Reale, Turin.)
Attributed works:
30. Caesar Attacking the Swiss on the (?) Isar, by Taddeo Zuccaro. Red Chalk, 28.7 by 28.3 cm. (Uffizi.)
Attributed works:
31. The Battle of Orbetello, by Taddeo Zuccaro. Fresco. (Palazzo Farnese, Caprarola.)
Attributed works:
32. Detail from The Capture of Tunis, by Taddeo Zuccaro. Fresco. (Sala Regia, Vatican.)
Attributed works:
33. A Naval Battle, Here Attributed to a Follower of Taddeo Zuccaro. Pen and Brown Wash, 34.2 cm. Diameter of centre. (Royal Library, Windsor Castle.) Reproduced by Gracious Permission of H. M. the Queen.
Attributed works:
34. Soldiers with a Chariot, Here Identified as a Copy after Federico Zuccaro. Pen and and Brown Wash, 18.7 cm. Diameter. (Louvre.)
Attributed works:
35. Soldiers with Siege-Engines, Here Attributed to Federico Zuccaro. Pen and Brown Wash, 18.7 cm. Diameter. (Teyler Museum, Haarlem.)
Attributed works:
36. The Triumph of Caesar. Dish. Probably Urbino, Fontana Workshop, Third Quarter of the Sixteenth Century. 42.5 cm. Diameter. (Formerly Fountaine Collection, Narford Hall.)
Attributed works:
37. The Triumph of Caesar, Here Attributed to Federico Zuccaro. Pen and Brown Wash, 26.2 by 25.1 cm. (Louvre.)
Attributed works:
38. The Triumph of Caesar, Here Attributed to Federico Zuccaro. Brush-Drawing in Brown wash and White Body-Colour on a Yellow Ground, 28.5 cm. Diameter. (Pierpont Morgan Library, New York.)
Attributed works:
39. The Triumph of Caesar, Here Attributed to Federico Zuccaro. Pen and Brown Wash, 25.3 by 25.3 cm. (Collection Mr Victor Spark, New York.)
Attributed works:
40. Three Men Doing Homage to an Enthroned General, by Federico Zuccaro. Pen and Brown Wash, 14.7 cm. Diameter. (National Gallery of Scotland, Edinburgh.)
Article
An Embossed Visor of Guidobaldo II, Duke of Urbino
01/1943 | 478 | 82
Pages: 14-17
related names
Author:
Mann, James G. (Mann, James G.; Mann, James)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
A, B-Visor Embossed in the Form of a Monster's Head and Studded with Eyes. Middle of the Sixteenth Century. (Wallace Collection). An Embossed Visor of Guidobaldo II, Duke of Urbino
Attributed works:
D-Breastplate Embossed with Dragon's Wings and Eyes, Made for Guidobaldo II, Duke of Urbino, Attributed to Bartolommeo Campi. (Museo Nazionale, Florence). An Embossed Visor of Guidobaldo II, Duke of Urbino
Western art unattributed:
C-Guidobaldo II della Rovere-Montefeltro, Duke of Urbino. Anonymous. (Ambras Collection, Kunsthistorisches Museum, Vienna). An Embossed Visor of Guidobaldo II, Duke of Urbino