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10 articles
Article
New light on Battista Franco in Venice: part I: the Barbaro Chapel in S. Francesco della Vigna and the Scuola del Nome di Gesù
11/2006 | 1244 | 148
Pages: 747-753
related names
Author:
Howard, Deborah (Howard, Deborah)
Author:
Varick Lauder, Anne (Varick Lauder, Anne)
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places:
subjects:
subjects:
Illustrations
Attributed works:
19. The baptism of Christ, by Battista Franco. c.1552–54. Canvas, 340 by 190 cm. (Cappella Barbaro, S. Francesco della Vigna, Venice).
Attributed works:
20. Fig.19 in its eighteenth-century framing. (Photograph Osvaldo Böhm, Venice).
Attributed works:
23. South door of S. Francesco della Vigna, Venice, with the monument to Domenico Trevisan. c.1555. (Photograph Deborah Howard).
Western art unattributed:
21. Site of the Scuola del Nome di Gesù, Venice, from the Nuova planimetria della Città di Venezia, 1845–56. The Scuola is marked ‘h’.
Western art unattributed:
22. The symbol of the Name of Jesus, fresco on the vault of the Drapperia wing of the Rialto market. After 1520? (Photograph M. Longair).
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Advertisements October 1996 (front)
10/1996 | 1123 | 138
Pages: i-xx
Subjects
artists:
subjects:
Illustrations
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 23 East 73rd Street, New York ] Albrecht Dürer. Knight, Death and Devil. Engraving, 1513. B. 98. Meder 74 a/b (Of g). Boon-Scheller 74. Duplicate from the Kunsthalle Hamburg.
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] Nicolas René Jollain (1732-1804). "Thetis Imploring Jupiter for Her Son Achilles" Pen and Black Ink, Grey Wash, White Bodycolour and Traces of Red Chalk. Height: 35 cm. Length: 43 cm.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] François-Joseph Heim. Belfort 1787 - Paris 1865. The Defeat of the Teutones and Cimbri by Marius Gaius. Oil on Canvas: 61 × 82.5 cms
Attributed works:
[ Compagnia di Belle Arti, Via Olmetto 17, Milan ] Bernardo Bellotto. Venice 1721 - Warsaw 1780. Castel Sant' Angelo with St Peter's in the Distance. Oil on Canvas, 19 × 30 Inches (48.2 × 71.1 cm)
Attributed works:
[ Cover ] Marble Boy, Here Attributed to Michelangelo. Marble, 39 cm. High (Services culturelles de l'Ambassade de France, New York).
Attributed works:
[ Gallerie d' Arte Armondi, C.so Palestro 37/B, Brescia ] The Last Judgement. Tempera on Panel 65 × 47.5 cm. By the Master of the Johnson Magdalen 1st Quarter of the 16th-Century.
Attributed works:
[ Germann auction sales, Zeltweg 67, Zurich ] Johann Heinrich Füssli, 1741-1825. The Nursery of Shakespeare, 1805-1810. Oil on Canvas. 183 × 153 cm
Attributed works:
[ Heribert Tenschert, Antiquariat Bibermühle A. G., Ramsen / Kirchplatz 14-15 Rotthalmünster ] The Master of the Munich Golden Legend, Paris, c.1430.
Attributed works:
[ Hill-Stone, New York ] Battista Franco. Venice 1510 - 1580. The Israelites Receiving Manna from Heaven. Etching and Engraving. Bartsch 4, the Second of Two States, with the Reclining Figure Lower Left.
Attributed works:
[ Macmillan Publishers, The Dictionary of Art ] Table Clock, Augsberg, Silver-Gilt and Base-Taille Enamel, c. 1570-75. Case by Cornelius Gross, Enamel by David Altenstetter. (Kunsthistorisches Museum, Vienna). From the Article Gilding
Attributed works:
[ Mia N. Weiner, Mountain Road, Norfolk ] Cherubino Alberti (Borgo San Sepolcro 1553 - 1615 Rome). A Group of Figures Pen & Brown Ink. 9 3/4 × 7 1/2″ (247 × 190 mm).
Attributed works:
[ Richard Green, 33 New Bond Street and 44 Dover Street, London ] John Fernely Senior (1782-1860). Thomas Tertius Paget with His Wife on Horseback in Bradgate Park, Leicestershire. Signed, Inscribed Melton Mowbray and Dated 1852. Canvas: 33 ½ × 44 ¼ in / 85 × 112 cm
Attributed works:
[ Richard L. Feigen & Company, 49 East 68th Street, New York ] Alexandre Hyacinthe Dunouy. Italian Landscape with a Village at the Foot of the Mountains, Oil on Canvas, 112 by 157 cm. Signed and Dated, Lower Left: "Dunouy 1797".
Attributed works:
[ Rob Smeets, Via Camperio 9, Milan ] The Master of the Vasteras Trinity Active Antwerp c. 1515 - 1520. The Vergin and Child with a Concert of Angels. Oil on Shaped Panel 120 × 88 cm
Attributed works:
[ Sotheby's, New York ] One of a Pair of Louis XV Royal Silver Wine Coolers. Claude Ballin II. Paris, 1744-45, from the Penthièvre-Orléans Service and Applied with the Arms of Louis-Philippe, King of the French (1830-48). Height 10in. (26.8cm). Estimate: $2,500,000-3,000,000.
Attributed works:
[ Trafalgar Galleries, 35 Bury Street, St. James, London ] Vincenzo Catena (Venice c. 1480 - Rome c. 1531). The Madonna and Child with the Infant St. John Seen at a Window Overlooking the Campo S. Maria Formosa, Venice Oil on Panel $16frac{1}{16}times 20frac{3}{8}$ Inches. (40.7 × 51.9 cm). Signed: V. C. P.
Attributed works:
[ Villa Grisebach, Fasanenstrasse 25, Berlin ] August Macke. Spaziergänger unter Bäumen (Strollers beneath Trees) 1913. Watercolour, Pastel on Paper. 35,5 × 45,5 cm (14 × $17 frac{7}{8}$ in.)
Attributed works:
[ Villa Grisebach, Fasanenstrasse 25, Berlin ] Otto Dix. Selbstbildnis, grinsend, mit aufgestütztem Kopf (Self-Portrait, Grinning, with Propped Head). 1917 Crayon on Paper. 40,1 × 38,9 cm ($15 frac{3}{4}times 15 frac{3}{8}$ in.)
Attributed works:
[Brimo de Laroussilhe, 7 quai Voltaire, Paris ] Jan Baegert (Wesel, c.1465 - 1470, c.1530). Annunciation to the Madonna of Her Approaching Death Oil Painting on Wood, h. 85 cm, w. 48 cm
Western art unattributed:
[ Huntington Antiques Ltd, The Old Forge, Church Street, Stow on the Wold, Cheltenham ] A Very Important Large Nottingham Alabaster Relief of the Virgin and Child, Late 14th Century, the Crowned Virgin Supporting the Child on Her Right Hip, a Sceptre (Fragmentary) in Her Left Hand, the Child with a Fruit in His Right Hand (Left Missing) Traces of Original Gilding and Polychromy, Losses and Wear. 91.1 cm High ($37frac{3}{4}^{prime prime}$ High).
Advertisements
Advertisements January 1991 (front)
01/1991 | 1054 | 133
Pages: i - xxiv
Subjects
advertisements:
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advertisements:
subjects:
Illustrations
Attributed works:
[Antony Embden,Quai Voltaire, Paris] A very rare Maiolica ewer, painted with the arms of Ferdinando Ruiz de Castro, 6th Count of Lemos, Spain and order of Calatrava. Urbino workshop of Antonio Patanazzi about 1575-80. For a flask from the same service see: The Waddesdon Bequest 1898: 64 ill. page 136, No 208, Ceramic Art of the Italian Renaissance. Timothy Wilson. For a salt cellar from this service see: No254 Herzog Anton Ulrich Museum, Braunschweig. Johanna Lessmann.
Attributed works:
[Artemis Group, David Garritt Limited, 15 Duke Street St James, London] Ferdinand Georg Waldmüller (1793-1865) Portrait of Crescentia, Countess Zichy 1828, Oil on Canvas $37frac{3}{4}$ × 30 in.
Attributed works:
[C. G. Boerner, Kasernenstrasse 13 Dusseldorf/ 61 East 77th Street, New York] Rembrandt Harmensz. van Rijn. The Blindness of Tobit: The Larger Plate. Etching and drypoint. 1651. Bartsch 42. Hind 252. White-Boon 42 I (of II). The impression mentioned by White-Boon, printed with strong surface tone, wiped clean on head and beard. From the collections of the Earl of Aylesford, J. H. Hawkins, the Duke of Buccleuch.
Attributed works:
[Cailleux, 136 Faubourg Saint Honore, Paris] François Boucher (1703-1770) A Farmyard. Black Chalk Heightened by Places with Grey & Brown Wash. H. 327 mm; W. 469 mm. Engraved in Reverse by Papillon de La Ferté in Divers Paysages
Attributed works:
[Charles Plante Fine Art, exh. at The World of Drawings and Watercolours Fair, London] Domenico Maria Canuti (1620-1684). 'Hercules Received into Olympus'
Attributed works:
[Charles Ratton & Guy Ladriere, 14 rue de Marignan and 11 quai Voltaire, Paris] Pierre-Etienne Monnot (1657-1733). Terracotta. Height Excluding Base: 28 cm
Attributed works:
[Claude Kuhn, Schneidergasse 2, Basel] Basel 1520, Immediate Circle of Urs Graf (c.1485-1527/28). "The Mourning Madonna". Pen and Black Ink, Dated "1520", 17.5 × 10.4 cms
Attributed works:
[Colnaghi, 14 Old Bond Street, London/ 21 East 67th Street, New York] Antoine Coypel 1661 - Paris - 1722. The Baptism of Christ. Oil on Canvas: 136.3 × 97.6 cms
Attributed works:
[David Koetser Gallery, Talstrasse 37, Zurich] Pieter Neefs, the Elder (1578 - Antwerp -1659). Panel, 33 × 47cm. Signed and Dated: 1638
Attributed works:
[Front cover] Head of St Peter, Detail from the Chairing of St Peter, by Masaccio, Fig. 16 below Fresco. (Brancacci Chapel, S. Maria del Carmine, Florence).
Attributed works:
[Galerie Patrice Bellanger, 198 boulevard Saint-Germain, Paris] Berruer P. F. (1733-1797), Le poète Néricault-Destouches. Terre cuite originale 1778/1779
Attributed works:
[Gallery Lingard, 50 Pall Mall, London] Cyril A. Farey (1888-1954), The Record Office, London, 1942. Watercolour 18½ × 14 Inches
Attributed works:
[Haboldt & Co., 137 Rue du Faubourg Saint - Honore, Paris/ 42 East 76th Street, New York] Hans Bol (1534-1593). An Idealized View of Antwerp, 1591. Tempera, 81 × 235 mm
Attributed works:
[Jean Willems, Rue Ernest Allard 5, Brussels] Johann Wilhelm Baur Strassbourg 15??-1640 Vienna. Bodycolour on Vellum 137 × 184 mm. Hannibal's Army Crossing the Alps
Attributed works:
[Katrin Bellinger Kunsthandel, Rauchstrasse 2, Munich/ Harari & Johns 12 Duke Street, London] Giovanni Battista Franco (Venice c.1510-1561 Venice), 'Mucius Scaevola'. Pen and Brown Ink; 27,7 × 35 cm.
Attributed works:
[Patrick Perrin, 98 Faubourg Saint-Honore, Paris] Jean Henry d'Arles (1732-1784). French School. Deux Paniers. Red Chalk. H. 28.5 cm; W. 34.5 cm. Signed: 'Henry f. 1760'.
Attributed works:
[Phillips, 101 New Bond Street, London] Micheli Marieschi, "The Grand Canal, Venice, at the Mouth of the Rio Ca'Foscari with the Palazzo Foscari and the Palazzo Balbi," $24frac{3}{8}$ ins × $38frac{3}{4}$ Ins (62cm × 98.4cm), on Canvas. Sold 1990 for £115,000.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London/ 49 East 68th Street, New York] Denys Calvaert, Tobias and the Angel, Oil on Copper, Circa 1560, 23.6 by 18.3 cm.
Attributed works:
[W. M. Brady & Co, 3 East 76th Street, New York] Guillaume-Guillon Lethière. Sainte Anne (Guadaloupe) 1760-1832 Paris. Metellus Spared by Octavian. Signed, Lower Right, Lethière. Pen and Brown and Grey Inks, with Grey Washes, over Traces of Graphite. $18frac{1}{16}$ × $24frac{11}{16}$ Inches (460 × 602mm)
Attributed works:
[World of Drawings and Watercolours, London] Ellen G. Hill (fl. 1864-93) An Artist's Early Day in Paris. Courtesy The Maas Gallery
Non-western art unattributed:
[Emile Deletaille Antiquaire, Rue Watteau, Brussels] Mayan Ceremonial Flint. Central Maya Lowland 600 to 900 A. D. H. 14.2 cm. L.32.2 cm. Depth 2 cm.
Western art unattributed:
[36th Antiques Fair of Belgium, Brussels] "The Madonna from Liège," Skulpturensaminlung. Staatliche Museen zu Berlin
Western art unattributed:
[Otto Naumann, Ltd, 4 East 74th Street, New York] Annon. Dutch 17th Century. Panel 4½ × 3½ ins.
Western art unattributed:
[Wartski, 14 Grafton Street, London]The repoussé Silver Mounts Decorated with Moths Drawn to the Flame of a Candle. The Ivory Handle is Carved to Simulate the Wax of the Guttering Light. Decorated with Cabochon Chrysoprases on the Reverse. Copenhagen, c.1900
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Advertisements March 1990 (front)
03/1990 | 1044 | 132
Pages: i-xlviii
Subjects
advertisements:
advertisements:
advertisements:
artists:
artists:
artists:
artists:
artists:
subjects:
Illustrations
Attributed works:
[Agnew's, 43 Old Bond Street, London] Giovanni Francesco Barbieri Called Il Guercino (1591-1666). Interior Scene in a Kitchen. Pen and Brown Ink, 208 × 149 mm
Attributed works:
[Anna Maria Edelstein, Robyn Symes 25 Jermyn Street St James, London] Cherubino Alberti (Borgo San Sepolcro 1553-Rome 1615). Recto: The Farnese Hercules Seen from behind Admired by Two Ladies. Red Chalk. Verso: A Draped Seated Female Figure, Possibly Diana, with a Dog by Her Side, Both Holding a Stone. Pen and Brown Ink with Brown and Red Washes. 158 by 112 mm.
Attributed works:
[Arnoldi - Livie, Galeriestra. 2B, Munich] Maarten van Heemskerk (Heemskerk 1498-1574 Haarlem). Three Acts of Mercy. Pen and Brown Ink. 19.5 × 24.9cm. Signed and Dated Heemskerk Inventor 1566.
Attributed works:
[Art London Olympia (Art France, 36 avenue Matignon, Paris)] Cathelin, Champ de blés au pied du Vercors.
Attributed works:
[Arturo Cuellar - Nathan, Ramistr. 29, Zurich] Baldasare Franceschini il Volterrano (1611-1689). Young Man in Armour (Study for the Frescoes at the Villa della Petraia). 26.6 × 18.7 cm. Charcoal Heightened with White Chalk.
Attributed works:
[C.&J. Goodfriend, 61 East 77th Street, New York] Francois Boucher (1703-1770): Tête de Bourgeois portant Lunettes, Etching, Baudicour 21, Jean-Richard N. D., 110 × 69 mm.
Attributed works:
[C.G. Boerner, Kasernenstrasse 13 Dusseldorf / 61 East 77th Street, New York] Adolph von Menzel. Hans Karl von Winterfeldt. (c.1850). Black Chalk, Brush and White Bodycolour. 292 × 218 mm.
Attributed works:
[Cailleux, 136 Faubourg Saint Honore, Paris] Edmé Bouchardon: Study for Autumn. Red Chalk. H. 432 mm; L. 300 mm. Study for One of the Reliefs of the Fontaine de Grenelle in Paris (1739-1745).
Attributed works:
[Chamberlin Gallery Molly Klobe, 121 East 79th Street New York]Théophile-Alexandre Steinlen (1859-1923). Portrait of an African Sailor 1921. Black, White, Blue & Red Chalk on Paper. $24frac{5}{8}times 18frac{3}{4}$ Inches (62.6 × 47.5 CM)
Attributed works:
[Claude Kuhn, Schneidergasse 2, Basel] Jean-Baptiste Greuze 1725-1805. Le désespoir amoureux. Pen and Brown Ink, Grey Wash, 32.8 × 23 cm
Attributed works:
[David Jones, 8 rue Rossini, Paris] Nicolas de Plattemontagne Paris 1631-1706. Sheet of Studies. Red and Black Chalk Heightened with White. 284 × 424mm.
Attributed works:
[Dorotheum, Dorotheergasse11, Vienna] Bartolome Esteban Murillo (Sevilla 1618-1682). "Las dos Trinidades", Oil on Canvas, 52 × 36,5 cm, Framed; Prof. Dr. E. Perez Sanchez, Director General of the Prado Museum in Madrid, Will Publish This Painting in "Archivo Espanol de Arte". Preparatory Study Murillo's for His Important Late Work "Las dos Trinidades" (Oil on Canvas, 293 × 207 cm) in the London National Gallery.
Attributed works:
[Editions Graphiques Gallery, 3 Clifford Street, London] Leo Laporte - Blairsy la Voie Lactée. Silvered Bronze Lamp with Daum Glass Shade
Attributed works:
[European Fine Arts, 6 Lower Merrion Street, Dublin] Johann Schweyer. 1596 Graz 1676. Upper Rhine Landscape with Small Harbour. Signed. Sanguine Drawing 18.5 × 26.4 cm.
Attributed works:
[Francis Briest, 24 avenue Matignon, Paris] Georges Rouault, 'Cirque - Clown et enfant au chien', Circa 1925-1930, Gouache, 51.5×38 cm (20¼×15 in.)
Attributed works:
[Frederick Cummings, 146 West 57th Street New York] Jean Restout (1692-1768). A Nude Man Seated, Leaning and Turning to the Right. Black and White Chalks on Cream Paper. $16frac{5}{8}times 20frac{3}{8}$ Inches; 424 × 520 mm. Signed by the Artist at the Lower Right: Restout Fecit/1734: And in Brown Ink: 109: Lower Left in Brown Ink: A. R. No. IX.
Attributed works:
[Front Cover] Portrait of a Man, Workshop of Hans Holbein the Younger. Panel, 30.5 cm Diameter. (Metropolitan Museum of Art, New York).
Attributed works:
[Galerie 27, 27 rue de Seine, Paris] Picasso. Femme debout. Sculpture en tôle découpée. Hauteur: 42.5 cm.
Attributed works:
[Galerie D'Arenberg, 14 rue aux Laines, Brussells] François-Joseph Navez (1787-1869), Anacreon and Orpheus, Signed and Dated "F. J. Navez 1822". Canvas, 66,5 × 82 cm.
Attributed works:
[Galerie de Bayser S.A., 69 rue Sainte-Anne, Paris] Jacob Jordaens (1593-1678). Le Christ et les pélerins d'Emmaüs Pierre noire, plume et encre brune, rehauts de gouache bleu, vert et blanc, sur papier beige en plusieurs feuilles assemblées. 24,2 × 30,5 cm.
Attributed works:
[Galerie de la Scala, 68 rue La Boetie, Paris] François Bonvin (1817-1887). "Femme assise". 25 × 16 cm. Signed and Dedicated "A Son vieil ami Ducasse"
Attributed works:
[Galerie Sabrina Forster, Poststrasse 3, Dusseldorf] Giovanni Francesco Barbieri Called Il Guercino (1591-1666). Castle with Boccia Players. Pen and Brown Ink. 27.2 × 42.9 mm.
Attributed works:
[Galerie Siegfried Billesberger, Billesberger Hof, D8059 Moosinning, Munich] Belisario Corenzio (Achaia 1560-1643 Naples). Harbour Scene with Slave Market. Pen and Brown Ink over Red Chalk. 195 × 263 mm. Provenance: Prof. J. Isaacs and Kurt Meissner.
Attributed works:
[Glennie's, Wensum Hall, Wensum Street, Norwich] Edouard Vuillard 'La Chemise Blanche'
Attributed works:
[Glennie's, Wensum Hall, Wensum Street, Norwich] Henri Fantin-Latour 'Nature Morte au pot blanc'
Attributed works:
[Glennie's, Wensum Hall, Wensum Street, Norwich]Claude Monet 'The Seine at Vétheuil'
Attributed works:
[Guy Loudmer, 18 rue de Provence, Paris] Maurice de Vlaminck - "Les pêcheurs à Nanterre" (1906). Oil on canvas, signed at lower left titled and countersigned on reverse. 81 × 100 cm. Exhibitions:- "Plaisirs de France" Galerie Charpentier, Paris, 1951, n° 191 (titled "Pêcheurs à la ligne") - "Plaisirs de la Campagne" Galerie Charpentier, Paris, 1954, n° 178 - "L'Œuvre de Vlaminck du fauvisme à nos jours", Galerie Charpentier,, Paris 1956. - "Les Fauves", Galerie Charpentier, Paris, 1962, n° 148.....
Attributed works:
[Jean Lupu, 43 rue de Faubourg Saint Honore, Paris] Jan Sanders van Hemessen (Hemiksen Circa 1500-1565 Haarlem). "The Virgin with the Child", Circa 1534, Panel 113 × 83 cm
Attributed works:
[Jean Willems, Rue Ernest Allard 5, Brussels] Sebastien Leclerc Metz 1637-1714 Paris. The Siege of a Town in the Lower Netherlands. Pen and Grey Ink and Wash 228 × 261 mm
Attributed works:
[Kate de Rothschildt] Baron Dominique Vivant-Denon (1747-1825). Study of a Young Girl Playing with a Giant Poodle 'tondu en lion'
Attributed works:
[Katrin Bellinger, Rauchstrasse 2 Munich/ 12 Duke Street, London] Giulio Campi Cremona 1502-1572 Cremona 'Diana with Putti, Carrying a Vase'. Pen and Brown Ink, Brown Wash, Heightened with White; Squared. 160 × 290 mm.
Attributed works:
[Marcello Aldega Margot Gordon] Battista Franco Udine 1510? - Venezia 1580. Red Chalk, Beige Paper
Attributed works:
[Marlborough, 6 Albemarle Street, London] Reflection on the Drawings, 1989. Oil on Canvas, $57frac{1}{2}times 44frac{3}{4}text{in}$./146×114cm.
Attributed works:
[Moatti, 77 rue des Saints - Peres, Paris] Giovanni-Domenico Tiepolo (1727-1804). Christ Received into Heaven. Signed. Black Chalk, Pen and Grey Ink, Brown Wash on Paper. 265 mm × 175 mm
Attributed works:
[Pace, 32 East 57 Street, New York] Giovanni Battista Tiepolo 1696-1770. A Caricature of a Portly Man Wearing a Frock Coat. Pen and Black Ink with Grey Wash. 211 × 145mm. From the Album Tomo Terzo di Caricature
Attributed works:
[Peter Nahum, 5 Ryder Street, London] Sir Edward Coley Burne-Jones Bt Ara 1833-1898. William Morris Climbing a Mountain in Iceland. Pencil on Paper 6½ × 4 Inches, 16.5 × 10 Centimetres.
Attributed works:
[Phillips, 101 New Bond Street, London] Edgar Degas, La Sortie du Bain; Charcoal and Pastel, Circa 1895-98, 90cm × 80cm.
Attributed works:
[Phillips, 101 New Bond Street, London] Ivan Vasilievich Kliun (1873-1942), Composition; Oil on Canvas, 47cm x 35cm. Executed in 1920.
Attributed works:
[Phillips, 101 New Bond Street, London] Paul-Theodor van Brussel (Zind-Polsbroek 1754-1795 Amsterdam). A Still-Life of Assorted Flowers and Fruit Including Poppies, Tulips, Grapes and Peaches upon a Stone Ledge before a Landscape. Signed and Dated 1794, Oil on Panel, 79cm × 62.5cm.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London/ 113 East 79th Street New York] Adam Pijnacker, Landscape with Cattle. Oil on Canvas, 39¼ by 52 Inches (99.7 by 132.1 cm). Signed, Bottom, Left of Centre [On the Rock]: "A Pynacker"
Attributed works:
[Sotheby's 34-35 New Bond Street, London] Joachim Wtewael (Utrecht 1566-1638), The Wedding of Peleus and Thetis, Dated l.r. 1612, Oil on Copper, 36.5 by 42 cm (14¼ by 16½ in). Estimate: £600,000-800,000
Attributed works:
[Spencer A. Samuels, 39 East 72nd Street, New York] William Hogarth (1697-1764). Hudibras Visiting Sidrophel. Pen and Brown Ink over Pencil $4frac{3}{8}times 3frac{3}{8}$ Inches (123 × 75 mm). Before 1725.
Attributed works:
[The 70th Chelsea Antiques Fair, London] A Late 18th-Century English Bracket Clock. The Case of Fine Mahogany. The Dial Finely Engraved and Silvered. Signed: Wright, Chelmsford. Circa 1790.
Attributed works:
[The 70th Chelsea Antiques Fair, London] George III Silver Gilt Cup and Cover. London 1781. By John Denziloe. The Arms Are of Archibald Acheson, at That Time Baron Gosford of Market Hill, Co. Armagh, Ireland. Height: $10frac{3}{8}$ Inches.
Attributed works:
[The European Fine Art Fair] A Very Fine Cased Set of Presentation Pistols Made by Gastinne Renette, c. 1854. Paris Exhibition 1854
Attributed works:
[The European Fine Art Fair] Albrecht Dürer 1471-1528. The Small Horse. Engraving, 1505, 164 by 109 mm.
Attributed works:
[The European Fine Art Fair] Emanuel de Witte. The Interior of the Oude Kerk, Amsterdam - Signed and Dated 1679. Oil on Canvas, 20.5 by 70 cms.
Attributed works:
[The European Fine Art Fair] Jan van Goyen, 1596 Leiden-The Hague 1656. A Beach Scene. Panel: $15frac{3}{8} text{by} 22frac{5}{8}$ Inches (39 by 57.5 cm.). Signed with Monogram and Dated 1652
Attributed works:
[The European Fine Art Fair] Jean-Baptiste François Pater (Valenciennes 1695-1736 Paris). Le Sultan au Jardin. Oil on Canvas, 60 × 73 cm. Signed: Pater
Attributed works:
[The European Fine Art Fair] Paulus Bor, Still Life with Chest, Saddlebag, Open Book and Other Objects on a Table Before a Window, 1630. Oil on Panel, 22 by 30 Inches (56 by 76 cm.). Signed (On Open Book): "P Bor 1630"
Attributed works:
[The European Fine Art Fair] Quiringh Gerritsz. Van Brekelenkam Zwammerdam, c. 1620-1668 Leiden. An Interior with a Family. Panel: $23frac{3}{8} text{by} 32frac{3}{4}$ Inches (59.5 by 83.2 cm.)
Attributed works:
[The Fine Art Society, 148 New bond Street, London] Frances McNair 1874-1921. L'Esprit de la Rose, 1903. Pencil & Watercolour, 12½″ × 12½″ (32 × 32 cm.)
Attributed works:
[Thomas Le Claire, Elbchaussee 156, Hamburg] Hans Sebald Beham (1500 Nürnberg-Frankfurt 1550). A Standing Female Nude Seen from behind. Pen and Black Ink; Monogrammed and Dated. "HSB 1537". 145 × 94 mm.
Attributed works:
[W. M. Brady & Co, 3 East 76th Street, New York] Karl-Ernest-Rodolphe-Heinrich-Salem, Called Henri Lehmann (Kiel 1814-1882 Paris). Portrait of Edmond de Pertuis de Laillevault (1822-1904). Signed with the Initials and Dated, Lower Right, 23 Mars/1842/HL. Black Chalk on Cream Paper, 8½ × 6¼ Inches (215 × 160 mm)
Non-western art unattributed:
[Michael B. Weisbrod INC, 987 Madison Avenue, New York] Cloisonne Box and Cover. Qing Dynasty, Qianlong Period. Height: 12¼ in. (31.1 cm.). Width: $9frac{1}{8}text{in}$. (23.1 cm.). Depth: $7frac{5}{8}text{in}$. (19.3 cm.)
Non-western art unattributed:
[The European Fine Art Fair] Chinese Bracket Clock with Rosewood Cabinet, with Brass Mounts and Carrying Handle, Enamel Dial Decorated with Scrolling Flowers. Chinese, 19th Century
Western art unattributed:
[Charles Ratton & Guy Ladriere, 14 rue de Marigan and 11 quai Voltaire, Paris] Keystone with Hercules and Amiral Bonnivet's Coat of Arms. Stone. Diam.: 20 cm. France, First Quarter of the XVIth Century. From the Castle of Bonnivet (Vienne), Built around 1520, Destroyed in 1788. Other Fragments of This Castle Can Be Seen in the Louvre and the Museum of Sainte-Croix in Poitiers.
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London] A Cipollino marble seated Togatus figure, adapted as St. Peter in the second half of the 16th century, with gilt bronze head, hands and feet, formerly in the Ludovisi Collection, 38.7cm (15¼in) high. Estimate: £250,000-350,000. The statue is documented in three inventories of the Villa Ludovisi in Rome, dated 1623, 1633 and 1665. In the early 1620s Cardinal Ludovico Ludovisi was forming one of the greatest collections of statuary and paintings of the period, including many antiquities.
Article
In Botega di Maestro Guido Durantino in Urbino
05/1987 | 1010 | 129
Pages: 284-298
related names
Author:
Mallet, J. V. G. (Mallet, J. V. G.; Mallet, John)
Subjects
artists:
artists:
artists:
artists:
artists:
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
1. Dish (Group I, Cat.1), Painted with The Martyrdom of St Cecilia, by Nicola di Gabriele Sbraga da Urbino, in the Workshop of Guido Durantino, 1528, Diameter 50 cm. (Bargello, Florence). 1a. Detail of the Reverse of Fig.1, Showing the Monogram of Nicola above an Inscription in His Handwriting Stating the Piece Was Made in the Workshop of 'Guido da Castello durante in Urbino 1528'.
Attributed works:
10. Dish (Group V), Painted with King Priam Receiving Helen of Troy, with a Border of Putti, Satyrs and Trophies, after a Drawing by Battista Franco. Here Attributed to Camillo Gatti. Workshop of Guido Durantino. c. 1547, Diameter 41 cm. (Victoria & Albert Museum, London).
Attributed works:
10a. Detail of the Reverse of Fig.10, Showing Capital Lettering Found on Some Other Pieces Attributable to Gatti.
Attributed works:
11. Dish (Group VI, Cat.37), Painted with The 1527 Siege of Rome, Workshop of Guido Durantino. c. 1550, Diameter 44 cm. (Lehman Collection, Metropolitan Museum, New York).
Attributed works:
11a. Detail of the Reverse of Fig.11, Showing an Inscription Stating That the Piece Was Made in the Workshop of Maestro Guido Fontana.
Attributed works:
2. Plate (Group II, Cat.16), from a Service with the Arms of the Connétable Anne de Montmorency, Painted with The Wars and Troubles of the Trojans by Land and Sea, Workshop of Guido Durantino. 1535, Diameter 30 cm. (Victoria & Albert Museum, London).
Attributed works:
2a. Detail of the Reverse of Fig.2. The Same Handwriting Appears on the Pieces Illustrated as Figs.3, 5 and 5a.
Attributed works:
3. Plate (Group II, Cat.13), from the Montmorency Service, Painted with the Daughters of Minyas, Workshop of Guido Durantino. c. 1535, Diameter 25.5 cm. (By Courtesy of the Trustees of the Sir John Soane Museum).
Attributed works:
4. Candlestick (Group II, Cat.3), from the Montmorency Service, View of the Upper Surface of the Pedestal, Painted with Alpheus and Arethusa. Uninscribed Except for the Numeral 16 in Blue Underneath. c. 1535, Diameter 19.5 cm. (Victoria & Albert Museum, London).
Attributed works:
5. Plate (Group II, Cat.27), Painted with Apollo, Daphne and Peneus, Workshop of Guido Durantino. 1535, Diameter 26 cm. (Former Robert Strauss Collection; Photograph Courtesy of Christie's).
Attributed works:
5a. Detail of the Reverse of Fig.5, Showing the Same Handwriting as That in Fig.2a.
Attributed works:
6. Dish (Group III, Cat.32), Painted with Mount Parnassus after Marcantonio Raimondi's Print after Raphael, Workshop of Guido Durantino. c. 1540, Diameter 45.3 cm. (Musée Vivenel, Compiègne).
Attributed works:
6a. Detail of the Reverse of Fig.6, with a Stanza on the Theme of the Difficulty of Ascending Mount Parnassus. This Is the Only Recorded Piece Inscribed Merely with the Name of Maestro Guido Durantino, with No Reference to His Workshop.
Attributed works:
7. Plate (Group IV), Painted with the Hunting of the Calydonian Boar, by Guido Durantino's Son Orazio Fontana. Marked at the Back with Orazio's Monogram. 1544, Diameter 24.1 cm. (British Museum, London).
Attributed works:
7a. Detail of the Reverse of Fig.7, Showing Orazio Fontana's Handwriting and Monogram.
Attributed works:
8. Dish (Group IV, Cat.34), Painted with the Contest between the Muses and the Pierides, after a Print by Caraglio after il Rosso Fiorentino. Monogram of Orazio Fontana on a Rock in the Right-Hand Foreground. Workshop of Guido Durantino. 1542, Diameter 44 cm. (Formerly Schloss-Museum, Berlin, Lost in World War II).
Attributed works:
8a. Detail of the Reverse of Fig.8, Showing the Handwriting of Orazio Fontana (cf. Fig.7a).
Attributed works:
9. Dish (Group V, Cat.35), Painted with the Muses and Pierides, after the Same Print as Fig.8. Here Considered Probably by Camillo Gatti. Workshop of Guido Durantino. c. 1545-50, Diameter 46cm. (Fitzwilliam Museum, Cambridge). Reproduced in Colour on the Front Cover.
Attributed works:
9a. Detail of the Reverse of Fig.9, Showing Handwriting Believed to Be That of Camillo Gatti, Concluding with the Statement That the Piece Was Made in Guido Durantino's Workshop.
Short Notice
Drawings by Battista Franco in the Louvre
11/1985 | 992 | 127
Pages: 780-783+785
related names
Author:
Monbeig-Goguel, Catherine (Monbeig-Goguel, Catherine; Goguel, Catherine Monbeig-; Goguel, Catherine Monbeig; Monbeig-Goguel, C.)
Subjects
artists:
dates:
museums and institutions:
places:
Illustrations
Attributed works:
64. Studies after the Antique, by Battista Franco. Pen and Brown Ink, 26.5 by 41 cm. (Inv. No. 4966, Cabinet des Dessins, Musée du Louvre).
Attributed works:
65. Six Studies of a Seated Man, by Battista Franco. Pen and Brown Ink, 19 by 25 cm. (Inv. No. 4985, Cabinet des Dessins, Musée du Louvre).
Attributed works:
66. Horatius Cocles Defending the Bridge, by Battista Franco. Pen and Brown Ink and Wash, 46.6 by 76.7 cm. (Inv. No. 19187, Cabinet des Dessins, Musée du Louvre).
Attributed works:
67. Detail from the Central Part of Fig.66. [Horatius Cocles Crossing the Tiber, by Battista Franco. Pen, Brown Ink and Wash, 46.5 by 75.3 cm. (Inv. No. 19188, Cabinet des Dessins, Musée du Louvre).]
Attributed works:
68. Horatius Cocles Crossing the Tiber, by Battista Franco. Pen, Brown Ink and Wash, 46.5 by 75.3 cm. (Inv. No. 19188, Cabinet des Dessins, Musée du Louvre).
Attributed works:
69. Detail from the Upper Part of Fig.68. [Horatius Cocles Crossing the Tiber, by Battista Franco. Pen, Brown Ink and Wash, 46.5 by 75.3 cm. (Inv. No. 19188, Cabinet des Dessins, Musée du Louvre).]
Attributed works:
70. Detail from the Central Part of Fig.68. [Horatius Cocles Crossing the Tiber, by Battista Franco. Pen, Brown Ink and Wash, 46.5 by 75.3 cm. (Inv. No. 19188, Cabinet des Dessins, Musée du Louvre).[
Letter
A Drawing of the 'Escape of Cloelia'
12/1976 | 885 | 118
Pages: 851+853
related names
Author:
Ronen, Avraham (Ronen, Avraham)
Subjects
artists:
dates:
museums and institutions:
places:
subjects:
Illustrations
Western art unattributed:
94. Dish with The Escape of Cloelia. Maiolica. (Bayerische National-museum, Munich). 96. The Escape of Cloelia. Drawing. (Cabinet des Dessins, Musée du Louvre.) Photo. Musées Nationaux.
Article
Battista Franco as a Designer for Maiolica
06/1976 | 879 | 118
Pages: 386-410
related names
Author:
Clifford, Timothy (Clifford, Timothy)
Author:
Mallet, J. V. G. (Mallet, J. V. G.; Mallet, John)
Subjects
artists:
artists:
artists:
artists:
artists:
dates:
places:
sources:
subjects:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
36. Sheet of Studies Probably Connected with Decorations of the Duomo, Urbino, by Battista Franco. Pen and Brown Ink. (Musée du Louvre).
Attributed works:
37. Design for a Dish and Other Sketches, by Battista Franco. Pen and Brown Ink, 25.9 by 39.7 cm. (Windsor Castle). Reproduced by Gracious Permission of H. M. the Queen.
Attributed works:
38. Back of Plate with Angels Holding the Instruments of the Passion. Maiolica, Urbino (Fontana Workshop); c.1545-51. (Gambier-Parry Collection, Courtauld Institute of Art).
Attributed works:
39. (Cat.4) Design for a Plate with the Reception of a Warrior by King Priam, by Battista Franco. (Victoria and Albert Museum).
Attributed works:
40. (Cat.27) Design for a Plate with Hercules and Cacus, after Battista Franco.
Attributed works:
41. (Cat.26) Plate with Hercules and Cerberus. Urbino (Fontana Workshops); c.1545-51.
Attributed works:
43. (Cat.3) Dish with the Rape of Helen. Urbino (Fontana Workshops); c.1560-65.
Attributed works:
44. (Cat.2) Dish with King Priam Seated in Council with His Sons. Urbino (Fontana Workshops); c.1560-65.
Attributed works:
45. (Cat.2b) Dish with King Priam Seated in Council with His Sons. Urbino (Alfonso Patanazzi Workshop); c.1580.
Attributed works:
46. (Cat.5) Design for Dish with the Reception of Helen by King Priam, after Battista Franco. 47. (Cat.5) Dish with the Reception of Helen by King Priam. Urbino (Fontana Workshops); c.1545-51. 48. (Cat.5a) Dish with the Reception of Helen by King Priam. Duchy of Urbino (?Pesaro); c.1560. 49. (Cat.6a) Dish with Cassandra Raving. Duchy of Urbino, lustred at Gubbio; c.1550. 50. (Cat.6, Drawing A) Design for Dish with Cassandra Raving, by Battista Franco. 51. (Cat.6) Dish with Cassandra Raving. Urbino (Fontana Workshops); c.1545-51.
Attributed works:
52. (Cat.6, Drawing B) Drawing of Camels, by Battista Franco.
Attributed works:
53. (Cat.8, Drawing C) Design of Centre of Dish with Discovery of Achilles, after Battista Franco.
Attributed works:
54. (Cat.8) Dish with the Discovery of Achilles. Urbino (Fontana Workshops); c.1560-65.
Attributed works:
55. (Cat.8a) Dish with the Discovery of Achilles. Urbino (Fontana Workshops); c.1570.
Attributed works:
56. (Cat.8, Drawing A) Design for Centre of Dish with the Discovery of Achilles, by Battista Franco.
Attributed works:
57. (Cat.8, Drawing B) Design for Dish with the Discovery of Achilles, by Battista Franco.
Attributed works:
58. (Cat.7) Design for Dish with ?the Greek Fleet Assembled at Aulis, after Battista Franco. 59. (Cat.9) Dish with the Greeks and Trojans Fighting Outside a Palisade. Urbino (Fontana Workshops); ?1559. 60. (Cat.9a) Cistern with Greeks and Trojans Fighting Outside a Palisade. Urbino (Fontana Workshops); c.1560-65. 61. (Cat.9b) Dish with the Greeks and Trojans Fighting Outside a Palisade. Urbino (Patanazzi Workshops); c.1580. 62. (Cat.10) Design for Plate with Aeneas Defending the Body of Pandarus from Diomedes, by Battista Franco. 63. (Cat.10) Plate with Aeneas Defending the Body of Pandarus from Diomedes. Urbino (Fontana Workshops); c.1545-51.
Attributed works:
64. (Cat.11) Dish with Achilles Putting on His Armour. Urbino (Fontana Workshops); c.1560-65. 65. (Cat.11a) Cistern with Achilles Putting on His Armour. Urbino (Patanazzi Workshops); c.1580. 66. (Cat.11*) Design for Dish with Priam(?) Begging for the Corpse of Hector from Achilles, by Battista Franco. 67. (Cat.12) Design for Plate with the Greeks Getting into the Trojan Horse, by Battista Franco. 68. (Cat.13) Design for Plate with Trojans Dragging the Horse into Troy, by Battista Franco. 69. (Cat.14) Plate with the Greeks Battering down the Gates of Priam's Palace. Urbino (Fontana Workshops);c.1545-51.
Attributed works:
71. (Cat.15) Plate with Pyrrhus Killing Priam. Probably Urbino (Fontana Workshops); c.1545-51.
Attributed works:
72. (Cat.17) Design for Plate with Ascanius with a Flame Round His Head, by Battista Franco.
Attributed works:
73. (Cat.17) Plate with Ascanius with a Flame Round His Head. Urbino (Fontana Workshops); c.1545-51.
Attributed works:
75. (Cat.17) Inscription on Back of Cat. No.17, Fig.73.
Attributed works:
76. (Cat.18) Plate with Troy Burning and in Ruins. Urbino (Fontana Workshops);c.1545-51.
Attributed works:
77. (Cat.19) Design for Plate with Aeneas Carrying Anchises on His Shoulders, by Battista Franco. 78. (Cat.19a) Plate with Aeneas Carrying Anchises on His Shoulders While Creusa Is Carried off. Urbino (Fontana Workshops); c.1545-51. 79. (Cat.19 Note) Dish with Aeneas Carrying Anchises (The Centre after Raphael). Urbino (Fontana Workshops); c.1550. 80. (Cat.21) Design for Dish with the Madness of Hecuba, after Battista Franco. (Windsor Castle). Reproduced by Gracious Permission of H. M. the Queen. 81. (Cat.22) Dish with? the Goddess Latona Crossing the River. Urbino (Fontana Workshops);? c.1545-51. 82. (Cat.23) Dish with Diana and Her Nymphs Bathing. Urbino (Fontana Workshops); c.1560-65.
Attributed works:
83. Detail of Back of Dish Cat.22, Fig.81.
Attributed works:
84. (Cat.24) Design for Dish with Claudia Quinta Refloating the Boat, by Battista Franco.
Attributed works:
85. Design for Dish with Four Herdsmen in a Landscape, by Battista Franco.
Attributed works:
86. Pilgrim Flask with Four Herdsmen in a Landscape. Urbino (Fontana Workshops);c.1560-65.
Attributed works:
87. Dish with Saul and Abimelech. Duchy of Urbino, c.1570. In the Manner of Battista Franco. (Herzog Anton Ulrich-Museum,Brunswick).
Attributed works:
88. Dish with Marcus Curtius. Duchy of Urbino (? Pesaro); c.1555. In the Manner of Battista Franco. (Musée des Beaux-Arts, Rouen).
Western art unattributed:
42. (Cat.1) Plate with Paris and Oenone. Duchy of Urbino; c.1560.
Western art unattributed:
70. (Cat.14a) Plate with the Greeks Battering down the Gates of Priam's Palace.? Pesaro, Late Nineteenth Century.
Western art unattributed:
74. (Cat.16) Plate with Venus Restraining Aeneas from Killing Helen. Duchy of Urbino; c.1560.
Advertisements
Advertisements February 1972 (Front)
02/1972 | 827 | 114
Pages: i-lxiv
Subjects
advertisements:
Illustrations
Attributed works:
[ 'How', 2-3 Pickering Place, St James's Street, London ] Maker's mark only: Adam Billon. Tankard Cork Circa 1700. Weight: 30 ozs. 1 dwt. Tankard Bears the Arms of Knight
Attributed works:
[ Ader Picard Tajan, 12 Rue Favart, Paris ] A Gold Oval Box. Enamelled on the Lid, Attributed to Petitot, Representing Louis XIV. Master Silversmith: Charles Ouizille, Paris 1773. Expert: M. de Fommervault.
Attributed works:
[ Ader Picard Tajan, 12 Rue Favart, Paris ] Important Red Lacquer Commode, Decorated with Chinese Figures. Richly Ornamented with Chiselled and Gilded Bronze. Signed: B. V. R. B. Louis XV Period. Marble Top. H. 0.84 m; L. 1.15 m; D. 0.55 m.
Attributed works:
[ Box RFH 27201, Publishing Office, Holborn Hall 100 Gray's Inn Road, London ] Angelo Inganni (Brescia 1807-Gussago 1880) Nocturne, Signed at Left Canvas, 61 by 51 cm.
Attributed works:
[ Box RFH 27202, Publishing Office, Holborn Hall 100 Gray's Inn Road, London ] Alonso Cano (1601-1667) Canvas, 138 by 89 cm
Attributed works:
[ Box RFH 27203, Publishing Office, Holborn Hall 100 Gray's Inn Road, London ] Pietro Benvenuti (Arezzo 1769-Florence 1844) Canvas, 46 by 36 cm.
Attributed works:
[ Box RFH 27204, Publishing Office, Holborn Hall 100 Gray's Inn Road, London ] Antonio Ciseri (1821-1891) Canvas, 61 by 51 cm
Attributed works:
[ Box RFH 27205, Publishing Office, Holborn Hall 100 Gray's Inn Road, London ] I. Lucien Simon (1861-1945) Canvas, 61 by 51 cm
Attributed works:
[ Box RFH 27206, Publishing Office, Holborn Hall 100 Gray's Inn Road, London ] Angelo Martinetti-Rome Canvas, 50 by 41 cm
Attributed works:
[ Box RFH 27207, Publishing Office, Holborn Hall 100 Gray's Inn Road, London ] Eugenio Laermans (1864-1940) Canvas, 62 by 92 cm
Attributed works:
[ Box RFH 27208, Publishing Office, Holborn Hall 100 Gray's Inn Road, London ] Attributed to Gioacchino Assereto (1600-1649) The Dispute with Doctors Canvas, 114 by 138 cm
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf ] Lorenzo Tiepolo. Etching de Vesme 4 II. Sack 4.
Attributed works:
[ Colnaghi's, 14 Old Bond Street, London ] Giuseppe Cesari Called Il Cavaliere D'Arpino Panel, 33½ by 24¾ Inches
Attributed works:
[ David M. Koetser Gallery, 37 Talstrasse, Zurich ] David Teniers. Signed, Panel, 12″ × 9″
Attributed works:
[ Galerie Schmit, 396 Rue St. Honoré, Paris ] Fernand Leger. Still Life of Red Decanter. Canvas, Height 65 cm; Length 46 cm. Signed, Dated Bottom Right 1921.
Attributed works:
[ Galleria d' Arte Boda, 28 Via Cavour, Turin ] Attributed to Rigaud Giacinto (1659-1743) 80 by 62 cm.
Attributed works:
[ Galleria d' Arte Boda, 28 Via Cavour, Turin ] Nono Luigi (1850-1918) "Ave Maria" Signed, Oil on Canvas, 95 by 65 cm.
Attributed works:
[ Galleria Michelucci, Borgo San Jacopo 13, Florence ] Wassili Kandinsky Composition (1927) Mixed Media on Cardboard, Signed and Dated Bottom Left, 48 by 32.3 cm
Attributed works:
[ Galleria Previtali, via T. Tasso, Bergamo ] Battista Franco Veneto Called "II Samolei" (Udine 1510-Venice 1580) Signed and Dated, Bap. Fran. Ven. Fecit MDLII, "Christ Falling under the Cross" The Only Signed and Dated Work by This Artist. Size, 128 by 154 mm. Provenance: Collection Manfrin, Milano.
Attributed works:
[ Heim - Gairac, 13 Rue de Seine, Paris ] Verdussen Jan Peeter (1700-1763) "The Bivouac". Canvas. II. 0,60 m L. 0,77 m. Signed Bottom Right.
Attributed works:
[ Herbert E. Feist, 1125 Madison Avenue (84 St.) New York ] Andries Both (1612-1650) Dutch, 8 by 12½ Inches
Attributed works:
[ Herner Wengraf, Old Master Galleries Ltd, 62 South Audley Street, Mayfair London] Juan de Valdes Leal (1622-Seville-1690) Christ Appearing to St. Anthony of Padua Canvas, 63¾ by 44 Inches (175 by 112 cm)
Attributed works:
[ International Arts Guild, Palm d'or des Beaux - Arts, 1970 ] August v.Briesen. Passerelle de Debilly. Dessin au Fusain 40 × 59 cm
Attributed works:
[ Kennedy Galleries, 20 E. 56th St. New York ] "Newport Beach, Rhode Island", Oil on Canvas, 15″ × 23″
Attributed works:
[ Leonardo Lapiccirella, Lungarno Vespucci, 18, Florence ] Simone Pignoni "Penitent Magdalen" Oil on Canvas, 1 by 1.36 m.
Attributed works:
[ Miodrag Boskovitch, 5 Avenue Louise and 13-15 Rue Ravenstein, Brussels ] Bonaventure Peeters, Antwerp 1614 - Hoboken 1652. The Estuary. Wood, 17½ × 29½ ins., Signed and Dated 1650. A Master at Twenty, This Prolific Artist Was the Best Mannerist Painter of the Flemish School. In All His Interpretations He Knew How to Convey a Real Poetical Intensity. In This one, a Battleship Flying the Dutch Flag Has Dropped Anchor in Front of the Bastion Defending the Access to the Harbour. In the Foreground, a Launch is Nearing the Shore to Load the Bales Brought by Eastern Merchants. To a Refined Sense of Harmony in the Colours is Added a Rigorous Technique, Perceptible in the Precision of the Detail.
Attributed works:
[ Newhouse Galleries, 19 East 66th Street, New York ] The Market Place, Haarlem Gerrit Berckheyde (1638-1698) Size 26⅜ by 33¾ Inches
Attributed works:
[ Salon des Independants, Grand Palais des Champs Elysees, Paris ] August v.Briesen. Villeneuve St. Georges. Huile Sur Toile 73 × 92 cm
Attributed works:
[ Sotheby Parke - Bernet Galleries, New York ] Nu Couché III (Torse Ronde), by Henri Matisse, 1929, Length 18 Inches
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] A Barr, Flight and Barr Pink-Ground Dessert Service, Marks Printed in Sepia and Impressed
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] A Gentleman by Thomas Flatman, Signed, Oval 2¾ Inches
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] A Lady by Andrew Robertson, Signed, Oval 3⅛ Inches
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] A Lady by Jeremiah Meyer, Oval 3¼ Inches
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] A Pair of Worcester Figures of a Gardener and Companion, First Period, 6½ and 6¾ Inches. A Worcester Plate from the Duke of Gloucester's Service, Gilt Crescent Mark, First Period, 9 Inches
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] A Worcester Fable Plate, Painted by Jeffryes Hamett O'Neale, 7½ Inches, Seal Mark, First Period
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] A Worcester Yellow-Ground Caddy and Cover Painted with the Partridge Pattern, Crescent Mark in Gilding, First Period, 5¾ Inches. A Worcester Claret-Ground Tea Bowl and Saucer, First Period. A Worcester Yellow-Ground Mug, First Period, 4¾ Inches
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Alexandre Calame, A View of the Wetterhorn, Signed, Inscribed 'Geneva' and Dated 1840, 51 by 38½ Inches
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Alfred Sisley, Bords de Rivière (LD6), Lithograph, Printed in Colours, 213 by 319 mm.
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] An Early Worcester Mug Inscribed E. L. 1754, 4⅝ Inches, First Period
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Charles Leickert, An Extensive River Landscape, Signed and Dated '69, Unframed, 25 by 39 Inches
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Edouard Manet, Barricode, Lithograph, 465 by 234 mm
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Enamel Miniature of Thomas Radcliffe Earl of Essex by Henry Bone, Signed and Dated 1816, Rectangular, 5 Inches
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Enamel Miniature of Warren Hastings Probably by William Hopkins Craft, Rectangular, 4 Inches
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Eugene de Blaas, Picking Roses, Signed, on Panel, 21 by 14¾ Inches
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Gaetano Chierici, The First Bath, Signed and Dated 1872, 28½ by 42 Inches
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Georges Rouault, Le Clown, Aquatint, from the Complete Set of the Miserere
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Giovanni Fattori, The Siesta, Signed with Initials, on Panel, 12 by 23¼ Inches
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Hermanus Koekkoek, Denguden on the Y near Amsterdam, Signed, 14 by 23¼ Inches
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] James Tissot, Portrait of Henri Martin, Signed and Inscribed, on Panel, 14 by 10¾ Inches
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Oswald Achenbach, On the Bay of Naples, Signed and Dated '81, 16¼ by 23¼ Inches
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Telemaco Signorini, Landscape Sketch, Signed, 8 by 4¾ Inches
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] William Koekkoek, A Dutch Street Scene, Signed, 14 by 17 Inches
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] A Fabergé Presentation Cigarette Box, with the Diamond Cypher of Tsar Nicolas II, by Workmaster Gabriel Niukkanen
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] A Gentleman by George Engleheart, Oval 1⅝ Inches
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] A Lady by John Smart, Signed and Dated 1782, oval 1⅝ Inches
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] A Russian Icon of St Nicholas, 18th Century, with Fine Silver-Gilt and Enamel, by Klebnikov, 12½ by 10½ Inches
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Ernst Ludwig Kirchner, Segelboote (D243), Wood-Cut, 2nd State, Signed, 418 by 395 mm.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Henri Matisse, Odalisque Avec Chemise de Tulle, Lithograph, Signed
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] James McNeill Whistler, Riva No. 2 (K206), Etching, Ist State, 211 by 307 mm.
Attributed works:
[ Sotheby's, Belgravia, London ] Dante Gabriel Rossetti, Portrait of Mistteimam, 10 by 8 Inches
Attributed works:
[ Sotheby's, Belgravia, London ] Edward Pritchett, A View on the Grand Canal, Venice, Signed, 28 by 41½ Inches
Attributed works:
[ Sotheby's, Belgravia, London ] Edward William Cooke, R. A., A View of San Giorgio Maggiore, 9¾ by 21 Inches
Attributed works:
[ Sotheby's, Belgravia, London ] Frederick William Watts, A Distant View of Dedham, 20¼ by 29½ Inches
Attributed works:
[ Sotheby's, Belgravia, London ] Fredrick Wilhelm Keyl, A Gentleman with His Bay Hunter and Dogs, 36 by 50½ Inches
Attributed works:
[ Sotheby's, Belgravia, London ] George Elgar Hicks, Changing Homes, 36 by 60 Inches
Attributed works:
[ Sotheby's, Belgravia, London ] George Vicat Cole, R. A., The Mist of the Morning, 44½ by 71½ Inches
Attributed works:
[ Sotheby's, Belgravia, London ] Henry Nelson O'Neil, A. R. A., Eastwood Ho, August 1857, 35½ by 27½ Inches
Attributed works:
[ Sotheby's, Belgravia, London ] John Atkinson Grimshaw, A view of Lake Windermere, 21 by 16½ Inches
Attributed works:
[ Sotheby's, Belgravia, London ] John Frederick Herring, Sen., Horses and Ponies Feeding, 28 by 42¾ Inches
Attributed works:
[ Sotheby's, Belgravia, London ] Sidney H. Meteyard, 'I Am Half side of Shadows', 30 by 45 Inches
Attributed works:
[ Sotheby's, Belgravia, London ] Thursday, 24th February, an Early Victorian Silver-Gilt Table Snuff Box by J. Charles Edington London 1850
Attributed works:
[ Sotheby's, Belgravia, London ] Tuesday, 7th March, a Gilt-Bronze Statue of Loïe Fuller by Raoul Larche
Attributed works:
[ Sotheby's, Belgravia, London ] Wednesday, 1st March, An Engraved Ivory and Ebony Cabinet by Gatti of Rome, 1870-1880
Attributed works:
[ Sotheby, Parke - Bernet Galleries, New York ] A Good Wedgwood & Bentley Black Basaltes Bust of Francis Bacon, Circa 1775-80, Socle and Bust Impressed: Wedgwood & Bentley, the Bust Impressed: Bacon, Height 18 Inches
Attributed works:
[ Sotheby, Parke - Bernet Galleries, New York ] A Well-Modelled Wedgwood & Bentley Bust of Grotius, Circa 1779-80, Impressed: Wedgwood & Bentley, Height 20 Inches
Attributed works:
[ Sotheby, Parke - Bernet Galleries, New York ] Abstract Sculpture by Isamu Noguchi, 1947, Height 76½ Inches.
Attributed works:
[ Sotheby, Parke - Bernet Galleries, New York ] An Extremely Rare Small Wedgwood Black Basaltes Bust of Stirn, Circa 1759-60, Impressed: Wedgwood, Height 7½ Inches
Attributed works:
[ Sotheby, Parke - Bernet Galleries, New York ] Danseuse au Repos, les Mains sur les Reins, La Jambe Droite en Avant by Edgar Degas, c. 1919-21, height 17¼ Inches
Attributed works:
[ Sotheby, Parke - Bernet Galleries, New York ] Der Schwertzieher by Ernst Barlach, 1911, Height 29½ Inches.
Attributed works:
[ Sotheby, Parke - Bernet Galleries, New York ] Fruit Preadamite, by Jean Arp, 1962, Height 23 Inches
Attributed works:
[ Sotheby, Parke - Bernet Galleries, New York ] One of a pair of Wedgwood Black Basaltes Tritons, 18/19th Century, Unmarked, Height 11½ Inches. One of a Pair of Wedgwood Figures of Recumbent Sphinxes, One Impressed: Wedgwood, Length 11¼ Inches
Attributed works:
[ Sotheby, Parke - Bernet Galleries, New York ] One of a Pair of Wedgwood Figures of Recumbent Sphinxes, One Impressed: Wedgwood, Length 11¼ Inches
Attributed works:
[ Sotheby, Parke - Bernet Galleries, New York ] Reclining Figures by Henry Moore, 1945-46, Length 75 Inches
Attributed works:
[ Sotheby, Parke - Bernet Galleries, New York ] Tête de Cheval, by Georges Braque, 1943, Length 35½ Inches
Attributed works:
[ Sotheby, Parke - Bernet Galleries, New York ] Two Forms, by Henry Moore, 1964, Length 23½ Inches
Attributed works:
[ Sotheby, Parke - Bernet, Los Angeles ] Alma Tadema, Spring, Signed and Inscribed CCCXXVI, 70¼ by 31½ Inches
Attributed works:
[ Sotheby, Parke - Bernet, Los Angeles ] Jacques François Swebach, Return from the Battle, Signed and Dated 1822, 9¾ by 16¼ Inches
Attributed works:
[ Sotheby, Parke - Bernet, Los Angeles ] James Webb, Castle of King Alphonso, Ischia, Signed, Inscribed and Dated '65, 39 by 60¼ Inches
Attributed works:
[ Spink & Son Ltd, King Street, St James's, London ] Half Length Portrait of an Old Man in a Brown Coat by John Linnell, 1792-1882. Signed and Dated 1815. Oils on Panel, 9¾ × 7 Inches.
Attributed works:
[ The Fine Art Society Ltd, 148 New Bond Street, London ] Sir Joseph Noel Paton, RSA 1821-1901 "Sir Galahad's Vision of the Sangreal" Signed with Monogram and Dated 1879 Oil on Canvas, 17 by 11½ Inches Exhibited: RSA 1880 No. 339
Attributed works:
[ Thomas Lumley Ltd, Stanbrook House 2-5 Old Bond Street, London ] An Early George III Silver Teapot By Augustus le Sage, London 1763 4½ Inches (11.5 cms) High
Attributed works:
[Sotheby's Belgravia] Thursday, 17th February, a Minton Pâte-Sur-Pâte Tazza and Cover, 1888, 11½ Inches
Attributed works:
[Sotheby's Belgravia] Tuesday, 22nd February, George Elgar Hicks, Billingsgate, 1861, 10 by 17 Inches
Attributed works:
[Sotheby's Belgravia] Tuesday, 22nd February, Thomas Baker of Leamington, A View of Warwick from Milverton 10 by 14 Inches
Non-western art unattributed:
[ Doris Wiener, 831 Madison Avenue, New York ] Prince and Courtiers, Moghul, from a Mss. Dated 1608, 8¼ × 4¼ Inches.
Non-western art unattributed:
[ Sotheby's, 34-35 New Bond Street, London ] A Bronze Axlepin with Tiger's Head, 4¾ in., Early Chou Dynasty. A Pair of Bronze Linchpins with Human Figures, 5 in. Long, Early Chou Dynasty. A Miniature Jade Ko, 1⅞ in., Shang Dynasty. A Jade Bead Carved As a Tortoiseshell 1¾ in., Shang/Early Chou Dynasty. A Jade Plaque 4⅝ in., Late Chou Dynasty. A Jade Belthook 2½ in., Late Chou Dynasty. A Jade Pendant 2¼ in. Long, 1⅞ in. Wide, Late Chou Dynasty.
Non-western art unattributed:
[ Sotheby's, 34-35 New Bond Street, London ] A Chün-Yao Brushwasher, Sung Dynasty, 7½ Inches. A Blue and White Narcissus Bowl, Six Character Mark and Period of Hsüan Tê, 8⅞ Inches
Non-western art unattributed:
[ Sotheby's, 34-5 New Bond Street, London ] A Large Bronze 'Shan' Mirror, 7 in., Shou Hsien Type, 4th Century B. C.
Non-western art unattributed:
[ Sotheby's, 34-5 New Bond Street, London ] A Silver-Inlaid Bronze Beaker, 5⅞ in., 4th/3rd Century B. C.
Non-western art unattributed:
[ Sotheby's, 34-5 New Bond Street, London ] An Engraved Silver Stemcup, T'ang Dynasty, 3⅛ Inches. A Green Dragon Bowl, Six Character Mark and Period of Hung Chih, 7 Inches. A Peachbloom Seal Box and Cover, Six Character Mark and Period of K'ang Hsi, 2⅞ Inches. One of a Pair of Bowls Decorated in 'Rouge-de-Fer', Six Character Mark and Period of K'ang Hsi, 6 Inches. A Ming Polychrome Dish, Early 16th Century, 13 Inches.
Non-western art unattributed:
[ Sothebys, 34-35 New Bond Street, London ] A Turquoise-Inlaid Bronze Belthook, 7 in. long, 5⅞ Inches Wide, Warring States. A Bronze T'ao T'ieh Mask, 10½ in. High, 12½ Wide, Early Chou Dynasty. A Stone Figure of a Bodhisattva 44 in., Mid-8th Century A. D.
Western art unattributed:
[ Albrecht Neuhaus, 9 Heinestrasse, Wurzburg ] A Rococo Snuff Box, Gold and Mother of Pearl, Potsdam, Mid Eighteenth Century
Western art unattributed:
[ Doveridge House Antiques, Neach Hill Long Lane Tong Shropshire ] George III Sofa Table in Mahogany, cross Banded in Satinwood and Strung in Boxwood C.1810. The Table is Fitted with Two Opposed Drawers and Is Supported on Shaped Ends. Length Closed 35″ Length Open 57″ Depth 28″ Height 27″
Western art unattributed:
[ Galleria dell' Angelo, Piazza Cioccaro 11, Lugano ] Wooden Madonna Bust with Faint Traces of Polychromy-France, End of the XVth Century-Height (Without Base); 53 cm.
Western art unattributed:
[ Sotheby's, 34-5 New Bond Street, London ] A Russian Icon of the Descent into Hell, Novgorod and Moscow Schools, 16th Century, 33 by 26½ Inches
Western art unattributed:
[ Sotheby's, 34-5 New Bond Street, London ] An Icon of the Baptism of Our Lord, Novgorod School, 15th Century, 33 by 25 Inches
Western art unattributed:
[ Sotheby's, Belgravia, London ] Friday, 17th March, Two Specimens of the Jurassic Fossil Fish Dapedium sp., Lyme Regis, Dorset
Western art unattributed:
[ Sotheby, Parke - Bernet Galleries, New York ] A Superb Large Black Basaltes Bust of Demosthenes, 18th Century, Unmarked, Height 22 Inches
Western art unattributed:
[Sotheby's Belgravia] Wednesday, 9th February, a Walnut Gothic Games Table, English, c. 1840
Western art unattributed:
[Sotheby's] Wednesday, 8th March, in the St George Street Gallery at 10.30 am, Fine and Rare Wines and Spirits
Western art unattributed:
[Sotheby's] Wednesday, 8th March, in the St George Street Gallery at 10.30 am, Fine and Rare Wines and Spirits
Article
Taddeo Zuccaro as a Designer for Maiolica
07/1963 | 724 | 105
Pages: 304+306-315
related names
Author:
Gere, John (Gere, John; Gere, J. A.; G., J. A.; G., J.)
Subjects
artists:
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
13. Caesar Destroying the Bridge at Geneva, by Taddeo Zuccaro. Pen and Brown Wash, 33.4 by 34 cm. (Collection The Earl of Leicester, Holkham Hall.)
Attributed works:
14. Caesar Destroying the Bridge at Geneva, by Taddeo Zuccaro. Pen and Brown Wash, 26.2 by 32.5 cm. (Nationalmuseum, Stockholm.)
Attributed works:
15. Caesar Destroying the Bridge at Geneva. Dish. Urbino, Fontana Workshop, Third Quarter of the Sixteenth Century. 43.8 cm. Diameter. (Victoria and Albert Museum.)
Attributed works:
16. A Naval Battle. Cistern. Urbino, Fontana Workshop, Third Quarter of the Sixteenth Century. 54 cm. Diameter. (Museo Nazionale, Florence.)
Attributed works:
17. A Banquet in a Piazza. Stucco Relief by Federico Brandani. (Palazzo Ducale, Urbino.)
Attributed works:
18. The Distribution of Food and Wine to the Roman People. Stucco Relief by Federico Brandani. (Palazzo Ducale, Urbino.)
Attributed works:
19. The Distribution of Food and Wine to the Roman People. Dish. Urbino, Fontana Workshop, Third Quarter of the Sixteenth Century. 42.6 cm. Diameter. (Musco Civico, Pesaro.)
Attributed works:
20. A Banquet in a Piazza, Here Attributed to Taddeo Zuccaro. Red Chalk and Red Wash, 31.9 cm. Diameter. (Louvre.)
Attributed works:
21. A Combat of Gladiators. Dish. Probably Urbino, Fontana Workshop, Third Quarter of the Sixteenth Century. 45.4 cm. Diameter. (Formerly Fountaine Collection, Narford Hall.)
Attributed works:
22. A Naval Battle, Here Identified as a Copy after Taddeo Zuccaro. Pen and Brown Wash, 32.5 cm. Diameter. (British Museum.)
Attributed works:
23. The Crowning of Caesar (?). Cistern. Urbino, Fontana WorkShop, Third Quarter of the Sixteenth Century. 54 cm. Diameter. (Museo Nazionale, Florence.)
Attributed works:
24. A Battle with Elephants. Cistern, Fontana Workshop, Third Quarter of the Sixteenth Century. 55.5 cm. Diameter. (Metropolitan Museum of Art, New York.)
Attributed works:
25. 'Caesar Saving the Citizen.' Dish. Urbino, Fontana Workshop, Third Quarter of the Sixteenth Century. 45 cm. Diameter. (Museo Nazionale, Florence.)
Attributed works:
26. Soldiers Digging a Trench, Here Identified as a Copy after Taddeo Zuccaro. Pen and Brown Wash, 18.7 cm. Diameter. (Louvre.)
Attributed works:
27. A Chariot Race, after Taddeo Zuccaro. Pen and Brown Wash, 26.6 by 32.5 cm. (Louvre.)
Attributed works:
28. Soldiers Digging a Canal, Here Attributed to Taddeo Zuccaro. Pen and Brown Wash, 18.7 cm. Diameter. (Albertina, Vienna).
Attributed works:
29. Soldiers Fording a River, Here Attributed to Taddeo Zuccaro. Pen and Brown Wash, 18.5 cm. Diameter. (Biblioteca Reale, Turin.)
Attributed works:
30. Caesar Attacking the Swiss on the (?) Isar, by Taddeo Zuccaro. Red Chalk, 28.7 by 28.3 cm. (Uffizi.)
Attributed works:
31. The Battle of Orbetello, by Taddeo Zuccaro. Fresco. (Palazzo Farnese, Caprarola.)
Attributed works:
32. Detail from The Capture of Tunis, by Taddeo Zuccaro. Fresco. (Sala Regia, Vatican.)
Attributed works:
33. A Naval Battle, Here Attributed to a Follower of Taddeo Zuccaro. Pen and Brown Wash, 34.2 cm. Diameter of centre. (Royal Library, Windsor Castle.) Reproduced by Gracious Permission of H. M. the Queen.
Attributed works:
34. Soldiers with a Chariot, Here Identified as a Copy after Federico Zuccaro. Pen and and Brown Wash, 18.7 cm. Diameter. (Louvre.)
Attributed works:
35. Soldiers with Siege-Engines, Here Attributed to Federico Zuccaro. Pen and Brown Wash, 18.7 cm. Diameter. (Teyler Museum, Haarlem.)
Attributed works:
36. The Triumph of Caesar. Dish. Probably Urbino, Fontana Workshop, Third Quarter of the Sixteenth Century. 42.5 cm. Diameter. (Formerly Fountaine Collection, Narford Hall.)
Attributed works:
37. The Triumph of Caesar, Here Attributed to Federico Zuccaro. Pen and Brown Wash, 26.2 by 25.1 cm. (Louvre.)
Attributed works:
38. The Triumph of Caesar, Here Attributed to Federico Zuccaro. Brush-Drawing in Brown wash and White Body-Colour on a Yellow Ground, 28.5 cm. Diameter. (Pierpont Morgan Library, New York.)
Attributed works:
39. The Triumph of Caesar, Here Attributed to Federico Zuccaro. Pen and Brown Wash, 25.3 by 25.3 cm. (Collection Mr Victor Spark, New York.)
Attributed works:
40. Three Men Doing Homage to an Enthroned General, by Federico Zuccaro. Pen and Brown Wash, 14.7 cm. Diameter. (National Gallery of Scotland, Edinburgh.)