Attributed works:
(a) Henry VIII (1491-1547), by Hans Holbein (1497-1543). Miniature, Oil on Panel.
Attributed works:
(b) Unknown Woman, by Isaac Oliver (Died 1617). Miniature on Vellum.
Attributed works:
(c) Queen Elizabeth I (1536-1603), by Nicholas Hilliard (1547-1619). Miniature on Vellum.
Attributed works:
(d) Unkown Woman, by Nicholas Hilliard (1547-1619). Miniature on Vellum in Enamelled Case with Baroque Pearls.
Attributed works:
A Chippendale Period Mahogany Commode of Serpentine Form. The Figuring to the Wood Throughout Is Superb. Circa 1760. A Very Beautiful Regency Period, Rosewood Sofa Table by the Renowned Cabinet-Maker, John MacLean of London. Circa 1810. A Chippendale Period Mahogany Serving Table, Standing Upon Cabriole Supports Terminating in Superbly Carved Paw Feet, and with a Fine Gadrooned Edge. Circa 1760. Of Classical Elegance, This English, Adam Period (1728-1792), Parcel Gilt Suite of Fourteen Pieces Comprising Two Canapes, Nine Fauteuils and Three Window Seats. Full History, Provenance and Documentation Available. A Late George III Period Mahogany Three-Pedestal Dining Table. The Colour and Patination to the Top Are Quite Outstanding. Around This Are Shown Several 18th-Century Hepplewhite Period Mahogany Shieldback Dining Chairs from a Set of Ten (8 Singles and 2 with Arms) Which Are Currently Available.
Attributed works:
A fine rosewood and gilt metal wall regulator with mercury compensated pendulum and gravity escapement signed 'Charles Frodsham & Co., 84 Strand, London, Clockmakers to the Queen. Late of 27 South Moulton St. London. No. 1562'. It bears four plaques: the first is surmounted by a crown, contains an anchor and is inscribed 'By appointment to the Queen'. The second is the 'Gold Medal of Honour, Paris Exhibition'. The third is 'Grand Gold Medal 1860, Russian Survey', and the fourth is 'First Class Gold Medal, Paris Exhibition 1871'. c 1875 Length 63in (160cm). Width (44cm)
Attributed works:
A highly important commode by Roger Vandercruse, called Lacroix. Stamped R. V. L. C. (Roger Vandercruse, called Lacroix, Maître 1755); very fine flower-marquetry and rose-wood veneered on oak, with three shallow drawers in the frieze and two deep drawers sans traverse below. Very rich ormolu mounts. Louis XV—Louis XVI Transition, around 1770-75. Height 34½in (88cm), Width 50in (128cm), Depth 22½in (57.5cm)
Attributed works:
A Highly Important Eighteenth-Century George III Period Specimen Armchair, c 1770, Attributed to Thomas Chippendale. Height of Back 38½in (98cm). Height of Seat 16in (41cm), Width of Seat 26in (66cm), Depth of Seat 22in (56cm)
Attributed works:
A Large Charles II Silver Flagon by Charles Shelley London, c 1670. Engraved with the Contemporary Coat of Arms of Berkeley, Spetchley, Co., Worcester. Weight 86 oz Height (35cm)
Attributed works:
A Little Treasure This Enchanting Portrait by Giovanni Boldini of William George Bradley, Viscount Uffington and Later to Become the 5th Earl of Craven, Made in a Recent Sale of 19th Century Continental Paintings, £90,000.
Attributed works:
A London Delftware Money Box in the Form of a Dog with the Name George Adlvm Inscribed on the Collar. c 1717 Height (14.5cm). A Similar Example Dated 1717 Is in the Fitzwilliam Museum
Attributed works:
A Pair of Bow Figures of Kites, Painted in Cheerful but Unlikely Colours and Perched on Flower-Strewn Stumps c 1760. Height 5½in (14.5cm)
Attributed works:
A Pair of William III Silver Gilt Porringers and Covers by John Bodington, London 1699. Height 4¼in (10.9cm), Diameter (Exclusive of Handles) 5in (12.7cm), Weight 32.7oz
Attributed works:
A Rare Derby Six Shell Sweetmeat Centrepiece Surmounted by a Colourful Kingfisher c 1760. Height 6¼in (15.8cm)
Attributed works:
A Selection from Our Stock of Nineteenth- and Twentieth-Century Jewellery, Including a Ruby, Diamond and Enamel Watch by Cartier and a Natural Pearl and Diamond Choker Necklace by J. Templier.
Attributed works:
A set of four candlesticks, made in London in 1761 by William Tuite. They stand 11.25in (28.5cm) high and weigh together 125 ounces. A set of two tea caddies and a covered sugar bowl. All made in London in 1756 by Edward Aldridge and John Stamper. They weigh together 26 ounces and the sugar bowl stands 6.25in (15.8cm) high. All three pieces are engraved with the same crest and have a shagreen box (not shown). A pair of salts on three mask and dolphin feet. Made in London in 1739 by Edward Wood, they weigh 9.5 ounces and are 3.75in (9.5cm) across.
Attributed works:
A very fine kingwood bureau plat, decorated with ormolu mounts of rare quality. It is stamped by Jacques Dubois (1693-1763) and bears the label of the Marchand-Mercier Bertin at the sign of 'The Golden Fleece' (A la Toison d'Or). A similar bureau is to be found in the Séverance collection at the Cleveland Museum. c 1755 Height 32in (80cm), Width 77cm, Length 147cm
Attributed works:
Adriaen Hanneman (1601—the Hague—1671) Portrait of Dr. Richard Steward D. D., Provost of Eton Canvas Signed and Dated 1651(83.8 × 68cm)
Attributed works:
Ahasuerus Fromanteel Londini Fecit Made Circa 1659, This Historical Timepiece Was the First Fusee-Regulated Pendulum Movement and the First Architect-Designed Ebony Case with Gilt Metal Mounts. Height 27in (68.5cm)
Attributed works:
An Extremely Rare First Period Worcester Circular Dish, Painted by Jefferyes Hammett O'Neale, with the Fable of 'The Forester and the Lion' within Scroll Shaped Reserves Painted with Castles, Reserved with Gilt Scroll Borders. 1765-1768 Diameter (25cm)
Attributed works:
An Important Brussels Tapestry Signed by Marcus de Vos c 1680. Height 123in (312cm), Width 180in (460cm)
Attributed works:
An important George III Desk and Bookcase in Finely Patinated Mahogany of Superb Colour, Attributed to Thomas Chippendale. English, c 1770. Height 97½in (247cm), Depth 25in (635cm), Width 48in (121.9cm)
Attributed works:
An Outstanding Regency Brazilian Rosewood and Coromandelwood Sofa/Writing Table with Ormolu Mounts, in Pristine Condition and Very Possibly Made by the London Cabinetmaker, George Bullock c 1815. Height 29in (73.6cm), Width 32in (81.2cm), Length 61in (154.9cm)
Attributed works:
Andrea Mantegna: The Adoration of the Magi (Detail), Oil and Tempera on Linen Laid down on Canvas, 21 × 27in.
Attributed works:
Antique French Aubusson Carpet 14ft 11ins × 11ft 1in (455 × 338cms)
Attributed works:
Arthur Hughes Wonderland Oil on Panel, Signed 7½ × 9½in (19 × 24.1cm)
Attributed works:
Carl Holso̵e (1863-1935) A Woman Reading in a Lamplit Room c 1910. Oil on Canvas, 20 × 17in (50.8 × 43cm)
Attributed works:
Cherry spray in a rock crystal vase, the engraved gold stem with carved purpurine fruit and nephrite leaves. Carl Fabergé, St Petersburg, c 1900. Height 5½in (15cm). Rock crystal dodo with cabochon ruby eyes. Carl Fabergé, St Petersburg, c 1900. Height (5cm). Twin lilies-of-the-valley with engraved gold stems, nephrite leaves and pearl- and diamond-set flowers, in a carved crystal pot with frosted handles. Carl Fabergé. Height 6in (15.25cm). Nephrite terrapin with rose-diamond eyes. Carl Fabergé, St Petersburg, c 1900. Length 4½in (11.3 cm). Gold snuff box with pierced openwork panels reserved with translucent dark and blond tortoiseshell. English, c 1720-30. Illustrated: Connoisseur, December 1963, Hugh Tait, plates 5 and 6; and European and American Snuff Boxes, Claire le Corbeiller (Batsford 1966), plates 243 and 344. Length 3in (8.25cm). Mid 16th-century Italian oval chased gold panel of the Nativity decorated in green and blue enamel. The panel was mounted as a locket in the seventeenth century in openwork enamelled gold set with rubies. Length 3in (8.25cm). Late eighteenth-century English articulated diamond aigrette mounted in gold and set in silver. Height 4½in (12cm).
Attributed works:
Daniel Maclise RA (1806-1870) Combat of Two Knights 25 × 19in (63.5 × 48cm)
Attributed works:
David Roberts Approach of the Simoom — Desert of Gizeh. Lithograph in Original Hand Colour by Louis Haghe. Published by F. G. Moon, 1849, 24 × 17in (61 × 44cm)
Attributed works:
David Teniers the Younger (Antwerp 1610—Brussels 1690). Peasants Outside a Village Inn. Oil on Panel, Signed 9½ × 14in (24 × 35cm)
Attributed works:
Edgar Degas Au théâtre, femme a l'éventail 1880. Pastel and Charcoal, $27frac{3}{4}times 18frac{5}{8}$ (70.4 × 46.9cm)
Attributed works:
Evariste Carpentier (Kuurne 1845-Liège 1922; Belgian School) Terrace on the Roof, with View on Liège. Canvas, Signed below Left, 32½ × 45in (86 × 113cm)
Attributed works:
Examples from Our Collection of Early Spoons. [Apostle spoons, by John Freake, Richard Crosse and Bird in Beart]
Attributed works:
Exceptional and historically important Louis XV commode inlaid with kingswood cartouches on tulipwood borders, framed by highly original ormolu mounts. Louis XV period, 1748-1762. The commode is stamped B. V. R. B. for Bernard Van Risen Burgh, official court ébéniste for Louis XV and his mistress Madame de Pompadour. His mark is found only on the most outstanding pieces. It also bears the mark B. V. for the Château de Bellevue. This château was commissioned by Louis XV for the Marquise de Pompadour and built by the architect A. J. Gabriel in 1748 at a cost of £2,500,000. The account books of Lazare Duvaux show that over 350 pieces were bought between 1748 and 1762. Height 34in (86cm), Width 58in (147cm), Depth 25½in (65cm)
Attributed works:
F. De Wit, Nova Totius Terrarum Orbis Tabula. Maritime Map of the World Engraved by De Hooghe, Published for Atlas Maritimus Ofte Zee Atlas in Amsterdam, c 1670
Attributed works:
Figure 10. Silvergilt Tankard, London 1572. Mark: A Bunch of Grapes. Ht: 21.9cm. Teffont Ewyas, Wiltshire (On Loan to VAM).
Attributed works:
Frank Percy Wild Water Lilies. Oil on Canvas, Signed 24½ × 35in (62.2 × 88.9cm)
Attributed works:
Gaetano Gandolfi (1734-1802) Venus Receiving the Arms of Aeneas from Vulcan Oil on Canvas. 24 × 31in (62 × 80cm)
Attributed works:
George Chinnery (1774-1852). Alloy, a Tanka Boat Girl Oil on Canvas. $9frac{3}{4}$ × 8in (24 × 20cm)
Attributed works:
George III, Queen Charlotte and the Royal Children, after a painting of 1770 by Johann Zoffany (see page 14, figure 3). Biscuit porcelain. Overall height of central figure 14in (35.5cm). Chelsea-Derby, 1773-1780. Royal Library, Windsor Castle. Loaned and Reproduced by Gracious Permission of Her Majesty The Queen.
Attributed works:
George Romney (1734-1802) Study for the Lost Painting of Midsummer Night's Dream Canvas. 46½ × 58½in (118 × 149cm)
Attributed works:
Giulio Cesare Procaccini (Bologna 1574—Milan 1626). The Entombment. Oil on Panel 25 × 19in (63.4 × 48.2cm)
Attributed works:
Gold Snuff Box, Decorated in Red and Yellow Coloured Gold. English, 1761-62. Maker's Mark of Elias Russel.
Attributed works:
Guido Reni, David with the Head of Goliath, Oil on Canvas, 214.5 by 143 cm.
Attributed works:
H. Alken, Fishing in a Punt. Coloured Aquatint Engraved by I. Clark after H. Alken. Published by T. McLean for Alken's The National Sports of Great Britain in London, 1821.
Attributed works:
Head of King Charlemagne. Study for Decoration for the Dome of the Pantheon in Paris. Baron Antoine Jean Gros (Paris 1771-1835 Maudon). Oil on Canvas. 24 × 19½in (61 × 50cm)
Attributed works:
James Jacques Tissot (1836-1902) Portrait of Kathleen Newton (Mavourneen). Oil on Canvas Signed and Dated 1877 35½ × 20in (90 × 51cm)
Attributed works:
Jan Both (Utrecht? c 1618—Utrecht 1652) and Cornelis van Poelenburgh (Utrecht 1586?—Utrecht 1667). River Landscape with Nymphs Bathing c 1640-1650. Oil on Canvas Signed: J. Both 19 × 23¼in (48 × 59.5cm)
Attributed works:
Jean Baptiste Camille Corot (1796-1875) La Sieste au bord de l'eau c 1865-1870. Canvas, Signed 18 × (45.7 × 55.2cm)
Attributed works:
Jean François Raffaëlli (1850-1924) L'Ile San Pietro à Venise Oil on Board. Signed Lower Right 17 × 22in (43.1 × 55.9cm)
Attributed works:
Jean Laurent Mosnier (1743/4-1808) Portrait of Lady Callander and James Kearney, Her Son. Signed and Dated 1795. Oil on Canvas, (253.5 × 167.5cm). Exhibited: Royal Academy, 1796, no. 45
Attributed works:
Jean Laurent Mosnier (Paris 1743/4—Petersburg 1808) Portrait of a Girl Seated at a Piano c 1800. Canvas, (121.5 × 87cm)
Attributed works:
John Charlton R. B. A. (1849-1917) A Persian Cat Signed with Monogram 'IC' and Dated 1871 Oil on Canvas 8 × 10in (20 × 25.8cm)
Attributed works:
John Wootton c 1682-1764. Three Spaniels by an Urn in a Wooded Landscape Oil on Canvas 50 × 40in (127 × 101.6cm)
Attributed works:
Massimiliano Soldani-Benzi (1656-1740). The Sacrifice of Jephtha's Daughter. Bronze Group. Height 18¼in (46.4cm), Width (22.2cm), Length (42.5cm)
Attributed works:
Moritz Daniel Oppenheim (1800-1882). Rebecca and Eliezer at the Well. Oil on Canvas, Signed and Dated 'MDCCCXXVI', 34 × 26½in (87 × 67cm)
Attributed works:
Nicolas Vleughels (1668-1737; French School). Le Gascon Puni 1728 Oil on Metal. Monogrammed and Dated at Bottom Right: N. V. 1728 14 × 11½in (36 × 29cm)
Attributed works:
Odilon Redon Flowers in a Blue Jug Signed Lower Left Oil on Canvas c 1870-1880 13 × 12½in (34 × 32cm)
Attributed works:
One of a rare and important pair of Louis XVI ormolu-mounted rose granite des Vosges urns, mounted with gilt bronze putti, frieze and laurel swags. The model is attributed to Thomas Duplessis after a design by Juste François Boucher (1736-1781). In 1774 the granite quarries of the Vosges, which belonged to the Duchesse de Mazarin, supplanted the Assouan granite. c 1785 Height 21 ½in (54cm)
Attributed works:
One of an Important Pair of Chinese Export Wall Sconces Decorated after a Design by Cornelis Pronk in Rich Famille Rose Style with a European Phoenix Rising from the Flames Beneath the Gilt Rays of the Sun. c 1735 Height 14½in (36.7cm)
Attributed works:
Pair of Chelsea Artichoke Tureens and Covers with Finch Finials, Modelled with Overlapping Leaves Enriched in Tones of Green and Puce. c 1755 Height 6in (16cm). Longton Hall Circular Melon Tureen and Cover Striped in Yellow and Green on a Triangular Foliage-Moulded Foot. Puce W mark. c 1755. Height 4½in (11.5cm)
Attributed works:
Pieter Claesz. (Steinfurt c 1590—Haarlem 1661) Vanitas Still Life. Oil on Panel, Signed with Monogram and Dated 1645 15 × 24in (39 × 61cm)
Attributed works:
Pieter Cornelis van Slingelandt Family Group in an Interior. Signed and Dated 1674, Oil on Panel, 25¼ × 20½in (63.5 × 52cm)
Attributed works:
Pietro Fabris (Neapolitan School, Eighteenth Century). A Scene from Neapolitan Life. One of a Set of Four Oil Paintings on Canvas. Signed on the Reverse. One of the Series is Dated 1756, Another 1757 27½ × 38½in (70 × 96cm)
Attributed works:
Regency Period Ebony and Brass Inlaid Writing Table Signed by Louis Le Gaigneur c 1815. Provenance: Marchioness Conyngham, Slane Castle, Height (70.6cm), Width 35½in (89.6cm), Depth 25½in (64.8cm)
Attributed works:
Royal presentation gold box, the borders chased with oak leaves and berries over a granulated field, the cover with the monogram 'GR' for George III in brilliant diamonds applied to an engraved plaque enamelled translucent royal blue. A. J. Strachan, London, 1809. Diameter (9.5cm). Loaned and reproduced by Gracious Permission of Her Majesty The Queen Mother.
Attributed works:
Salvator Rosa (1615-1673) [Saint Anthony Abbot reading] 71½ × 40in (182 × 102cm)
Attributed works:
Satinwood mantle clock in the style of the furnishings in the Brighton Pavilion by John Carter, London. c 1852. One of a set of four candlesticks, by William Gould George III, 1748. Height (24.7cm). Sugar caster by Christopher Canner William III, 1701. Bullet teapot by Thomas Tearle George I, 1721. Ascos jug by Paul Storr Victoria, 1837
Attributed works:
Silver Gilt Tankard. Made by Robert Taleboyes in London 1556 6in (15cm)
Attributed works:
The Glory of Bacchus Tapestry from the series of Grotesques des Dieux; workshops of Beauvais under Philippe de Behagle after the design by Jean Bérain and the cartoons by Jean-Baptiste Monnoyer. Beauvais 1700-1725, Height 113in (289cm), Width 79in (201cm)
Attributed works:
Their Royal Highnesses The Prince and Princess of Wales (Photograph: Lord Snowdon)
Attributed works:
Thomas Jones Barker (Bath 1815—Haverstock Hill 1882; English School) Departure of the Regiment. Canvas, Signed, 41 × 22in (102 × 55cm)
Attributed works:
Two Important Ebony Table Clocks. George Graham No 598 c 1720 Height 11in (27.9cm), Thomas Tompion No 317 c 1700 Height 14in (35.5cm)
Attributed works:
Very rare and important French Louis XV commode by Jean Desforges, maître ébéniste in Paris in 1739. The Japanese black and gold lacquer panels on three sides are framed by extremely fine and elaborate bronze doré mounts which continue down the legs to form intricate sabots. The piece is stamped four times in each corner of the top under the original marble. Height 34½in (88cm), Width 57in (145cm), Depth 27in (68cm)
Attributed works:
Virgin and Child with St. John the Baptist by Guido Reni (1575-1642)
Non-western art unattributed:
A Bone Shaman's Charm Nicely Carved to Represent a Squid Bored for Suspension. Sitka Tribe of Tlingit. S. E. Alaska 18th-19th Century. 4 × 1½in (10 × 3.8cm)
Non-western art unattributed:
A Fine Rare Queen Anne Burr-Walnut Bureau of Superb Colour, Having a Well-Fitted, Shaped Interior and Retaining Its Original Handles. England, c 1705, Height 38in (97cm), Width 27in (69cm), Depth 19in (48cm)
Non-western art unattributed:
A Fine Straw Glazed Pottery Model of a Foreigner, Chinese, Tang Dynasty, 618-906 A. D. Height 16in (40cm)
Non-western art unattributed:
A Pair of Chinese Porcelain Figures of Hawks Decorated in Famille Rose Enamels, on Louis XVI Ormolu Bases. Ch'ien Lung Period. Height (37.4cm) Excluding bases
Non-western art unattributed:
A Rare Use of Enamelled Bronze. This Figure of the Egyptian God. Horus Wears a Roman Military Cuirass. Egypt, First Century AD. Height 6in (15.2cm)
Non-western art unattributed:
A Sino-Tibetan Seated Gilt Bronze Buddha on Double Lotus Base Fifteenth Century Height 18½in (46.9cm)
Non-western art unattributed:
Chinese Ornamental Carving in Chalcedony Agate, a Tree Trunk Entwined by Branches with Flowers and Birds. Eighteenth Century. Height 10¼in (26cm) Including Stand
Non-western art unattributed:
K'ang table in huang hua-li — carved apron with motifs of stylized dragons and foliage. A very fine example of a low Chinese table of the Ming Dynasty. Wan-li Period (1573-1619). Height 11¼in (28cm), Length 36½in (92.5cm), Width 25in (64cm)
Non-western art unattributed:
Seventeenth-Century Japanese Arita Dish with the Monogram of the Dutch East India Company 14in (36cm)
Non-western art unattributed:
Silk Carpet, Kashgar, 'Serindia', Late 17th or Early 18th Century, 205 × 360cm
Western art unattributed:
(e) Onyx Cameo of Queen Elizabeth I, Set in a Gold Ring Enamelled around the Hoop with Flowers Alluding to the Queen's Virginity. English, after c 1580. (On Loan to the Museum)
Western art unattributed:
A Breakfront Bookcase Containing a Specialist Selection of Art Reference and Decorative Art Books for the Collector and Connoisseur. (Bookcase for Display Purposes Only.)
Western art unattributed:
A Highly Important Pair of Late 18th Century Ormolu and White Marble Vases. Russian, c 1785. Height 23in (58.5cm), Width 15½in (39.5cm), Depth 9½in (24cm)
Western art unattributed:
A rare and interesting example of an English oak joined stool with silhouette legs. The legs of a joined stool are usually turned, and occasionally also enriched by carving. The legs of the example illustrated are of silhouette form, enriched with carving to simulate the carved turned legs of the late Elizabethan period. English, sixteenth-seventeenth century
Western art unattributed:
A rare George I walnut bureau bookcase of exceptional quality and colour with unusual bevelled mirror glass doors and finely fitted interior to both top and bureau. Inscribed on one of the drawers: 'Mr Witrod, Horse Heath Lodge, Nr Linton, Cambridgeshire'. Height 95½in (242.5cm) Width 40in (102.8cm) Depth 25in (63.5cm)
Western art unattributed:
A Selection from Our Stock of Interesting Jewellery, Objets de Vertu and Portrait Miniatures
Western art unattributed:
A Very Fine Quality George III Period Rosewood and Satinwood Secretaire Cabinet. English, c 1790. Height 59½in (1.51cm), Width 33in (84cm), Depth 13in (35cm)
Western art unattributed:
A very important early 18th-century boulle bureau bookcase, the exterior inlaid with tortoiseshell, brass, pewter and mother-of-pearl, the central panel of the fall representing Zeus, Ganymede and Io, the shaped cornice and base inlaid with broad panels of brass; the magnificent interior veneered in walnut and containing many small and secret drawers. Height 97in (246.5cm) Width 42in (106.5cm) Depth 28in (71 cm)
Western art unattributed:
An Augsburg 'Masterpiece' Clock, with Dials to all Four Sides Including an Astrolabe and Trimestrial Calendar, 12/24 Hour and Quarter Striking. Early Seventeenth Century, Height 22in (57cm)
Western art unattributed:
An Exquisite and Rare William III Period Mulberry and Walnut Feather Banded Dwarf Bureau c 1695. Height 3′ 0″. Width 2′ 0″, Depth 1′ 6″
Western art unattributed:
An Important George III Chippendale Period Giltwood Mirror c 1760. Height 84in (214cm), Width 40in (102cm)
Western art unattributed:
An important Irish late eighteenth-century Statuary marble chimney-piece, with fine quality 'Bossi' inlay, together with a finely engraved gunmetal register grate, indistinctly signed, but of Dublin manufacture. Height 57in (144.7cm) Length of shelf 74in (187.9cm)
Western art unattributed:
Anglo-Indian Ebony Centre Table Inlaid with Exotic Woods on Tripod Base with Feet in the Form of Peacock Heads. Ceylon, c 1825(75.5cm) Diameter (124cm)
Western art unattributed:
Art Reference Books: Essential Reading for Collectors and Dealers Alike
Western art unattributed:
Copper-Gilt Processional Cross, Found at Bosworth in 1778 and Traditionally Linked with the Battle of 1485. Height: 23in (58cm).
Western art unattributed:
Enamelled Gold Pendant Formed as a Warrior with a Trophy of Arms English or Dutch, c 1620. Shown Enlarged: Actual Size 2½ × 2in (6.3 × 5.1cm)
Western art unattributed:
English School. A Portrait of a Prize Cow Aged Seven Years Outside a Byre with a Farmer c 1840 19½ × 25½in (50 × 65cm)
Western art unattributed:
Extremely Rare George III Mahogany Commode of Concave and Bombé Outline, Retaining All Original Rococo Gilt Bronze Handles and with Canted Moulded and Carved Corners. Width 39″. Height 33½″. Depth 23½″
Western art unattributed:
Figure 8. Purbeck Marble Tankard with Silvergilt Mounts. English, c 1580. Unmarked. Ht: 24.5cm. Boston Museum of Fine Arts, USA. 1949.476.
Western art unattributed:
Figure 9. Serpentine Marble Bowl with Silvergilt Mounts. English, c 1500. Unmarked. Diam: 16cm. VAM M248-1924.
Western art unattributed:
From a Set of Engravings in the Clifton Little Venice Collection
Western art unattributed:
Henry VII (1457-1509), by an Unknown Artist. Seventeenth-Century Copy after an Original of c 1500. Oil on panel, (58.1 × 45.1cm).
Western art unattributed:
Her Majesty Queen Elizabeth The Queen Mother
Western art unattributed:
Italy, First Half of the Seventeenth Century A Bolognese Reverse Section Carved and Gilded Running Leaf pattern Frame Sight Size (49.5 × 67cm). Section Width (19.4cm)
Western art unattributed:
Louis XVI Vase Pendule with Chime. White Marble Case Paris, 1780. Height 12in (30.4cm)
Western art unattributed:
Platinum Brooch in the Form of a Flower-Basket, Set with Diamonds, Carved Emeralds, Carved Rubies and Carved Sapphires. c 1925. Height 1½in (4cm), Width 2¼in (6cm)
Western art unattributed:
Portrait of a Youth English School c 1630 Oil on Canvas. 28 × 26in (71 × 66cm)
Western art unattributed:
Professor Waetzoldt, Former Director of the Berlin State Museum, and Head of Our International Fine Art service.
Western art unattributed:
The Embarkation of Henry VIII from Dover. Artist(s) Unknown. Canvas, (168.9 × 347.3cm). Hampton Court, London
Western art unattributed:
The Mydelton Standing Cup, Silver-Gilt, 1599. Height: (27.3cm). Inscribed on bowl: 'Omnia ex deo mentem non munus, Hugh Midelton'.
