By using this website you agree to our Cookie policy

Search

41 articles
Advertisements
Advertisements (front)
03/2024 | 1452 | 166
Pages: i-xxxvi
Subjects
Illustrations
Attributed works:
A pair of light-blue baroque console tables with original alabaster fiorito marble tops, after the design of Filippo Juvarra (1678-1736) 163 x 89 x 63 cm, Turin, 1700 circa. Burzio/Tefaf]
Attributed works:
A superb example of Dutch Delft imitation of Wanli Kraak porcelain Delft. De Drie Proceleyne Flessies (the three porcelain bottles) Willem van der Kool 1702 - 1716 [Mazereeuw Antiquair]
Attributed works:
AGOSTINO BRUNIAS (1730–1796) Six Paintings of the People of Dominica and Saint Vincent Recently acquired by The Huntingdon Library and Museum, California [Robilant and Voena]
Attributed works:
ANTONIO NOVELLI ( 1599–1650) The Penitent Saint Mary Magdalene Ca. 1640–1650 Terracotta, h. 41 cm Signed ATO. NL . F. [Trinity Fine Art]
Attributed works:
Cockerel caster. by Michael Wissmar (d.1746). c.1720. Silver, cast, repoussé, pierced, engraved, flat-chased and parcelgilt, height 23.5 cm. [Kunstkammer Georg Laue, Munich/Tefaf]
Attributed works:
Comte de l’Empire Etienne Pierre Graf Méjan (Secretary of the Italian Kingdom), by Luigi Manfredini (1771–1840), after Joseph Chinard (1756–1813). Milan c.1811. Bronze, height 75 cm. [Burzio, London/Tefaf]
Attributed works:
Domenico Andrea Pelliccia, Carrara, 1736–1821, Portrait of Grand Duke Pietro Leopoldo of Tuscany, 117, Marble h. 80 x 65 cm [Walter Padovani]
Attributed works:
Françoise de la Rochefoucauld (c.1549–c.1580), by Prosper d’Épinay (1836–1914). c.1885. Polychrome terracotta, height 60.3 cm. [Stuart Lochhead, London/Tefaf]
Attributed works:
Gustav Klimt, “Portrait of Fräulein Lieser”, Estimate: € 30 Mio - 50 Mio 1917, oil on canvas; framed, 140 x 80 cm [Kinsky]
Attributed works:
Hendrick Avercamp (1585–1634), Winter landscape with skaters on the ice, (detail) oil on panel, 41 x 60.5 cm, €220,000 – 250,000, Auction 24 April 2024 [Dorotheum]
Attributed works:
Honey, from the Liechtenstein Tacuinum Sanitatis. c.1450. Illuminated manuscript on vellum, 160 by 170 cm. Dr Jörn Günther Rare Books/Tefaf]
Attributed works:
Infanta Catalina Micaela, Duchess of Savoy (1567–97), by Alonso Sánchez Coello (1532–88). c.1585. Oil on paper laid on panel, 8.3 by 6.8 cm. [Galeria Caylus, Madrid/Tefaf]
Attributed works:
Jean-Baptiste Carpeaux (1827–1875) Plaster model with original polychrome surface , c. 1868 Petite-Modèle, height 35 cm [Stuart Lockhead/Tefaf]
Attributed works:
Johan Zoffany (1733–1810) Edward Townsend singing the ‘Beggar’s Ballad’, 1796. Recently acquired by Staatliche Kunsthalle Karlsruhe Karlsruhe, Germany [Moretti]
Attributed works:
Johann Joachim Kaendler Harlequin and Columbine (1706–1775) with slapstick Model, 1739–1740 Manufacture and decoration, Meissen, c. 1740 H. 15.5 cm (6.1 in), w. 18.5 cm (7.3 in) [Robbig.Munchen, Wawel Royal Castle/Tefaf]
Attributed works:
LOUIS-CLAUDE VASSÉ (PARIS 1716-1772) Study for the funeral monument of Paul-Esprit Feydeau de Brou Estimate: €15,000-25,000 [Christie's]
Attributed works:
Mary Beale (1633-1699) Portrait of a Young Boy seated in a Landscape, 1680s Oil on canvas 50 x 40 in. (127 x 101.6 cm) [Philip Mould]
Attributed works:
MASTER OF THE CANESSO PEDDLER ACTIVE IN NORTHERN ITALY IN THE LATE 17th CENTURY A Book Peddler Oil on canvas, 67½ × 40¾ in (171.5 × 103.5 cm) 1670/1690 [Galerie Canesso, Paris/Tefaf]
Attributed works:
Meyer de Haan or Melancholy, by Paul Gauguin (1848–1903). c.1889. Ink and pencil on paper, 29.8 by 19.1 cm. [FRANÇOIS DELESTRE FINE ARTS, PARIS/Salon du Dessin]
Attributed works:
Nude woman leaning on her left forearm, by Amedeo Modigliani (1884–1920). c.1910. Pencil on wove paper, 43 by 26.7 cm. [Agnews Works on Paper, Brussels/Tefaf]
Attributed works:
Oblong table, by Martin-Guillaume Biennais (1764– 1843). Moulded, chased and gilded bronze, inlaid French scagliola top, 71 by 72 by 45 cm. [Artur Ramon Art, Madrid/ Tefaf]
Attributed works:
Peace and Justice (also known as Love and Justice), by Rosalba Carriera (1673–1757). Pastel on paper, 63 by 54 cm. [Brun Fine Art, London/Tefaf]
Attributed works:
PIER LEONE GHEZZI (1674–Rome–1755) A waiter with a tray Pen and brown ink, 31.2 x 21.5 cm.[Ratton and Ladrière]
Attributed works:
Pierre, by Mary Cassatt (1844–1926). 1906. Pastel on paper mounted on canvas, 58 by 48 cm. GALERIE ERIC COATALEM, PARIS/Salon du Dessin]
Attributed works:
Potted pansies, by Victoria Dubourg (1840–1926). c.1870s. Oil on canvas, in original frame, 21 by 26.8 cm. [Robilant+Voena/Tefaf]
Attributed works:
Rauch, by Franz West (1947–2012). 2008. Papier-mâché, acrylic paint, metal, wood, artist pedestal, 152 by 104 by 62 cm. [Tim Van Laere Gallery, Antwerp/Tefaf]
Attributed works:
Reclining lion and feline head, by Eugène Delacroix (1798–1863). Pen and brown ink and wash, 18 by 23 cm. [GALERIE DE BAYSER, PARIS/Salon du Dessin]
Attributed works:
Sir Anthony Van Dyck, Portrait of a Carmelite monk, (detail) c.1618. [Simon Dickinson/Tefaf]    
Attributed works:
Sir Horace Mann, by Prince Hoare (1755–1834). c.1749. Terracotta, height 51.5 cm. [Walter Padovani, Milan/Tefaf]
Attributed works:
Snow over Zojoji Temple, by Kawase Hasui (1883–1957). 1953. Woodblock print, 36.4 by 47.3 cm. [Galerie Tanakaya, Paris/Tefaf]
Attributed works:
Studio Talk, book cover project, by Sonia Delaunay (1885–1979). 1938. Gouache on paper, 27 by 21 cm. [GALERIE LAURENTIN, PARIS/Salon du Dessin]
Attributed works:
Study for a lion, by Edwin Landseer (1802– 73). c.1822. Oil on canvas, 92.5 by 72.5 cm. [Dickinson Fine Art, London/Tefaf]
Attributed works:
Study for ‘The Levenson Children’, by George Romney (1734–1802). 1777. Brush and brown wash over black chalk, 26 by 27 cm. [W.M. BRADY & CO., NEW YORK/Salon du Dessin]
Attributed works:
Study of a man’s head, by Pierre- Paul Prud’hon (1758–1823). 1819. Black crayon, stumping, and white chalk, 19 by 24 cm. [GALERIE TERRADES, PARIS/Salon du Dessin]
Attributed works:
Study of two characters, by Giovanni Battista Tiepolo (1696–1770). Pen and brown ink wash with traces of black crayon, 20 by 20.7 cm. [GALERIE TARANTINO, PARIS/Salon du Dessin]
Attributed works:
Terracotta group depicting Hercules with lion. Signed and dated: Bardi fecit 1790 68 x 46 x 37 cm[Brun/Tefaf]
Attributed works:
The fall of the damned and the seven-headed Hydra, by Federico Zuccari (1539–1609). Black chalk, pen, brown ink, red chalk and brown wash, 28.7 by 35 cm. [MAURIZIO NOBILE FINE ART, PARIS/Salon du Dessin]
Attributed works:
The fall of the damned and the seven-headed Hydra, by Federico Zuccari (1539–1609). Black chalk, pen, brown ink, red chalk and brown wash, 28.7 by 35 cm. [MAURIZIO NOBILE FINE ART, PARIS/Salon du Dessin]
Attributed works:
The Saccomazzone Players, after a model by Orazio Mochi (1571– 1625). Florence, 17th century. Bronze, 36.5 by 45 by 30 cm. [Tomasso, London/Tefaf]
Attributed works:
The unicorn passes over the sea, by Le Corbusier (1887–1965). 1962. Wool, 213 by 270 cm. [De Wit Fine Tapestries, Mechelen/Tefaf]
Attributed works:
Untitled, 1973, by Sam Francis (1923–94). 1973. Acrylic on paper, 15.2 by 23.1 cm. [GALERIE BÈRES, PARIS/Salon du Dessin]
Attributed works:
Waterfront. Aisnères, by Paul Signac (1863–1935). c.1900. Graphite and watercolour on paper, 12.5 by 17.5 cm. [GALERIE PAUL PROUTÉ, PARIS/Salon du Dessin]
Attributed works:
Winter landscape with fishermen and skaters on the ice, by Jan van Goyen (1596–1656). 1653. Black chalk and grey wash, 17.1 by 27.4 cm. [ONNO VAN SEGGELEN FINE ARTS, ROTTERDAM/Salon du Dessin]
Non-western art unattributed:
A Sind Indo-Portuguese extraordinary cabinet.       Teak, ebony, ivory, green-dyed bone, gilt copper fittings India, Sind (present-day Pakistan), ca.1580–1630.     Dim.: 182.0  ×  97 .0  ×  61.0  cm Provenance: Casa do Costeado, Portugal [São Roque/Tefaf]
Non-western art unattributed:
A Sinhalese Tabernacle Masterpiece, Ceylon, ca. 1590–1630. Dim. 22.8 x 9.8 x 9.8 cm. [São Roque/Tefaf]
Non-western art unattributed:
Gujarat casket. India, Gujarat, second half of the 16th century. Tortoiseshell with silver mounts, 14 by 29.5 by 18 cm. [São Roque, Lisbon/Tefaf]
Advertisements
Advertisements (front)
03/2019 | 1392 | 161
Pages: i-xl
Subjects
collectors and dealers:
Nicholas Hall (dealer), New York, United States / Robilant and Voena, London, Great Britain / TEFAF (Maastricht) / Mullany Haute Epoque Fine Art, London, Great Britain / Tomasso Brothers Fine Art, Leeds, Great Britain / Walter Padovani (dealer), Milan, Italy / Bailly Gallery, Geneva and Paris, Switzerland / Arnoldi-Livie (dealer), Munich, Germany / Bottegantica, Bologna, Italy / Carlo Orsi (dealer), Milan, Italy / Lullo Pampoulides (dealer), London, Great Britain / Rob Smeets, Geneva, Switzerland / Stephen Ongpin Fine Art, London, Great Britain / Alessandro Cesati, Milan, Italy / Simon Dickinson, London, Great Britain / Burzio, London, Great Britain / Santa Tecla Srl, Padua, Italy / Bacarelli & Botticelli, Firenze, Italy / Daxer & Marshall (dealer), Munich, Germany / Zornmuseet, Mora, Sweden / Art Conservation Awards / Irish Arts Review / Biennale Internazionale d'Antiquariato (Italy: Florence) / Paolo Antonacci (dealer), Rome, Italy / Fairfield University Art Museum, Fairfield, United States / Galerie Neuse, Bremen, Germany / Venator & Hanstein KG (auction house), Cologne, Germany / European Fine Art Fair (Maastricht) / Timothy Newbery (frames), London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Trinity Fine Art Ltd, London, Great Britain / Day and Faber, London, Great Britain / The-saleroom.com / Didier Aaron, Inc, New York, United States / Rafael Valls, London, Great Britain / Salon du dessin, Paris, France / Galerie Zlotowski, Paris, France / Jean-Luc Baroni, London, Great Britain / Marty de Cambiaire, Paris / Paul Prouté S.A. (gallery), Paris, France / Wienerroither & Kohlbacher, Vienna, Austria / Talabardon & Gautier, Paris, France / Museo Nacional del Prado, Madrid, Spain / Charles Ratton & Guy Ladrière, Paris, France / Master Drawings (art periodical) / Brun Fine Art, London / London Original Print Fair / Dreweatts, Newbury, Great Britain / Artcurial, Paris, France / Hazlitt Gallery, London, Great Britain
Illustrations
Attributed works:
Francisco de Goya Visiones. 23.6 x 14.4 cm. Recently acquired by the Meadows Museum, Dallas
Attributed works:
[Arnoldi-Livie. Ernst Ludwig Kirchner. Bathers at the Beach of Fehmarn, 1912. Graphhite, 46 x 59 cm]
Attributed works:
[Artcurial. Baccio BANDINELLI Male Nudes (recto) Estimate: € 30 000 - 40 000]
Attributed works:
[BAILLY GALLERY, GENEVA AND PARIS. Head, by Amedeo Modigliani (1884–1920). c.1910–12. Pencil on paper, 42.5 by 26.5 cm.]
Attributed works:
[BOTTEGANTICA, MILAN. Futurist blackbirds, by Giacomo Balla (1871–1958). c.1924. Canvas, 66 by 146 cm.]
Attributed works:
[BURZIO, LONDON. Self portrait, by Giusseppe Maria Bonzanigo (1745–1820). 1786. Limewood, walnut, tulipwood, ebony and fruitwood, 62.7 by 59 cm.]
Attributed works:
[Burzio. The Tagliolini Laocoon. Filippo Tagliolini, Naples. c. 1785, 52 cm high.]
Attributed works:
[Carlo Orsi Fine Art. Giovanni Battista Foggini, The Portrait of Margerite Louis of Orléans, Grand Duchess of Tuscany. Marble, hieght 77 cm]
Attributed works:
[CARLO ORSI – TRINITY FINE ART, LONDON. Wicker basket with peaches, jasmine, a rose and a carnation, by Fede Galizia (1578–1630). Panel, 33.7 by 47 cm.]
Attributed works:
[CHARLES RATTON & GUY LADRIÈRE. FRANÇOIS BOUCHER (1703 – Paris – 1770) A COTTAGE Red chalk, 20.5 x 33.7 cm]
Attributed works:
[Daxer and Marshall. Jan Steen, the Alchemist, 1668]
Attributed works:
[Daxer and Marshall. Peder Balke. The Troltindene Range, Norway, 1848]
Attributed works:
[DIDIER AARON & CIE, PARIS. Study for St Genevieve at prayer, by Pierre Puvis de Chavannes (1824–98). 1876. Charcoal with white highlights on paper, 55.5 by 45 cm.]
Attributed works:
[GALERIE ARNOLDI-LIVIE, MUNICH. Young Painter in his atelier, by Michel-Martin drolling (1786–1851). oil on canvas, 47 x 39 cm.]
Attributed works:
[GALERIE NEUSE, BREMEN. Beaker and cover depicting the death of the Swedish King Gustav Adolf in the Battle of Lützen, 1632, by Elias Adam (c.1669–1745). c.1707–11. Ivory with silver-gilt mounts. Height 29.5 cm.]
Attributed works:
[Galerie Neuse. Johann Speiss ( 1824 - c. 1891) Trophy for the Baden-Baden steeple chase in I ffezheim Signed and dated: J. Spiess. fecit Hofgraveur Mannheim 1863 Ivory, Height: 50 cm]
Attributed works:
[GALERIE PAUL PROUTÉ, PARIS. Venus, by Jan Van der Straet, known as Johannes Stradanus (1523–1605). c.1599. Black pencil, brown ink with white gouache highlights on paper, 18.2 by 12.5 cm.]
Attributed works:
[Galerie Paul Prouté.Maurice DENIS (1870 - 1943) Study for two apostels, charcoal, hightened with white on brown paper, 680 x 455 mm]
Attributed works:
[GALERIE ZLOTOWSKI, PARIS. The piano lesson, by Georges Valmier (1885–1937). 1922. Gouache on paper, 14.6 by 16.8 cm.]
Attributed works:
[GALERIEARNOLDI-LIVIE, MUNICH. Standing youth at a water source, by Ferdinand Hodler (1853–1918). 1900/01. Pen and brush with grey wash]
Attributed works:
[JEAN-LUC BARONI & MARTY DE CAMBIAIRE. Eustache Le sueur. Study for the Head of Saint Gervasius in the painting, ‘St Gervasius and St Protasius brought before Anastasius’, in the Musée du Louvre. (circa 1652), black and red chalk, heightened with white and yellow pastel: 195 x 146 mm (7½ x 5¾ in.) (actual size).
Attributed works:
[JEAN-LUC BARONI & MARTY DE CAMBIAIRE. Federico Zuccaro. Allegory of Gluttony, Study for a Section of the Cupola of the Duomo, Florence. (circa 1575-6), pen and brown ink and brown and pink wash, squared for transfer in red chalk: 166 x 306 mm. (6½ x 12 in.), (actual size detail).]
Attributed works:
[JEAN-LUC BARONI, LONDON, AND MARTY DE CAMBIAIRE, PARIS. Man with a top hat and walking stick, by Edouard Manet (1832–83). Pen and black ink wash with gouache highlights on beige paper, 25.7 by 8.8 cm.]
Attributed works:
[KUNSTHANDEL WIENERROITHER& KOHLBACHER, VIENNA. Standing female figure, by Egon Schiele (1890–1918). 1911. Gouache, watercolour and crayon on paper, 44.7 by 31.5 cm.]
Attributed works:
[London Original Print Fair. Kelly Reemtsen, Splitting Hairs,  (detail) Woodcut printed in colours Published by the artist Image courtesy of Lyndsey Ingram]
Attributed works:
[LULLO PAMPOULIDES, LONDON. Hercules on the pyre, by Guillaume Coustou (1677–1746). c.1702–03. Terracotta, 40 by 27 cm.]
Attributed works:
[Lullo Pampoulides. Domenico Fetti | Melancholy | Circa 1618 | Oil on canvas | 149.7 x 112.8 cm.]
Attributed works:
[MULLANY HAUTE EPOQUE FINE ART, LONDON. St Francis, by Pedro Roldán (1624–99). c.1660–70. Wood with original polychrome and gilding, 81 by 45 by 40 cm.]
Attributed works:
[Mullany Haute Epoque Fine Art. JOSÉ DE MORA (Baza 1642 – 1724 Granada) Head of Saint John the Baptist Terracotta, with original polychrome Spain, Granada, c. 1695 – 1724 H. 18.4 x W. 26.7 x D. 24.1 cm]
Attributed works:
[Museo Nacional del Prado. Francisco de Goya, José Álvarez de Toledo, marqués de Villafranca y duque de Alba (detalle), 1795. Madrid, Museo Nacional del Prado]
Attributed works:
[ONNO VAN SEGGELEN FINEARTS, ROTTERDAM. Happy company, by Pieter Jansz Quast (1605–47). Graphite and grey wash on vellum, 27.8 by 34.7 cm.]
Attributed works:
[Paolo Antonacci, Rome. Adolfo DE CAROLIS (1874 – 1928) Woman at the Fountain (The Muse Melete) Tempera, pencil and charcoal on paper, 1860 x 1470 mm]
Attributed works:
[Peter Finer. A Wheel-Lock Gun from the Cabinet d'Armes of Louis XIII of France, c. 1620-30]
Attributed works:
[REGINART COLLECTIONS, GENEVA. Summer evening, by Lyonel Feininger (1871–1956). 1933. Watercolour, pencil and ink on paper, 22.9 by 34.5 cm.]
Attributed works:
[ROB SMEETS OLD MASTER PAINTINGS, GENEVA. Study for a standing male figure, by Corrado Giaquinto (1703–66). Canvas, 66.5 by 50 cm.]
Attributed works:
[ROBILANT + VOENA, LONDON. A view of the piazzetta looking towards the Bacino and Isola di S. Giorgio, by Francesco Guardi (1712–93). Canvas, 58.5 by 68 cm.]
Attributed works:
[Robilant +,Voena. Jacopo Bassano, Penitent Saint Jerome, oil on canvas, 88 × 110 cm.]
Attributed works:
[SANTA TECLA Srl. GIROLAMO MUZIANO (Brescia 1532 – Rome 1592) Saint Jerome in the wilderness Oil on canvas, cm 228 x 164 (90 x 64½ in.)]
Attributed works:
[SANTA TECLA, PADUA. The Madonna in prayer, by Giovanni Battista Salvi, called Il Sassoferrato (1609–85). Canvas, 75.3 by 61.6 cm.]
Attributed works:
[SIMON C. DICKINSON LTD, LONDON. White feathers, by Kees van Dongen (1877–1968). c.1910–68. Canvas, 100 by 80 cm.]
Attributed works:
[STEPHEN ONGPIN FINE ART, LONDON. A standing halberdier, by Salvator Rosa (1615–73). c.1656/57. Pen and brown ink with brown wash on paper, 14.7 by 9 cm.]
Attributed works:
[STEPHEN ONGPIN FINE ART, LONDON. Jos Hessel in the drawing room at the Château des Clayes, by Édouard Vuillard, (1868–1940). Pastel on pink paper, 30.5 by 22.4 cm.]
Attributed works:
[Stephen Ongpin Fine Art. Thomas Gainsborough, R.A. (1727-1788) Wooded Landscape with Cattle and Goats Black and white chalk, with stumping, on buff paper. 229 x 294 mm. (9 x 11½ in.)]
Attributed works:
[TALABARDON& GAUTIER, PARIS. Two bathers, by Armand Séguin (1869–1903). c.1895. Charcoal, pen and ink on paper, 27.7 by 24.6 cm.]
Attributed works:
[TOMASSO BROTHERS FINE ART, LONDON AND LEEDS. The Lamentation over Christ, by Gerard David (c.1460–1523). Panel, 18 x 17.4 cm.]
Attributed works:
[Venator & Hanstein. Hieronymus. Leben der heiligen Altväter. Strasbourg 1482]
Attributed works:
[Walter Padovani. Antonio Minello, Apollo, overall height 68 cm]
Attributed works:
[Walter Padovani. Italy Mother of the Arts, by Pompeo Marchesi (1783–1858). White Carrara marble, 131 by 99 cm.]
Non-western art unattributed:
[The Maastricht Fine Art Open House. A lacquer plaque depicting St. Petersburg on the river Neva with the Winter Palace on the left and the Academy of Science on the right. Japan, Nagasaki, circa 1788.]
Western art unattributed:
[BACARELLI & BOTTICELLI. Allegory of Envy Florence, second half of 17th century Bronze, height 29 cm.]
Western art unattributed:
[CESATI WORKS OF ART, MILAN. Casket, Siena c.1340–50. Painted, gilded and punched wood, 19 by 24 by 14.5 cm.]
Western art unattributed:
[Dreweatts. A Northern Italian, probably Veronese, sculpted marble votive relief depicting the Crucifixion with the Virgin Mary and Saint John, late 13th/early 14th century, 66cm high, 43cm wide]
Western art unattributed:
[Tomasso Brothers. Roman, 50 BC – 50 AD Head of Cato Thasian Marble 42.5 cm (16¾ in.) high. 55.5cm high (21¾ in.), including the socle]
Article
‘The big Italian’: Giambologna and his model Bartolommeo di Lionardo Ginori
11/2018 | 1388 | 160
Pages: 912-919
related names
Author:
Avery, Charles (Avery, Charles)
Subjects
art literature:
dates:
museums and institutions:
places:
Illustrations
Attributed works:
1. Rape of the Sabines, by Giambologna. 1582. Marble, height (excluding the base) c.410 cm. (Loggia dei Lanzi, Florence; Bridgeman Images).
Attributed works:
10. Prometheus, cast from a model by Giambologna. c.1590. Gilt bronze, height 23 cm. (Private collection; photograph courtesy Tomasso Brothers Fine Art, UK).
Attributed works:
2. Crucified Christ, by Giambologna. 1580s. Bronze, 33.5 by 21.5 cm (Cleveland Museum of Art; Bridgeman Images).
Attributed works:
3. Portrait of Giambologna, with his model for ‘Samson and a Philistine’, by Federigo Zuccaro. 1575. Black and red chalk, 26.1 by 188 cm. (National Galleries of Scotland, Edinburgh).
Attributed works:
4. Rape of the Sabines, by Giambologna. c.1581. Clay with traces of whitewash, height c.410 cm. (Galleria dell’Accademia, Florence).
Attributed works:
5. Mars, by Giambologna. c.1581–87. Gilt bronze, height 39.4 cm. (Staatliche Kunstsammlung, Dresden; photograph Arrigo Coppitz).
Attributed works:
6. Portrait of Bartolommeo di Lionardo Ginori, by Santi di Tito. c.1583. Canvas, height c.250 cm. (Private collection, Florence; photo Galleria dell’Accademia, Florence).
Attributed works:
7. Portrait of Pietro di Cosimo de’ Medici, by Santi di Tito. c.1583. Canvas, 208 by 113 cm. (Galleria degli Uffizi, Florence).
Attributed works:
8. Mars and Prometheus, cast from models by Giambologna. c.1587 and c.1590 respectively. Bronze, heights 39.4 cm. and 23 cm. (Both private collection; photograph courtesy Tomasso Brothers Fine Art, UK).
Attributed works:
9. Man seen from three angles, by Antonio del Pollaiuolo. Fifteenth century. Stylus, pen and ink and wash on paper, 26.5 by 36 cm. (Musée du Louvre, Paris).
Exhibition Review
Shadows of Time: Giambologna, Michelangelo and the Medici Chapel. The Sculpture Collection, Dresden
10/2018 | 1387 | 160
Pages: 854-856
related names
Reviewer:
Avery, Charles (Avery, Charles)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
7. Detail of Day, attributed to Giambologna, after Michelangelo. Before 1574. Alabaster, 44.5 by 48.5 by 14.7 cm. (Staatliche Kunstsammlung, Dresden; photograph Hans-Peter Klut; exh. The Sculpture Collection, Dresden).
Attributed works:
8. Day, attributed to Giambologna, after Michelangelo. Before 1574. Alabaster, 44.5 by 48.5 by 14.7 cm. (Staatliche Kunstsammlung, Dresden; photograph Hans-Peter Klut; exh. The Sculpture Collection, Dresden).
Attributed works:
9. Allegory of Francesco I de’Medici, by Giambologna. c.1560–61. Alabaster, 32 by 45.8 cm. (Museo Nacional del Prado, Madrid; exh. The Sculpture Collection, Dresden).
Article
Nicholas Hilliard’s portraits of Elizabeth I and Sir Amias Paulet
09/2018 | 1386 | 160
Pages: 716-726
related names
Author:
Bayliss, Sarah (Bayliss, Sarah)
Author:
Carey, Juliet (Carey, Juliet)
Author:
Town, Edward (Town, Edward)
Subjects
art literature:
dates:
media:
places:
Illustrations
Attributed works:
1. Self-portrait, aged thirty, by Nicholas Hilliard. 1577. Watercolour on vellum put down on card, diameter 4.1 cm. (Victoria and Albert Museum, London).
Attributed works:
10. Alice Brandon, Mrs Hilliard, by Nicholas Hilliard. 1578. Watercolour on vellum mounted on card, 5.9 by 5.75 cm. (Victoria and Albert Museum, London).
Attributed works:
11. Francis Bacon, 1st Viscount St Alban, by Nicholas Hilliard. 1578. Watercolour and bodycolour on vellum mounted on card, 6 by 4.7 cm. (National Portrait Gallery, London).
Attributed works:
12. Above Details of eyes in (a) Fig.6 photographed in normal light; (b) Fig.6 photographed in raking light; and (c) Fig.11.
Attributed works:
13. (a) Detail of Sir Walter Raleigh, by Nicholas Hilliard, showing lace from the ruff. c.1585. Watercolour on vellum, 4.8 by 4.1 cm. (National Portrait Gallery, London); and (b) Detail of Fig.6 in raking light showing lace from the ruff.
Attributed works:
14. Detail of Fig.5 photographed in (a) normal light; and (b) raking light, showing the impasto of the sitter’s curls of hair.
Attributed works:
15. Infra-red reflectography detail of Fig.5, showing earring and curls of hair.
Attributed works:
16. Detail of Fig.5, showing wet-on-wet stippling in the lips.
Attributed works:
17. Detail of Fig.6, showing the medallion.
Attributed works:
18. Cast of a Renaissance cameo depicting a maenad, by James Tassie. Eighteenth century. Plaster. (Photograph The Beazley Archive, The Classical Art Research Centre, University of Oxford).
Attributed works:
19. François I, by Jean Clouet. c.1530. Panel, 96 by 74 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
2. Queen Elizabeth I, by Nicholas Hilliard. 1572. Watercolour on vellum, 5.1 by 4.8 cm. (National Portrait Gallery, London).
Attributed works:
20. A Woman at her bath, by François Clouet. c.1571. Panel, 92.3 by 81.2 cm. (National Gallery of Art, Washington; Bridgeman Images).
Attributed works:
21. Louis de Gonzague, duc de Nevers, and Heriette de Cleves, duchesse de Nevers, after Nicholas Hilliard. 1578. Woodcut. From The English Miniature, by Roy Strong, London 1983, p.79.
Attributed works:
22. Top left François Hercule, Duc d’Alençon, by Nicholas Hilliard. c.1580. Watercolour on vellum mounted on card, 4.8 by 3.9 cm (Kunsthistorisches Museum, Vienna).
Attributed works:
23. Top right A woman, called Marguerite of Valois, Queen of Navarre, by Nicholas Hilliard. 1577. Watercolour and gouache on vellum, 5.7 by 4.5 cm. (Photograph Sotheby’s, London).
Attributed works:
24. Bottom left Unknown man, by Nicholas Hilliard. c.1577. Watercolour and gouache on vellum, 5.8 by 6.4 cm. (Musée Condé, Chantilly).
Attributed works:
25. Bottom right A gentleman in a black doublet and cloak, by Nicholas Hilliard. 1577. Watercolour and gouache on vellum. Height 5 cm. (Photograph Christie’s, London; Bridgeman Images).
Attributed works:
3. Queen Elizabeth I (‘The Pelican portrait’), by Nicholas Hilliard. c.1575. Panel, 78.7 by 61 cm. (Walker Art Gallery, Liverpool).
Attributed works:
4. Queen Elizabeth I (‘The Phoenix portrait’), by Nicholas Hilliard. c.1575. Panel, 78.7 by 61 cm. (National Portrait Gallery, London).
Attributed works:
5. Queen Elizabeth I, by Nicholas Hilliard. c.1576-78. Panel, 81.5 by 61.2 cm. (Rothschild Family; photograph © Hamilton Kerr Institute).
Attributed works:
6. Sir Amias Paulet, by Nicholas Hilliard. c.1576–78. Panel, 81.5 by 61 cm. (Rothschild Family; photograph © Hamilton Kerr Institute).
Attributed works:
7. Robert Dudley, Earl of Leicester, by Steven van der Meulen. c.1564. Panel, 107 by 80 cm. (Rothschild Family; photograph © Waddesdon Image Library).
Attributed works:
8. Lord Rothschild’s bedroom at Tring Park, by H. Bedford Lemere. c.1890. From an album entitled Photographs of Tring Park by H. Bedford Lemere, 1890. (The Rothschild Archive, London).
Western art unattributed:
9. Sir Amias Paulet, by an unknown artist after Nicholas Hilliard. Canvas, 59 by 47 cm. (Government House, Jersey).
Book Review
The Traveling Artist in the Italian Renaissance: Geography, Mobility, and Style, D.Y. Kim
01/2016 | 1354 | 158
Pages: 039
related names
Author:
Dempsey, Charles (Dempsey, Charles; Dempsey, Charles)
Subjects
art literature:
places:
subjects:
Article
Federico Zuccari and the chapel of the Dukes of Urbino at Loreto: the design for the altar of the Annunciation
12/2015 | 1353 | 157
Pages: 832-835
related names
Author:
Russo, Antonio (Russo, Antonio)
Subjects
dates:
Illustrations
Attributed works:
13. Design for the vault and side walls of the chapel of the Dukes of Urbino, by Federico Brandani. After 1570. Fol.49 of the Largest Talman Album (Ashmolean Museum, Oxford)
Attributed works:
14. Design for the back wall of the chapel of the Dukes of Urbino, by Federico Brandani. After 1570. Fol.48 of the Largest Talman Album (Ashmolean Museum, Oxford)
Attributed works:
16. Annunciation, by Federico Barocci. 1572-74 (Pinacoteca Vaticana, Vatican City)
Attributed works:
17. Annunciation, by Federico Barocci and workshop. 1596 (S. Maria degli Angeli, Assisi)
Attributed works:
18. Project of the altar for the chapel of the Dukes of Urbino at Loreto, by Federico Zuccari. 1582-83 (Gabinetto Nazionale dei Disegni e delle Stampe degli Uffizi, Florence)
Attributed works:
19. Reconstruction of the chapel of the Dukes of Urbino on the design of Federico Zuccari with Barocci's altarpiece of the Annunciation inserted
Western art unattributed:
15. Chapel of the Dukes of Urbino, or of the Annunciation, basilica of the Holy House of Loreto
Article
Cardinal Federico Borromeo and the choice of painters to fresco the Collegio Borromeo at Pavia
08/2013 | 1325 | 155
Pages: 534-540
related names
Author:
Berra, Giacomo (Berra, Giacomo)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
10. S. Carlo founds colleges and seminaries, by Cesare Nebbia. Fresco. (Southern part of the vault of the Salone del Collegio Borromeo, Pavia; Archivio fotografico Almo Collegio, Pavia)
Attributed works:
11. S. Carlo and the plague in Milan; the translation of the relic of the Holy Nail, by Cesare Nebbia. Fresco. (Northern side wall of the vault of the Salone del Collegio Borromeo, Pavia; Archivio fotografico Almo Collegio, Pavia)
Attributed works:
12. Portrait of Federico Zuccari, by Fede Galizia (Galleria degli Uffizi, Florence)
Attributed works:
5. Eastern façade of the Collegio Borromeo, Pavia. Designed by Pellegrino Pellegrini, called il Tibaldi
Attributed works:
6. Courtyard of the Collegio Borromeo, Pavia. Designed by Pellegrino Pellegrini, called il Tibaldi
Attributed works:
7. Scenes from the life of S. Carlo Borromeo (vault, south side), by Cesare Nebbia; and S. Carlo Borromeo receives his cardinal's hat (south wall), by Federico Zuccari. Frescoes. (Salone del Collegio Borromeo, Pavia; Archivio fotografico Almo Collegio Borromeo, Pavia)
Attributed works:
8. The translation of the Holy Nail relic, by Cesare Nebbia. Fresco. (Central section of the vault of the Salone del Collegio Borromeo, Pavia; Archivio fotografico Almo Collegio, Pavia)
Attributed works:
9. S. Carlo's pilgrimage to Turin for S. Sindone and the meeting with the Dukes of Savoy, by Cesare Nebbia. Fresco. (Southern part of the vault of the Salone del Collegio Borromeo, Pavia; Archivio fotografico Almo Collegio, Pavia)
Publication Received
Taddeo and Federico Zuccaro: Artist-brothers in Renaissance Rome
03/2009 | 1272 | 151
Pages: 180
related names
Reviewer:
Martineau, Jane (Martineau, Jane; Martineau, Jane; M., J.T.)
Subjects
dates:
subjects:
subjects:
Reviewed Items
subjects:
Taddeo and Federico Zuccaro: Artist-brothers in Renaissance Rome | author: Brooks, Julian , contributor: Lukehart, Peter M. , contributor: Strunck, Christina , contributor: Williams, Robert
Illustrations
Attributed works:
50. Taddeo drawing by moonlight in Calabrese’s house, by Federico Zuccaro. c.1595. Pen and brown ink, brush with brown wash over black chalk, 17.6 by 41.9 cm. (J. Paul Getty Museum, Los Angeles).
Advertisements
Advertisements March 2006 (Front)
03/2006 | 1236 | 148
Pages: i-xxxvi
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Agnew, LTD, 43 Old Bond Street, London, W.1. Jean-Honore Fragonard (1732-1806). Melissa consoles Bradamante. Black chalk on brown wash, 15 1/2 x 10 1/2 in (391 x 270 mm)]
Attributed works:
[Agnew, LTD, 43 Old Bond Street, London, W.1. The lion and his dog, by Nicolas Marechal (1753-1803). Black lead, pen and brown ink, brown wash, on a late 18th-century French mount, 9.4 by 14 cm]
Attributed works:
[Agnews, LTD, 43 Old Bond Street, London, W.1. Pause de midi au bord de la mare, by Henry-Joseph Harpignies (1819-1916). Canvas, 57 by 77.5 cm. Signed and dated 1886 lower left.]
Attributed works:
[Alan Cristea Gallery. 31 Cork Street, London, W1S 3NU. Naum Gabo. Monoprints.]
Attributed works:
[Alan Cristea Gallery. 31 Cork Street, London, W1S 3NU. Urania, by Joe Tilson. From 'The Nine Museus', 2005.]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Paul Cézanne (1839-1906). Nu aussi. Pencil and watercolour on paper (with extensive watermark), 44 x 31 cm]
Attributed works:
[Arturo Cuellar, Zurich. A nude study (for a stained glass window: St. Geneviève standing and holding a distaff, by Jean-Auguste Dominique Ingres (1780-1867). Pencil, 37.2 by 16.6 cm]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrated: A fine George III satinwood crossbanded and sycamore marquetry serpentine Commode, in the manner of John Cobb.]
Attributed works:
[Brame & Lorenceau, Paris. Flachen (der Maler) II, by Willi Baumeister. (1889-1955). Oil on paper laid on canvas, 55.5 by 38.6 cm. Signed lower left.]
Attributed works:
[Buccellati, Moscow. A selection of elegant goblets in silver, entirely hand-made, finely hand-embossed and chiselled.]
Attributed works:
[C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. Faust in his study, by Rembrandt van Rijn. c. 1652. Etching, drypoint and burin, 20.9 by 16.2 cm]
Attributed works:
[Carlo Teardo, Milan. Jesus in the garden of Gethsemane, icon, Central Russia. Egg tempera on wood, 100 by 70 cm]
Attributed works:
[Charles Beddington Ltd. 16 Saville Row, London, W1S 3PL. A cockerel and two hens hanging from nails, by Jacob Biltius (1633-81). Oil on canvas, 99.5 by 77.8 cm. Signed: Je biltius fecit. (lower right: Jc in monogram).]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. Johann-Ernst Heinsius (Hildburghaussen 1740-Orléans 1812). Little girl with a dog. Signed top right "Henrihette [sic] age de 3 ans" and initialled "J.H.Fecit".]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Fede Galizia (Milan 1578-1630). Peaches in a glass bowl with apples and a grasshopper (detail). Oil on panel. 12x16 3/4 in. (30.5 x 42.5cm)]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Jean-Baptiste Siméon Chardin (Paris 1699-1779). A young Scholar Drawing (detail). Oil on panel. 7x6 in (18.5x16.5 cm)]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Joseph Mallord William Turner (London 1775-1851) Giudecca, La Donna della Salute and San Giorgio (detail). Oil on canvas. 24 x 36 in. (61 x 91.5cm).]
Attributed works:
[Connaught Brown, London. Mother playing with child on floor I, by Henry Moore (1898-1986). Ballpoint pen, charcoal, crayon and gouache, 21 by 29.5 cm. Signed.]
Attributed works:
[David Jones, 19 Kestrel Avenue, Herne Hill, London. Jacopo PALMA, called Palma il Giovane. Venice c. 1548-1628 Venice. Recto: St. John the Baptist kneeling on the ground. Verso: Keeling Christ. Black chalk. 175 x 110 mm]
Attributed works:
[David Jones, London. Frederick IV, Commander of Nuremburg delivering Frederick the Handsome to Louis of Bavaria, by Christian Bernhard Rode (1725-97). Red chalk on cream colored paper. Two sheets joined together, intended for transfer, 41.1 by 63.4 cm]
Attributed works:
[Dickinson, London & New York. Femme à la toilette, by Edgar Degas (1834-1917). Black chalk hightened with white on paper, 62 by 47 cm. With the stamped signature lower left: Degas.]
Attributed works:
[Didier Aaron & cie, Paris, New York & London. The paternal malediction: the punished son, by Jean-Baptiste Greuze (1725-1803). Pencil, grey and sepia ink and grey wash on black chalk, 24.5 by 36.5 cm. Signed lower left: JB Greuze]
Attributed works:
[Emmanuel von Baeyer, London. La Rascienne Honteuse, by Johann Rudolph [Hans Rudolf] Fussli (1737-1806). Etching, size of plate: 22 by 20.8 cm: size of sheet: 22.2 by 21 cm.]
Attributed works:
[Flavia Ormond Fine Arts. London. The genius of music in Italy, by Paul Baudry (1828-86). Black chalk heightened with white chalk on pinkish-brown paper, 34.1 by 25 cm. Signed with monogram: PB. Inscribed with black chalk: Opera.]
Attributed works:
[Gagosian Gallery. Silver Liz, by Andy Warhol. 1963. Synthetic polymer paint and silkscreen ink on canvas, 101.6 by 101.6 cm.]
Attributed works:
[Galerie Arnoldi-Livie, Munich. St. Michael the Archangel slaying Satan, by Michael Willmann (1630-1709). Pen and brown ink and grey wash over black chalk. Verso: St. Michael the Arcangel slaying Satan. Pen and brown ink and grey wash over black chalk, heightened with white 22.3 by 16.2 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Fete by a Riverbank, by Giovanni Andrea Donducci, called Il Mastelletta (1575-1655). Oil on canvas, 99 by 120.5 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Francesco Cairo. Milan, 1607-1665. The Martyrdom of Saint Euphemia. Oil on canvas, 192,5x223 cm (75x87 13/16in)]
Attributed works:
[Galerie de Bayser, 69, rue Ste Anne. Paris. Louis Léopold Boilly (171-1845) - Studies for the chess game, ca. 1815 - Black chalk with stamp - 22 x 35cm.]
Attributed works:
[Galerie de Bayser, Paris. Study for head of a horse, by Théodore Chasseriau (1819-56). Three crayons, 32.5 by 44.5 cm.]
Attributed works:
[Galerie Eric Coatalem. 93, rue de Faubourg Saint-Honoré. Paris. Punchinello's wedding procession, by Giovanni Domenico Tiepolo (1727-1804). Ink and wash ink, 35.4 by 47.2 cm. Signed: Dom. Tiepolo f. Annotated:2]
Attributed works:
[Galleria Bosconi, Milan. Caprice, by Johann Antonn Eismann (c. 1613-94/98). Oil on canvas, 102 by 148 cm]
Attributed works:
[Giovanni Pratesi, Antiquario. Via Maggio 13, 50125, Firenze. Antonio Gai (Venice, 1686-1769). Portrait of Doge Alvise Mocenigo II. Gilt carved wood, height 78 cm.]
Attributed works:
[Giovanni Sarti, Paris. Madonna and Child, by Giovanni Bellini (1433-35?-1516). Tempera on panel, 63.2 by 49 cm]
Attributed works:
[H. Blairman & Sons, London. A pair of fire dogs designed by Ernest Gimson (1864-1919). English, c. 1909. Manufactured by Alfred Bucknell. Polished wrought iron, each 67 by 30.5 by 53.5 cm.]
Attributed works:
[H.W. Fichter. Arndstrasse 49. 60325 Frankfurt/Main. Carl Philipp Fohr (1795 Heidelberg-1818 Rome). Ruins of the castle Tiefburg at Handschuhshein. Watercolour over ink on paper, 195 x 258 mm]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. Marco Ricci (1676-1729). Landscape with smoke rising from a Citadel. Pen and brown ink, 19.1 x 42 cm (7 1/2 x 6 1/2 in)]
Attributed works:
[Hill-Stone, Inc., New York. Sanson and Delilah, by Luca Cambiaso (1527-85). Pen and brown ink, 23.8 by 34.5 cm. Annotated at lower right: lucas Cangiogi fecit, and at the centre left edge: Cambiaso.]
Attributed works:
[Ilaria Quadrani. 305 East 61st Street, New York. Abraham van Strij (Dordrecht 1753.1826 Dordrecht). A young Boy seated on a Trunk, in profile to the right. Signed 'A van Strij'. Black chalk, pen and brown ink, brown wash. 10 7/8 x 9 inches (276 x 227 mm)]
Attributed works:
[Jean-Luc Baroni. London Punchinello riding a camel at the head of a caravan, by Giovanni Domenico Tiepolo (1727-1804). Pen and brown ink and wash over an underdrawing in black chalk, 35.6 by 47.4 cm. Signed at the lower centre: Dom. Tiepolo. f.]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. JAN VAN ROSSUM (Born circa 1630, Holland). A bouquet of flowers on a stage ledge with a curtain to the left. On canvas. 28 3/4 x 23 1/4 in. x 73 x 59 cm. Signed and dated 1671, lower centre.]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. Mars and Venus surpraised by Apollo, by Hendrick de Clerck (1570-1629). Panel, 45.5 by 35.5 cm. Signed and indistinctly dated: 161....]
Attributed works:
[Karl & Faber. Amirplatz 3. 8033 Munchen. Germany. Rembrandt Harmensz van Rijn. Self portrait with raised sabre. Etching. (1634)]
Attributed works:
[La Stanzina, Milan. Under the Pergola, by Ludovico Tommasi. c. 1910. Oil on canvas, 27 by 36.5 cm.]
Attributed works:
[Lawrence Steigrad Fine Arts, New York. A still life of drinking vessels, a pineapple cup, a lemon, bread and two small books, by Sebastian Stoskopff (1597-1657). Oil on canvas, 49.3 by 55 cm.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Elizabeth Siddal seated at an easel, by Dante Gabriel Rossetti. c. 1861. Sepia ink wash with pen and brush, 16.5 by 20 cm.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Thomas Frye. 1710-1762. An old man leaning on a staff. Black and white chalks on paper. 16 5/16 x 12 1/2 inches; 400 x 324 mm. Inscribed verso: MR TATE TO MR BATES. Executed circa 1760.]
Attributed works:
[Maison d’Art, Monte-Carlo. Construction of the bridge for the Festival of the Madonna della Salute, by Johann Richter (165-1745). Oil on canvas, 57 by 95 cm.]
Attributed works:
[Moretti. 43 New Bond Street, London W1S 2SA. Piazza Ottaviani 17/r, 50123 Florence. Jesus returns to the temple with his parents, by Cosimo Rosselli (1440-1507). Panel, 96 cm. diameter.]
Attributed works:
[Pratt Contemporary Art – Pratt Editions. Ightham, Sevenoaks, Kent TNI5 9HH. England. At the gates, by Derek Mawudoku. 2005. Drypoint, edition of 6; plate: 34.5 by 49.8 cm]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. An equestrian portrait of he Cardinal-Infante Ferdinand (1609-1641), with an extensive river landscape beyond, by Pauwels van Hillegaert (1506-1640). Oil on canvas, 162.3 by 157.8 cm.]
Attributed works:
[Robilant and Voena. London and Milan. The Lock at Dolo, by Giovanni Antonio Canal, il Canaletto (1697-1768). Oil on canvas, 31 by 45 cm]
Attributed works:
[Salander-O'Reilly. 20 East 79 Street, New York. Ana Maria Pacheco, Sculpture.]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. Sir William Nicholson. The Glass Bowl, 1920. Oil on canvas, 22 3/4 x 21 3/4 inches (58x55 cms). Signed and dated.]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. The mysterious garden, by Margaret Macdonald Mackintosh RSW (1864-1933). 1911. Watercolour and ink over pencil on vellum laid on original board, 45.1 by 47.7 cm. Signed and dated lower right.]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. The Skylark, by Samuel Palmer (1805-1881). Etching, printed in black ink on chine appliqué, 120 by 98 mm]
Attributed works:
[The London Original PrintsFair & Master Drawings. Royal Academy of Arts. Burlington Gardens. London. Bridget Riley, detail from Light Between 82-04 2004.]
Attributed works:
[Thomas Le Claire, Elbchausse 156. D-22605. Hamburg. FEDERICO ZUCCARO (c. 1541-1609). David Accepting Tribute from the Conquered Nations. Pen and brown ink, brown wash, heightened with white. Executed c. 1566. 325 x 264 mm. The drawing is preparatory for the ceiling of the chapel at the Villa Farnese, Caprarola.]
Attributed works:
[Thomas Le Claire, Elbchausse 156. D-22605. Hamburg. Five peasants in an interior, by Cornelis Dusart (1660-1704). Watercolour, gouache and black and red chalk on parchment, 25.8 by 31 cm. Signed and dated, lower right, in black ink: Corn: dusart fe. 1690]
Attributed works:
[Thomas Le Claire, Elbchausse 156. D-22605. Hamburg. Portrait of Thérèse Degas, Duchess Morbilli, by Edgar Degas (1834-1917). Charcoal and pencil, 27.7 by 21.7 cm. Verso: A study in pencil of St, George and the dragon. Studio stamp on recto and verso: (Lugt 657)]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. Allée de peupliers, Vichy, by Jean-François Millet (1814-75). Pen and brown ink with watercolour, 13 by 19 cm. Marked with the artist's studio stamp, lower left: J.F.M (Lugt 1460).]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. Jacob van der Ulft. Gorinchem 1621-1689 Noordwijk. The Ruins of a Church near Zandvoort, Inscribed, upper left, Ryuen tot Santvoort op zee. Brown wash with pen and brown ink over traces of black chalk, with brown ink, framing lines. 7 7/8 x 12 1/4 inches (202 x 310 mm)]
Attributed works:
[Whitfield Fine Art, London. Figures dancing the tarantella outside an inn in a hilly landscape, by Johannes Lingelbach (1622-74). Oil on canvas, 90 by 109 cm. Signed lower left: J. Lingelbach.]
Non-western art unattributed:
[Giacomo Manoukian Noseda, Milan. Buddha. Chinese, 16th century. Wooden sculpture with traces of coloured paint.]
Western art unattributed:
[Kunstkammer Georg Laue, Munich. Amber figure of a Madonna with Child (detail). North German, probably Luebeck, c. 1550. Amber, 21.6 cm high.]
load more