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4 articles
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Advertisements November 2001 (front)
11/2001 | 1184 | 143
Pages: i-xvi
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
In Shade, Foot of Olga Gorge, Katatjuta (The Olgas), by Michael Andrews. 1987. Acrylic, 213.4 by 228.6 cm. (Private Collection; Exh. Tate Britain, London)
Attributed works:
[Bob P. Haboldt & Co., 70 rue de Faubourg Saint-Honore, Paris, France] Willem van Mieris (Leiden 1662-1747 Leiden). Joseph Interpreting the Pharaoh's Dream. Gouache on Vellum, 6 5/8 × 5½ in. (168 × 141 mm)
Attributed works:
[British Petroleum (BP) Advertisement] Collage of 4 images. Royal Opera House. National Portrait Gallery. Louise Courtnell Self Portrait (Detail) 1991. Cast Gold Mask, Quimbaya (Colombia) 600-1100AD. Singer. Sir Joshua Reynolds Self Portrait as a Deaf Man (Detail) c. 1775. Tate Britain. British Museum
Attributed works:
[Christie's, 8 King Street, London, UK] Gentile Bellini (Venice 1429-c. 1507). Cardinal Bassarion Attended by Two Monks in Prayer with the Bassarion Reliquary: Tabernacle Door for the Sala dell'Albergo of the Scuola di S. Maria dei Battuti della Carità, Venice, '1472'. Tempera with Gold and Silver on Panel. 40¼ × 14 5/8 in. (102.3 × 37.2 cm.). Estimate: £200,000-300,000
Attributed works:
[Christie's, 8 King Street, London, UK] Gustave Moreau (French, 1826-1898). Sainte Cécile (Les Anges lui annoncent son prochain martyre). Signed 'Gustave Moreau' (Lower Left). oil on Canvas. 28 3/8 x 23 5/8 in. (73.2 × 60 cm.). Painted in 1897. Estimate: £500,000-700,000
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Gian Paolo Panini (1691 - 1765). Study of a Bishop. Oil on Canvas: 30.5 × 16.4 cm.
Attributed works:
[De Bayser, 69 rue St Anne, Paris, France] Théodore Rousseau. Lisière de forêt à Boisrémond. 29 × 45 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] A Pair of William IV Soup Tureens, by Edward Barnard & Sons, London, 1831. Silver, 329 oz., 29.2 × 45.7 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Chasseur Amérindien Clock, from the Model by Deverberie, French c. 1798. Patinated Bronze and Ormolu with Enamel and Pearl. 52 × 32 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Dante Gabriel Rossetti (1828 - 1882), Algernon Charles Swinburne, Watercolour, 1861, The Fitzwilliam Museum, Cambridge
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] One of a Pair of Chamberlain's Worcester Pot-Pourri Vases and Covers, c. 1815-20, Painted with Views of Powderham Castle, Devon, and Trentham Hall, Staffordshire. ht 19 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Ormolu Table Clock, by Richard Webster, London, c. 1830-40. ht.50.8 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Portrait of Annie, the Artist's Daughter, by Robert Jobling (1841-1923). Oil on Canvas 64.1 × 48.3 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] St George, by Edward Coley Burne-Jones, c. 1887. White and Red Chalk Heightened with Body-Colour.
Attributed works:
[Ian Spencer Antiques, Ltd., The Barn, Princes House, Peasemore, Berkshire, UK] A Cloth of Gold. A 14th/15th Century Double Sided Processional Banner Originating from the German Principalities. Dimensions 58 cm by 47 cm
Attributed works:
[Museo Thyssen-Bornemisza, Paseo del Prado, 8. Madrid, Spain] Pablo Picasso. Tico Women Running on the Beach (The Race), 1922.
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] A Fine Early 18th Century Silvered and Japanned Serpentine Commode, Possibly Piedmontese. Estimate: £30,000-40,000
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] Eugène Delacroix (1798-1863). Hamlet Tries to Follow His Father's Ghost. Stamped E. D. Lower Right. Pencil, 31 × 21 cm. Estimate: £8,000-12,000
Attributed works:
[Simois Gestion de Arte, Salustiano Olozaga 5, Madrid 28001, Spain] Juan de la Vega Ventura. Still Life. Madrid, ca. 1660
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] The Gelmhan Hall State Bed. Circa 1680-90. The Hangings attributed to Francis Lapiere. The frame attributed to Thomas Roberts.
Attributed works:
[Stair Sainty Matthiesen, 22 East 80th Street, New York, New York] Gustave Courbet. Ornans 1819 - 1877 La Tour-de-Peitz. Vue d'une mer agitée près d'une falaise. Oil on Canvas: 24 × 31 7/8 ins. 61 × 81 cm. Signed Lower Right: G. Courbet
Non-western art unattributed:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Doucai Saucer Dish, Yongzheng Mark and Period, 1723-25. Porcelain, Width 15.6 cm.
Western art unattributed:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Escritoire, Danish, Signed and Dated 1827. Mahogany and Brass, 142.7 × 121.8 × 55.9 cm.
Article
The English 'Horsebone' Chair, 1685-1710
05/1999 | 1154 | 141
Pages: 263-270
related names
Author:
Bowett, Adam (Bowett, Adam)
Subjects
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
11. Chairs and Footstools, by Daniel Marot. Engraving from the Second Livre d'Appartements, Plate V, c.1702.
Attributed works:
6. Coronation Throne Made by Thomas Roberts, 1702. Carved Beechwood and Gilt, Modern Upholstery. 173 by 87 by 97 cm. (Hatfield House, Herts.).
Western art unattributed:
1. Twist-Turned Armchair, c.1685. Walnut and Cane, 115 by 61 by 43 cm. (Temple Newsam House, Leeds).
Western art unattributed:
10. Upholstered Elbow Chair, c.1700-05. Walnut Frame, Original Velvet Cover. (Formerly at Burley-on-the-Hill, Rutland).
Western art unattributed:
12. Upholstered Wing Chair from Chastleton House, Oxfordshire, c.1705-10. Beechwood Frame, Remnants of Original Silk Cover. 132 by 69 by 57 cm. (Victoria and Albert Museum, London).
Western art unattributed:
13. Chair, c.1710. Carved Beechwood, Stained Black. 134 by 51 by 46 cm. (Victoria and Albert Museum, London).
Western art unattributed:
2. Upholstered Armchair, 1677-79. Beechwood Frame, Painted Black and Parcel Gilt, Modern Upholstery. 113 by 68 by 78 cm. (Ham House, Surrey).
Western art unattributed:
3. Upholstered Armchair, c.1685. Beechwood Frame, Painted, Parcel Gilt and Varnished, Modern Upholstery. 102 by 61 by 63 cm. (Burghley House, Lincs.)
Western art unattributed:
4. Chair, c.1690. Walnut and Cane with Oval Banister Back, Horsebone Legs, Seat and Back Frame, 'Boyes and Crownes' Crest and Fore-Rail. 117 by 49 by 40 cm. (Temple Newsam House, Leeds).
Western art unattributed:
5. The Inthronization of Their Majesties King James the Second and Queen Mary. Anonymous Engraving, from F. Sandford: History of the Coronation of James II and Queen Mary [1687].
Western art unattributed:
7. Upholstered Chair from Dyrham Park, c.1703-10. Carved Beechwood Frame, Original Red and Yellow Velvet Cover. 130 by 51 by 72 cm. (Lady Lever Art Gallery, Port Sunlight).
Western art unattributed:
8. Upholstered Stool from Dyrham Park, c.1703-10. Carved Beechwood Frame, Original Red and Yellow Velvet Cover. 60 by 77 by 48 cm. (Lady Lever Art Gallery, Port Sunlight).
Western art unattributed:
9. Upholstered Elbow Chair, c.1702. Black Painted Beechwood Frame, Original Embroidered Covers. 122 by 71 by 87 cm. (Drayton House, Northants.).
Article
English Furniture and Cabinet-Makers at Hatfield House - I: c. 1600-1750
02/1967 | 767 | 109
Pages: 63-70+73
related names
Author:
Coleridge, Anthony (Coleridge, Anthony)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
27. Painted Manual Organ Decorated by Roland Buckett in 1611; Supplied by a Dutchman, John Hann, in 1609. (Collection Marquess of Salisbury.)
Attributed works:
29. One of a Pair of 'Union Suits'. Re-Japanned by John Hodson in 1739 for the Duke of Atholl. (Collection The Duke of Atholl, Blair Castle, Perthshire). Reproduced by Courtesy of His Grace, The Duke of Atholl and The Connoisseur.
Western art unattributed:
19. The Marble Hall, Hatfield House Showing the Two Large Oak Tables and a Portion of the Screen Which Were Supplied and Carved in 1611. (Collection Marquess of Salisbury.)
Western art unattributed:
20. One of Three Oak and Elm Long Stools and Another Portion of the Screen at Hatfield House-Also Supplied in 1611. (Collection Marquess of Salisbury.)
Western art unattributed:
21. Italian, Probably Florentine, Inlaid Marble Top of One of the Tables in the James 1st Drawing-Room, Hatfield House. (Collection Marquess of Salisbury.)
Western art unattributed:
22. Ebonised Centre Table, Encrusted Overall with Pinned Mother-of-Pearl Mosaic Decoration, Picked Out in Tortoise-Shell. (Collection Marquess of Salisbury.)
Western art unattributed:
23. Base and Support of the Table Illustrated in Fig. 21. [Italian, Probably Florentine, Inlaid Marble Top of One of the Tables in the James 1st Drawing-Room, Hatfield House. (Collection Marquess of Salisbury.)]
Western art unattributed:
24. Carved Centre Table, Probably of English Workmanship; The Carved Top Centred by Two Heraldic Devices. c. 1688. (Collection Marquess of Salisbury.)
Western art unattributed:
25. Charles II Wall Glass, Retaining Its Original Bevelled Plate, in a Silvered Frame Carved with a Riot of Pulli Amidst Foliage and Flowerheads. (Collection Marquess of Salisbury.)
Western art unattributed:
26. Elizabethan Oak Draw-Leaf Refectory Table. (Collection Marquess of Salisbury.)
Western art unattributed:
28. Coronation Throne and Footstool Used by Queen Anne in 1702. Upholstery Supplied by Anthony Ryland. (Collection Marquess of Salisbury.)
Western art unattributed:
30. Walnut and Endive Marquetry Cabinet-on-Chest in the Tradition of Gerreit Jensen. (Collection Marquess of Salisbury.)
Western art unattributed:
31. Giltwood-Framed Open Armchair of Kentian Design. (Collection Marquess of Salisbury.)
Western art unattributed:
32. One from a Set of a Pair of Winged Armchairs and Eight Single Chairs in the Long Gallery, Hatfield House-Manner of Thomas Roberts. (Collection Marquess of Salisbury.)
Short Notice
The Bishop's Chair in St. Paul's Cathedral
12/1940 | 453 | 77
Pages: 200-201
related names
Author:
Symonds, R. W. (Symonds, R. W.; Symonds, Robert Wemyss)
Subjects
dates:
places:
Illustrations
Attributed works:
A-The Bishop's Chair. About 1697. Perhaps Made by Thomas Roberts. Carved Walnut, Cane and Velvet. (St. Paul's Cathedral). Shorter Notice: The Bishop's Chair in St. Paul's Cathedral