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Book Review

Elizabethan Globalism: England, China and the Rainbow Portrait

07/2021 | 1420 | 163

Pages: 637-638

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related names

Reviewer:

Goldring, Elizabeth (Goldring, Elizabeth)

Subjects

museums and institutions:

Hatfield House, Hatfield, Great Britain

patrons:

Cecil, Robert, First Earl of Salisbury, 1563-1612

subjects:

East-West trade / Tudor

works:

The Rainbow Portrait (Elizabeth I)

Reviewed Items

works:

Elizabethan Globalism: England, China and the Rainbow Portrait By Matthew Dimmock. 336 pp. incl. 90 col. + b. & w. ills. (Paul Mellon Centre for Studies in British Art, London, and Yale University Press, New Haven and London, 2019), £50. ISBN 978–1–913107–03–1. | :

Article

‘A fête at Bermondsey’: an English landscape by Marcus Gheeraerts the Elder

05/2015 | 1346 | 157

Pages: 309-317

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related names

Author:

Town, Edward (Town, Edward)

Subjects

artists:

Geeraerts, Marcus, the elder, 1520 - bef. 1604 / Hoefnagel, Joris (Georg)

dates:

1550-1599

museums and institutions:

Hatfield House, Hatfield, Great Britain

places:

London

subjects:

Collections, Private / Landscapes (visual works) / Identification / Attributions / Attributions, former / Topographical views / Fairs / Technical analysis / Dating / Commissions / Netherlandish painting

Illustrations

Attributed works:

1. A fête at Bermondsey, previously attributed to Joris Hoefnagel but attributed here to Marcus Gheeraerts the Elder (The Marquess of Salisbury, Hatfield House, Hertfordshire)

Attributed works:

10. Detail of Fig.2

Attributed works:

11. The unfortunate painter and his family, or Mercury attempts to help the painter in poverty, by Marcus Gheeraerts the Elder (Bibliothèque Nationale de France, Paris)

Attributed works:

12. Landscape with a watermill, by Marcus Gheeraerts the Elder (Rijksmuseum, Amsterdam)

Attributed works:

13. Arendt ende craeye (The eagle and the crow) from De warachtighe Fabulen der Dieren, by Marcus Gheeraerts the Elder (British Museum, London)

Attributed works:

14. Illustration from Het Theatre, attributed to Marcus Gheeraerts the Elder (Folger Shakespeare Library, Washington)

Attributed works:

15. Detail of Fig.2

Attributed works:

16. Elizabeth I, by Marcus Gheeraerts the Elder (Private collection)

Attributed works:

17. Procession of the Knights of the Garter, by Marcus Gheeraerts the Elder (British Museum, London)

Attributed works:

2. A village festival, previously attributed to Joris Hoefnagel but attributed here to Marcus Gheeraerts the Elder (The Marquess of Salisbury, Hatfield House, Hertfordshire)

Attributed works:

3. Landscape with a peasant feast with people eating and drinking in foreground, a road and a well in lower left corner, trees and village-houses in middle ground, a city in background, by Johannes and Lucas Van Doetecum after Hans Bol (British Museum, London)

Attributed works:

4. Detail of infra-red reflectogram of Fig.1 (Katherine Ara Ltd)

Attributed works:

5. Photomicrograph of Fig.1

Attributed works:

6. Detail of Fig.2

Attributed works:

7. 'Courtisane Ventiane' from Théâtre de tous les peuples et nations de la terre, by Lucas de Heere (University Library, Ghent)

Attributed works:

8. Detail of Fig.2

Attributed works:

9. Marcus Garrardus Pictor, by Wenceslaus Hollar after Marcus Gheeraerts the Younger (British Museum, London)

Article

Revisiting the origins of the Sheffield series of portraits of Mary Queen of Scots

04/2010 | 1285 | 152

Pages: 212-218

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Author:

Smith, Jeremy L. (Smith, Jeremy L.)

Subjects

artists:

Hilliard, Nicholas

dates:

1550-1599

museums and institutions:

Hardwick Hall, Doe Lea, Chesterfield, Derbyshire, Great Britain / National Portrait Gallery, London, Great Britain / National Portrait Gallery, Edinburgh, Great Britain / Hatfield House, Hatfield, Great Britain

print:

Mary Stuart, Queen of Scots

print:

British art

subjects:

British painting / Mary Stuart, Queen of Scots / Iconography / Provenance / Full-length portraits / Portraits / Dating / Miniatures (paintings)

Illustrations

Attributed works:

Western art unattributed:

1. Mary, Queen of Scots. 1578. Panel, 193.5 by 112 cm. (National Trust, Hardwick Hall; copyright NTPL/John Hammond).

Western art unattributed:

3. Lady Arabella Stuart. Anonymous. 1589. Panel, 161 by 84 cm. (National Trust, Hardwick Hall; copyright NTPL/John Hammond).

Western art unattributed:

4. Detail of Fig.1, showing the rosary with ‘Susanna and the Elders’.

Western art unattributed:

5. Mary, Queen of Scots and James VI. c.1578. Engraving, 28 by 23 cm. From J. Lesley: De origine, moribus, ac rebus gestis Scotiase libri decem, Rome 1578, p.400, BL65384.

Western art unattributed:

6. Mary, Queen of Scots. c.1578. Oil on paper, with wood mounting, 13.4 by 10.2 cm. (Kunsthistorisches Museum, Vienna).

Article

Richard Butler, Glass-Painter

05/1990 | 1046 | 132

Pages: 308-315

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Author:

Archer, Michael (Archer, Michael)

Subjects

artists:

Butler, Richard, d. 1638

buildings:

Hatfield House, Hatfield, Great Britain

buildings:

Lincoln's Inn, London, Great Britain

dates:

1600-1649

patrons:

Cecil, Robert, First Earl of Salisbury, 1563-1612

patrons:

Slingsby, Henry, 1602-1658

places:

England

subjects:

British painting / Stained glass

subjects:

Documents / Patronage

Illustrations

Attributed works:

1. Jonah preserved from the sea, by Richard Butler. 1610. Stained and painted glass for the east window of the chapel at Hatfield House. (Hatfield House, Hertfordshire).

Attributed works:

10. Detail from Fig.8 showing the monogram on the panel of St Matthew.

Attributed works:

11. Detail from Fig.8 showing an unidentified figure flanking the pedestal supporting St Thomas with the RB monogram above.

Attributed works:

2. Sacrifice of Isaac, probably painted by Richard Butler. 1610. Stained and painted glass for the chapel at Hatfield House. (Hatfield House, Hertfordshire).

Attributed works:

3. Detail of two heads of apostles in Fig.4, after conservation.

Attributed works:

4. Heads of four saints, probably St John, St Peter, St Paul and St Andrew, by Richard Butler. 1622. Stained and painted glass executed for Sir Henry Slingsby. (East window of the chapel, Red House, Moor Monkton, York, before conservation).

Attributed works:

5. St Peter, St Andrew, St James and St John, by Richard Butler. 1623. Stained and painted glass. (Chapel, Lincoln's Inn, London).

Attributed works:

6. Detail of the head of St James in Fig.5.

Attributed works:

7. Detail of Fig.5 showing the monogram RB from the bottom right-hand corner of the St John panel.

Attributed works:

8. St Philip, St Thomas, St Bartholomew and St Matthew, by Richard Butler. 1623-1626. Stained and painted glass. (Chapel, Lincoln's Inn, London).

Attributed works:

9. Detail of Fig.8 showing Justice, by Richard Butler after Jacob Matham and the altered RB monogram.

Letter

The Old Palace at Hatfield

08/1967 | 773 | 109

Pages: 473

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related names

Author:

Coleridge, Anthony (Coleridge, Anthony)

Subjects

buildings:

Hatfield House, Hatfield, Great Britain

subjects:

British architecture / Palaces

Article

English Furniture and Cabinet-Makers at Hatfield House-II The 1st Marquess's English Furniture at Hatfield House (1780-1823)

04/1967 | 769 | 109

Pages: 200-209

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Author:

Coleridge, Anthony (Coleridge, Anthony)

Subjects

artists:

Beckwith, Samuel

artists:

France, Edward

buildings:

Hatfield House, Hatfield, Great Britain

dates:

1750-1849

patrons:

Cecil, James, First Marquess of Salisbury, 1748-1823

patrons:

Cecil, Emily Mary, Lady, 1750-1835

patrons:

Earls of Salisbury

places:

England / Herefordshire

subjects:

Country houses / Furniture / Furniture makers

subjects:

Aristocracy / Patronage

subjects:

Inventories / Documents

Illustrations

Attributed works:

19. One of a Pair of Ebonised Library Tables. Re-Covered with Black Leather by Beckwith and France, 1790. (Collection Marquess of Salisbury.)

Attributed works:

27. One of a Pair of Inlaid Commodes. Supplied by Thomas Chippendale to Sir Rowland Winn for Nostell Priory, 1770. (Collection Lord St Oswald.) Photo by Courtesy of Lord St Oswald.

Non-western art unattributed:

24. Chinese Carved Ivory Palace, Ch'ien Lung Period. Collected by Beckwith and France from Lord Hillsborough's House, March 1790 and Taken by Hand to Hatfield. (Collection Marquess of Salisbury.)

Western art unattributed:

14. Giltwood Framed Armchair, from a Large set of Seat Furniture (See Also Fig.16). Supplied by Messrs Beckwith and France, 1781. (Collection Marquess of Salisbury.)

Western art unattributed:

15. One of a Set of Eight Hall Chairs. Delivered by Beckwith and France, 1782. (Collection Marquess of Salisbury.)

Western art unattributed:

16. Giltwood Framed Sofa, from a Large Set of Seat Furniture. Supplied by Messrs Beckwith and France, 1781. (Collection Marquess of Salisbury.)

Western art unattributed:

17. One of '2 Very Large Deep Sofas, the Feet to Match the Chairs' (See Fig.18). Supplied for the Library at Hatfield House by Beckwith and France, July 1782. (Collection Marquess of Salisbury.)

Western art unattributed:

18. 'Large Geopine [?] Arm'd Chair of Wainscot Varnisht'. Supplied for the Library at Hatfield by Beckwith and France, July 1782. (Collection Marquess of Salisbury.)

Western art unattributed:

20. Mahogany Wine Table with Central Removable Wheel-Shaped Panel Disclosing Bottle Compartments. Based on a Design Published by Hepplewhite, 1793. (Collection Marquess of Salisbury.)

Western art unattributed:

21. One of a Set of Twenty-Two Dining Chairs. Original Set of Twenty-Four Invoiced by Beckwith and France. (Collection Marquess of Salisbury.)

Western art unattributed:

22. One of a Pair of 'Pedestals and Vases' (As Hepplewhite Described Them), with Original Plate-Rack and Charcoal Pans. (Collection Marquess of Salisbury.)

Western art unattributed:

23. Inlaid Satinwood Bonheur-du-Jour, with Winged Hooded Superstructure of Concave Segmented Form. (Collection Marquess of Salisbury.)

Western art unattributed:

25. One of a Pair of Inlaid Side Tables. (Collection Marquess of Salisbury.)

Western art unattributed:

26. Inlaid Mahogany Commode 'in the French Taste'. Marquetry Inlay in Style of Pierre Langlois. (Collection Marquess of Salisbury.)

Western art unattributed:

28. Detail of the Commode Illustrated in Fig.26: The Top of the Commode. [Inlaid Mahogany Commode 'in the French Taste'. Marquetry Inlay in Style of Pierre Langlois. (Collection Marquess of Salisbury.)]

Western art unattributed:

29. Pembroke Table. Inlaid with Floral Bouquet Knotted with Ribbon-Tie. (Collection Marquess of Salisbury.)

Western art unattributed:

30. Inlaid 'Breakfast Table' in Satinwood and Boxwood, Based on Plate LIII in 3rd edn. of Chippendale's Director (1762). (Collection Marquess of Salisbury.)

Western art unattributed:

31. Inlaid Side Table 'In the French Taste'. Marquetry Inlay and Ormolu Mounts in Langlois's Tradition. (Collection Marquess of Salisbury.)

Article

English Furniture and Cabinet-Makers at Hatfield House - I: c. 1600-1750

02/1967 | 767 | 109

Pages: 63-70+73

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related names

Author:

Coleridge, Anthony (Coleridge, Anthony)

Subjects

artists:

Jensen, Gerrit

artists:

Roberts, Thomas, furniture maker, act. 1686-1714

buildings:

Hatfield House, Hatfield, Great Britain

dates:

1600-1799

patrons:

Cecil, Robert, First Earl of Salisbury, 1563-1612

patrons:

Cecil, James, Sixth Earl of Salisbury, 1713-1780

patrons:

Earls of Salisbury

places:

England / Herefordshire

subjects:

Country houses / Furniture / Inventories

subjects:

Furniture makers

subjects:

Aristocracy / Patronage / Inventories

Illustrations

Attributed works:

27. Painted Manual Organ Decorated by Roland Buckett in 1611; Supplied by a Dutchman, John Hann, in 1609. (Collection Marquess of Salisbury.)

Attributed works:

29. One of a Pair of 'Union Suits'. Re-Japanned by John Hodson in 1739 for the Duke of Atholl. (Collection The Duke of Atholl, Blair Castle, Perthshire). Reproduced by Courtesy of His Grace, The Duke of Atholl and The Connoisseur.

Western art unattributed:

19. The Marble Hall, Hatfield House Showing the Two Large Oak Tables and a Portion of the Screen Which Were Supplied and Carved in 1611. (Collection Marquess of Salisbury.)

Western art unattributed:

20. One of Three Oak and Elm Long Stools and Another Portion of the Screen at Hatfield House-Also Supplied in 1611. (Collection Marquess of Salisbury.)

Western art unattributed:

21. Italian, Probably Florentine, Inlaid Marble Top of One of the Tables in the James 1st Drawing-Room, Hatfield House. (Collection Marquess of Salisbury.)

Western art unattributed:

22. Ebonised Centre Table, Encrusted Overall with Pinned Mother-of-Pearl Mosaic Decoration, Picked Out in Tortoise-Shell. (Collection Marquess of Salisbury.)

Western art unattributed:

23. Base and Support of the Table Illustrated in Fig. 21. [Italian, Probably Florentine, Inlaid Marble Top of One of the Tables in the James 1st Drawing-Room, Hatfield House. (Collection Marquess of Salisbury.)]

Western art unattributed:

24. Carved Centre Table, Probably of English Workmanship; The Carved Top Centred by Two Heraldic Devices. c. 1688. (Collection Marquess of Salisbury.)

Western art unattributed:

25. Charles II Wall Glass, Retaining Its Original Bevelled Plate, in a Silvered Frame Carved with a Riot of Pulli Amidst Foliage and Flowerheads. (Collection Marquess of Salisbury.)

Western art unattributed:

26. Elizabethan Oak Draw-Leaf Refectory Table. (Collection Marquess of Salisbury.)

Western art unattributed:

28. Coronation Throne and Footstool Used by Queen Anne in 1702. Upholstery Supplied by Anthony Ryland. (Collection Marquess of Salisbury.)

Western art unattributed:

30. Walnut and Endive Marquetry Cabinet-on-Chest in the Tradition of Gerreit Jensen. (Collection Marquess of Salisbury.)

Western art unattributed:

31. Giltwood-Framed Open Armchair of Kentian Design. (Collection Marquess of Salisbury.)

Western art unattributed:

32. One from a Set of a Pair of Winged Armchairs and Eight Single Chairs in the Long Gallery, Hatfield House-Manner of Thomas Roberts. (Collection Marquess of Salisbury.)

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