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Article

A modello by Louis Laguerre and the programme of the Painted Hall at Chatsworth

08/2022 | 1433 | 164

Pages: 760-767

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Author:

Marandet, François (Marandet, François)

Subjects

artists:

Laguerre, Louis / Chéron, Louis / Maratti, Carlo

artists:

Boullogne, Bon / Boullogne, Louis, the younger, 1654-1733

buildings:

Chatsworth, Derbyshire, Great Britain / Boughton House, Northamptonshire, Great Britain

dates:

1660-1719

subjects:

Modelli / Iconography / Politics / and / Allegory / Roman history / William III, King of England, 1650–1702

Illustrations

Attributed works:

1. Ruth and Boaz, here attributed to Louis Laguerre. c.1716. Oil on canvas, 38 by 63 cm. (Location unknown).

Attributed works:

10. The assassination of Julius Caesar, with the soul of Caesar transformed into a comet, by Antonio Tempesta. 1606. Engraving, 10.7 by 12 cm.

Attributed works:

11. The assassination of Julius Caesar, by Louis Laguerre. 1695–97. Oil on plaster. (Painted Hall, Chatsworth House, Derbyshire; (© The Devonshire Collections, Chatsworth; reproduced by permission of Chatsworth Settlement Trustees; photograph Paul Barker, 2014).

Attributed works:

12. The apotheosis of the Duke of Buckingham, by Peter Paul Rubens. Before 1625. Oil on panel, 64 by 64 cm. (National Gallery, London).

Attributed works:

13. The apotheosis of Julius Caesar, by Louis Laguerre. 1695–97. Oil on plaster. (Painted Hall, Chatsworth House, Derbyshire; © The Devonshire Collections, Chatsworth; reproduced by permission of Chatsworth Settlement Trustees; photograph Paul Barker, 2014).

Attributed works:

2. Ruth and Boaz, by Louis Duguernier, after Louis Laguerre. 1717. Engraving, 10 by 15 cm. (From the Vinegar Bible, Oxford 1717).

Attributed works:

3. The Painted Hall, Chatsworth, Derbyshire, decorated by Louis Laguerre. 1695–97. (© The Devonshire Collections, Chatsworth; reproduced by permission of Chatsworth Settlement Trustees; photograph Paul Barker, 2014).

Attributed works:

4. Augustus ordering the closing of the doors of the Temple of Janus, here attributed to Louis Laguerre. c.1695. Oil on canvas, 54 by 126 cm. (Location unknown).

Attributed works:

5. Augustus ordering the closing of the doors of the Temple of Janus, by Carlo Maratta. c.1657. Oil on canvas, 280 by 275 cm. (Musée des Beaux-Arts, Lille).

Attributed works:

6. Augustus ordering the closing of the doors of the Temple of Janus, by Louis Laguerre. 1695–97. Oil on plaster. (Painted Hall, Chatsworth House, Derbyshire; © The Devonshire Collections, Chatsworth; reproduced by permission of Chatsworth Settlement Trustees; photograph Paul Barker, 2014).

Attributed works:

7. Detail of the east wall of the Painted Hall, Chatsworth House, showing the right-hand edge of the painting in Fig.6 and part of the painted frame and pilasters. (© The Devonshire Collections, Chatsworth; reproduced by permission of Chatsworth Settlement Trustees; photograph Paul Barker, 2014).

Attributed works:

8. Augustus ordering the closing of the doors of the Temple of Janus, by Louis de Boullogne. 1681. Oil on canvas, 176 by 215 cm. (Musée de Picardie, Amiens).

Attributed works:

9. St Ambrose forbidding the emperor Theodosius to enter Milan Cathedral, by Simon Thomassin, after Bon Boullogne. 1686. Engraving, 34 by 23 cm. (Bibliothèque Nationale de France, Paris).

Exhibition Review

Koninklijk Blauw

04/2021 | 1417 | 163

Pages: 358-361

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Reviewer:

Liefkes, Reino (Liefkes, Reino)

Subjects

art literature:

Exhibition catalogues

museums and institutions:

Kunstmuseum, The Hague, Netherlands

patrons:

William III, King of England, 1650–1702 / Mary II, Queen of England, 1662-1694

subjects:

Dutch art / Delftware / Ceramics / Interiors

Reviewed Items

subjects:

Koninklijk Blauw Edited by Suzanne M.R. Lambooy. 288 pp. incl. 288 col. ills. (Waanders & de Kunst, Zwolle, 2020), €32.50. ISBN 978–94–6262–292–0. | :

Illustrations

Attributed works:

10. Flower pyramids. Delft, attributed to the Moor’s Head factory. 1685–90. Tin-glazed earthenware, height 160 cm. (Kunstmuseum, The Hague).

Attributed works:

11. Installation view of Royal Blue: The Most Beautiful Delft Earthenware of William and Mary at the Kunstmuseum, The Hague, 2020, showing the room devoted to Mary II.

Attributed works:

8. Milk pan. Delft, Greek A Factory, probably after a design by Daniel Marot. c.1694. Tin-glazed earthenware, diameter 48.2 cm. (Victoria and Albert Museum, London; exh. Kunstmuseum, The Hague).

Attributed works:

9. Wall plaque. Delft, Greek A Factory, probably after a design by Daniel Marot. c.1689–95. Tin-glazed earthenware, 61 by 61 cm. (Museum Prinsenhof, Delft; exh. Kunstmuseum, The Hague).

Book Review

The Auction of King William’s Paintings (1713)

09/2009 | 1278 | 151

Pages: 623-625

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Reviewer:

Laing, Alastair (Laing, Alastair)

Subjects

collectors and dealers:

William III, King of England, 1650–1702

collectors and dealers:

Beuningen, Jan van, 1667-1720

dates:

1710-1719

places:

Netherlands

print:

William III, King of England, 1650–1702

subjects:

Royalty / Collections, Private / Auctions / Paintings

Reviewed Items

subjects:

The Auction of King William’s Paintings (1713) | author: Jonckheere, Koenraad

Article

The English 'Horsebone' Chair, 1685-1710

05/1999 | 1154 | 141

Pages: 263-270

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Author:

Bowett, Adam (Bowett, Adam)

Subjects

artists:

Roberts, Thomas, furniture maker, act. 1686-1714

dates:

1660-1719

patrons:

James II, King of England, 1633-1701 / Anne, Queen of Great Britain, 1665-1714 / William III, King of England, 1650–1702

places:

England

subjects:

Chairs / Furniture / English / Woodwork

subjects:

Royalty / English / British

Illustrations

Attributed works:

11. Chairs and Footstools, by Daniel Marot. Engraving from the Second Livre d'Appartements, Plate V, c.1702.

Attributed works:

6. Coronation Throne Made by Thomas Roberts, 1702. Carved Beechwood and Gilt, Modern Upholstery. 173 by 87 by 97 cm. (Hatfield House, Herts.).

Western art unattributed:

1. Twist-Turned Armchair, c.1685. Walnut and Cane, 115 by 61 by 43 cm. (Temple Newsam House, Leeds).

Western art unattributed:

10. Upholstered Elbow Chair, c.1700-05. Walnut Frame, Original Velvet Cover. (Formerly at Burley-on-the-Hill, Rutland).

Western art unattributed:

12. Upholstered Wing Chair from Chastleton House, Oxfordshire, c.1705-10. Beechwood Frame, Remnants of Original Silk Cover. 132 by 69 by 57 cm. (Victoria and Albert Museum, London).

Western art unattributed:

13. Chair, c.1710. Carved Beechwood, Stained Black. 134 by 51 by 46 cm. (Victoria and Albert Museum, London).

Western art unattributed:

2. Upholstered Armchair, 1677-79. Beechwood Frame, Painted Black and Parcel Gilt, Modern Upholstery. 113 by 68 by 78 cm. (Ham House, Surrey).

Western art unattributed:

3. Upholstered Armchair, c.1685. Beechwood Frame, Painted, Parcel Gilt and Varnished, Modern Upholstery. 102 by 61 by 63 cm. (Burghley House, Lincs.)

Western art unattributed:

4. Chair, c.1690. Walnut and Cane with Oval Banister Back, Horsebone Legs, Seat and Back Frame, 'Boyes and Crownes' Crest and Fore-Rail. 117 by 49 by 40 cm. (Temple Newsam House, Leeds).

Western art unattributed:

5. The Inthronization of Their Majesties King James the Second and Queen Mary. Anonymous Engraving, from F. Sandford: History of the Coronation of James II and Queen Mary [1687].

Western art unattributed:

7. Upholstered Chair from Dyrham Park, c.1703-10. Carved Beechwood Frame, Original Red and Yellow Velvet Cover. 130 by 51 by 72 cm. (Lady Lever Art Gallery, Port Sunlight).

Western art unattributed:

8. Upholstered Stool from Dyrham Park, c.1703-10. Carved Beechwood Frame, Original Red and Yellow Velvet Cover. 60 by 77 by 48 cm. (Lady Lever Art Gallery, Port Sunlight).

Western art unattributed:

9. Upholstered Elbow Chair, c.1702. Black Painted Beechwood Frame, Original Embroidered Covers. 122 by 71 by 87 cm. (Drayton House, Northants.).

Letter

Henry and John Cheere

05/1960 | 686 | 102

Pages: 211

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Author:

Webb, M. I. (Webb, M. I.)

Subjects

artists:

Cheere, Henry

artists:

Cheere, John

dates:

1700-1799

patrons:

William III, King of England, 1650–1702

places:

England

subjects:

Sculpture / Statues / Portraits / Equestrians

subjects:

British sculpture

subjects:

Equestrian statues

Short Notice

The William and Mary Exhibition

08/1950 | 569 | 92

Pages: 229+232-235

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Author:

Millar, Oliver (Millar, Oliver; Millar, Mr.; Miller, Oliver)

Subjects

artists:

Lely, Peter

artists:

Kneller, Godfrey

artists:

Marot, Daniel, the Elder, 1661-1752

artists:

Jensen, Gerrit

dates:

1650-1699

dates:

1950-1959

museums and institutions:

Victoria and Albert Museum, London, Great Britain

patrons:

William III, King of England, 1650–1702

patrons:

Mary II, Queen of England, 1662-1694

places:

England

subjects:

British painting / Exhibitions

subjects:

Royalty / Patronage

subjects:

Portraits

subjects:

Textiles / Furniture

Illustrations

Attributed works:

19. Semi-Circular Parterre at Hampton Court, by Daniel Marot. Signed and Dated 1689. Pen and Wash, 19.7 by 51.4 cm. (Boymans Museum, Rotterdam).

Attributed works:

25. Desk Table, Decorated with Metal Marquetry, Made by Gerrit Jensen. (The Duke of Buccleuch, Boughton House.)

Attributed works:

26. The French Army Taking Deutekom, Zwolle, and Amersfoort, 1672. Painted Silk Hanging, by François Bonnemer. 410 by 270 cm. (Mobilier National, Paris.)

Attributed works:

27. Portrait of William III, by Willem Wissing. Signed. Canvas, 124.5 by 101.6 cm. (H. M. The King, Buckingham Palace.) Reproduced by Gracious Permission of H. M. The King.

Attributed works:

28. Portrait of the Duke of Monmouth, by Sir Godfrey Kneller. Signed and Dated 1678. Canvas, 132.7 by 106.7 cm. (The Duke of Buccleuch, Bowhill.)

Article

A Statuette of William III at South Kensington

04/1940 | 445 | 76

Pages: 122-124

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Author:

Esdaile, Katharine A. (Esdaile, Katharine A.; Esdaile, Katharine Ada; Esdaile, K. A.; Esdaile, Katharine; Esdaile, Katherine A.)

Subjects

artists:

Nost, Jan van, I, ca. 1655-ca. 1712

artists:

Pierce, Edward II, ca. 1630-1695

artists:

Quellinus, Artus, I, 1609-1668

dates:

1650-1699

patrons:

William III, King of England, 1650–1702

places:

England

subjects:

British sculpture / Royalty / Commissions / Statuettes / Portraits

Illustrations

Attributed works:

A-Edward III. By Edward Pierce. Terra Cotta Model. Height 37 cm. (The Worshipful Company of Skinners). A Statuette of William III.

Attributed works:

B-William III. By John Nost. Terra Cotta Model. Height, 53.3 cm. (Victoria and Albert Museum). A Statuette of William III.

Attributed works:

C-Charles II. By Arnold Quellin. Terra Cotta Model. Height, 66 cm. (The Soane Museum, London). A Statuette of William III.

Article

Two Busts of Charles I and William III

04/1938 | 421 | 72

Pages: 164+166-168+171

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Author:

Esdaile, Katharine A. (Esdaile, Katharine A.; Esdaile, Katharine Ada; Esdaile, K. A.; Esdaile, Katharine; Esdaile, Katherine A.)

Subjects

artists:

Bird, Francis

artists:

Bernini, Gian Lorenzo

dates:

1600-1649

museums and institutions:

Royal Collection, (Great Britain)

places:

England / Italy / Rome

subjects:

British sculpture / Italian sculpture / Provenance

subjects:

Royal Collection, (Great Britain)

subjects:

Charles I, King of England, 1600-1649

subjects:

William III, King of England, 1650–1702

subjects:

Portraits / Busts / Royalty

Illustrations

Attributed works:

A-Charles I, Copy of Lorenzo Bernini's Bust by Francis Bird. White Marble. Height (With Pedestal) 147.5 cm. (H. M. the Queen); B-William III, Here Ascribed to Francis Bird. White Marble, Height (With Pedestal) 149.5 cm. (H. M. The Queen); C-Detail of A; D-Detail of B. Two Busts of Charles I and William III

Article

Some Coronation Plate

05/1937 | 410 | 70

Pages: 240+244-247

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Author:

Jones, E. Alfred (Jones, E. Alfred; Jones, Edward Alfred; J., E. A.; Jones, E. A.)

Subjects

artists:

Owen, Symon

collectors and dealers:

Bertie, Robert, Third Earl of Lindsey, 1660-1723

dates:

1600-1799

patrons:

Anne, Queen of Great Britain, 1665-1714

patrons:

Charles II, King of England, 1630-1685

patrons:

William III, King of England, 1650–1702

patrons:

George II, King of Great Britain, 1683-1760

patrons:

George III, King of Great Britain, 1738-1820

places:

England

subjects:

Aristocracy / Coronations / Gifts

subjects:

Silverwork / Metalwork / Ewers

subjects:

Royalty / Patronage / Silver plate

Illustrations

Attributed works:

Plate I. A-Rosewater Ewer and Basin, Perhaps by Symon Owen. 1603-4. Silver-gilt; Ewer, Height, 39.3 cm.; Basin, Diameter, 48 cm. (All Belonging to the Earl of Ancaster). Some Coronation Plate

Attributed works:

Plate II. A-Cup and Cover, by Thomas Farrer. 1727-28. Gold; Total Height, 21.5 cm. (The Duke of Norfolk); B-Salt, One of Four. About 1660. Silver-Gilt; Height, 41.2 cm. (The Tower of London); C-Cup and Cover, by Gurney & Co. 1761-62. Gold; Total Height, 19.5 cm. (The Duke of Norfolk) (The Salt is Reproduced with the Gracious Permission of H. M. the King.) Some Coronation Plate

Western art unattributed:

Plate I. B-Pair of Cups. 1604-5. Silver-Gilt; Height, 31 cm.; C-Salt. 1550-51(?). Silver-Gilt; Height, 37 cm. (All Belonging to the Earl of Ancaster). Some Coronation Plate

Article

A Venetian Apotheosis of William III

12/1936 | 405 | 69

Pages: 244-246

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Author:

Borenius, Tancred (Borenius, Tancred; B., T.; Borenius, Dr.; Borenius, T.)

Subjects

artists:

Balestra, Antonio

artists:

Valeriani, Domenico

artists:

Valeriani, Giuseppe

artists:

Cimaroli, Giovanni Battista

dates:

1700-1749

patrons:

Lennox, Charles, Second Duke of Richmond, 1701-1750

places:

Italy / England / London / Venice

subjects:

William III, King of England, 1650–1702

subjects:

Swinny, Owen Mac

subjects:

Italian painting / Patronage / Royalty / Aristocracy

Illustrations

Attributed works:

The Apotheosis of William III, by Antonio Balestra, Domenico and Giuseppe Valeriani and Giambattista Cimaroli. Canvas, 241.5 by 170 cm. (H. R. H. The Duke of Kent)

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