André Charles Boulle
Musée Condé, Chantilly
8th June–6th October |
:
Illustrations
Attributed works:
1. Bureau plat,
attributed
to André
Charles Boulle.
c.1720. Walnut,
oak, brass,
turtleshell,
ebony, gilt
bronze and
leather, 78 by
197 by 93 cm.
(Châteaux de
Versailles et de
Trianon; exh.
Musée Condé,
Chantilly).
Attributed works:
2. Design for
an armoire,
attributed to
André Charles
Boulle. Red
chalk and pencil
on paper, 40.1
by 26.3 cm.
(Musée des Arts
Décoratifs,
Paris; exh. Musée
Condé, Chantilly).
Attributed works:
3. Bookbinding,
attributed to
André Charles
Boulle. 1688.
Walnut, brass,
tin, turtleshell,
silver, iron and
silk, 54.5 by 39
cm. (Bibliothèque
nationale de
France, Paris;
exh. Musée
Condé, Chantilly).
Exhibition Review
José Canops: Möbel von Welt für
Karl III. von Spanien 1759–1788
Möbel à la Roentgen: Inspirationen
aus der Neuwieder Manufaktur
José Canops: Möbel von Welt für
Karl III. von Spanien 1759–1788
Kunstgewerbemuseum, Berlin
12th October 2023–11th February 2024
Möbel à la Roentgen: Inspirationen
aus der Neuwieder Manufaktur
Roentgen-Museum Neuwied
13th August–12th November 2023 |
:
Illustrations
Attributed works:
1. Roll-top desk,
by José Canops.
Madrid, c.1770–73.
Mahogany,
veneered with
marquetry in
various woods,
mounts of gilded
bronze, 120.3 by
168 by 98.5 cm.
(Kunstgewerbemuseum,
Berlin).
Attributed works:
2. Curtain by the
royal embroidery
workshop, Madrid,
designed by
Mattia Gasparini.
c.1763–91. Silk,
embroidered in
coloured silks
and silver thread,
482 by 248 cm.
(Patrimonio
Nacional, Palacio
Real, Madrid; exh.
Kunstgewerbemuseum,
Berlin).
Attributed works:
4. Lean-to desk,
by Johann Georg
Barthel. Neuwied.
c.1764–71.
Softwood and
oak, veneered
with marquetry
in various woods,
mounts of
gilded bronze,
110 by 107 by
53 cm. (Private
collection; exh.
Roentgen-
Museum,
Neuwied).
Western art unattributed:
3. Commode,
by the royal
cabinetmaking
workshop,
Madrid. c.1770–
75. Walnut and
other woods,
veneered with
marquetry in
various woods,
mounts of gilded
bronze, marbleveneered
top,
92.5 by 132 by
63 cm. (Museo
Nacional de Artes
Decorativas,
Madrid; exh.
Kunstgewerbemuseum,
Berlin).
Article
The industry and ingenuity of William Ince and John Mayhew
1. Bed, by Ince and Mayhew. 1768. Mahogany and other woods,
with original blue silk ‘flowered tabby’ in the ‘Large Antique
Headboard’, tester and cornice, height 356 cm. (The Burghley
House Collection, Stamford).
Attributed works:
2. Commode, by Ince and Mayhew, designed by Robert Adam. 1775.
Veneered in harewood, tulipwood, satinwood and other woods, with
painted decoration and ormolu mounts, 93 by 137 by 53.5 cm.
(The Derby Collection).
Attributed works:
3. Commode (one of a pair and ensuite with a pair of corner
cupboards), by Ince and Mayhew. 1767. Reworked seventeenth-century
marquetry with ormolu mounts, 98 by 10 by 72 cm. (The Burghley
House Collection, Stamford).
Attributed works:
4. Commode, by Ince and Mayhew. 1765. Veneered in yew, holly and
marquetry, with ebonised mouldings and ormolu mounts, 82 by 136
by 58 cm. (Private collection; Christie’s Images; Bridgeman Images).
Attributed works:
5. Detail of a commode (one of a pair) by Ince and Mayhew, showing a
shaded and engraved husk festoon in ‘yellow wood’ inlaid on a mahogany
ground, passing over and under a frieze moulding and a chequered
line border. 1767. (The Burghley House Collection, Stamford).
Attributed works:
6. Boulle cabinet, on a table stand by Ince and Mayhew. Cabinet early
eighteenth century, attributed to André-Charles Boulle; stand c.1780.
Cabinet veneered in tortoiseshell and horn, inlaid with brass, with
ormolu mounts; stand giltwood; overall height 209 cm., height of stand
94 cm. (The Buccleuch Collections, Boughton, Northamptonshire;
by kind permission of the Duke of Buccleuch and Queensberry, KT).
Attributed works:
7. Two armchairs decorated with profiles of George III and Queen
Charlotte, probably part of an original set of ten, supplied by Ince
and Mayhew to Warren Hastings. c.1790. Painted wood, approx.
93 by 53.5 by 60 cm. (The Harrowby Collection).
Il Mobile a Roma dal Rinascimento
al Barocco
By Alvar González-Palacios. 507 pp. incl. 253
col. + 126 b. & w. ills. (Ugo Bozzi Editore, Rome,
2022), €33. ISBN 978–88–7003–067–9. |
:
Illustrations
Attributed works:
4. Cabinet by Giacomo Herman. 1669–78,
on an early 18th-century giltwood console
table. Ebony veneer, mounted with lapis
lazuli, jasper, gilt bronze and 14 gouache
miniature paintings depicting views of
Rome, and incorporating a clock by Giovanni
Wenderlino Hessler and a virginal by Giovanni
Battista Mambriani, dated 1676, 284
by 172 by 72.5 cm. (Private collection).
Book Review
Les ébénistes de la Couronne sous le règne de Louis XIV
règne de Louis XIV
By Calin Demetrescu. 448 pp. incl. over 400 col.
ills. (La Bibliothèque des Arts, Lausanne, 2021),
€59. ISBN 978–2–88453–227–3. |
:
Illustrations
Attributed works:
3. Table, by André-Charles Boulle. c.1670–75.
Marquetry of various woods on an ebony
ground and of metals and tortoiseshell, giltbronze
mounts, height 72 cm. (J. Paul Getty
Museum, Los Angeles).
1. Design for a bookcase, attributed to Thomas Chippendale
junior. c.1774. Pen and ink on paper, 31 by 26 cm. (The
Chippendale Society).
Attributed works:
10–12. Details of Figs.1, 2 and 9, showing the similar treatment of the
laurel-draped urn.
Attributed works:
2. Detail of A plan of the River Hull, by William Cresswell, showing a
tablet drawn and signed by Thomas Chippendale junior. 1772. Ink and
coloured wash on paper, 45 by 78.8 cm. (The National Archives, London).
Attributed works:
3. Frontispiece from Sketches of Ornament, by Thomas Chippendale
junior. 1779. Etching, 21 by 18.4 cm. (Victoria and Albert Museum, London).
Attributed works:
4. Design for a piano case, attributed to Thomas Chippendale junior.
c.1774. Pen and ink on paper, 31 by 26 cm. (The Chippendale Society).
Attributed works:
5. Pedestal for a lantern, by Chippendale, Haig & Co. 1774.
Painted deal, 156 by 43 by 43 cm. (Harewood House, Leeds)..
Attributed works:
6. Design for a lantern and pedestal, attributed to Thomas
Chippendale junior. c.1774. Pen and ink on paper, 31.5
by 25 cm. (The Chippendale Society).
Attributed works:
7. Painted bookcase or china cabinet, attributed to Chippendale, Haig
& Co. c.1770−75. 256.5 by 159 by 43.2 cm. (Sotheby’s, New York).
Attributed works:
8. Bookcase door, from the Little Library, Harewood House, Yorkshire.
c.1771. Mahogany. 168 by 72 by 2.5 cm. (Harewood House Trust, Leeds).
Attributed works:
9. Design for ornament, by Thomas Chippendale junior. 1779. Etching,
21 by 18.5 cm. (Victoria and Albert Museum, London).
1. Gillian Wilson, photographed c.1995, during the construction of the
Getty Center, Los Angeles. (Photograph courtesy J. Paul Getty
Museum, Los Angeles).
Exhibition Review
Swinging London: A Lifestyle
Revolution / Terence Conran – Mary Quant. Fashion and Textile Museum, London; and Mary Quant. Victoria and Albert Museum, London