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5 articles
Exhibition Review
William Kentridge. Royal Academy of Arts, London
12/2022 | 1437 | 164
Pages: 1287-1289
related names
Reviewer:
Seligman, Isabel (Seligman, Isabel)
Subjects
dates:
places:
Reviewed Items
subjects:
William Kentridge Royal Academy of Arts, London 24th September–11th December | :
Illustrations
Attributed works:
30. Black box / Chambre noire, by William Kentridge. 2005. Animated 35 mm film transferred to video, projected front and back onto model theatre with drawings and mechanical puppets, duration 22 minutes, object 360 by 200 by 139.5 cm. (© William Kentridge; Louisiana Museum of Modern Art, Humlebæk; courtesy Royal Academy of Arts, London; photograph David Parry; exh. Royal Academy of Arts, London).
Attributed works:
31. The conservationists’ ball, by William Kentridge. 1985. Charcoal, coloured pastel and gouache on paper (triptych), 198.5 by 97.5 cm (left), 198.5 by 138.5 cm (centre) and 198.5 by 97.5 cm (right). (© William Kentridge; Rupert Museum, Stellenbosch; exh. Royal Academy of Arts, London).
Attributed works:
32. Still from Notes towards a model opera, by William Kentridge. 2015. Three-channel HD film, duration 11 minutes 14 seconds. (© William Kentridge; courtesy the artist; exh. Royal Academy, London).
Article
Young Rembrandt and beyond
09/2020 | 1410 | 162
Pages: 784-791
related names
Author:
Seifert, Tico (Seifert, Tico )
Subjects
subjects:
Reviewed Items
subjects:
Rembrandt’s Light (Dulwich Picture Gallery, 4th October 2019–2nd February 2020). | :
subjects:
Here: Black in Rembrandt’s Time (Rembrandt House Museum, 5th March–31st May). | :
subjects:
Inside Rembrandt (Wallraf-Richartz-Museum and Fondation Corboud, Cologne, 1st November 2019–1st March 2020; and National Gallery, Prague, 25th September–31st January 2021) | :
subjects:
Rembrandt and Amsterdam Portraiture, 1590– 1670 (Museo Nacional Thyssen-Bornemisza, Madrid, 18th February– 24th May). | :
subjects:
Rembrandt Laboratory: Rembrandt’s Technique Unravelled (Rembrandt House Museum, 21st September 2019−16th February 2020). | :
subjects:
Rembrandts Strich (Rembrandt’s Mark) (Kupferstich- Kabinett, Dresden 14th June–15th September 2019). | :
subjects:
Rembrandt’s Social Network: Family, Friends and Acquaintances, and Inspired by Rembrandt: 100 Years of Collecting by the Rembrandt House Museum (The Rembrandt House Museum 7th June–1st September 2019). | :
subjects:
Young Rembrandt: Rising Star, (Stedelijk Museum De Lakenhal 2nd November 2019–9th February 2020). (Ashmolean Museum, Oxford, 27th February–7th June 2020, re-opened until 1st November) | :
Illustrations
Attributed works:
1. Portrait of an old man (Rembrandt’s father), by Rembrandt. c.1627−30. Red and black chalk with brown wash, 18.9 by 24 cm. (Ashmolean Museum, Oxford).
Attributed works:
2. Travellers resting (The Rest on the Flight into Egypt?), from Rembrandt’s studio(?). c.1628−30(?). Oil on paper, mounted onto panel, 38 by 33.7 cm. (Mauritshuis, The Hague).
Attributed works:
3. Self-portrait, by Rembrandt. c.1629. Oil on panel, 72.3 by 57.8 cm. (Walker Art Gallery, National Museums Liverpool).
Attributed works:
4. The abduction of Proserpina, by Rembrandt. c.1630−31. Oil on panel, 84.4 by 79.5 cm. (Gemäldegalerie, Staatliche Museen zu Berlin).
Attributed works:
5. A Black boy, by Gerrit Dou. c.1630−33. Oil on panel, 43.3 by 33.8 cm. (Niedersächsisches Landesmuseum, Hannover).
Attributed works:
6. Mercury, by Pieter Lastman. c.1620−25. Red and white chalk, on lightorange prepared paper, 28.2 by 20.9 cm. (Fondation Custodia, Frits Lugt Collection, Paris).
Attributed works:
7. Standing oriental warrior, by Rembrandt. c.1627. Red chalk, 30.5 by 16.5 cm. (Kupferstich-Kabinett, Staatliche Kunstsammlungen Dresden).
Attributed works:
8. Standing oriental warrior, traditionally attributed to Rembrandt but possibly by Jan Lievens. c.1627. Red chalk, 27.9 by 17.9 cm. (Staatliche Graphische Sammlung, Munich).
Attributed works:
9. Installation view of ‘Rembrandt Laboratory’ at the Rembrandt House Museum, Amsterdam.
Exhibition Review
William Kentridge and Vivienne Koorland. Edinburgh
02/2017 | 1367 | 159
Pages: 149-150
related names
Reviewer:
Paterson, Dominic (Paterson, Dominic)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
74. Vive Maman, by Vivienne Koorland. 1987 (Courtesy the artist; exh. Fruitmarket Gallery, Edinburgh)
Attributed works:
75. Other Faces, by William Kentridge. 2011 (Courtesy the artist and Marian Goodman Gallery, New York, Paris and London and the Goodman Gallery, Johannesburg and Cape Town; exh. Fruitmarket Gallery, Edinburgh)
Attributed works:
76. Pays Inconnu, by Vivienne Koorland. 2016 (Courtesy the artist; exh. Fruitmarket Gallery, Edinburgh)
Exhibition Review
William Kentridge
11/2015 | 1352 | 157
Pages: 797-798
related names
Reviewer:
Barratt, Martha (Barratt, Martha)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
72. Installation view of More sweetly play the dance, by William Kentridge. 2015 (Courtesy the artist; exh. Marian Goodman Gallery, London)
Attributed works:
73. Lilium Casa Blanca, by William Kentridge. 2014 (Courtesy the artist; exh. Marian Goodman Gallery, London)
Attributed works:
74. Installation view of Notes towards a model opera, by William Kentridge. 2015 (Courtesy the artist; exh. Marian Goodman Gallery, London)
Exhibition Review
William Kentridge. New York
05/2010 | 1286 | 152
Pages: 353-354
related names
Reviewer:
Falconer, Morgan (Falconer, Morgan)
Subjects
dates:
subjects:
Reviewed Items
subjects:
William Kentridge: Five Themes | institution: Museum of Modern Art
Illustrations
Attributed works:
71. Drawing for the film WEIGHING . . . and WANTING (Soho with head on rock), by William Kentridge. 1997. Charcoal, pastel and gouache on paper, 123.2 by 160 cm. (Museum of Contemporary Art, San Diego; exh. Museum of Modern Art, New York).
Attributed works:
72. Act III, scene 9 from Ubu tells the truth, by William Kentridge. 1996–97. One from a series of eight aquatint, etching and engravings, each 25 by 30 cm. (Museum of Modern Art, New York).