By using this website you agree to our Cookie policy

Search

19 articles
Supplement
Recent acquisitions (2006–20) at the Mauritshuis, The Hague
11/2020 | 1412 | 162
Pages: 1013-1024
Subjects
museums and institutions:
Illustrations
Attributed works:
1. Paintings by Nicolaes Berchem reunited at the Mauritshuis. (Photograph Ivo Hoekstra).
Attributed works:
10. Still life with cheeses, almonds and pretzels, by Clara Peeters (active c.1607–21). c.1615. Oil on panel, 35 by 50 cm.
Attributed works:
11. Transforming still-life painting after Ambrosius Bosschaert the Elder, Vase with flowers in a window, by Nick and Rob Carter. 2009. Video in a frame, 71 by 58 cm.
Attributed works:
12. Roses in a glass vase, by Jacob van Hulsdonck (1582–1647). c.1640–45. Oil on copper, 35 by 28 cm.
Attributed works:
13. Narcissi, periwinkle and violets in an ewer, by Ludger tom Ring the Younger (1522–84). c.1562. Oil on panel, 35 by 16 cm.
Attributed works:
14. Vase of flowers in a stone niche, by Roelant Savery (1576/78–1639). 1615. Oil on panel, 64 by 45 cm.
Attributed works:
15. Bust of Constantijn Huygens surrounded by a garland of flowers, by Daniël Seghers (1590–1661) and Jan Cossiers (1600–71). 1644. Oil on copper, 86 by 63 cm.
Attributed works:
16. Portrait of Jacob van Kretschmar, by Jean-Baptiste Perronneau (1715–83). 1754. Pastel, 60 by 45 cm.
Attributed works:
17. Merry company on a terrace, by Willem Buytewech (1591/92–1624). c.1616–17. Oil on canvas, 71 by 94 cm.
Attributed works:
18. St John the Baptist preaching, by Pieter Lastman (1583–1633). 1627. Oil on panel, 60 by 92 cm.
Attributed works:
19. Allegory of spring, by Nicolaes Berchem (1621/22–83). c.1670. Oil on canvas, 94 by 89 cm.
Attributed works:
2. Still life with five apricots, by Adriaen Coorte (active c.1683–1707). 1704. Oil on canvas, 30 by 24 cm. Anonymous gift, 2006 (inv. no.1154).
Attributed works:
20. Allegory of autumn, by Nicolaes Berchem (1621/22–83). c.1670. Oil on canvas, 94 by 89 cm.
Attributed works:
21. Allegory of winter, by Nicolaes Berchem (1621/22–83). c.1670. Oil on canvas, 94 by 89 cm.
Attributed works:
22. The installation of Figs.19, 20 and 21 alongside Allegory of summer. (Photograph Ivo Hoekstra, 2019).
Attributed works:
23. Portrait of Jakob Omphalius (1500–67), by Bartholomäus Bruyn the Elder (1493–1555). c.1538–39. Oil on panel (rounded upper edges), 31 by 22 cm.
Attributed works:
24. Bartholomäus Bruyn the Elder’s portraits of Jakob Omphalius and Elizabeth Bellinghausen in their new frame.
Attributed works:
25. Still life with Chinese lidded jar, hazelnuts and orange, by Simon Luttichuys (1610–61). c.1650–60. Oil on panel, 30 by 23 cm.
Attributed works:
3. Seascape with ships, by Jan van de Cappelle (1626–79). c.1660. Oil on panel, transferred to canvas, 89 by 114 cm.
Attributed works:
4. River landscape, seen through the trees, by Cornelis Vroom (c.1591–1661). c.1638–39. Oil on panel, 50 by 67 cm. Promised gift of Mrs G. de Koster-Burgersdijk, 2007 (inv. no.1156).
Attributed works:
5. Imaginary wooded landscape, by Jacob van Geel (c.1585–in or after 1637). c.1636. Oil on panel, 15 by 25 cm. Gift from the Hertzberger Collection, 2008 (inv. no.1157).
Attributed works:
6. Portrait of a deceased girl, probably Catharina Margaretha van Valkenburg, by Johannes Thopas (c.1630–c.1700). c.1682. Oil on panel, 59 by 71 cm. Purchased by the Friends of the Mauritshuis Foundation, 2008 (inv. no.1159).
Attributed works:
7. Still life with a bouquet in the making, by Dirck de Bray (c.1635–94). 1674. Oil on panel, 41 by 36 cm.
Attributed works:
8. Moses and Pharaoh’s crown, by Jan Steen (1626–79). c.1670. Oil on canvas, 78 by 79 cm.
Attributed works:
9. Mountainous landscape with St Jerome, by Paul Bril (1553/54–1626). 1592. Oil on copper, 26 by 33 cm.
Article
Young Rembrandt and beyond
09/2020 | 1410 | 162
Pages: 784-791
related names
Author:
Seifert, Tico (Seifert, Tico )
Subjects
subjects:
Reviewed Items
subjects:
Rembrandt’s Light (Dulwich Picture Gallery, 4th October 2019–2nd February 2020). | :
subjects:
Here: Black in Rembrandt’s Time (Rembrandt House Museum, 5th March–31st May). | :
subjects:
Inside Rembrandt (Wallraf-Richartz-Museum and Fondation Corboud, Cologne, 1st November 2019–1st March 2020; and National Gallery, Prague, 25th September–31st January 2021) | :
subjects:
Rembrandt and Amsterdam Portraiture, 1590– 1670 (Museo Nacional Thyssen-Bornemisza, Madrid, 18th February– 24th May). | :
subjects:
Rembrandt Laboratory: Rembrandt’s Technique Unravelled (Rembrandt House Museum, 21st September 2019−16th February 2020). | :
subjects:
Rembrandts Strich (Rembrandt’s Mark) (Kupferstich- Kabinett, Dresden 14th June–15th September 2019). | :
subjects:
Rembrandt’s Social Network: Family, Friends and Acquaintances, and Inspired by Rembrandt: 100 Years of Collecting by the Rembrandt House Museum (The Rembrandt House Museum 7th June–1st September 2019). | :
subjects:
Young Rembrandt: Rising Star, (Stedelijk Museum De Lakenhal 2nd November 2019–9th February 2020). (Ashmolean Museum, Oxford, 27th February–7th June 2020, re-opened until 1st November) | :
Illustrations
Attributed works:
1. Portrait of an old man (Rembrandt’s father), by Rembrandt. c.1627−30. Red and black chalk with brown wash, 18.9 by 24 cm. (Ashmolean Museum, Oxford).
Attributed works:
2. Travellers resting (The Rest on the Flight into Egypt?), from Rembrandt’s studio(?). c.1628−30(?). Oil on paper, mounted onto panel, 38 by 33.7 cm. (Mauritshuis, The Hague).
Attributed works:
3. Self-portrait, by Rembrandt. c.1629. Oil on panel, 72.3 by 57.8 cm. (Walker Art Gallery, National Museums Liverpool).
Attributed works:
4. The abduction of Proserpina, by Rembrandt. c.1630−31. Oil on panel, 84.4 by 79.5 cm. (Gemäldegalerie, Staatliche Museen zu Berlin).
Attributed works:
5. A Black boy, by Gerrit Dou. c.1630−33. Oil on panel, 43.3 by 33.8 cm. (Niedersächsisches Landesmuseum, Hannover).
Attributed works:
6. Mercury, by Pieter Lastman. c.1620−25. Red and white chalk, on lightorange prepared paper, 28.2 by 20.9 cm. (Fondation Custodia, Frits Lugt Collection, Paris).
Attributed works:
7. Standing oriental warrior, by Rembrandt. c.1627. Red chalk, 30.5 by 16.5 cm. (Kupferstich-Kabinett, Staatliche Kunstsammlungen Dresden).
Attributed works:
8. Standing oriental warrior, traditionally attributed to Rembrandt but possibly by Jan Lievens. c.1627. Red chalk, 27.9 by 17.9 cm. (Staatliche Graphische Sammlung, Munich).
Attributed works:
9. Installation view of ‘Rembrandt Laboratory’ at the Rembrandt House Museum, Amsterdam.
Exhibition Review
Drawings for paintings in the age of Rembrandt. Washington and Paris
06/2017 | 1371 | 159
Pages: 500-502
related names
Reviewer:
Camp, An Van (Camp, An Van)
Subjects
dates:
Illustrations
Attributed works:
62. Reclining woman as Rachel, by Pieter Lastman (Ashmolean Museum, Oxford; exh. Fondation Custodia, Paris)
Attributed works:
63. Laban seeking the idols, by Pieter Lastman. 1622 (Musée municipal, Boulogne-sur-Mer; exh. Fondation Custodia, Paris)
Attributed works:
64. An artist in his studio with his drawings, by Michiel van Musscher. Mid-1660s (Collections of the Prince of Liechtenstein, Vaduz-Vienna; exh. National Gallery of Art, Washington)
Article
Rembrandt’s ‘Parable of the workers in the vineyard’
02/2015 | 1343 | 157
Pages: 85-88
related names
Author:
Verdi, Richard (Verdi, Richard)
Subjects
dates:
museums and institutions:
subjects:
Illustrations
Attributed works:
23. Parable of the workers in the vineyard, by Rembrandt van Rijn (State Hermitage Museum, St Petersburg)
Attributed works:
24. Parable of the workers in the vineyard, by Claes Cornelisz Moeyaert (Musée de Chambéry, Chambéry)
Attributed works:
25. The unmerciful servant, by Karel van der Pluym (Private collection)
Attributed works:
26. The Centurion Cornelius, by Barent Fabritius (York City Art Gallery)
Attributed works:
27. The Last Supper, after Leonardo, by Rembrandt van Rijn (Metropolitan Museum of Art, New York)
Attributed works:
28. The calling of St Matthew, by Claes Cornelisz Moeyaert (Herzog Anton Ulrich-Museum, Braunschweig)
Attributed works:
29. The Centurion Cornelius. School of Rembrandt (Wallace Collection, London)
Attributed works:
30. The presentation in the Temple, by Rembrandt van Rijn (British Museum, London)
Article
Pieter Lastman’s ‘The Good Samaritan’ rediscovered
02/2014 | 1331 | 156
Pages: 99-101
related names
Author:
Seifert, Tico (Seifert, Tico )
Subjects
artists:
dates:
Illustrations
Attributed works:
35. The Good Samaritan, by Peter Lastman (Private collection)
Attributed works:
36. Jephtah's return from the battlefield, by Peter Lastman (Museum Briner und Kern, Winterthur)
Attributed works:
37. Tobias catches the fish, by Peter Lastman (Museum Het Princessehof, Ottema-Kingma Stichting, Leeuwarden)
Attributed works:
38. The Good Samaritan, by Claes Lastman (British Museum, London)
Attributed works:
39. Tityus, by Cornelis Cort, after Titian (Scottish National Gallery, Edinburgh)
Attributed works:
40. The Good Samaritan, by a Rembrandt pupil (Faringdon Collection, Buscot Park)
Book Review
Pieter Lastman. Studien zu Leben und Werk. Mit einem kritischen Verzeichnis der Werke mit Themen aus der antiken Mythologie und Historie
02/2013 | 1319 | 155
Pages: 100-101
related names
Reviewer:
Pijl, Luuk (Pijl, Luuk)
Subjects
artists:
Illustrations
Attributed works:
33. Orestes and Pylades disputing at the altar, by Pieter Lastman (Rijksmuseum, Amsterdam)
Advertisements
Advertisements June 2009 (front)
06/2009 | 1275 | 151
Pages: s.p.
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[Abbott and Holder Ltd. 30 Museum Street. By Keith Vaughan (1912-1977). Dated: '8/3 Nov / 73'. Studio stamped verso. Pencil, 380 by 30 cm]
Attributed works:
[Agnew's, London. Helmet head no.3, Henry Moore (1898-1986). Bronze, 29.5 cm high.]
Attributed works:
[Agnew's, London. Pulteney Bridge, Bath, by Walter Richard Sickert (1860-1942). Signed, inscribed and dated 1918. Oil on canvas, 25.4 by 30 cm.]
Attributed works:
[Agnew's. The Holy Family with the infant St. John the Baptist, by Bartolomeo Schedoni (1578-1615). Oil on panel, 35.5 by 25.5 cm]
Attributed works:
[Agnew’s. 8 Grafton Street. London. Study of Angels, by Charles de La Fosse (1636-1716). Verso: Study of an angel. Red and black chalks, 18.8 by 22.4 cm]
Attributed works:
[Bel Elwes Fine Art. View of Parc d'Ermenonville, by Alexandre-Hyacinthe Dunouy (1757-1841). Oil on canvas, 32 by 41 cm.]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrated: Louis-Ernest Barrias, French (1841-1905). A bronze entitled 'La Nature se devoilant devant la Sciance']
Attributed works:
[Charles Beddington Ltd. Portrait of the sculptor Martin Desjardins (1637-94), by Hyacinthe Rigaud (1659-1743). Oil on paper laid down on canvas, 25 by 20.3 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. James Forbes (1749-1819). Lapis Lazuli. Original mount by the artist. Bodycolour with gold on paper. Height: 27.5 cm. Width: 31 cm]
Attributed works:
[Christie's. A Blackberry pie, a nautilus cup, a salt cellar, a silver ewer, a roemer, a knife and a knife case, all on a partly draped table, by Willem Claesz Heda (1594-1640). Oil on panel, 71.1 by 91.4 cm]
Attributed works:
[Colnaghi. David and Bathsheba, by Lucas Cranach the Elder (1472-1553). 1534. Oil on limewood panel, 115 by 79.3 cm.]
Attributed works:
[Didier Aaron (London) Ltd. Clifford House, 15 Clifford Street. Hector's farewell to Andromache, by Pietro Antonio Novelli (1729-1804). Signed lower left: 'Petrus Ant. Novelli / venetus pinxit / Anno MXCCLXXII', Inscribed in the upper and lower margin. Pen with brown and chalk ink and grey wash, 35.2 by 44 cm]
Attributed works:
[Fergus Hall Master Paintings. A dune landscape with travellers resting on a path, by Jan Wijnants (1631/32-84). Oil on canvas, 43 by 35 cm.]
Attributed works:
[Fergus Hall. 38 Old Bond Street. London. Anthonie Palamedesz. (Delft 1601-1673 Amsterdam). A Guardroom Interior. Oil on panel, 37.5 x 49.7 cm, Signed A. Palamedes (lower left)]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Angelo Caroselli. Rome, 1585-1652. The Holy family with Saint Dorothy. Oil on wood panel, 53 x 45.5 cm (20 7/8 x 17 13/16 cm)]
Attributed works:
[Godson & Coles, London. Red circle and black, by Sir Terry Frost R.A. (1915-2003). 1963. Signed, titled and dated 'May 63' on the reverse. Oil on canvas with collage, 143.5 by 143.5cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Duncan Grant. 1885-1978. Omega Paper Flowers on a Mantlepiece, circa 1914. Oil on canvas. 21 3/4 x 29 7/8 inches; 55.2 x 75.9 cm]
Attributed works:
[Hill-Stone Inc. Exhibiting at: The Fine Art Society, 148 New Bond Street. Roman Charity, by Giovanni Francesco Barbieri, called Guercino (1591-1666). Drawing in red chalk with some stumping, 23.9 by 18.7 cm]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Carle Vernet (Bordeaux 1758 - 1836 Paris). A Woman Wearing a Chapeu Casque and a Tablier à Fichu. Drawing in sanguigne chalk. Apparently the preparatory drawing for Plate 105 in Costumes Parisiens, Vol. II (1797-1836). 20 1/8 x 15 1/16 inches. (511 x 382 mm)]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Studio of Raphael, Pietro or Pedro Serafi (Serafin), called The Greek (Active Rome c. 1520 and Brussels c. 1530 - Barcellona 1567). Two Soldiers, a Portion of a Tapestry Cartoon. Gouache over black chalk. Part of a larger cartoon preparatory for a tapestry The Triumphal Procession of Scipio Africanus. The tapestry was part of a great cycle of 22 pieces, from designs by Giulio Romano and Gianfranco Penni. Following its acquisition by Francois I, it enjoyed enormous celebrity under the name the "Great Scipio". 14 13/16 x 9 13/16 inches. (380 x 253 mm)]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. A mother with a child at her breast; verso: A young woman, seated, with a book open on her lap, by Girolamo Francesco Maria Mazzola, called Parmigianino (1503-40). Recto and verso: Red chalk, 15.8 by 11.1 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Giuseppe Bernardino Bison. Palmanova 1762 - 1844 Milan. A Capriccio with Boatmen by a Lake, a Church and other Buildings on the Shore and Mountains in the Distance. Gouache on paper. 430 by 592 mm. (17 by 23 1/4 in)]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. Pieter Lastman (1583-Amsterdam-1633). The Baptism of Christ. Oil on panel. Signed and dated 1629. 32 1/4 x 22 5/8 ins. 82 x 57.5 cm]
Attributed works:
[Johnny van Haeften Ltd. A still life of flowers in a blue and white vase, by Jan Brueghel the Elder (1569-1685). Oil on panel, 47 by 34 cm]
Attributed works:
[Jorn Gunther Rare Books, Hamburg. The Pontifical of Ferry de Clugny, Bishop of Tournai. Illuminated by Loyset Liédet and Lieven van Lathem. Bruges, c.1475-76. On vellum, 30.5 by 22.4 cm.]
Attributed works:
[Katrin Bellinger at Colnaghi, 15 Old Bond Street. The baptism of Christ, by Giovanni Domenico Tiepolo (1724-1804). Pen and brown ink and brown wash over black chalk, 28.8 by 19.7 cm]
Attributed works:
[Koopman Rare Art, London. A silver-gilt royal presentation tray. London, 1805. Maker's mark of Digby Scott & Benjamin Smith. Lenght (across handles): 75 cm. Width: 55 cm. Weight: 250.5 ounces.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. The Isle of Elba from the sea, by Alexander Cozens (c.1717-86). Signed on the artist's original backing sheet. Pen and ink grey wash heightened with black chalk, 28 by 44.5 cm]
Attributed works:
[Michal Tollemache Fine Art. A kermesse or village festival (detail), by David Teniers the Younger (1610-90). Oil on canvas, 97.7 by 131.4 cm]
Attributed works:
[Patricia Wengraf, Ltd. PO Box 31067, London SW1W 9FJ. Severo di Domenico di Calzetta, called Severo da Ravenna. Ravenna, active by 1496 - died 1538. Kneeling Satyr. Bronze, height: 19.4 cm excluding later marble base.]
Attributed works:
[Philip Mould Historical Portraits, London. Portrait of a Lady, by Joseph Wright of Derby (1734-97). c.1760. Oil on canvas, 76 by 64.5 cm.]
Attributed works:
[Sims Reed, London. Lithograph of water, by David Hockney. 1980. Signed in pencil and inscribed: AP IX. Lithograph printed in colors, 75.4 by 87.7 cm]
Attributed works:
[Sotheby's. Prometheus, by Jusepe de Ribera (1591-1652). Oil on canvas, 192.5 by 156 cm.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Master of Rimini. Alabaster Pietà.]
Attributed works:
[Sphinx Fine Art Exhibiting at: The Gallery, 28 Cork Street. Death of Seneca, by Giovanni Battista Tiepolo (1697-1770). Pen and brown ink and grey wash over black chalk, 42.8 by 28.2 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Street. London. Michele Tosini, called Michele di Ridolfo del Ghirlandaio (Florence 1503 - Florence 1577). An Allegory of Fortitude. Oil on panel, 73 x 54.7 cm]
Attributed works:
[Stephen Ongpin Fine Art, London. Illustrated letter to Albert Hecht, with a still-life of plums and cherries, by Edouard Manet (1832-83). Watercolour, with writing in pen and brown ink, 24.5 by 15.6 cm.]
Attributed works:
[The FIne Art Society, London. White lilies, by Samuel Peploe (1871-1935). c. 1926. Signed 'S J Peploe', at lower right. Oil on canvas, 61 by 51 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Hans von Aachen (1552-1615). Portrait of Adriaen de Vries. Oil on canvas. 50.3 x 40.4 cms.]
Attributed works:
[Trafalgar Galleries. The Emperor Claudius mounted on a white charger, by Giulio Romano (1499-1546). c. 1536. Oil on panel, 83 by 54 cm]
Attributed works:
[Trinity Contemporary. 29 Bruton Street. London. Head (Drawing 137), by Claude Heath. 1995. Signed, numbered and dated lower right: '137 24.2.95 C HEATH'. Coloured biro on paper, 70 by 50 cm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Manno Sbarri (Florence 1494-1553) and Guglielmo Della Porta (circa 1500-1577). The Infant Hercules Strangling the Serpents. One of a pair of models for the scenes on the lif of the Farnese Casket. Red wax, patinated in black/brown; modelled in relief on slightly curved timber boards. 16.5x28 cm (the wax)]
Attributed works:
[W/S Fine Art / Andrew Wyld. 27 Dover Street. London. An open landscape with bright clouds and two figures, by William Callow (1812-1908). Signed with initials: W.C. Watercolour and bodycolour, 95 by 13.3 cm]
Attributed works:
[Whitfield Fine Art Ltd. Madonna and CHild, St. John the Baptist, St. Elizabeth and St. Joseph, by Rosso Fiorentino (1494-1540). c. 1513. Oil on panel, 92 by 71.8 cm]
Non-western art unattributed:
[Susan Ollemans, London. A pair of gold and gem-set bangles. Indian, Jaipur, nineteenth century. Length: 20 cm. Width: 6.8 cm.]
Western art unattributed:
[Bernard Steinitz. 9, Rue du Cirque – 77, Rue du Faubourg Saint-Honoré. Paris. An important Gueridon with Winged Lion Décor. French, circa 1815-1820. Chased, patinated and gilded bronze, precious marble top. Height: 85 cm (33 1/2 in). Diameter: 91 cm (35 3/4 in)]
Western art unattributed:
[Joanna Booth. PO Box 50886. London. Tapestry fragment of the figure of Penelope taken from the Triumph of Chastity over Love. Brussels, circa 1510, probably from cartoons created by the Van Orley studio. Woven in wool and silk mounted on modern linen, 147 x 96 cm (58 x 38 in)]
Western art unattributed:
[Lebrun. 155 rue du Faubourg Saint-Honorè. Italian carved and gilded wood frame, early 16th century.]
Western art unattributed:
[Mallett, London. An early eighteenth-century red japanned cabinet on a Regency gilt stand carved to simulate an early eighteenth-century stand. English, cabinet c. 1730; stand c. 1820. Height: 182 cm. Width: 106 cm. Depth: 55 cm]
Western art unattributed:
[Richard Philp, London. An alabaster relief of the Gates of Heaven. 15th century. Nottingham Alabaster. Height: 30.5 cm.]
Advertisements
Advertisements February 2008 (Front)
02/2008 | 1259 | 150
Pages: i-xx
Subjects
artists:
subjects:
Illustrations
Attributed works:
[Berko Fine Paintings, Knokke-Heist, Belgium, at TEFAF Maastricht 08] Eugène Verboeckhoven. Ram protecting his little family. Oil on board, 79 by 107 cm. Signed and dated lower right: '1847'.
Attributed works:
[Bonhams, 101 New Bond Street, London. The Sculpture Sale, Tuesday 15 April] Sir Alfred Gilbert, MVO, RA (English, 1854-1934). An important patinated bronze bust of Ignace Jan Paderewski, 1891, cast 1934. Estimate: £40,000-60,000.
Attributed works:
[David Koetser Gallery, Zürich, at TEFAF Maastricht 08] Jan Miense Molenaer (c.1610-1688). Children drinking and mischief-making. c.1630. Oil on canvas, 51.2 by 67.9 cm.
Attributed works:
[G. Sarti, 137 rue du Faubourg Saint-Honoré, Paris, France] Bernardo Strozzi (Genoa, 1581-Venice, 1644). St James the Less. Oil on canvas, 85 x 62 cm (33½ x 24 in.).
Attributed works:
[Galerie Canesso, 26 rue Laffitte, Paris. Exhibiting at: TEFAF, Maastricht, 7-16 March 2008] Domenico Mariolì (Messine, c.1612-1676). Euclid of Megara Dressing as a Woman to go Hear Socrates Teach in Athens. Oil on canvas, 139.5 x 223.5 cm (54 9/10 x 88 in.).
Attributed works:
[Galerie Canesso, Paris, at TEFAF Maastricht 08] Giacomo Francesco Cipper, called Il Todeschini (1664-1736). Peasants dining with a young flute player. Oil on canvas, 144 by 114 cm.
Attributed works:
[Galerie Neuse Kunsthandel GmbH, Contrescape 14, Bremen, Germany] Johann Heinrich Tischbein the Elder (Haina 1722-1789 Kassel). Gamblers at the 'Ridotto' (Palazzo Dandolo, Venice) with a self portrait of Tischbein. Oil on canvas, dim.: 108.6 x 194.9 cm. Literature: Anna-Charlotte Flohr, Johann Heinrich Tischbein d.Ä. (1722-1789) also Porträtmaler, Munich 1977.
Attributed works:
[Johnny van Haeften Ltd., London, at TEFAF Maastricht 08] Jan Brueghel the Elder (1568-1625). Aeneas and the Sybil in the underworld. Signed and dated lower right: '1593'. Oil on copper, 26.4 by 35.3 cm.
Attributed works:
[Kenneth Hurley Fine Art, Suite 1, Hall House, Llanover, Monmouthshire] Lambert de Hondt (before 1620-Malines before 1665)] A Cavalry Train passing through a wooded Landscape. Oil on canvas, 16" x 22" (40.7 x 56 cms). Signed lower left corner.
Attributed works:
[Kunsthandel A.H. Bies B.V., Eindhoven, at TEFAF Maastricht 08] Andreas Schelfhout (1787-1870) On the beach of Scheveningen. Signed and dated lower left: 'A. Schelfhout 46'. Oil on panel, 50.5 by 67.5 cm.
Attributed works:
[Kunsthandel Schlichte Bergen, P.C. Hooftstraat 53, Amsterdam, exhibiting at the European Fine Art Fair, Maastricht, 7-16 March 2008] Carl Maria Nikolaus Hummel (Weimar 1821-1907). A view of the Marmolada in the Dolomites. Oil on canvas, 24 x 51 cm.
Attributed works:
[Moretti Gallery, Piazza degli Ottaviani, 17/r, Firenze, exhibiting at TEFAF Maastricht, March 7-16 2008] Luca Cambiaso (Moneglia, 1527-Madrid, 1585). Fighting Putti. Oil on panel, 53 x 95.5 cm.
Attributed works:
[Moretti, Florence, London and New York, at TEFAF Maastricht 08] Taddeo Gaddi (c.1300-1366). St Anthony Abbot. Panel, 98 by 43 cm.
Attributed works:
[Museum Briner und Kern, Winterthur, Switzerland] Pieter Claesz. Still life. 1637.
Attributed works:
[Museum Briner und Kern, Winterthur, Switzerland] Pieter Lastman. Jepta and his Daughter.
Attributed works:
[Noortman, Maastricht, at TEFAF Maastricht 08] Willem van Mieris (1662-1747). A mother attending her children. Signed and dated 1728. Oil on panel, 44.5 by 38.3 cm.
Attributed works:
[Noortman, Vrijthof 49, Maastricht, at TEFAF Maastricht, 7-16 March 2008] Jan Van Huysum (1682-Amsterdam-1749). Flowers in a Terracotta Vase (detail). Oil on panel, 80 x 61 cm. Signed.
Attributed works:
[Otto Naumann, New York, at TEFAF Maastricht 08] Paulus Moreelse (1571-1638). A portrait of a gentleman, possibly a member of the Vis Blockhuysen family, wearing a black hat and a white ruff, his arm resting on a table. Signed and dated: '1621' and inscribed: 'Aeta Sua[e] 29'. Oil on unlined canvas, 24.5 by 97 cm.
Attributed works:
[Rafael Valls Ltd., London, at TEFAF Maastricht 08] Jan Davidsz. de Heem (1606-1684). A still life with a tazza, a pewter plate and a peeled lemon, a silver-gilt cup and cover and grapes on a table. Signed: 'JDHeem'. Oil on panel, 78.3 by 62.9 cm.
Attributed works:
[Richard L. Feigen & Co., New York, at TEFAF Maastricht 08] Frans Floris (1519/20-1570). Arithmetica (Arithmetic). Signed with monogram and dated, lower center: 'FF.IV.ET.FA./1557'. Oil on canvas, 151.5 by 224.2 cm.
Attributed works:
[Richard L. Feigen & Company, 34 East 69th Street, New York] Vincent van Gogh. Town View of the Hague with the Nieuwe Kerk. Circa 1882. Watercolor, pen and ink on paper.
Attributed works:
[Rijksmuseum, Amsterdam] Frans Hals. Portrait of a couple in a landscape, probably Isaac Abrahamsz. Massa (1586-1643) and Beatrix van der Laen (1592-1639). c.1622. Oil on canvas, 140 x 166.5 cm.
Attributed works:
[Rob Smeets, Milan, at TEFAF Maastricht 08] Johann-Georg De Hamilton (1672-1737). An Arab horse with a groom. Signed and dated: 'J.G. De Ham 1698'. Oil on canvas, 48.5 by 60.5 cm.
Attributed works:
[Salomon Lilian B.V., Spiegelgracht 5, Amsterdam, The Netherlands. Exhibiting at: TEFAF Maastricht, 7-16th March 2008] Edwaert Collier (Breda before 1640-Leiden or Haarlem 1707). A Vanitas Still Life with two Globes, Books, and Inkwell, a Roemer, an Hourglass, Pearls, a Lute and a Pamphlet on a draped Table. Signed and dated 1663, middle left. Oil on canvas, 43 x 51 cm.
Attributed works:
[Salomon Lilian, Amsterdam, at TEFAF Maastricht 08] Balthasar van der Ast (1593/94-1657). A still life of a pewter platter filled with grapes and pears, a Wanli porcelain dish of grapes, peaches, cherries and apricots, a Wanli porcelain vase of flowers, and scattered fruit, flowers and shells on a wooden table. Signed, lower centre. Oil on canvas, 64.1 by 114.3 cm.
Attributed works:
[Venator & Hanstein, Cäcilienstrasse 48, Cologne, Germany] Ovid. L'art d'aimer. 1935. Illustrated by A. Maillol. Binding by Semet & Plumelle.
Publication Received
Pieter Lastman. In Rembrandts Schatten?
02/2007 | 1247 | 149
Pages: 115
related names
Reviewer:
Cornelis, Bart (Cornelis, Bart; C., B.)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Pieter Lastman. In Rembrandts Schatten? | editor: Sitt, Martina
Publication Received
Pieter Lastman. Die Verstossung der Hagar: ein Werk aus der Hamburger Kunsthalle.
03/2004 | 1212 | 146
Pages: 184
related names
Reviewer:
Cornelis, Bart (Cornelis, Bart; C., B.)
Subjects
artists:
Reviewed Items
print:
Pieter Lastman. Die Verstossung der Hagar: ein Werk aus der Hamburger Kunsthalle. | author: Sitt, Martina
load more