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3 articles
Article
Margaret van Eyck, a house called ‘The Wild Sea’ and Jan van Eyck’s posthumous workshop
02/2022 | 1427 | 164
Pages: 120-129
related names
Author:
De Meester, Toon ( De Meester, Toon)
Author:
Dumolyn, Jan (Dumolyn, Jan)
Author:
Jones, Susan (Jones, Susan; Jones, Susan Frances)
Author:
Leloup, Ward (Leloup, Ward)
Author:
Speecke, Mathijs (Speecke, Mathijs)
Subjects
dates:
places:
Illustrations
Attributed works:
1. The Virgin and Child with St Barbara, St Elizabeth and Jan Vos, by Jan van Eyck, possibly with workshop. c.1441–43. Oil on masonite, transferred from panel, 47.3 by 61.3 cm. (Frick Collection, New York).
Attributed works:
2. St Jerome in his study, by the workshop of Jan van Eyck. c.1442. Oil on linen paper on panel, unframed 20.6 by 13.3 cm. (Detroit Institute of Arts; © KIK-IRPA, Brussels).
Attributed works:
3. Virgin and Child with a kneeling cleric. South Netherlandish, 15th century. Silverpoint on prepared paper with areas of light yellow wash, 13.4 by 10.2 cm. (Germanisches Nationalmuseum, Nuremberg).
Attributed works:
4. Virgin and Child with a kneeling cleric. South Netherlandish, 15th century. Silverpoint on prepared paper with areas of light yellow wash, 27.8 by 18 cm. (Graphische Sammlung Albertina, Vienna).
Attributed works:
5. Detail of Panoramic map of Bruges, by Marcus Gerards, showing the city centre. ‘A’ marks the location of the Sint Gillisnieuwstraat (now called the Gouden-Handstraat) and ‘B’ the location of the Oostmeers. North is towards the lower left. 1562. Modern coloured offset of a copper engraving assembled from ten sheets, 177 by 100 cm. (www. kaartenhuisbrugge.be/Kaart).
Attributed works:
6. Detail of the map in Fig.5, showing Van Eyck’s house on the Sint Gillisnieuwstraat, now called the Gouden-Handstraat.
Attributed works:
7. Margaret van Eyck, by Jan van Eyck. 1439. Oil on oak panel, including the frame 41.3 by 34.5 cm. (Groeningemuseum, Bruges; © KIK-IRPA, Brussels).
Attributed works:
8. Detail of the map in Fig.5, showing the Oostmeers. ‘A’ marks the row of houses between the Zonnekemeers; ‘B’ marks the Cowgate; ‘C’ marks the Wijngaard.
Article
Young Rembrandt and beyond
09/2020 | 1410 | 162
Pages: 784-791
related names
Author:
Seifert, Tico (Seifert, Tico )
Subjects
subjects:
Reviewed Items
subjects:
Rembrandt’s Light (Dulwich Picture Gallery, 4th October 2019–2nd February 2020). | :
subjects:
Here: Black in Rembrandt’s Time (Rembrandt House Museum, 5th March–31st May). | :
subjects:
Inside Rembrandt (Wallraf-Richartz-Museum and Fondation Corboud, Cologne, 1st November 2019–1st March 2020; and National Gallery, Prague, 25th September–31st January 2021) | :
subjects:
Rembrandt and Amsterdam Portraiture, 1590– 1670 (Museo Nacional Thyssen-Bornemisza, Madrid, 18th February– 24th May). | :
subjects:
Rembrandt Laboratory: Rembrandt’s Technique Unravelled (Rembrandt House Museum, 21st September 2019−16th February 2020). | :
subjects:
Rembrandts Strich (Rembrandt’s Mark) (Kupferstich- Kabinett, Dresden 14th June–15th September 2019). | :
subjects:
Rembrandt’s Social Network: Family, Friends and Acquaintances, and Inspired by Rembrandt: 100 Years of Collecting by the Rembrandt House Museum (The Rembrandt House Museum 7th June–1st September 2019). | :
subjects:
Young Rembrandt: Rising Star, (Stedelijk Museum De Lakenhal 2nd November 2019–9th February 2020). (Ashmolean Museum, Oxford, 27th February–7th June 2020, re-opened until 1st November) | :
Illustrations
Attributed works:
1. Portrait of an old man (Rembrandt’s father), by Rembrandt. c.1627−30. Red and black chalk with brown wash, 18.9 by 24 cm. (Ashmolean Museum, Oxford).
Attributed works:
2. Travellers resting (The Rest on the Flight into Egypt?), from Rembrandt’s studio(?). c.1628−30(?). Oil on paper, mounted onto panel, 38 by 33.7 cm. (Mauritshuis, The Hague).
Attributed works:
3. Self-portrait, by Rembrandt. c.1629. Oil on panel, 72.3 by 57.8 cm. (Walker Art Gallery, National Museums Liverpool).
Attributed works:
4. The abduction of Proserpina, by Rembrandt. c.1630−31. Oil on panel, 84.4 by 79.5 cm. (Gemäldegalerie, Staatliche Museen zu Berlin).
Attributed works:
5. A Black boy, by Gerrit Dou. c.1630−33. Oil on panel, 43.3 by 33.8 cm. (Niedersächsisches Landesmuseum, Hannover).
Attributed works:
6. Mercury, by Pieter Lastman. c.1620−25. Red and white chalk, on lightorange prepared paper, 28.2 by 20.9 cm. (Fondation Custodia, Frits Lugt Collection, Paris).
Attributed works:
7. Standing oriental warrior, by Rembrandt. c.1627. Red chalk, 30.5 by 16.5 cm. (Kupferstich-Kabinett, Staatliche Kunstsammlungen Dresden).
Attributed works:
8. Standing oriental warrior, traditionally attributed to Rembrandt but possibly by Jan Lievens. c.1627. Red chalk, 27.9 by 17.9 cm. (Staatliche Graphische Sammlung, Munich).
Attributed works:
9. Installation view of ‘Rembrandt Laboratory’ at the Rembrandt House Museum, Amsterdam.
Article
Changed locations: the Habsburg cityscapes in Palazzo Vecchio, Florence
07/2019 | 1396 | 161
Pages: 544-555
related names
Author:
Concin, Adriana (Concin, Adriana)
Subjects
dates:
media:
subjects:
Illustrations
Attributed works:
1. The first courtyard of Palazzo Vecchio, Florence, looking south, showing the frescos of Konstanz and (behind the column) Wiener Neustadt. (Photograph Francesco Guazzelli).
Attributed works:
10. Kaiserebersdorf and Sterzing, by Bastiano Veronese, Cesare Baglioni, Giovanni Lombardi and Turino da Piemonte. 1565. Frescos, 120 by 215 cm. and 160 by 215 cm. (Palazzo Vecchio, Florence; photograph Francesco Guazzelli).
Attributed works:
11. Detail of Fig.10, showing the view of Sterzing.
Attributed works:
12. Plan of the proposed identification of the frescos in the first courtyard, Palazzo Vecchio, Florence: 1. Vienna; 2. Innsbruck; 3. Kaiserebersdorf; 4. Sterzing; 5. Konstanz; 6. Wiener Neustadt; 7. Hall in Tirol; 8. Trieste; 9. Breisach; 10. Passau; 11. Stein/Krems; 12. Klosterneuburg; 13. Graz; 14. Freiburg im Breisgau; 15. Linz; 16. Bratislava; 17. Formerly Prague, destroyed by Giuseppe del Rosso's inscription (1812); a. Doorway to Piazza della Signoria; b. Doorway to the Cortile della Dogana; c. Inscription by Messer Fabio Segni (1565); and d. Niche with Samson and the Philistine, by Pierino da Vinci.
Attributed works:
13. Graz, by Bottega Amedeo Benini after Matthaeus Merian. 1958. Fresco, 380 by 215 cm. (Palazzo Vecchio, Florence; photograph Francesco Guazzelli).
Attributed works:
14. Krems, by Bastiano Veronese, Cesare Baglioni, Giovanni Lombardi and Turino da Piemonte. 1565. Fresco, 380 by 215 cm. (Palazzo Vecchio, Florence; photograph Francesco Guazzelli).
Attributed works:
15. Watercolour after the original view of Graz in the first courtyard of Palazzo Vecchio, Florence, by Carlo Chiostri. Before 1892. Watercolour on paper, 36 by 22 cm. (Landesarchiv Steiermark, Graz).
Attributed works:
16. The first courtyard of Palazzo Vecchio, Florence, showing the view of Freiburg im Breisgau, behind the bronze putto. c.1860–90. Photograph, 19 by 25 cm. (Österreichisches Museum für Angewandte Kunst, Vienna).
Attributed works:
2. Plan of the current identification of the frescos in the first courtyard, Palazzo Vecchio, Florence: 1. Vienna; 2. Innsbruck; 3. Kaiserebersdorf; 4. Konstanz; 5. Wiener Neustadt; 6. Hall in Tirol; 7. Sterzing; 8. Prague; 9. Passau; 10. Stein; 11. Klosterneuburg; 12. Graz; 13. Freiburg im Breisgau; 14. Linz; 15. Bratislava; a. Doorway to the Piazza della Signoria; b. Inscription by Giuseppe del Rosso (1812); c. Doorway to the Cortile della Dogana; d. Inscription by Messer Fabio Segni (1565); and e. Niche with Samson and the Philistine, by Pierino da Vinci.
Attributed works:
3. Below The first courtyard in Palazzo Vecchio, Florence, showing the proposed location of frescos, by Vincenzo Borghini. North is on the left. 1565. Pen and ink, 21.3 by 15.2 cm. (Biblioteca Nazionale Centrale, Florence).
Attributed works:
4. Opposite The first courtyard of Palazzo Vecchio, Florence, looking north. (Photograph Francesco Guazzelli).
Attributed works:
5. Inscription by Giuseppe del Rosso. c.1812. Fresco, 380 by 215 cm. (Palazzo Vecchio, Florence; photograph Francesco Guazzelli).
Attributed works:
6. Trieste, by Bastiano Veronese, Cesare Baglioni, Giovanni Lombardi and Turino da Piemonte. 1565. Fresco, 160 by 215 cm. (Palazzo Vecchio, Florence; photograph Francesco Guazzelli).
Attributed works:
7. Opposite top left Actual delineation of the city of Brysach, as seen from morning to evening (east view); and The city of Brysach, as seen from evening to morning (west view), from M. Merian: Topographia Alsatiae, Frankfurt c.1650. Etching, 28.8 cm by 38 cm. (Österreichische Nationalbibliothek, Vienna).
Attributed works:
8. Opposite top right Breisach, by Bastiano Veronese, Cesare Baglioni, Giovanni Lombardi and Turino da Piemonte. 1565. Fresco, 160 by 215 cm. (Palazzo Vecchio, Florence; photograph Francesco Guazzelli).
Attributed works:
9. Opposite below Fresco of Innsbruck in Palazzo Vecchio, by Julius von Ficker. 1860s. Photograph, 60 by 40 cm. (Tiroler Landesmuseum Ferdinandeum, Innsbruck).