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3 articles
Article
Young Rembrandt and beyond
09/2020 | 1410 | 162
Pages: 784-791
related names
Author:
Seifert, Tico (Seifert, Tico )
Subjects
subjects:
Reviewed Items
subjects:
Rembrandt’s Light (Dulwich Picture Gallery, 4th October 2019–2nd February 2020). | :
subjects:
Here: Black in Rembrandt’s Time (Rembrandt House Museum, 5th March–31st May). | :
subjects:
Inside Rembrandt (Wallraf-Richartz-Museum and Fondation Corboud, Cologne, 1st November 2019–1st March 2020; and National Gallery, Prague, 25th September–31st January 2021) | :
subjects:
Rembrandt and Amsterdam Portraiture, 1590– 1670 (Museo Nacional Thyssen-Bornemisza, Madrid, 18th February– 24th May). | :
subjects:
Rembrandt Laboratory: Rembrandt’s Technique Unravelled (Rembrandt House Museum, 21st September 2019−16th February 2020). | :
subjects:
Rembrandts Strich (Rembrandt’s Mark) (Kupferstich- Kabinett, Dresden 14th June–15th September 2019). | :
subjects:
Rembrandt’s Social Network: Family, Friends and Acquaintances, and Inspired by Rembrandt: 100 Years of Collecting by the Rembrandt House Museum (The Rembrandt House Museum 7th June–1st September 2019). | :
subjects:
Young Rembrandt: Rising Star, (Stedelijk Museum De Lakenhal 2nd November 2019–9th February 2020). (Ashmolean Museum, Oxford, 27th February–7th June 2020, re-opened until 1st November) | :
Illustrations
Attributed works:
1. Portrait of an old man (Rembrandt’s father), by Rembrandt. c.1627−30. Red and black chalk with brown wash, 18.9 by 24 cm. (Ashmolean Museum, Oxford).
Attributed works:
2. Travellers resting (The Rest on the Flight into Egypt?), from Rembrandt’s studio(?). c.1628−30(?). Oil on paper, mounted onto panel, 38 by 33.7 cm. (Mauritshuis, The Hague).
Attributed works:
3. Self-portrait, by Rembrandt. c.1629. Oil on panel, 72.3 by 57.8 cm. (Walker Art Gallery, National Museums Liverpool).
Attributed works:
4. The abduction of Proserpina, by Rembrandt. c.1630−31. Oil on panel, 84.4 by 79.5 cm. (Gemäldegalerie, Staatliche Museen zu Berlin).
Attributed works:
5. A Black boy, by Gerrit Dou. c.1630−33. Oil on panel, 43.3 by 33.8 cm. (Niedersächsisches Landesmuseum, Hannover).
Attributed works:
6. Mercury, by Pieter Lastman. c.1620−25. Red and white chalk, on lightorange prepared paper, 28.2 by 20.9 cm. (Fondation Custodia, Frits Lugt Collection, Paris).
Attributed works:
7. Standing oriental warrior, by Rembrandt. c.1627. Red chalk, 30.5 by 16.5 cm. (Kupferstich-Kabinett, Staatliche Kunstsammlungen Dresden).
Attributed works:
8. Standing oriental warrior, traditionally attributed to Rembrandt but possibly by Jan Lievens. c.1627. Red chalk, 27.9 by 17.9 cm. (Staatliche Graphische Sammlung, Munich).
Attributed works:
9. Installation view of ‘Rembrandt Laboratory’ at the Rembrandt House Museum, Amsterdam.
Exhibition Review
Van Eyck: An Optical Revolution. Museum voor Schone Kunsten, Ghent
04/2020 | 1405 | 162
Pages: 328-332
related names
Reviewer:
Campbell, Lorne (Campbell, Lorne; C., L.)
Subjects
dates:
museums and institutions:
Reviewed Items
works:
Van Eyck: An Optical Revolution Museum voor Schone Kunsten, Ghent 1st February–30th April | :
Illustrations
Attributed works:
1. Adam, from the Ghent Altarpiece. 1432. Oil on panel, 212.9 by 37.1 cm. (St Bavo’s Cathedral, Ghent; exh. Museum voor Schone Kunsten, Ghent;   Lukasweb.be-Art in Flanders vzw; photograph Dominique Provost).
Attributed works:
2. Portrait of a man (‘Leal Souvenir’), by Jan van Eyck (after cleaning). 1432. Oil on panel, 33.3 by 18.9 cm. (National Gallery, London; exh. Museum voor Schone Kunsten, Ghent).
Attributed works:
3. Cumaean Sibyl, detail from one of the exterior panels of the Ghent Altarpiece, by Hubert and Jan van Eyck. 1432. Oil on panel, 213.5 by 36.1 cm. (St Bavo’s Cathedral, Ghent; exh. Museum voor Schone Kunsten, Ghent;   Lukasweb.be- Art in Flanders vzw; photograph Dominique Provost).
Western art unattributed:
4. Isabella of Portugal, copy after Jan van Eyck. 17th century. Pen and brush, ink and wash on paper, 34.5 by 30.4 cm. (Arquivo Nacional da Torre do Tombo, Lisbon; exh. Museum voor Schone Kunsten, Ghent).
Exhibition Review
Bernard van Orley: Brussels and the Renaissance Centre for Fine Arts (BOZAR), Brussels
06/2019 | 1395 | 161
Pages: 499-502
related names
Reviewer:
Campbell, Lorne (Campbell, Lorne; C., L.)
Subjects
dates:
museums and institutions:
places:
styles:
Illustrations
Attributed works:
7. Attack on the French camp and the flight of the civilians, one of the tapestries of the Battle of Pavia series, designed by Bernard van Orley and woven in the workshop of Willem Dermoyen. 1525–31. Wool, silk and preciousmetal wrapped threads, 440 by 818 cm., 7–8 warp threads per cm. (Museo e Real Bosco di Capodimonte, Naples; exh. Centre for Fine Arts, Brussels).
Attributed works:
8. Head of a dog, fragment of a tapestry cartoon, from the workshop of Bernard van Orley. c.1525–31. Bodycolour heightened with white (partly oxidised) on paper, silhouetted, 17.1 by 17.9 cm. (British Museum, London).
Attributed works:
9. Execution of St John the Baptist, by Bernard van Orley. c.1510. Panel, 64.5 by 74.2 cm (Private collection; exh. Centre for Fine Arts, Brussels).