Rembrandt’s Light (Dulwich Picture Gallery, 4th October
2019–2nd February 2020). |
:
subjects:
Here: Black in
Rembrandt’s Time (Rembrandt House Museum, 5th March–31st May). |
:
subjects:
Inside Rembrandt (Wallraf-Richartz-Museum and Fondation
Corboud, Cologne, 1st November 2019–1st March 2020; and National
Gallery, Prague, 25th September–31st January 2021) |
:
subjects:
Rembrandt and Amsterdam Portraiture, 1590–
1670 (Museo Nacional Thyssen-Bornemisza, Madrid, 18th February–
24th May). |
:
subjects:
Rembrandt Laboratory: Rembrandt’s Technique Unravelled (Rembrandt House Museum, 21st September 2019−16th February 2020). |
:
Rembrandt’s Social Network: Family, Friends and Acquaintances, and Inspired
by Rembrandt: 100 Years of Collecting by the Rembrandt House Museum (The Rembrandt House Museum 7th
June–1st September 2019). |
:
subjects:
Young Rembrandt: Rising Star, (Stedelijk Museum De Lakenhal 2nd
November 2019–9th February 2020).
(Ashmolean Museum, Oxford,
27th February–7th June 2020, re-opened until 1st November)
|
:
Illustrations
Attributed works:
1. Portrait of an old man (Rembrandt’s father), by Rembrandt.
c.1627−30. Red and black chalk with brown wash, 18.9 by 24 cm.
(Ashmolean Museum, Oxford).
Attributed works:
2. Travellers resting (The Rest on the Flight into Egypt?), from
Rembrandt’s studio(?). c.1628−30(?). Oil on paper, mounted onto panel,
38 by 33.7 cm. (Mauritshuis, The Hague).
Attributed works:
3. Self-portrait, by Rembrandt. c.1629. Oil on panel, 72.3 by 57.8 cm.
(Walker Art Gallery, National Museums Liverpool).
Attributed works:
4. The abduction of Proserpina, by Rembrandt. c.1630−31. Oil on panel,
84.4 by 79.5 cm. (Gemäldegalerie, Staatliche Museen zu Berlin).
Attributed works:
5. A Black boy, by Gerrit Dou. c.1630−33. Oil on panel, 43.3 by 33.8 cm.
(Niedersächsisches Landesmuseum, Hannover).
Attributed works:
6. Mercury, by Pieter Lastman. c.1620−25. Red and white chalk, on lightorange
prepared paper, 28.2 by 20.9 cm. (Fondation Custodia, Frits Lugt
Collection, Paris).
Attributed works:
7. Standing oriental warrior, by Rembrandt. c.1627. Red chalk, 30.5 by
16.5 cm. (Kupferstich-Kabinett, Staatliche Kunstsammlungen Dresden).
Attributed works:
8. Standing oriental warrior, traditionally attributed to Rembrandt but
possibly by Jan Lievens. c.1627. Red chalk, 27.9 by 17.9 cm. (Staatliche
Graphische Sammlung, Munich).
Attributed works:
9. Installation view of ‘Rembrandt Laboratory’ at the Rembrandt House
Museum, Amsterdam.
Exhibition Review
Van Eyck: An Optical Revolution. Museum voor Schone Kunsten, Ghent
Van Eyck: An Optical Revolution
Museum voor Schone Kunsten,
Ghent
1st February–30th April |
:
Illustrations
Attributed works:
1. Adam, from
the Ghent
Altarpiece. 1432.
Oil on panel,
212.9 by 37.1
cm. (St Bavo’s
Cathedral,
Ghent; exh.
Museum voor
Schone Kunsten,
Ghent;
Lukasweb.be-Art
in Flanders vzw;
photograph
Dominique
Provost).
Attributed works:
2. Portrait of
a man (‘Leal
Souvenir’), by
Jan van Eyck
(after cleaning).
1432. Oil on
panel, 33.3
by 18.9 cm.
(National Gallery,
London; exh.
Museum voor
Schone Kunsten,
Ghent).
Attributed works:
3. Cumaean Sibyl,
detail from one
of the exterior
panels of the
Ghent Altarpiece,
by Hubert and Jan
van Eyck. 1432. Oil
on panel, 213.5 by
36.1 cm. (St Bavo’s
Cathedral, Ghent;
exh. Museum
voor Schone
Kunsten, Ghent;
Lukasweb.be-
Art in Flanders
vzw; photograph
Dominique
Provost).
Western art unattributed:
4. Isabella
of Portugal,
copy after Jan
van Eyck. 17th
century. Pen and
brush, ink and
wash on paper,
34.5 by 30.4
cm. (Arquivo
Nacional da
Torre do Tombo,
Lisbon; exh.
Museum voor
Schone Kunsten,
Ghent).
Exhibition Review
Bernard van Orley: Brussels and the Renaissance Centre for Fine Arts (BOZAR), Brussels
7. Attack on the
French camp
and the flight of
the civilians, one
of the tapestries
of the Battle of
Pavia series,
designed by
Bernard van
Orley and woven
in the workshop
of Willem
Dermoyen.
1525–31. Wool,
silk and preciousmetal
wrapped
threads, 440
by 818 cm., 7–8
warp threads
per cm. (Museo
e Real Bosco di
Capodimonte,
Naples; exh.
Centre for Fine
Arts, Brussels).
Attributed works:
8. Head of a
dog, fragment
of a tapestry
cartoon, from
the workshop
of Bernard van
Orley. c.1525–31.
Bodycolour
heightened
with white
(partly oxidised)
on paper,
silhouetted,
17.1 by 17.9 cm.
(British Museum,
London).
Attributed works:
9. Execution of St
John the Baptist,
by Bernard van
Orley. c.1510.
Panel, 64.5 by
74.2 cm (Private
collection; exh.
Centre for Fine
Arts, Brussels).