4. Jewish
ceremonial
wedding ring.
Italy(?), c.1300–
before 1348.
Gold, opaque
and translucent
enamel, 3.5 by 2.3
cm. (Musée de
Cluny, Paris; exh.
Met Cloisters,
New York).
Western art unattributed:
5. Silk purse
depicting
lovers. France
or Rhineland,
first half of
the fourteenth
century. Silk,
linen and gold
leaf, 14 by 15.2
cm. (Metropolitan
Museum of Art,
New York; exh.
Met Cloisters,
New York).
Western art unattributed:
6. Page from
a Mahzor.
Rhineland
(Colmar?).
First half of
the fourteenth
century.
(Bibliothèque
municipale,
Colmar,
CG11629; exh.
Met Cloisters,
New York).
99. Silver, Pearl and Emerald Ring, by E. R. Nele Bode. (Worshipful Company of Goldsmiths; Exh. Ashmolean Museum, Oxford).
Western art unattributed:
94. Rings from the 'Controversial' Section of the Exhibition. The Large One on the Left is the Ring of Nestor. Enlarged. (Exh. Ashmolean Museum, Oxford).
Western art unattributed:
95. Three Rings from the Fortnum Collection. Left: An Eighteenth-Century Specimen with a Masked Face, Bought in Venice. Right: Two Seventeenth-Century Memento Mori Rings with Enamelled Skulls. Enlarged. (Exh. Ashmolean Museum, Oxford).
Western art unattributed:
96. Two Eighteenth-Century Rings. Left: Silver-Gilt Ring Containing Portraits of the Old Pretender and His Wife, Maria Clementina Sobieska. Right: Gold Ring Set with Moss-Agate Resembling a Landscape, Once the Property of Thomas Gainsborough. Enlarged. (Exh. Ashmolean Museum, Oxford).