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5 articles
Publication Received
Poets in the Landscape: The Romantic Spirit in British Art
10/2007 | 1255 | 149
Pages: 713
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Reviewer:
Watney, Simon (Watney, Simon)
Subjects
dates:
1800-1899 / 1900-1949
print:
British art
subjects:
British painting / Romanticism / Neo-Romantic / Poetry / Art / British / Art literature / Design / Exhibition catalogues
subjects:
Landscapes (visual works) / Arcadia (pastoral)
Reviewed Items
subjects:
Poets in the Landscape: The Romantic Spirit in British Art | editor: Martin, Simon
Publication Received
British Romantic Art and the Second World War
08/1992 | 1073 | 134
Pages: 537
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Reviewer:
Freeman, Julian (Freeman, Julian)
Subjects
subjects:
British painting / Neo-Romantic / World War (1939-1945)
Reviewed Items
subjects:
British Romantic Art and the Second World War | author: Sillars, Stuart
Exhibition Review
The Last Romantics. London, Barbican Art Gallery
04/1989 | 1033 | 131
Pages: 309-311
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Reviewer:
Kalinsky, Nicola (Kalinsky, Nicola)
Subjects
dates:
1980-1989
museums and institutions:
Barbican Art Gallery, London, Great Britain
places:
England / London
subjects:
Exhibitions / Reviews
subjects:
Romanticism / Neo-Romantic
subjects:
British painting
Illustrations
Attributed works:
58. The Wild Ducks, by Henry Arthur Payne. 1921. 39.6 by 42 cm. (Cheltenham Art Gallery and Museums; Exh. Barbican Art Gallery).
Attributed works:
59. 'Oh, What's That in the Hollow...?' by Edward Robert Hughes. C.1895. 63.2 by 93.3 cm. (The Royal Society of Painters in Watercolours; Exh. Barbican Art Gallery, London).
Attributed works:
60. Lamia, by John William Waterhouse. 1905. 146 by 90.2 cm. (Private Collection; Exh. Barbican Art Gallery, London).
Exhibition Review
The Neo-Romantics. London, Barbican Art Gallery
07/1987 | 1012 | 129
Pages: 472-474
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Reviewer:
Fuller, Peter (Fuller, Peter)
Subjects
dates:
1980-1989
museums and institutions:
Barbican Art Gallery, London, Great Britain
places:
England / London
subjects:
Exhibitions / Reviews
subjects:
Neo-Romantic
Illustrations
Attributed works:
67. Figure in a Garden, by Keith Vaughan. 1941. Indian Ink and Washes, 49.5 by 31.8 cm. (Exh. Gillian Jason Gallery, London).
Attributed works:
68. Poet in a Landscape, by John Craxton. 1941. Pen and Wash, 53.3 by 74.9 cm. (Christopher Hull Gallery; Exh. Barbican Art Gallery, London).
Attributed works:
69. Skulls, by Tristram Hillier. 1956. 34.3 by 44.4 cm. (Shell U. K. Ltd.; Exh. Barbican Art Gallery, London).
Attributed works:
70. Thorn Tree, by Graham Sutherland. 1945/46. 127 by 101.5 cm. (The British Council; Exh. Barbican Art Gallery, London).
Attributed works:
71. Llanthony Valley, by George Mayer Marten. c.1948. 50.4 by 68.6 cm. (Glynn Vivian Art Gallery, Swansca; Exh. Barbican Art Gallery, London).
Exhibition Review
The British Neo-Romantics. London and Cardiff
10/1983 | 967 | 125
Pages: 637-639
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Reviewer:
Shone, Richard (Shone, Richard; S., R.; Shone, Richard)
Subjects
dates:
1980-1989
museums and institutions:
National Museum of Wales, Cardiff, Great Britain
places:
England / London / Wales / Cardiff
private galleries:
Fischer Fine Art, London, Great Britain
subjects:
Exhibitions / Reviews / British painting
subjects:
Neo-Romantic
Illustrations
Attributed works:
65. Voyage à Cythère IV, by Keith Vaughan. 1942. Ink and Wash, 20.3 by 28 cm. (Exh. Fischer Fine Art, London).
Attributed works:
66. Summer Landscape, by John Minton. 1945. Pen and Ink, 62.2 by 78.7 cm. (Private Collection; Exh. Fischer Fine Art, London).
Attributed works:
67. Rocky hills, by Graham Sutherland. c. 1942. Pen and ink, coloured chalks and water-colour, heightened with white, 15 by 12.5 cm. (Private collection; exh. Fischer Fine Art, London).
Attributed works:
68. The Sheep of His Pasture, by Edward Calvert. c. 1828. Engraving, 42 by 81 cm. (Exh. Fischer Fine Art, London).
Attributed works:
69. Withered Plants and Landscape, by John Minton. 1947. Pen, Ink and Gouache, 49.5 by 60 cm. (Exh. Fischer Fine Art, London).