1. Bala in the county of Merioneth: A rejoicing
scene when Sir W.W. Wynn visited that place
August 22 1771, by Paul Sandby. Bodycolour
over pencil on linen, 18 by 26 cm. (Amgueddfa
Cymru – Museum Wales, Cardiff).
Attributed works:
2. The iron forge (incorrectly titled Aber
Glaslyn in the county of Merioneth), by Paul
Sandby. 1771. Bodycolour over pencil on paper,
18 by 26 cm. (Amgueddfa Cymru – Museum
Wales, Cardiff).
Attributed works:
3. The iron forge between Dolgelli and
Barmouth in Merioneth Shire, from XII Views
in North Wales, by Paul Sandby. 1776. Aquatint
on paper, 29 by 38 cm. (Amgueddfa Cymru –
Museum Wales, Cardiff).
Attributed works:
4. Waterfall at Tanberis North Wales,
by Paul Sandby. 1771. Bodycolour over
pencil on paper, 18 by 26 cm.
(Amgueddfa Cymru – Museum
Wales, Cardiff).
Attributed works:
5. Detail of Fig.1, showing Sir William-
Wynn and his party arriving in Bala.
11. Mary Lobb. c.1910s. Postcard, 15 by 10.5
cm. (National Library of Wales, Aberystwyth;
photograph the author).
Attributed works:
12. Hair ornament, designed and made by
May Morris. c.1905. Silver, pearls, opals and
garnets, 14.7 by 3.1 by 14.8 cm. (National
Museum Cardiff).
Attributed works:
13. Acanthus bedcover, designed by William
Morris and embroidered by Jane Morris (and
possibly Jenny Morris). c.1890s. Twisted and
floss silk on linen, 260 by 200 cm. (National
Museum Cardiff).
Attributed works:
14. Section “William Morris”, Exposition
Organisée par le Gouvernement Britannique,
Palais du Louvre, Pavillion de Marsan. (From
exh. cat. Arts Décoratifs de Grande-Bretagne
et d’Irelande, London 1914; courtesy Syndics
of Cambridge University Library).
Book Review
Pastures Green and Dark Satanic Mills: The British Passion for Landscape, by Tim Barringer and Oliver Fairclough
83. Annotated copy of Tom Picton's photograph of DIAS participants, 1966 (Courtesy the artist; exh. National Museum of Wales, Cardiff)
Attributed works:
84. Eyes and lips, collaged cardboard boxes used in Adam on St Agnes's Eve, performed in Swansea, 21st January 1968. Studio photograph, 2015 (Courtesy the artist; exh. National Museum of Wales, Cardiff)
Attributed works:
85. Prelude to Anatomic Explosions, performed in Edinburgh, 1st September 1966. Photograph by Beaverbrook Newspapers (exh. National Museum of Wales, Cardiff)
Article
Edouard Manet’s ‘The roundhouse on the Paris–Sceaux railway’
47. The railway station at Sceaux, here identified as The roundhouse on the Paris-Sceaux railway, by Edouard Manet. 1870 (Private collection)
Attributed works:
48. Effect of snow at Petit-Montrouge, by Edouard Manet. 1870 (National Museum of Wales, Cardiff)
Attributed works:
50. Roundhouse on the Paris-Sceaux railway, from J.-M. Jacquemin: La Ligne de Sceaux au fil des temps, Paris 1986, p.45 (Photograph from the Archives of the RATP, Paris)
Attributed works:
51. Detail of Plan géométral de Paris et de ses arrondissements, by Eugène Andriveau-Goujon. 1869 (University of Chicago)
Attributed works:
52. Roundhouse for thirty-two locomotives, at Nevers, on the Bourbonnais railway, by Auguste-Hippolyte Collard. c.1860-63 (J. Paul Getty Museum, Los Angeles)
Western art unattributed:
49. Terminus of the Paris-Sceaux railway line at the Barrière d'Enfer, now Place Denfert-Rochereau. c.1900 (Private collection)