4. More wrong
things, by Carolee
Schneemann.
2000. Multichannel
video
installation with
suspended cable
environment,
dimensions
variable.
(Photograph
Marcus J. Leith;
exh. Barbican
Art Gallery,
London).
Postwar Modern: New Art in
Britain 1945–1965
Barbican Art Gallery, London
3rd March–26th June |
:
Illustrations
Attributed works:
29. Figure
59, by Magda
Cordell. c.1958.
Oil and acrylic
on Masonite,
243.8 by 152.4
cm. (Albright
Knox Art Gallery,
Buffalo; exh.
Barbican Art
Gallery, London).
Attributed works:
30. Lee Miller
in Hitler’s bath,
by Lee Miller
with David E.
Scherman.
1945. Gelatin
silver print from
original negative,
40 by 30 cm. (Lee
Miller Estate;
exh. Barbican Art
Gallery, London).
19. Migrant mother, Nipomo, California, by Dorothea Lange. 1936. Gelatin silver print, 33.3 by 25.5 cm. (Dorothea Lange Collection, Oakland Museum of California; exh. Jeu de Paume, Paris).
Attributed works:
20. Sacramento, California. College students of Japanese ancestry who have been evacuated from Sacramento to the Assembly Center, by Dorothea Lange. 1942. Digital print, 27.9 by 22.9 cm. (Courtesy U.S. National Archives; exh. Jeu de Paume, Paris).
Attributed works:
21. White angel breadline, San Francisco, by Dorothea Lange. 1933. Gelatin silver print, 53.3 by 43.8 cm. (Dorothea Lange Collection, Oakland Museum of California; exh. Jeu de Paume, Paris).
29. Verwandlungen (Transformations), by Renate Bertlmann. 1969–2013. Black-and-white photographs on baryta paper, 25 by 17 cm. each. (Richard Saltoun, London).
46. Installation view of The Japanese House at the Barbican Art Gallery, London, 2017, showing a reconstruction of Moriyama House, Tokyo, designed by Ryue Nishizawa. 2005
Attributed works:
47. Installation view of The Japanese House at the Barbican Art Gallery, London, showing a teahouse designed for the exhibition by Terunobu Fujimori. 2017
Exhibition Review
Paul Strand; international photographers in Britain; Fox Talbot. Philadelphia, Winterthur, Madrid and London
59. The family, Luzzara (the Lusettis), by Paul Strand. 1953 negative, mid-to-late 1960s print (Paul Strand Archive, Aperture Foundation, New York; exh. Victoria and Albert Museum, London)
Attributed works:
60. The happy family, Orgeval, by Paul Strand. 1957 (Paul Strand Archive, Aperture Foundation, New York; exh. Victoria and Albert Museum, London)
Attributed works:
61. Foyle Road on the day after clashes between Catholics and Protestants in the Battle of Bogside, by Akihiko Okamura. 1969 (Courtesy of the Estate of Akihiko Okamura, Hakodate; exh. Barbican Art Gallery, London)
Attributed works:
62. The red sheath, by Tina Barney. 2001 (Paul Kasmin Gallery, London; exh. Barbican Art Gallery, London)
66. Installation view of The World of Charles and Ray Eames at the Barbican Art Gallery, London, 2015, showing the recreation of the Eames Office room display for the exhibition Modern Living at the Detroit Institute of Arts, 1949
Attributed works:
67. Eames Office staff posing in a model for Glimpses of the USA for the American National Exhibition, Moscow, 1959 (Eames Office LLC; exh. Barbican Art Gallery, London)
Attributed works:
68. Installation view of Glimpses of the USA, American National Exhibition, Moscow, 1959 (Eames Office LLC)
Attributed works:
69. Eames House living room, Pacific Palisades, 1958 (Eames Office LLC; exh. Barbican Art Gallery, London)