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5 articles
Book Review
Die Neue Sachlichkeit: Ein Jahrhundertjubiläum / The New Objectivity: A Centennial Anniversary
05/2025 | 1466 | 167
Pages: 508–10
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related names
Reviewer:
Michalski, Sergiusz (Michalski, Sergiusz)
Subjects
artists:
Dix, Otto / Grosz, George / Beckmann, Max
dates:
2020-2030
museums and institutions:
Kunsthalle Mannheim
styles:
Neue Sachlichkeit
Reviewed Items
styles:
Die Neue Sachlichkeit: Ein Jahrhundertjubiläum / The New Objectivity: A Centennial Anniversary Edited by Inge Herold and Johan Holten. 408 pp. incl. numerous col. + b. & w. ills. (Deutscher Kunstverlag, Berlin, 2025), €56. ISBN 978–3–422–80250–6. | :
Illustrations
Attributed works:
7. Russisches Mädchen mit Puderdose, by Lotte Laserstein. 1928. Oil on canvas, 31.7 by 41 cm. (Städel Museum, Frankfurt).
Attributed works:
8. Turner, by Gerhard Keil. 1939. Oil on canvas, 215.5 by 155.5 cm. (Albertinum, Staatliche Kunstsammlungen Dresden; Scala, Florence).
Exhibition Review
New Objectivity
11/2015 | 1352 | 157
Pages: 806-807
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related names
Reviewer:
Calvocoressi, Richard (Calvocoressi, Richard)
Subjects
dates:
2010-2019
dates:
1910-1919 / 1920-1929 / 1930-1939
museums and institutions:
Museo Correr, Venice, Italy / Los Angeles County Museum of Art, Los Angeles, United States
places:
United States / Venice / Los Angeles / Italy
subjects:
Neue Sachlichkeit / Reviews / Exhibitions / German painting
Illustrations
Attributed works:
90. Construction (untitled) (Konstruction (ohne Titel)), by George Grosz. 1920 (Stiftung Kunstsammlung Nordrhein-Westfalen; exh. Los Angeles County Museum of Art)
Attributed works:
91. Meeting of fetishists and maniacal flagellants (Zusammenkunft von Fetischisten und manischen Flagellanten), by Rudolf Schlichter. c.1921 (Private collection; exh. Los Angeles County Museum of Art)
Attributed works:
92. Flat irons for show manufacture, Fagus factory (Bügeleisen für Schuhfabrikation, Fagus-Werk, Alfeld), by Albert Renger-Patzsch. 1926 (J. Paul Getty Museum, Los Angeles; exh. Los Angeles County Museum of Art)
Exhibition Review
Neue Sachlichkeit, George Grosz, and Max Beckmann. Mannheim, Berlin and Stuttgart
04/1995 | 1105 | 137
Pages: 268-269
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related names
Reviewer:
Rainbird, Sean (Rainbird, Sean)
Subjects
dates:
1990-1999
museums and institutions:
Städtische Kunsthalle, Mannheim, Germany
museums and institutions:
Staatsgalerie, Stuttgart, Germany
museums and institutions:
Nationalgalerie, Berlin, Germany
places:
Germany / Berlin / Stuttgart / Mannheim
subjects:
Exhibitions / Reviews
subjects:
Neue Sachlichkeit
Illustrations
Attributed works:
67. Portrait of the Author Max Herrmann-Neisse, by George Grosz. 1925. 101 by 101 cm. (Städtische Kunsthalle, Mannheim).
Attributed works:
68. Portrait of an Architect, by Wilhelm Schnarrenberger. 1923. 58.5 by 46. (Private Collection; Exh. Städtische Kunsthalle, Mannheim).
Attributed works:
69. Agosta, the Pigeon-Chested Man, and Rasha, the Black Dove, by Christian Schad. 1929. 120 by 80 cm (Private Collection; Exh. Städtische Kunsthalle, Mannheim).
Short Notice
An Anagrammatic Attribute: Christian Schad's Portrait of Eva von Arnheim
04/1993 | 1081 | 135
Pages: 276-277
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related names
Author:
Waldman, Louis Alexander (Waldman, Louis Alexander; Waldman, Louis; Waldman, Louis A.)
Subjects
artists:
Schad, Christian
dates:
1900-1949
places:
Germany
subjects:
German painting / Portraits / Neue Sachlichkeit
Illustrations
Attributed works:
36. Portrait of Eva von Arnheim, by Christian Schad. 1930. 41.2 by 31.7 cm. (Lafayette Parke Gallery, New York).
Exhibition Review
Twentieth-Century German Art. London
12/1984 | 981 | 126
Pages: 786+800-801+803
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related names
Reviewer:
Rogoff, Irit (Rogoff, Irit; Keynan-Rogoff, Irit; Rogoff, Irit Keynan)
Subjects
artists:
Hubbuch, Karl
artists:
Tappert, Georg
dates:
1980-1989
places:
England / London
private galleries:
Fischer Fine Art, London, Great Britain
subjects:
Exhibitions / Reviews
subjects:
Neue Sachlichkeit / German painting
Illustrations
Attributed works:
61. Trinity College Church and Trinity Hospital from the South-West with Calton Hill in the Background, by David Octavius Hill and Robert Adamson. 15.7 by 20.8 cm. (Scottish National Portrait Gallery, Edinburgh). 62. London River - The Limehouse Barge-Builders, by Charles Napier Hemy. 1874-77, 91.5 by 137 cm. (South Shields Museum and Art Gallery). 63. Self-Portrait with Marianne at Studio Window, by Karl Hubbuch. c.1930. 47 by 63 cm. (Exh. Fischer Fine Art, London). 64. Ruin of a Northumbrian Keep, by Charles Napier Hemy. 1864. 43.3 by 68.8 cm. (Laing Art Gallery, Newcastle).
Attributed works:
74. Nude in Bauhaus Chair, by Karl Hubbuch. Crayon, Indian Ink and Water-Colour, 65 by 47 cm. (Exh. Fischer Fine Art, London).
Attributed works:
75. Gramophone, by Karl Hubbuch. Signed. Crayon, 53.5 by 44 cm. (Exh. Fischer Fine Art, London).