museums and institutions:
Attributed works:
1. Benvenuto Cellini dictating his Autobiography, by Giuseppe Mazza. 1835. Canvas, 74.5 by 86 cm. (Galleria Nazionale d’Arte Moderna, Milan, on deposit at the Palazzo di Giustizia, Milan).
Attributed works:
10. Portrait of Benvenuto Cellini, by Francesco Salviati. c.1540–45. Oil on slate, 68 by 51 cm. (Musée Fabre, Montpellier).
Attributed works:
11. Detail of the Crucifix, by Benvenuto Cellini. 1556–62. Carrara marble on black marble, 185 cm. high. (San Lorenzo el Real, El Escorial).
Attributed works:
12. Ganymede, by Benvenuto Cellini and Willem van Tetrode. c.1546. Marble (including antique torso), 105.5 cm. high. (Museo Nazionale del Bargello, Florence).
Attributed works:
13. Maquette for the self-portrait for his own tomb, by Francesco Ferrucci del Tadda. Before 1576. Terracotta, 43.5 by 32.1 cm. (Victoria and Albert Museum, London).
Attributed works:
14. Lorenzo de’ Medici, Duke of Urbino, by Antonio di Gino Lorenzi. c.1556–59. Marble, life-sized. (Sala di Leone X, Palazzo Vecchio, Florence).
Attributed works:
15. Head of Christ, by Francesco Ferrucci del Tadda. Marble on serpentine backing, photographed before the backing was removed in 1945, 48 by 36 cm. (Staatliche Museen, Berlin).
Attributed works:
16. Detail of Fig.2
Attributed works:
17. Medal of Pietro Bembo, by Danese Cattaneo(?), after Benvenuto Cellini. Modelled 1537. Silver, diameter 5.6 cm. (Museo Nazionale del Bargello, Florence).
Attributed works:
18. Medal of Francis I, by Benvenuto Cellini. 1537. Lead, diameter 4.2 cm. (Fitzwilliam Museum, Cambridge).
Attributed works:
19. Medal of Clement VII, by Benvenuto Cellini. 1534. Silver, diameter 4.1 cm. (British Museum, London).
Attributed works:
2. Portrait of Benvenuto Cellini, here attributed to Francesco Ferrucci del Tadda, probably after a design by Benvenuto Cellini. c.1555–70. Marble, 57 by 38 by 4 cm. (Museo Nazionale del Bargello, Florence).
Attributed works:
20. Detail of the Portrait of Bindo Altoviti, seen from behind, by Benvenuto Cellini. c.1550. Bronze, 105.5 cm. high. (Isabella Stewart Gardner Museum, Boston).
Attributed works:
21. Comparison between the eyes of Cellini’s Bindo Altoviti (see Fig.20) and the Bargello relief (see Fig.2).
Attributed works:
21. Comparison between the eyes of Cellini’s Bindo Altoviti (see Fig.20) and the Bargello relief (see Fig.2).
Attributed works:
3. Self-portrait, by Francesco Ferrucci del Tadda; formerly above the artist’s tomb in S. Girolamo, Florence. Before 1576. Porphyry, serpentine and marble, approx. 50 cm. high. (Cathedral, Fiesole).
Attributed works:
4. Self-portrait, by Francesco da Sangallo. 1542. Marble, 64.4 by 42.5 cm. (S. Maria Primerana, Fiesole).
Attributed works:
5. Detail showing Benvenuto Cellini from Cosimo I among his artists, by Giorgio Vasari and workshop. c.1556–59. Fresco. (Sala di Cosimo I, Palazzo Vecchio, Florence).
Attributed works:
6. Self-portrait, by Baccio Bandinelli. 1550. Marble, 54.2 by 42 cm. (Musée des Beaux-Arts, Strasbourg).
Attributed works:
7. Self-portrait, by Baccio Bandinelli; a detail of the artist’s tomb. c.1559–60. Marble, life-sized. (Cappella Bandinelli, SS. Annunziata, Florence).
Attributed works:
8. Portrait of a man, by Baccio Bandinelli. c.1555. Red chalk, 22.6 by 17.1 cm. (Musée du Louvre, Paris).
Western art unattributed:
9. Portrait of Benvenuto Cellini, by an anonymous Florentine painter. c.1545–50. Oil on porphyry, diameter (excluding frame) 83 cm. (Musée d’Ecouen, Paris).
