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72 articles
Exhibition Review
ED RUSCHA / NOW THEN
10/2024 | 1459 | 166
Pages: 1074–7
related names
Reviewer:
Cahill, James (Cahill, James; Cahill, J.)
Subjects
artists:
dates:
subjects:
Reviewed Items
subjects:
ED RUSCHA / NOW THEN Los Angeles County Museum of Art | :
Illustrations
Attributed works:
21. Large trademark with eight spotlights, by Ed Ruscha. 1962. Oil, house paint, ink and pencil on canvas, 169.5 by 338.5 cm. (© Ed Ruscha; Whitney Museum of American Art, New York; exh. Los Angeles County Museum of Art).
Attributed works:
22. Los Angeles County Museum of Art on fire, by Ed Ruscha. 1965–68. Oil on canvas, 135.9 by 339.1 cm. (© Ed Ruscha; Hirshhorn Museum and Sculpture Garden, Washington; exh. Los Angeles County Museum of Art).
Attributed works:
23. Our flag, by Ed Ruscha. 2017. Acrylic on canvas, 183.9 by 350.5 cm. (© Ed Ruscha; private collection; exh. Los Angeles County Museum of Art).
Attributed works:
24. Installation view of ED RUSCHA / NOW THEN at the Los Angeles County Museum of Art, 2024. (© Ed Ruscha; courtesy Museum Associates and Los Angeles County Museum of Art).
Article
Piranesi, the Stowe Vase and the silver Buckingham Vases
06/2020 | 1407 | 162
Pages: 502-511
related names
Author:
Chambers Mills, Rosie (Chambers Mills, Rosie)
Subjects
collectors and dealers:
dates:
museums and institutions:
styles:
subjects:
Illustrations
Attributed works:
1. Buckingham Vase, marked by Paul Storr, London. 1811–12. Silver, 40 by 35.6 by 26.7 cm. Los Angeles County Museum of Art, purchased with funds provided by The Rosalinde and Arthur Gilbert Foundation, the family of Sir Arthur Gilbert, and Marilyn B. and Calvin B. Gross. (Photograph   Museum Associates/LACMA).
Attributed works:
10. Study of an altar, by Bernardino Ciferri. c.1710–30. Red chalk on paper, 30.3 by 28 cm. (British Museum, London).
Attributed works:
11. Her Majesty’s departure from Stowe House, from the Illustrated London News, 25th January 1845. Engraving. (Bridgeman Images).
Attributed works:
12. Marble vase from Hadrian’s Villa, by Henry Moses. Engraving. (Repr. Vorbilder für Fabrikanten und Handwerker, Berlin 1830, part 1, section 2, pl.23; Kupferstichkabinett, Staatliche Museen zu Berlin).
Attributed works:
13. Detail of the Innovo Vase, by Michael Eden. 2016. Coated nylon. 50.2 by 40.6 by 29.2 cm. Los Angeles County Museum of Art, gift of Viveca Paulin-Ferrell and Will Ferrell, Alice and Nahum Lainer, Shannon and Peter Loughrey, and Heidi Wettenhall and Said Saffari through the 2016 Decorative Arts and Design Acquisitions Committee (DA ). (  Michael Eden; photograph   Museum Associates/LACMA.
Attributed works:
2. The Stowe Vase (front), from Vasi, candelabri [. . .], by Giovanni Battista Piranesi, Rome 1778. Etching on paper, plate 57 by 37.5 cm.
Attributed works:
3. The Stowe Vase (side), from Vasi, candelabri [. . .], by Giovanni Battista Piranesi, Rome 1778. Etching on paper, plate 57 by 37 cm.
Attributed works:
4. The Stowe Vase. Rome, 2nd century BC. Marble, 119.4 by 101.6 by 76.2 cm. Los Angeles County Museum of Art, William Randolph Hearst Collection. (Photograph   Museum Associates/LACMA).
Attributed works:
5. Doncaster Race Cup, marked by Rebecca Emes & Edward Barnard. 1828. Silver with gilding, height 39.4 cm. (Temple Newsam House, Leeds Museums and Galleries).
Attributed works:
6. Detail of a design for a sauce tureen, from an album, ‘Designs for plate etc. by John Flaxman’, by Edward Hodges Baily, fol.16r. c.1820. Pencil and ink on paper, 51 by 31.4 cm. (Victoria and Albert Museum, London).
Attributed works:
7. Pair of wine coolers, marked by Benjamin Smith, London. 1814–15. Silver with gilding, each 36.7 by 34.3 by 24.8 cm. (Virginia Museum of Fine Arts, Richmond, gift of Rita R. Gans; photograph Katherine Wetzel).
Attributed works:
8. Wine cooler (one of four), marked by Barnard & Sons, London. 1828–29. Silver with gilding, 36.2 by 30.5 by 22.2 cm. (Minneapolis Institute of Art, Minneapolis).
Attributed works:
9. Wine cooler (one of a pair), marked by Barnard & Sons, London. torted the profile of the Stowe Vase to match the other vase, 1831–32. Silver with gilding, height 37 cm. (British Museum, London).
Exhibition Review
Outliers and American Vanguard Art. Los Angeles County Museum of Art
03/2019 | 1392 | 161
Pages: 246-248
related names
Reviewer:
Pohl, Frances K. (Pohl, Frances K. )
Subjects
Illustrations
Attributed works:
19. Adelard the drowned, master of ‘The Phantom’, by Marsden Hartley. c.1938–39. Board, 71.1 by 55.9 cm. (Frederick R. Weisman Art Museum at the University of Minnesota, Minneapolis; exh. Los Angeles County Museum of Art).
Attributed works:
20. Candy Darling, by Greer Lankton. 1985. Fabric, wire, glass, human hair, acrylic paint, matte medium, feathers and metal, 76.2 by 30.5 by 7.6 cm. (Paul Monroe; Greer Lankton Archive Museum; exh. Los Angeles County Museum of Art).
Attributed works:
21. Take my yoke upon you and learn of me saith Jesus, #1,060, by Howard Finster. 1977–78. Paint on board with embossed wood, 44.5 by 122.6 cm. (High Museum of Art, Atlanta; exh. Los Angeles County Museum of Art).
Exhibition Review
The Chiaroscuro Woodcut in Renaissance Italy. National Gallery of Art, Washington
11/2018 | 1388 | 160
Pages: 953-955
related names
Reviewer:
Wilson, Bronwen (Wilson, Bronwen)
Subjects
dates:
media:
Illustrations
Attributed works:
4. Diogenes, by Ugo da Carpi, after Parmigianino. c.1527–30. Woodcut, 48.4 by 34.8 cm. (Los Angeles County Museum of Art; exh. National Gallery of Art, Washington).
Attributed works:
5. St Philip, by Domenico Beccafumi. c.1540. Woodcut, 28.2 by 17 cm. (Library of Congress Prints and Photographs Division, Washington; exh. National Gallery of Art, Washington).
Attributed works:
6. A skull, by Andrea Andreani, after Giovanni Fortuna (?). c.1588. Woodcut, 28.1 by 33.7 cm. (The British Museum, London; exh. National Gallery of Art, Washington).
Exhibition Review
Charles White: A Retrospective. Museum of Modern Art, New York
11/2018 | 1388 | 160
Pages: 968-970
related names
Reviewer:
Hylton, Richard (Hylton, Richard)
Subjects
dates:
Illustrations
Attributed works:
22. Paul Robeson (Study for Contribution of the negro to democracy in America), by Charles White. 1942–43. Carbon pencil over charcoal, with additions and corrections in white gouache, border in Wolff crayon, on cream drawing board, 63.2 by 48.4 cm. (Princeton University Art Museum, Princeton NJ; © The Charles White Archives; exh. Museum of Modern Art, New York).
Attributed works:
23. Awaken from the unknowing, by Charles White. 1961. Compressed brown and grey vine charcoal with scratching out, blending and erasing on cold-pressed illustration board, 78.7 by 142.2 cm. (Blanton Museum of Art, The University of Texas at Austin; © The Charles White Archives; exh. Museum of Modern Art, New York).
Attributed works:
24. Wanted poster series #17, by Charles White. 1971. Oil wash and pencil on poster board, 152.4 by 76.2 cm. (Flint Institute of Arts, Flint MI; © The Charles White Archives; exh. Museum of Modern Art, New York).
Book Review
Painted in Mexico, 1700–1760: Pinxit Mexici. Edited by Ilona Katzew
07/2018 | 1384 | 160
Pages: 607-608
related names
Reviewer:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
dates:
media:
patrons:
Illustrations
Attributed works:
4. View of the Plaza Mayor of Mexico, by Juan Patricio Morlete Ruiz. 1770. Canvas, 96.8 by 151 cm. (National Museum of Fine Arts, Malta).
Article
The Modigliani Technical Research Study. Modigliani in the South of France
05/2018 | 1382 | 160
Pages: 394-399
related names
Author:
Centeno, Silvia A. (Centeno, Silvia A.)
Author:
Duvernois, Isabelle (Duvernois, Isabelle)
Author:
Fronek, Joe (Fronek, Joe)
Author:
King, Annette (King, Annette)
Author:
Townsend, Joyce H. (Townsend, Joyce H.)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
1. The little peasant, by Amedeo Modigliani. c.1918. Oil and tempera on canvas, 100 by 64.5 cm. (Tate, London).
Attributed works:
10. The Italian woman, by Amedeo Modigliani. c.1918–19. Canvas, 102.6 by 67 cm. (Metropolitan Museum of Art, New York).
Attributed works:
11. Photomicrograph of Fig.1 showing top of split in sitter’s shirt.
Attributed works:
12. Details of Fig.1 showing (a) sleeve of sitter’s right arm; and (b) sitter’s right knee.
Attributed works:
13. Details of signatures from (a) Fig.1; (b) Fig.2; and (c) Fig.10.
Attributed works:
2. Young woman of the people, by Amedeo Modigliani. 1918. Oil (and possibly water-based media) on canvas, 100.3 by 65.1 cm. (Los Angeles County Museum of Art).
Attributed works:
3. Detail from the infra-red reflectogram of Fig.1, showing underdrawing circling the face.
Attributed works:
4. Detail from the infra-red reflectogram of Fig.2, showing underdrawing of a bracelet.
Attributed works:
5. X-radiograph of Fig.1.
Attributed works:
6. Fig.1 in transmitted light.
Attributed works:
7. Macro-XRF map details of Fig.10: (a) iron; (b) mercury; (c) calcium.
Attributed works:
8. Detail of Fig.10.
Attributed works:
9. Detail of Fig.2.
Attributed works:
[Appendix. Table showing the results of pigment, media, ground preparation and varnish analyses, and of the canvas thread counts, of Figs.1, 2 and 10.]
Book Review
Corpus of Early Netherlandish Painting: Los Angeles Museums. By Diane Wolfthal and Cathy Metzger
08/2017 | 1373 | 159
Pages: 640-641
related names
Reviewer:
Kemperdick, Stephan (Kemperdick, Stephan; Kemperdinck, Stephan)
Subjects
Illustrations
Attributed works:
46a. Detail of gold brocade in Portrait of Isabella of Portugal, by workshop of Rogier van der Weyden. c.1450 (J. Paul Getty Museum, Los Angeles)
Attributed works:
46b. Detail of the Columba altarpiece, by Rogier van der Weyden. c.1450-55 (Alte Pinakothek, Munich)
Publication Received
Agnes Martin: Her Life and Art. By Nancy Princenthal & Agnes Martin and Me. By Donald Woodman.
11/2016 | 1364 | 158
Pages: 912
Exhibition Review
Robert Mapplethorpe. Los Angeles, Montreal and Sydney
08/2016 | 1361 | 158
Pages: 678-680
related names
Reviewer:
Silberman, Robert (Silberman, Robert; Silberman, Robert B.)
Subjects
dates:
subjects:
Illustrations
Attributed works:
82. Joe, NYC, by Robert Mapplethorpe. 1978 (J. Paul Getty Trust, Los Angeles, and Los Angeles County Museum of Art; exh. Los Angeles County Museum of Art)
Attributed works:
83. Poppy, by Robert Mapplethorpe. 1988 (J. Paul Getty Trust, Los Angeles, and Los Angeles County Museum of Art; exh. Los Angeles County Museum of Art)
Attributed works:
84. Ken Moody and Robert Sherman, by Robert Mapplethorpe. 1984 (J. Paul Getty Trust, Los Angeles, and Los Angeles County Museum of Art; exh. J. Paul Getty Museum, Los Angeles)
Attributed works:
85. Self-portrait, by Robert Mapplethorpe. 1988 (J. Paul Getty Trust, Los Angeles, and Los Angeles County Museum of Art; exh. J. Paul Getty Museum, Los Angeles)
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