Maioliche italiane del Rinascimento
By Caterina Marcantoni Cherido, with
contributions by Timothy Wilson and Andrea
Bellieni. 377 pp. incl. numerous col. + b. & w. ills.
(Fondazione Musei Civici di Venezia, Venice,
2022), €75. ISBN 978–88–9848–888–9. |
:
Illustrations
Attributed works:
2. Solomon adoring an idol, by Nicola da Urbino.
c.1520–23. Maiolica, diameter 28.4 cm. (Museo
Correr, Venice).
90. Construction (untitled) (Konstruction (ohne Titel)), by George Grosz. 1920 (Stiftung Kunstsammlung Nordrhein-Westfalen; exh. Los Angeles County Museum of Art)
Attributed works:
91. Meeting of fetishists and maniacal flagellants (Zusammenkunft von Fetischisten und manischen Flagellanten), by Rudolf Schlichter. c.1921 (Private collection; exh. Los Angeles County Museum of Art)
Attributed works:
92. Flat irons for show manufacture, Fagus factory (Bügeleisen für Schuhfabrikation, Fagus-Werk, Alfeld), by Albert Renger-Patzsch. 1926 (J. Paul Getty Museum, Los Angeles; exh. Los Angeles County Museum of Art)
76. Fantasy on a magnificent triumphal arch, by Giambattista Piranesi (National Gallery of Art, Washington; exh. Museo Correr, Venice)
Attributed works:
77. A young man embracing a girl, by Giambattista Piazzetta (National Gallery of Art, Washington; exh. Museo Correr, Venice)
Publication Received
Léger: Modern Art and the Metropolis. Edited by Anna Vallye, with contributions by Christian Derouet, Maria Gough, Stuart Liebman, Spyros Papapetros, Anna Vallye and Jennifer Wild.
Klimt persönlich: Bilder – Briefe – Einblicke |
institution: Leopold Museum
subjects:
Klimt. Die Sammlung des Wien Museums |
institution: Wien Museum
Illustrations
Attributed works:
41. The auditorium at the Altes Burgtheater, by Gustav Klimt. 1888/89. Watercolour and gouache with gold highlighting on paper, 91.2 by 103 cm. (Wien Museum, Vienna).
Attributed works:
42. Portrait of a lady in cape and hat, by Gustav Klimt. 1897/98. Black and red chalk on paper, 44.6 by 31.8 cm. (Albertina, Vienna).
Attributed works:
43. Standing dancer in profile with head turned to the left, by Gustav Klimt. 1916/17. Graphite on paper, 49.6 by 32.4 cm. (Albertina, Vienna).
Attributed works:
45. The park at Schönbrunn, by Gustav Klimt. 1916. Canvas, 110 by 110 cm. (Private collection, Graz; exh. Leopold Museum, Vienna).
Attributed works:
46. Hermann Bahr in his study with Klimt’s ‘Nuda Veritas’, by Aura Hertwig. 1906. Silver gelatin print on cardboard, 16.5 by 10.5 cm. (Österreichisches Theatermuseum, Vienna).
Attributed works:
47. Rosebush and butterflies, by Gustav Klimt. One of seven segments of the cartoon for the mosaic frieze for the western wall of the dining room of the Palais Stoclet, Brussels. 1910–11. Black chalk, graphite, red crayon, gouache, platinum, gold, silver and bronze leaf, gold, silver and bronze powder and zinc white on tracing paper, 195 by 120 cm. (MAK – Museum für angewandte Kunst/Gegenwartskunst, Vienna).
Western art unattributed:
44. Postcard showing interior of the basilica of S. Vitale, Ravenna, with message in pencil, sent by Gustav Klimt to Emilie Flöge, 2nd December 1903. 14 by 9 cm. (Private collection; exh. Leopold Museum, Vienna).
69. The brigadier, by Lucian Freud. 2033-04. 223.5 by 138.4 cm. (private collection; exh. Museo Correr, Venice).
Attributed works:
70. Project for the Venice Biennale, by Annette Messager. 2005. Mixed media. (Exh. French Pavilion, 51st Biennale, Venice).
Attributed works:
71. Mother's #49, by Miyako Ishiuchi. 2002. Gelatin silver print, 108 by 74 cm. (Collection of the artist; exh. Japanese Pavilion, 51st Biennale, Venice).
Attributed works:
72. Number 4, 1948: Gray and red, by Jackson Pollock. 1948. Enamel on paper, 57.5 by 78.4 cm. (Frederick R. Weisman Foundation, Los Angeles; exh. Peggy Guggenheim Collection, Venice).
Attributed works:
73. Untitled (3rd sketchbook, folio 4), by Jackson Pollock. c.1938-41. Pencil and coloured pencil on paper, 36.2 by 25.4 cm. (metropolitan Museum of Art, New York; exh. Peggy Guggenheim Collection, Venice).