• MENU
logo logo white logo sticky

Burlington Contemporary is the Burlington Magazine’s free online platform for reviews and research on international contemporary art.

Want to continue reading? Get 1 month digital access for only .

Subscribe now
By using this website you agree to our Cookie policy
  • MENU
logo logo white logo sticky

Search

content
A TO Z
clear all
3 articles
Book Review
Gan’s Constructivism: Aesthetic Theory for an Embedded Modernism
07/2020 | 1408 | 162
Pages: 636-637
Buy / subscribe
related names
Reviewer:
Kocialkowska, Kamila (Kocialkowska, Kamila)
Subjects
artists:
Gan, Aleksey
subjects:
Russian art / Constructivist / Politics / Art theory / Social history / Typography / Urban planning / Film (cinema)
Reviewed Items
subjects:
Gan’s Constructivism: Aesthetic Theory for an Embedded Modernism By Kristin Romberg. 312 pp. incl. 72 col. + 38 b. & w. ills. (University of California Press, Oakland, 2018), £54. ISBN 978–0–520–29853–8. | :
Article
Vasily Kandinsky and the Formal method
12/2018 | 1389 | 160
Pages: 1016-1023
Subscribe to read
related names
Author:
Bowlt, John E. (Bowlt, John E.)
Subjects
art literature:
Punin, Nikolay / Tarabukin, Nikolay
artists:
Kandinsky, Wassily / Popova, Liubov / Rodchenko, Aleksander / Stepanova, Varvara / Malevich, Kazimir / Tatlin, Vladimir / Gan, Aleksey / Burlyuk, David / Kulbin, Nikolay
dates:
1900-1949 / 1910-1919 / 1920-1929
media:
Paintings
museums and institutions:
RAKhN (Russian Academy of Artistic Sciences), Moscow, Russia
places:
Russia
subjects:
Russian painting / Russian School / Russian Revolution, Russia / Communism / Marxism / Formalism / Formal analysis / Art theory / Criticism / Art criticism / Art critics / Artists' writings / Literature / Language / Music / Mysticism / Occultism / Spirituality / Science / Composition (artistic arrangement) / Colour / Constructivist / Abstract art / Aesthetics / Taste (aesthetics) / Perception / Study and teaching / Engineering
Illustrations
Attributed works:
1. Elementary life of the primary colour and its dependence on the simplest locale, by Vasily Kandinsky. Illustration to the lecture ‘On the Spiritual in Art’ delivered by Nikolai Kul’bin on Kandinsky’s behalf at the All-Russian Congress of Artists, St Petersburg, 29th and 31st December 1911. Published in Russian in I. Repin et al.: Trudy Vserossiiskogo s’ezda khudozhnikov (Transactions of the All-Russian Congress of artists), Petrograd 1914, I, pp.76–77.
Attributed works:
2. Improvisation 10, by Vasily Kandinsky. 1910. Canvas, 120 by 140 cm. (Fondation Beyeler, Basel; photograph courtesy Peter Schibli).
Attributed works:
3. Tsikl lektsii (Cycle of lectures), by Nikolay Punin. Petrograd 1920. Cover designed by Kazimir Malevich. (Photograph courtesy Museum of Modern Art, New York).
Attributed works:
5. Black lines, by Vasily Kandinsky. 1913. 129.4 by 131.1 cm. (Solomon R. Guggenheim Museum, New York; Bridgeman Images).
Attributed works:
6. Painting with the red spot, by Vasily Kandinsky. 1914. Canvas, 130 by 130 cm. (Centre Georges Pompidou, Paris; Bridgeman Images).
Non-western art unattributed:
4. Members of RAKhN (Russian Academy of Artistic Sciences) in the building of Svomas (Free State Art Studios), Moscow, June 1921. From left to right: Robert Fal’k, Evsei Shor, Nikolai Uspensky, Vasily Kandinsky, Evgenii Pavlov and Aleksandr Shenshin. Reproduced in C. Derouet and J. Boissel, eds.: exh. cat. Œuvres de Vassily Kandinsky (1866–1944), Paris (Centre Georges Pompidou) 1984, p.156.
Publication Received
Constructivism. By Aleksei Gan, translation and introduction by Christina Lodder.
12/2014 | 1341 | 156
Pages: 828
Subscribe to read
related names
Reviewer:
Vernon, Jonathan (Vernon, Jonathan ; V., J.)
Subjects
art literature:
Gan, Aleksey
dates:
1920-1929
subjects:
Manifestoes / Translations / Constructivist
subjects:
Art theory / Artists' writings