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12 articles
Book Review
The Icon and the Square: Russian Modernism and the Russo-Byzantine Revival. By Maria Taroutina
03/2020 | 1404 | 162
Pages: 268-269
related names
Reviewer:
Spira, Andrew (Spira, Andrew)
Subjects
Reviewed Items
subjects:
The Icon and the Square: Russian Modernism and the Russo- Byzantine Revival By Maria Taroutina. 288 pp. incl. 51 col. + 65 b. & w. ills. (Pennsylvania State University Press, University Park PA, 2018),  79.95. ISBN 978–0–271–08104–5. | :
Article
Vasily Kandinsky and the Formal method
12/2018 | 1389 | 160
Pages: 1016-1023
related names
Author:
Bowlt, John E. (Bowlt, John E.)
Subjects
media:
places:
Illustrations
Attributed works:
1. Elementary life of the primary colour and its dependence on the simplest locale, by Vasily Kandinsky. Illustration to the lecture ‘On the Spiritual in Art’ delivered by Nikolai Kul’bin on Kandinsky’s behalf at the All-Russian Congress of Artists, St Petersburg, 29th and 31st December 1911. Published in Russian in I. Repin et al.: Trudy Vserossiiskogo s’ezda khudozhnikov (Transactions of the All-Russian Congress of artists), Petrograd 1914, I, pp.76–77.
Attributed works:
2. Improvisation 10, by Vasily Kandinsky. 1910. Canvas, 120 by 140 cm. (Fondation Beyeler, Basel; photograph courtesy Peter Schibli).
Attributed works:
3. Tsikl lektsii (Cycle of lectures), by Nikolay Punin. Petrograd 1920. Cover designed by Kazimir Malevich. (Photograph courtesy Museum of Modern Art, New York).
Attributed works:
5. Black lines, by Vasily Kandinsky. 1913. 129.4 by 131.1 cm. (Solomon R. Guggenheim Museum, New York; Bridgeman Images).
Attributed works:
6. Painting with the red spot, by Vasily Kandinsky. 1914. Canvas, 130 by 130 cm. (Centre Georges Pompidou, Paris; Bridgeman Images).
Non-western art unattributed:
4. Members of RAKhN (Russian Academy of Artistic Sciences) in the building of Svomas (Free State Art Studios), Moscow, June 1921. From left to right: Robert Fal’k, Evsei Shor, Nikolai Uspensky, Vasily Kandinsky, Evgenii Pavlov and Aleksandr Shenshin. Reproduced in C. Derouet and J. Boissel, eds.: exh. cat. Œuvres de Vassily Kandinsky (1866–1944), Paris (Centre Georges Pompidou) 1984, p.156.
Exhibition Review
In Search of 0,10 – The Last Futurist Exhibition of Painting
01/2016 | 1354 | 158
Pages: 061–062
related names
Reviewer:
Lodder, Christina (Lodder, Christina; L., C.; Lodder, Christina A.)
Subjects
dates:
places:
Illustrations
Attributed works:
80. Travelling woman, by Lyubov Popova. 1915 (State Museum of Contemporary Art, Thessaloniki, Costakis Collection; exh. Fondation Beyeler, Basel)
Attributed works:
81. Suprematism: non-objective composition, by Kazimir Malevich. 1915 (Ekaterinburgh Museum of Fine Arts; exh. Fondation Beyeler, Basel)
Attributed works:
82. Corner counter-relief, by Vladimir Tatlin. 1925 reconstruction by the artist of the 1915 original (State Russian Museum, St Petersburg; exh. Fondation Beyeler, Basel)
Publication Received
Tatlin. New Art for a New World. International Symposium. Edited by Roland Wetzel and Gian Casper Bott.
10/2013 | 1327 | 155
Pages: 720
related names
Reviewer:
Blood, Anne (Blood, Anne)
Subjects
artists:
dates:
museums and institutions:
Book Review
Tatlin’s Tower. Monument to Revolution
04/2010 | 1285 | 152
Pages: 256-257
related names
Reviewer:
Hammer, Martin (Hammer, Martin)
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artists:
dates:
Reviewed Items
subjects:
Tatlin’s Tower. Monument to Revolution | author: Lynton, Norbert
Article
Colour in Vladimir Tatlin’s counter-reliefs
01/2008 | 1258 | 150
Pages: 28-34
related names
Author:
Lodder, Christina (Lodder, Christina; L., C.; Lodder, Christina A.)
Subjects
dates:
subjects:
subjects:
Illustrations
Attributed works:
37. The nude (Composition with a nude), also known as Nude no.1, by Vladimir Tatlin. 1913. Canvas, 143 by 108 cm. (State Tretyakov Gallery, Moscow).
Attributed works:
38. Selection of materials: zinc, palisander wood and spruce, by Vladimir Tatlin. 1916. Varnished palisander wood, sheet iron, galvanised sheet iron and wood, 100 by 64 by 27 cm. (State Tretyakov Gallery, Moscow).
Attributed works:
39. Corner counter-relief, by Vladimir Tatlin. 1925, replica of a 1915 original. Blackened iron sheet, copper, wood, rope and reinforcing elements, 71 by 118 cm. (State Russian Museum, St Petersburg).
Attributed works:
40. Pictorial relief (Synthetic-static composition; counter-relief), by Vladimir Tatlin. 1914. Wood, various metals and leather, 63 by 53 by 13 cm. (State Tretyakov Gallery, Moscow).
Attributed works:
41. A clear night, the sea bay (The ship’s deck): design for the third(?) act of Richard Wagner’s opera ‘The Flying Dutchman’, by Vladimir Tatlin. 1915. Canvas, 87 by 156 cm. (Bakhrushin State Theatrical Museum, Moscow).
Attributed works:
42. Blue counter-relief (Pictorial relief; synthetic-static composition), by Vladimir Tatlin. 1914. Wood, metal, leather, chalk, dye and oil, 79.5 by 44 by 7.3 cm. (Berlinische Galerie, Berlin).
Attributed works:
43. Pictorial relief (Counter-relief), by Vladimir Tatlin. 1915–16. Wood, brass, tin, dye and oil, 85 by 43 cm. (Private collection, Germany)
Attributed works:
44. The month of May, by Vladimir Tatlin. 1916. Tempera and mixed media on wood, 52 by 39 cm. (National Gallery, Berlin).
Attributed works:
45. Board no.1: Staro-Basman, by Vladimir Tatlin. 1916. Tempera, oil and gilt-bronze on wood, 100 by 57 cm. (State Tretyakov Gallery, Moscow).
Exhibition Review
Tatlin. Baden-Baden and Moscow
01/1994 | 1090 | 136
Pages: 46-48
related names
Reviewer:
Lodder, Christina (Lodder, Christina; L., C.; Lodder, Christina A.)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
44. Corner Counter-Relief, by Vladimir Tatlin. 1926. Mixed Media, 71 by 118 cm. (State Russian Museum, St Petersburg; Exh. Staatliche Kunsthalle, Baden-Baden).
Attributed works:
45. Blue Counter-Relief, by Vladimir Tatlin. 1914. Mixed Media, 79.5 by 66 cm. (Private Collection, Munich; Exh. Staatliche Kunsthalle, Baden-Baden).
Attributed works:
46. Month of May (Composition), by Vladimir Tatlin. 1916. Tempera and Mixed Media on Panel, 52 by 39 cm. (Nationalgalerie, Berlin; Exh. Staatliche Kunsthalle, Baden-Baden).
Attributed works:
47. Nude, by Vladimir Tatlin. 1913. 114.3 by 108 cm. (Tretyakov Gallery, Moscow; Exh. Staatliche Kunsthalle, Baden-Baden).
Advertisements
Advertisements October 1982 (Front)
10/1982 | 955 | 124
Pages: i-xliv
Subjects
advertisements:
advertisements:
advertisements:
artists:
artists:
subjects:
Illustrations
Attributed works:
[ Ab Stockholms Auktionsverk, Jakobsgatan 10, Stockholm ] An Early Meissen Chinoiserie Tea and Coffee Service, Gilders's Mark 16 (Bowl 55), Circa 1725
Attributed works:
[ Agnew, 43 Old Bond Street, London ] Claude Lorrain A Group of Trees in Sunlight Pen and Brown Wash Inscribed and Dated 1633 248 × 190 mm
Attributed works:
[ Baskett & Day 173 New Bond Street, London ] William Alexander (1767-1816) Hadleigh Church, Barnet Pencil and Colour Wash, 250 × 182 mm
Attributed works:
[ Christopher Mendez, 51 Lexington Street, London ] J. E. Liotard. Self Portrait. A Counterproof of an Unfinished State of Liotard's Etching of c.1733 (Tilanus 1).
Attributed works:
[ Christopher Wood Gallery, 15 Motcomb Street, Belgravia ] Dante Gabriel Rossetti Mrs William Morris, Reclining on a Sofa. Dated 26 July 1870 Pencil Drawing 12½ × 16½ Inches
Attributed works:
[ Christopher Wood Gallery, 15 Motcomb Street, Belgravia ] Sir William Quiller Orchardson Study of a Seated Woman Chalk Drawing on Buff Paper 26 × 29½ inches
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 26 East 80th Street, New York ] Bronzino 1503-1572. Portrait of a Man, Panel: 109 × 85 cms.
Attributed works:
[ Cover ] Detail from Chirk Aqueduct, by John Sell Cotman. Pencil and Water-Colour on Laid Paper. (Victoria and Albert Museum).
Attributed works:
[ D.S. Lavender, 63 South Molton Street, Brook Street, London ] A Rare Double Sided Miniature of Charles I and Henrietta Maria School of Alexander Cooper in Contemporary Gold and Enamel Frame, Circa 1640
Attributed works:
[ David Koetser Gallery, 37 Talstrasse, Zurich ] Jacob Esselens. Signed. Canvas, 45 × 65 cms
Attributed works:
[ Enrico Gamberucci, Spitalgasse 9/11, Zurich ] Giovanni Battista Paggi/Genoa 1554-1627 Jeux d'enfants. Red Chalk with Sepia, 180 × 250 mm
Attributed works:
[ Fischer Fine Art Limited, 30 King Street, St James's, London ] Thomas Jeckyll
Attributed works:
[ French & Company, 17 East 65th Street, New York ] Francisco Goya the Annunciation Canvas, 16¼ × 10¼ in.
Attributed works:
[ Galerie Gruenwald, Residenzstr. 13/III. Eingang Gotischer Hof., Munich ] J. H. Schönfeld (1609-1683) The Rape of the Sabine Women. Oil on Canvas 110 × 160 cm.
Attributed works:
[ Galerie Grunewald, Munich ] Jacob Philipp Hackert (1737 Prenzlau - 1807 S. Piero di Careggio) View of the Solfatara and the Bay of Pozzuoli with Cape Miseno and the Isle of Ischia in the Background. Oil on Canvas, 117 × 165 cm.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] 1 Collection of 18th Century Zurich Porcelain and Faiences.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] 1 Commode, Louis XV, by Matthäus Funk, about 1769, Berne. Root Walnut.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] 1 Jacob van Ruisdael (Haarlem about 1628-1682 Amsterdam). Oil on Canvas, Signed. 52 × 63 cm. Provenance: Colnaghi, London 1925; Burle Collection, Zurich.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] 1 Meissen, 1735/40.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] 1 Pablo Picasso (Malaga 1881-1973 Mougins). Femme au chignon. Lithography, 1957. One of 50. Signed. Bloch 853.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] 1 Violin by J. B. Guadagnini, Cremona 1758, with Certificate of W. Moennig + Son.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] 2 Auguste Rodin (Paris 1840-1917 Meudon). Femme Accroupie. Bronze. Signed. Alexis Rudier Fondeur, Paris. 32 cm (12¾ in.). Prov. Galerie Beyeler, Basle.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] 2 Höchst, 18th Century/Ludwigsburg, 18th Century.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] 2 Pierre-Auguste Renoir. "Jeune fille au chapeau à fleurs", 1917. Oil on Canvas, Signed. 32 × 28 cm.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] 2 Violin by Ferdinand Gagliano, with Certificate of J. A. Beare.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] 3 Carl Spitzweg (1808 Munich 1885). "Der Antiquar". Oil on Canvas, Signed. 54 × 32 cm.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] 3 Harpsichord by H. Mahieu, Brussels 1732.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] 3 Tea and Coffee Service in Original Case, Meissen, 18th Century.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] 3 Travailleuse, Louis XV, Signed Delorme (Adrien Delorme-Faizelot, Master 1748), Paris. Satinwood and Walnut.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] 4 Alexej von Jawlensky (Torschok, Twer, Russia, 1864-1941 Wiesbaden). Geheimniss (Sic), Nr. 19. Mixed Media, 1924. With the Monogram. On Hardboard 41,3 × 32,4 (16¼″ × 12¾"). Weiler 19.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] Jan van Kessel (1626 Antwerp 1679). Oil on Panel, Signed. 34,5 × 24 cm.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ]2 Jan van Goyen (Leiden 1596-1656 Den Haag). Oil on Panel, Monogram and Dated 1646. 35,5 × 39,3 cm. Provenance: Coll. Dr. Heinrich Baron von Thyssen-Bornemisza, Lugano.
Attributed works:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 1 Marc Chagall "Fleurs et amants", 1935. Gouache, Signed. 56 × 46 cm.
Attributed works:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 1 Pair of Commodes, Louis XV, by the Spindler Brothers, about 1762/70, Bayreuth. Inscribed: Prinzlich Reusischer Fideicommiss, Trebschen, 437. Provenance: Emden Collection, Ronco, Tessin, Château de B., Rolle, Vaud.
Attributed works:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 1 Table Lamp, Sign. Daum, Nancy, about 1910. H 57 cm.
Attributed works:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 2 Louis XVI Cylinderbureau, Signed E. Levasseur (Master 1766), Paris. Rosewood, Palisander and Mahogany.
Attributed works:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 2 Vase Bud Shaped, Sign. Gallé, about 1900, Ground. H 35 cm.
Attributed works:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 3 "Ranftbecher", View of Vienna. A. Kothgasser, about 1830. H 12 cm.
Attributed works:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 3 Aberli, J. L. (1723-1786). Vûe d'Yverdon. Copperplate Etching Coloured. 1779.
Attributed works:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 3 Ameublement, Louis XVI, Signed A. Gaillard, Master 1781, Paris. Composed of Canapé and 8 Armchairs Upholstered in Tapestry.
Attributed works:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 3 Marc Chagall (Witebsk 1887, Lives in St-Paul-de-Vence). La Famille du Peintre. Color Lithograph, 1972. One of 50. Signed. Mourlot 679.
Attributed works:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 4 Aberli, J. L. (1723-1786). Vûe dessinée à Mouri. Copperplate Etching Coloured. 1784.
Attributed works:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 4 Coffee Pot, Augsbourg, about 1752. By Joh. Georg Kloss(e). H 22,5 cm.
Attributed works:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 4 Georges Rouault "Promenade du Père Ubu", 1939. Oil on Canvas, Signed. 68 × 52 cm.
Attributed works:
[ Hirschl & Adler Galleries Inc, 21 East 70th Street, New York / Leger Galleries, 13 Old Bond Street, London ] Sir Thomas Lawrence, P. R. A. Mrs. Thomson and Her Son, Charles, Later Lord Sydenham, Governor General of Canada, 1805. Oil on Canvas, 86¾ × 57 Inches
Attributed works:
[ Marlborough Fine Art ( London) Ltd, 6 Albemarle Street, London ] Alberto Giacometti L'intérieur de l'atelier, 1951, Oil on Canvas: 73.2 × 60.2 cm
Attributed works:
[ Mia N. Weiner, 36 East 64th Street, New York ] School of Raphael, ca. 1525 Study from "The Dying Alexander" Black Chalk, Brown Wash & White Gouache Highlights on Blue Paper; 5⅜ × 4⅜″; Scored for Transfer Historiated Initial from a Choirbook Archangel Gabriel and the Three Marys Siena, 13th c. Colors & Burnished Gold on Vellum; 9 × 7″
Attributed works:
[ Nella Longari, Via Bigli 15, Milan ] The Holy Virgin Assisted by John the Evangelist and the Pious Women - Terra-Cotta Bologna, Last Quarter of the 15th Century (Circle of Niccolò dell'Arca) - 24 cm (Height) × 25 cm (Width) × 0,7 cm (Depth)
Attributed works:
[ Noortman & Brod, 1020 Madison Avenue, New York ] David Teniers the Younger 1610-1690. Interior of a Guard Room, Provenance: The Earls of Warwick Warwick Castle. Canvas: 24¼ × 34½ Inches 61.5 × 87.5 cms Signed
Attributed works:
[ Schmit, 396 Rue St. Honoré, Paris ] "Paris. Le Quai du Louvre" by Marquet Canvas. H. 25⅝ ins. - W. 31⅞ ins. Signed on the Lower Right. Painted in 1905.
Attributed works:
[ Somerville & Simpson Ltd, 11 Savile Row, London ] Charles Samuel Keene 1823-1891 The Artist and His Mother in the Artist's Studio. Pen and Brown Ink 12½ × 7½ ins., Signed with Initials Inscribed verso: A Foggy Day/Painter Cleaning His Skylight, Provenance: Christ Church Museum, Ipswich
Attributed works:
[ Sotheby's, 1334 York Avenue, New York ] A Louis XV Ormolu-Mounted Marquestry Table à la Bourgogne, Mid 18th Century, 71.1 cm. High, 70.5 cm. Wide, 48.9 cm. Deep A Louis XVI Ormolu Console Table, Attributed to Gouthiere, Last Quarter 18th Century, 87.6 cm. High, 97.8 cm. Wide, 41.9 cm. Deep A Louis XVI Ormolu-Mounted Marquetry Commode, Signed BVRB, Mid 18th Century, 84.5 cm. High, 114.3 cm. Wide, 53.3 cm. Deep
Attributed works:
[ Sotheby's, 1334 York Avenue, New York ] J. M. W. Turner, Landscape with Walton Bridges, Painted c. 1840-45, Property from the Estate of Henry S. Morgan, 87.6 by 118 cm.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Johann Gregor van der Schardt (Nymwegen c. 1530-c. 1581) Minerva, Bronze, 1570-75, 53 cm. From the Paul von Praun Collection, Nuremburg c. 1580-1801.
Attributed works:
[ Spencer A. Samuels & Company Ltd, 13 East 76th Street, New York ] Schor, Giovanni Paolo, 1615-1674 "Design for a Monstrance." Black Chalk, Pen and Brown Ink, brown Wash (On Two Attached Sheets; Both Watermarked with a Strasbourg Lily) 32⅜ × 13¾ in.
Attributed works:
[ Th. Laurentius, Orangerie Duivenvoorde, 2252 Ak Voorschoten ] Adriaen van Ostade 1610-1685 "Man and Woman Talking" Etching. Bartsch 37, the Rare First State (Of Five).
Attributed works:
[ Wicherts, Bonner Talweg 75, Bonn ] A Superb Study of Workshop Rubens, about 1615-1620, Hercules and the Nemean Lion, from the Collection of King Ferdinand I of Roumania, Sinaia Castle-Oldenbourg, Rubens, 1922.
Attributed works:
[ Wicherts, Bonner Talweg 75, Bonn ] Bartholomäus van der Helst "Portrait So Called His Framemaker". Oil on Canvas, Signed and Dated 16...
Attributed works:
[ Wicherts, Bonner Talweg 75, Bonn ] Dirk Maas, Resting in a Woodlandscape, Oil on Canvas, Signed and Dated 1680.
Attributed works:
[ Wicherts, Bonner Talweg 75, Bonn ] Eugene Delacroix, Early Fine Work by Him after Rubens Painting Peace & War, Now in London.
Attributed works:
[ Wicherts, Bonner Talweg 75, Bonn ] Tintoretto, Portrait of a Noble Man, See R. Palucchini-P. Rossi, Tintoretto-Le Opere Sacre e profane, Venice 1982, Cat. No. R 14I11. 612, Page 616, Vol. I and II. Tintoretto, Portrait of "Catarina Sandella" about 1580, See R. Pallucchini-P. Rossi, H. Ritrato, Venice 1973. Colour Plate V. Very Important Portrait.
Attributed works:
[ Wildenstein, 147 New Bond Street, London ] Bellotto. View of Verona
Attributed works:
[ William Weston Gallery, 7 Roayal Arcade, Albemarle Street, London ] Eugène Delacroix 1798-1863 Femme Nue Vue de Dos Etching. 1883. Proof of the First State.
Attributed works:
[The Journeyman Photoagency, 97 Ferme Park Road, London] Drawing by V. Tatlin, 1923
Non-western art unattributed:
[ Frides Lameris antiquair, Nieuwe spiegelstraat 55, Amsterdam ] Chinese Dish of Enamelled Porcelain Decorated in Pale Famille Verte Colours with an Artistic Design. Early 18th Century. Marked Six-Characters Mark of the Ch'êng-hua Period. Diam: 15.5 cm. (Comp. Catalogue of Ch'ing Enamelled Ware in the Percival David Foundation of Chinese Art by Lady David. Nos 869 and 870.)
Non-western art unattributed:
[ Galerie Koller, Rämistrasse 8, Zurich ] 1 Important Japanese Lacquer Cabinet with the Arms of the Tokugawa Family. End of 18th Century.
Non-western art unattributed:
[ Galerie Koller, Rämistrasse 8, Zurich ] 2 Superb Gold Goblet, Luristan, 9th/7th c. B. C. H 194 mm, O̵ Sup. 95 mm.
Non-western art unattributed:
[ Galerie Koller, Rämistrasse 8, Zurich ] 4 Gold and Rock Crystal Dagger. Mesopotamy. Beginning of the Second Millenium B. C. L 268 mm.
Non-western art unattributed:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 1 Saruk, about 1900, 207 × 129 cm.
Non-western art unattributed:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 1 Thanka, Nepal, 18th Century. 73 × 49 cm.
Non-western art unattributed:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 2 Kaschgai, about 1900, 180 × 128 cm.
Non-western art unattributed:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 2 Magnificent Lacquer-Pagoda with the Arms of the Tokugawa Family. Early 19th Century. H 240 cm.
Non-western art unattributed:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 2 Thanka, Nepal, 18th Century. 71 × 46 cm.
Non-western art unattributed:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 3 Bodhisattva Manjushri. Bronze. Kashmir, 12th Century. Height 17 cm.
Non-western art unattributed:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 3 Pair of Display Candelabra, Japanese Cloisonné and Gilt Bronze. Presented by the Mikado to Louis-Philippe. Total Height 234 cm.
Non-western art unattributed:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 4 Vajrasattva. Bronze. Western Tibet, 15th Century. Height 29 cm.
Non-western art unattributed:
[ Neumeister, Barer Strasse 37, Munich ] Rare Rouleau-Vase with Kangxi Marks in Two Rings and Period 1662-1722. Decorated with the Colours of "Famille Verte". Height 47 cm. Former Leonard Gaw Collection.
Western art unattributed:
[ Entwistle, 70 South Audley Street, London ] This extremely rare hunting-horn or oliphant belongs to a small group of objects which have come to be known as Afro-Portuguese ivories. Executed to Portuguese royal orders by craftsmen from the Sherbro tribe of Sierra Leone production would seem to have begun around 1500 AD during the reign of Manuel I and extended some hundred and fifty years. They are among the earliest and rarest surviving works of art from West Africa and are almost all in museums, the greatest collection being in the British Museum. The present piece is carved in low relief with European hunting scenes and emblazoned with the arms of Manuel I. and with his personal emblem, the armillary sphere. It measures forty-nine and a half centimeters in length.
Western art unattributed:
[ Galerie Koller, Rämistrasse 8, Zurich ] 1 Engraved Rock Crystal Pendant Byzantine Work, 4th/5th c. A. D. 75 × 55 × 15 mm. With Its Chain.
Western art unattributed:
[ Galerie Koller, Rämistrasse 8, Zurich ] 2 Trois-Corps, Baroque, about 1740, Austria/Styria. Walnut, Plum, Maple and Birch.
Western art unattributed:
[ Galerie Koller, Rämistrasse 8, Zurich ] 3 Cypriot Gold Armlet, 5th/4th c. B. C. 99 × 90 × 13 mm.
Western art unattributed:
[ Galerie Koller, Rämistrasse 8, Zurich ] 4 Chimney-Clock, Restauration, Paris, about 1820.
Western art unattributed:
[ Galerie Koller, Rämistrasse 8, Zurich ] 4 Original Case to Meissen Service.
Western art unattributed:
[ Galerie Koller, Rämistrasse 8, Zurich ] 5 Important Long-Case Clock, Louis XV, about 1760, Signed Admyrault, Paris.
Western art unattributed:
[ Galerie Koller, Rämistrasse 8, Zurich ] Wine: 5 Private Cellars: About 2000 Bottles of Bordeaux, Burgundy.
Western art unattributed:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 1 The Mount of Calvary, Fribourg (Switzerland) or Westphalian, after 1500, Polychrome Wood Relief. H 106,5 cm.
Western art unattributed:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 2 Service with Ornithological Decor Comprising 23 Parts. Zurich, about 1770.
Western art unattributed:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 2 The Mourning Virgin, Burgundy, about 1450. Polychrome Wood Figure, H 106 cm.
Western art unattributed:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 5 Tankard, Nuremberg, about 1670. H 25,5 cm.
Exhibition Review
Current and Forthcoming Exhibitions: Paris-Moscow 1900-1930, at the Centre Pompidou, Paris
09/1979 | 918 | 121
Pages: 600+602-603
related names
Reviewer:
Compton, Susan P. (Compton, Susan P.; Compton, Susan)
Subjects
artists:
artists:
artists:
artists:
dates:
dates:
museums and institutions:
places:
subjects:
subjects:
Illustrations
Attributed works:
65. Blue Arc (Crete) 1917, by Vassily Kandinsky. 133 by 104 cm. (Russian Museum, Leningrad; Exh. Centre Pompidou, Paris).
Attributed works:
66. The Red House, by Kasimir Malevich. 1932. 63 by 55 cm. (Russian Museum, Leningrad; Exh. Centre Pompidou, Paris).
Attributed works:
67. The Horsemen, by Pavel Filonov. Water-Colour. 43 by 44 cm. (Tretyakov Gallery, Moscow; Exh. Centre Pompidou, Paris).
Attributed works:
68. Oriental Merchants, 1910, by Martiros Saryan. Tempera on Card, 49 by 64 cm. (National Gallery of Armenia, Erevan; Exh. Centre Pompidou, Paris).
Attributed works:
69. Galloping Red Cavalry, by Kasimir Malevich. 1918-30. 90 by 140 cm. (Russian Museum, Leningrad; Exh. Centre Pompidou, Paris).
Exhibition Review
Current and Forthcoming Exhibitions: Tatlin Exhibition in Moscow
06/1977 | 891 | 119
Pages: 467-468
related names
Reviewer:
Lloyd, Frances (Lloyd, Frances)
Subjects
artists:
dates:
places:
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