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110 articles
Exhibition Review
Expressionists: Kandinsky, Münter and The Blue Rider
09/2024 | 1458 | 166
Pages: 965-8
related names
Reviewer:
Weikop, Christian (Weikop, Christian)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Expressionists: Kandinsky, Münter and The Blue Rider Tate Modern, London 25th April–20th October | :
Illustrations
Attributed works:
23. Reitendes paar, by Wassily Kandinsky. 1906– 07. Oil on canvas, 55 by 50.5 cm. (Lenbachhaus, Munich; exh. Tate Modern, London).
Attributed works:
24. Cover of Der Blaue Reiter Almanac, by Wassily Kandinsky and Franz Marc. 1912. (Victoria and Albert Museum, London; exh. Tate Modern, London).
Attributed works:
25. Zuhören (Bildnis Jawlensky), by Gabriele Münter. 1909. Oil on card, 49.8 by 66.4 cm. (© DACS, London; Lenbachhaus, Munich; exh. Tate Modern, London).
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03/2023 | 1440 | 165
Pages: i-xxviii
Subjects
artists:
Illustrations
Attributed works:
A capriccio with a gothic church and ancient ruins, by Marco Ricci (1676–1730). Gouache on vellum, 31.3 by 44.2 cm. [GALERIE ERIC COATALEM, PARIS/Salon du Dessin]
Attributed works:
A demilune commode (with royal Italian provenance), by Carlo Randoni (1755–1831). c.1820–21. Wood, gilt, lacquer and broccatello marble, 90 by 124 by 57 cm. [Burzio, London/Tefaf]
Attributed works:
A very important pair of late-Baroque Italian polychrome majolica two-light wall sconces, tin-glazed earthenware co-called 'a gran fuocco'. Faenza. Possibly decorated by Nicolas Letourneau or Nicola Raccagna.[ Burzio/Tefaf]
Attributed works:
Albrecht Dürer. Das Schweißtuch von zwei Engeln gehalten. Around 1513. Copper engraving.[Venator & Hanstein]
Attributed works:
Alessandro Rondoni Busts of six Roman emperors [Brun Fine Art/Tefaf]
Attributed works:
BARTOLOMÉ ESTEBAN MURILLO (Seville, 1617–1682) Portrait of Archbishop Ambrosio Spinola Circa 1670/75 Oil on canvas, 90.2 x 65.4 cm. [Caylus]
Attributed works:
Composition with portrait, fish and moonlight, by Louis Marcoussis (1878– 1941). c.1926. Gouache and pencil on paper, 20 by 14.3 cm. GALERIE BERÈS, PARIS [Salon du Dessin]
Attributed works:
Curly blue tail, by Alexander Calder (1898–1976). 1967. Painted metal and wire, 51.4 by 97.2 by 48.3 cm. [Galerie von Vertes, Zurich/Tefaf]
Attributed works:
Delft tile panel depicting a winter scene, based on an 18th-century engraving by Pierre-Jean Mariette. The ceramic panel was made by Jan Aalmis in the Dutch city of Rotterdam, c.1770. Approx 91 by 65 cm.[Regts Delft Tiles]
Attributed works:
Ecce Homo, by Sebastiano del Piombo (c.1485– 1547) and studio. 1520s. Oil on poplar, 34.7 by 26 cm. [Caylus, Madrid/Tefaf]
Attributed works:
Fabulous animal: Fabel- Tier, by Marc Chagall (1887–1927). c.1926–27. Watercolour, gouache and pastel on paper glued to card, 66 by 51.5 cm. [BAILLY GALLERY, GENEVA/Salon du Dessin]
Attributed works:
FRANÇOIS DE NOMÉ called Monsù Desiderio (c. 1593–after 1644) A pair of paintings showing the Martyrdoms of Saints Peter and Stephen, surrounded by fantastical architecture, c. 1617 Oil on slate, in original frames. Each: 31 x 31 cm [Robilant and Voena]
Attributed works:
Head of a man looking upwards, by Giovanni Bonazza (1654–1736). Late 17th century. Carrara marble, 54.5 by 45 cm. [Alessandro Cesati, Milan/Tefaf]
Attributed works:
Hiroshi Suzuki silver at Adrian Sassoon gallery. Photography by Sylvain Deleu. [Tefaf New York]
Attributed works:
Jacopo Robusti, called Tintoretto Portrait of a Scholar (detail) Oil on canvas, 112 x 90 cm [Trinity Fine Art/Tefaf]
Attributed works:
Jan Davidsz de HEEM (Leide, 1631 - 1695, Anvers) Peaches, grapes and a partly-peeled lemon in a Wanli “kraak” porselein bowl, with a ham on a pewter platter, a silver-gilt cup and cover, a pewter flagon, and a roemer with a knife on a plate, on a partly-draped table Oil on panel. Signed and dated lower left J.D. de Heem.f. 26 3/16 x 39 3/4 in. [Aguttes]
Attributed works:
Jupiter and Callisto, by Jacob de Wit (1695–1754). 1733. Black chalk, pen and ink, wash, watercolour and gouache with white highlights on paper, 44.5 by 30.8 cm. [ONNO VAN SEGGELEN FINE ARTS, ROTTERDAM/Salon du Dessin]
Attributed works:
LELIO ORSI (1508?–Novellara–1587) Portrait of Camilla Ruggeri Pen and brown ink, 17.3 x 11.8 cm. [Ratton and Ladriere]
Attributed works:
Nicolas Robert (1614-1685), Papaver somniferum (Linné). Muséum national d’Histoire naturelle, Collection des vélins, portefeuille 41, folio 49. Cliché Tony Querrec (RMN) ©. Design : Olivier Andreotti (Toluca Studio) [Salon du Dessin]
Attributed works:
Parrot and exotic birds on a branch, by Gustave Doré (1832–83). c.1856. Watercolour and black pencil on paper, 45 by 30 cm. [GALERIE FABIENNE FIACRE, PARIS/Salon du Dessin]
Attributed works:
PETER PAUL RUBENS (SIEGEN 1577-1640 ANTWERP) Study of a kneeling man seen in profile black chalk, heightened with white, on buff paper 40.6 x 29.1 cm €250,000-350,000 £230,000-310,000 [Christie's]
Attributed works:
Philoctetes on the island of Lemnos, by Gerard van Kuijl (1604–73). Oil on canvas, 137.7 by 110.8 cm. Haboldt & Co., New York, Amsterdam and Paris/Tefaf]
Attributed works:
Plants and insects (III), by Pablo Picasso (1881–1973). 1956. Ink on paper, 66 by 50 cm. WADDINGTON CUSTOT, LONDON/Salon du Dessin]
Attributed works:
POPE PAUL V BORGHESE ENTHRONED PAOLO SANQUIRICO (1565–1630) Bronze, deep reddish-black patina Bronze, 38.5 (15¹⁄4 in.) high Datable to c. 1616–1619 [Tomasso]
Attributed works:
Prince Hoare, Portrait of Sir Horace Mann (detail). Terracotta, height 51.5 cm [Walter Padovani/Tefaf].
Attributed works:
The feast in the house of Simon with Mary Magdalene, by Luca Giordano (1634–1705). Pen and brown ink and wash over black chalk, 43.1 by 43.1 cm. [GALERIE TARANTINO, PARIS/Salon du Dessin]
Attributed works:
The Holy Family, by Giovanni Battista Tiepolo (1696–1770). Pen and brown ink and wash on paper, 22.5 by 19.3 cm. GRÄSSLE, HÄRB & NUTI, MUNICH AND LONDON/Salon du Dessin]
Attributed works:
The narrow path, by Maurice Denis (1870– 1943). c.1889–90. Watercolour on paper, 23 by 17 cm. [GALERIE TERRADES, PARIS/Salon du Dessin]
Attributed works:
The popular improviser in the Campo Vaccino, by Bartolomeo Pinelli (1781–1835). 1820. Oil on canvas, 97 by 137 cm. [Walter Padovani, Milan/Tefaf]
Attributed works:
The triumph of Neptune and Amphitrite, by Frans Francken the Younger (1581–1642). Oil on panel, 53.6 by 75.2 cm. [Galerie De Jonckheere, Geneva/Tefaf]
Attributed works:
Titian (1488–1576) and workshop The Tribute Money Oil on canvas, 108.3 x 103.5 cm Expertise: Mauro Lucco and Peter Humfrey Published: Titian Themes and Variations edited by Peter Humfrey [New Raritet Gallery]
Attributed works:
Tritons and Nereids, by Amico Aspertini (1473/75–1552). 1520. Brush and brown ink heightened with white on prepared paper, 28 by 43.5 cm. [Day & Faber, London/Tefaf]
Attributed works:
Two affectionate doves, by Giacomo Raffaelli (1753–1836). Micro mosaic with a gold border, 3.5 by 1.8 cm. [Alessandra Di Castro, Rome/Tefaf]
Attributed works:
Two lovers, by Parmigianino (1503–40). Pen and brown ink on paper, 13.1 by 15.2 cm. [JEAN-LUC BARONI AND MARTY DE CAMBIAIRE, PARIS/Salon du Dessin]
Attributed works:
Untitled (bricolage), by Jean Tinguely (1925–91). c.1975. Metal and rubber with an electric sander, 75 by 49 by 49 cm. [Galerie Georges- Philippe & Nathalie Vallois, Paris/Tefaf]
Attributed works:
Untitled, by Wassily Kandinsky (1866–1944). 1941. Ink, watercolour and gouache, 47.5 by 31 cm. [Galerie Utermann, Dortmund/Tefaf]
Attributed works:
Whale hunting from the Royal Grotesques series, by the Brussels workshop of Cornelis and Jan Mattens. Design attributed to Giulio Romano. Late 16th century. Wool and silk, 415 by 550 cm. [De Wit Fine Tapestries, Mechelen/Tefaf]
Attributed works:
Young girl sitting, by Carl Olof Larsson (1853–1919). Watercolour over pencil with gouache on paper, 35.5 by 25.4 cm. [GALERIE GRAND-RUE MARIE-LAURE RONDEAU, GENEVA/Salon du Dessin]
Non-western art unattributed:
Camel and rider. China, Tang dynasty (618–906 AD). Terracotta with polychrome, 98.5 by 33 by 75 cm. [Vanderven Oriental Art, ’s-Hertogenbosch/Tefaf]
Non-western art unattributed:
CASKET Ceylon, probably Kandy;  2nd-half 16th century Ivory and silver Dim.:  8.0  ×   19.0  ×   11.0  cm Prov: descendants of Afonso de Albuquerque (1453–1515  ),  2nd Viceroy of Portuguese India. [Sao Roque/Tefaf]
Non-western art unattributed:
Female reliquary figure. Fang peoples, Okak group, Equatorial Guinea or Rio Muni / Northern Gabon, 1718–1886. Wood, nails and copper alloy, height 38.5 cm. [Serge Schoffel, Brussels/Tefaf]
Non-western art unattributed:
Iznik jug. Ottoman, Turkey, late 16th century. Ceramic, 19 by 15 cm. [Amir Mohtashemi, London/Tefaf]
Non-western art unattributed:
NAMBAN TABLE Japan, Momoyama (   1573  –  1603   ) Dim.:  36. 2 ×   56.5  ×  43.5  cm Former T. P. collection, Lisbon. Exhibited at Smithsonian M., Washington; McMullen M., Boston; Orient M., Lisbon, 2010. [Sao Roque/Tefaf]    
Western art unattributed:
Attic black-figure amphora depicting the fourth labour of Hercules and two female fi gures in a chariot with winged horses (verso). Athens, 530–29 BC. Ceramic, height 45 cm. [David Aaron, London/Tefaf]
Exhibition Review
Under the Open Sky: Travelling with Wassily Kandinsky and Gabriele Münter
07/2021 | 1420 | 163
Pages: 622-624
related names
Reviewer:
Wasensteiner, Lucy (Wasensteiner, Lucy )
Subjects
dates:
museums and institutions:
styles:
Reviewed Items
styles:
Under the Open Sky: Travelling with Wassily Kandinsky and Gabriele Münter Lenbachhaus, Munich 13th October 2020– 30th January 2022 | :
Illustrations
Attributed works:
10. Kandinsky drawing and cacti, by Gabriele Münter. 1905. Pencil on paper, 17 by 24 cm. (Gabriele Münter and Johannes Eichner Foundation, Munich; © VG Bild-Kunst, Bonn; exh. Lenbachhaus, Munich).
Attributed works:
11. Near Starnberg – winter, by Wassily Kandinsky. 1901–02. Oil on canvasboard, 23.7 by 32.3 cm. (Lenbachhaus, Munich).
Attributed works:
8. Kandinsky riding his bicycle, Kochel, summer 1902, by Gabriele Münter. 1902. (Gabriele Münter and Johannes Eichner Foundation, Munich; © VG Bild-Kunst, Bonn; exh. Lenbachhaus, Munich).
Attributed works:
9. Münter painting in St Cloud, by Wassily Kandinsky. 1906. Pencil on paper, 7.7 by 13 cm. (Lenbachhaus, Munich).
Book Review
German Expressionism: Der Blaue Reiter and its Legacies
03/2021 | 1416 | 163
Pages: 300-301
related names
Reviewer:
Grasselli, Anne (Grasselli, Anne )
Subjects
styles:
Reviewed Items
subjects:
German Expressionism: Der Blaue Reiter and its Legacies Edited by Dorothy Price. 208 pp. incl. 27 col. + 13 b. & w. ills. (Manchester University Press, Manchester, 2020), £80. ISBN 978–1–5261–2162–2. | :
Book Review
The Icon and the Square: Russian Modernism and the Russo-Byzantine Revival. By Maria Taroutina
03/2020 | 1404 | 162
Pages: 268-269
related names
Reviewer:
Spira, Andrew (Spira, Andrew)
Subjects
Reviewed Items
subjects:
The Icon and the Square: Russian Modernism and the Russo- Byzantine Revival By Maria Taroutina. 288 pp. incl. 51 col. + 65 b. & w. ills. (Pennsylvania State University Press, University Park PA, 2018),  79.95. ISBN 978–0–271–08104–5. | :
Article
Vasily Kandinsky and the Formal method
12/2018 | 1389 | 160
Pages: 1016-1023
related names
Author:
Bowlt, John E. (Bowlt, John E.)
Subjects
media:
places:
Illustrations
Attributed works:
1. Elementary life of the primary colour and its dependence on the simplest locale, by Vasily Kandinsky. Illustration to the lecture ‘On the Spiritual in Art’ delivered by Nikolai Kul’bin on Kandinsky’s behalf at the All-Russian Congress of Artists, St Petersburg, 29th and 31st December 1911. Published in Russian in I. Repin et al.: Trudy Vserossiiskogo s’ezda khudozhnikov (Transactions of the All-Russian Congress of artists), Petrograd 1914, I, pp.76–77.
Attributed works:
2. Improvisation 10, by Vasily Kandinsky. 1910. Canvas, 120 by 140 cm. (Fondation Beyeler, Basel; photograph courtesy Peter Schibli).
Attributed works:
3. Tsikl lektsii (Cycle of lectures), by Nikolay Punin. Petrograd 1920. Cover designed by Kazimir Malevich. (Photograph courtesy Museum of Modern Art, New York).
Attributed works:
5. Black lines, by Vasily Kandinsky. 1913. 129.4 by 131.1 cm. (Solomon R. Guggenheim Museum, New York; Bridgeman Images).
Attributed works:
6. Painting with the red spot, by Vasily Kandinsky. 1914. Canvas, 130 by 130 cm. (Centre Georges Pompidou, Paris; Bridgeman Images).
Non-western art unattributed:
4. Members of RAKhN (Russian Academy of Artistic Sciences) in the building of Svomas (Free State Art Studios), Moscow, June 1921. From left to right: Robert Fal’k, Evsei Shor, Nikolai Uspensky, Vasily Kandinsky, Evgenii Pavlov and Aleksandr Shenshin. Reproduced in C. Derouet and J. Boissel, eds.: exh. cat. Œuvres de Vassily Kandinsky (1866–1944), Paris (Centre Georges Pompidou) 1984, p.156.
Exhibition Review
Shape of Light: 100 Years of Photography and Abstract Art. Tate Modern, London
10/2018 | 1387 | 160
Pages: 865-867
related names
Reviewer:
Cork, Richard (Cork, Richard)
Subjects
art literature:
dates:
museums and institutions:
places:
Illustrations
Attributed works:
23. Vortograph, by Alvin Langdon Coburn. 1917. Gelatin silver print, 28.3 by 21.4 cm. (George Eastman House, Rochester NY; exh. Tate Modern, London).
Attributed works:
24. Homage to Kandinsky, by Marta Hoepffner. 1937. Gelatin silver print, 39.5 by 29.3 cm. (Estate Marta Hoepffner; Stadtmuseum Hofheim am Taunus; exh. Tate Modern, London).
Publication Received
Kandinsky: 1933–1944, les années parisiennes. Edited by Sophie Bernard
06/2018 | 1383 | 160
Pages: 526
related names
Reviewer:
Vernon, Jonathan (Vernon, Jonathan ; V., J.)
Subjects
dates:
dates:
media:
museums and institutions:
places:
Book Review
Alexei Jawlensky. Edited by Vivian Endicott Barnett
05/2018 | 1382 | 160
Pages: 434-435
related names
Reviewer:
Blood, Anne (Blood, Anne)
Subjects
media:
museums and institutions:
Illustrations
Attributed works:
6. Meditation: My spirit will live on, by Alexei Jawlensky. 1935. Oil on cardboard, 20 by 15 cm. (Museum Wiesbaden; © 2016 Artists Rights Society, New York).
Article
The Tunisian sources of Kandinsky’s ‘Improvisation on mahogany’
09/2017 | 1374 | 159
Pages: 714-719
related names
Author:
Christensen, Emily (Christensen, Emily)
Subjects
dates:
places:
styles:
styles:
subjects:
subjects:
Illustrations
Attributed works:
34. Improvisation of mahogany by Vasily Kandinsky. 1910 (here dated 1909). (Courtauld Gallery, London, on loan from Fridart Foundation, Geneva)
Attributed works:
35. Study for Improvisation on mahogany, from Sketchbook 27, by Vasiy Kandinsky, c. 1908–10 (here dated 1909). (Lenbachhaus, Munich)
Attributed works:
36. Detail of a study for Improvisation 1, from Sketchbook 27, by Vasily Kandinsky. c. 1908-10 (here dated 1909). (Lenbachhaus, Munich)
Attributed works:
37. Improvisation 6, by Vasily Kandinsky. 1909 (Lenbachhaus, Munich)
Attributed works:
38. Detail of Studies for Improvisation 6, from Sketchbook 27, by Vasily Kandinsky. c. 1908-10 (Lenbachhaus, Munich)
Attributed works:
39. Oriental, by Vasily Kandinsky. 19009 (Lenbachhaus, Munich)
Attributed works:
40. Ottoman cemetery, Tunisia, photograph by Gabriele Münter. 1905 (Lenbachhaus, Munich)
Attributed works:
41. Sketches of male and female figures, by Vasily Kandinsky. 1905 (Lenbachhaus, Munich)
Attributed works:
42. Three men in elegant clothes in front of a café, photograph by Gabriele Münter. 1905 (Lenbachhaus, Munich)
Attributed works:
43. Tunis street (Tombs of the Beys), by Vasily Kandinsky. 1905 (Centre Pompidou, Paris)
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