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13 articles
Book Review
The Russian Art of Movement, 1920–1930. By Nicoletta Misler, transl. John E. Bowlt
03/2019 | 1392 | 161
Pages: 260-261
related names
Reviewer:
Milner, John (Milner, John)
Subjects
Reviewed Items
subjects:
The Russian Art of Movement, 1920–1930. By Nicoletta Misler, transl. John E. Bowlt | :
Illustrations
Attributed works:
6. Couple dancing: plastic pose, by N. Svishchov-Paola. 1926. Art of Movement State Courses (of Valeriia Tsvetaeva). Photographic print, 7 by 7 cm. (Private collection).
Article
Vasily Kandinsky and the Formal method
12/2018 | 1389 | 160
Pages: 1016-1023
related names
Author:
Bowlt, John E. (Bowlt, John E.)
Subjects
media:
places:
Illustrations
Attributed works:
1. Elementary life of the primary colour and its dependence on the simplest locale, by Vasily Kandinsky. Illustration to the lecture ‘On the Spiritual in Art’ delivered by Nikolai Kul’bin on Kandinsky’s behalf at the All-Russian Congress of Artists, St Petersburg, 29th and 31st December 1911. Published in Russian in I. Repin et al.: Trudy Vserossiiskogo s’ezda khudozhnikov (Transactions of the All-Russian Congress of artists), Petrograd 1914, I, pp.76–77.
Attributed works:
2. Improvisation 10, by Vasily Kandinsky. 1910. Canvas, 120 by 140 cm. (Fondation Beyeler, Basel; photograph courtesy Peter Schibli).
Attributed works:
3. Tsikl lektsii (Cycle of lectures), by Nikolay Punin. Petrograd 1920. Cover designed by Kazimir Malevich. (Photograph courtesy Museum of Modern Art, New York).
Attributed works:
5. Black lines, by Vasily Kandinsky. 1913. 129.4 by 131.1 cm. (Solomon R. Guggenheim Museum, New York; Bridgeman Images).
Attributed works:
6. Painting with the red spot, by Vasily Kandinsky. 1914. Canvas, 130 by 130 cm. (Centre Georges Pompidou, Paris; Bridgeman Images).
Non-western art unattributed:
4. Members of RAKhN (Russian Academy of Artistic Sciences) in the building of Svomas (Free State Art Studios), Moscow, June 1921. From left to right: Robert Fal’k, Evsei Shor, Nikolai Uspensky, Vasily Kandinsky, Evgenii Pavlov and Aleksandr Shenshin. Reproduced in C. Derouet and J. Boissel, eds.: exh. cat. Œuvres de Vassily Kandinsky (1866–1944), Paris (Centre Georges Pompidou) 1984, p.156.
Book Review
Avant-garde Art and Criticism in Francoist Spain. By Paula Barreiro López
12/2018 | 1389 | 160
Pages: 1076
Book Review
Avant-Garde Museology. Edited by Arseny Zhilyaev
03/2017 | 1368 | 159
Pages: 228-229
related names
Reviewer:
Blood, Anne (Blood, Anne)
Subjects
subjects:
Publication Received
ReNew Marxist Art History. Edited by Warren Carter, Barnaby Haran and Frederic J. Schwartz.
03/2015 | 1344 | 157
Pages: 201
related names
Reviewer:
Vernon, Jonathan (Vernon, Jonathan ; V., J.)
Subjects
art literature:
Book Review
Picasso/Marx and Socialist Realism in France, S. Wilson
11/2014 | 1340 | 156
Pages: 764
related names
Reviewer:
Vernon, Jonathan (Vernon, Jonathan ; V., J.)
Subjects
artists:
places:
Article
Art History Reviewed XII: T.J. Clark’s ‘Image of the People: Gustave Courbet and the 1848 Revolution’, 1973
05/2011 | 1298 | 153
Pages: 330-334
related names
Author:
Wright, Alastair (Wright, Alastair)
Subjects
art literature:
artists:
dates:
print:
subjects:
Article
Breaking open the wall: the Morelia mural of Guston, Kadish and Langsner
07/2008 | 1264 | 150
Pages: 452-459
related names
Author:
Boime, Albert (Boime, Albert)
Subjects
dates:
museums and institutions:
places:
places:
subjects:
Illustrations
Attributed works:
14. The struggle against terror and fascism (the Inquisition), by Philip Guston, Reuben Kadish and Jules Langsner. 1934–35. Fresco, approx. 10 m. high. (Museo Regional Michoacano, Morelia, Michoacán, Mexico).
Attributed works:
15. The struggle against terror and fascism (the Inquisition), digital reconstruction, by Philip Guston, Reuben Kadish and Jules Langsner. 1934–35. Fresco, approx. 10 m. high. (Museo Regional Michoacano, Morelia, Michoacán, Mexico).
Attributed works:
16. Klansman flogging a negro, by Philip Guston. c.1930–31. Fresco. Lost or destroyed. (From D. Ashton: Yes, but. . . A Critical Study of Philip Guston, New York 1976, p.28).
Attributed works:
19. The torture methods of the Inquisition, by Bernard Picart. Eighteenth century. Etching. (Biblioteca Nacional, Madrid).
Attributed works:
20. An Inquisitional torture, by Ioan van Hertz. Nineteenth century. Etching, dimensions unknown. (Biblioteca Nacional, Madrid).
Attributed works:
21. The struggle against terror and fascism (the Inquisition), by Philip Guston, Reuben Kadish and Jules Langsner. 1934–35. Fresco, approx. 10 m. high. (Museo Regional Michoacano, Morelia, Michoacán, Mexico).
Attributed works:
22. The street meeting, by David Alfaro Siqueiros. 1932. Fresco. (Formerly Chouinard Art Institute, Los Angeles).
Attributed works:
23. Drawing for The conspirators, by Philip Guston. 1932. Graphite, ink, crayon and coloured pencil on paper, 57.2 by 36.8 cm. (Whitney Museum of American Art, New York).
Attributed works:
24. The studio, by Philip Guston. 1969. Canvas, 121.9 by 106.7 cm. (Private collection; courtesy of David McKee Gallery, New York).
Western art unattributed:
17. Photograph of Philip Guston, Reuben Kadish and Jules Langsner with David Alfaro Siqueiros, posed in front of the mural in Fig.14. c.1934. (Photograph courtesy of Andrew Langsner).
Western art unattributed:
18. Photograph of Philip Guston, Reuben Kadish and Jules Langsner, standing in front of the completed mural. 1935. (Photograph courtesy of Skip Kadish).
Publication Received
Obscure Objects of Desire: Surrealism, Fetishism and Politics
12/2005 | 1233 | 147
Pages: 835
related names
Reviewer:
Radford, Robert (Radford, Robert)
Subjects
print:
Reviewed Items
subjects:
Obscure Objects of Desire: Surrealism, Fetishism and Politics | author: Malt, Johanna
Article
Anthony Blunt's Picasso
01/2005 | 1222 | 147
Pages: 26-33
related names
Author:
Green, Christopher (Green, Christopher)
Subjects
dates:
Illustrations
Attributed works:
Anthony Blunt reading his press conference statement, 20th November 1979, in the offices of The Times in London.
Attributed works:
Guernica, by Pablo Picasso, and a detail of a mural by Diego Rivera in Detroit, illustrating A. Blunt: ‘Two Artists and the Outside World’, The Listener (28th July 1938).
Attributed works:
Large bather, by Pablo Picasso. 1921. 180 by 98 cm. (Musée de l’Orangerie, Paris).
Attributed works:
Manuscript page from Anthony Blunt’s paper given to Marlborough College’s ‘Anonymous Society’, 1924. (A. Blunt papers, Courtauld Institute of Art, London).
Attributed works:
Sleeping nude, by Pablo Picasso. 1932. 130 by 161.7 cm. (Musée Picasso, Paris).
Attributed works:
Study for ‘The Crucifixion’, by Pablo Picasso. 1929. Pencil on paper, dimensions unknown. (Whereabouts unknown; repr. in A. Blunt: Picasso’s ‘Guernica’, Oxford 1969).
Attributed works:
The dream and lie of Franco, by Pablo Picasso. 1937. Etching, 31.4 by 42.1 cm. (Musée Picasso, Paris).
Western art unattributed:
Cover of <i>The Heretick</i>, Marlborough College, 1924.
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