But Live Here? No Thanks:
Surrealism and Anti-Fascism
Lenbachhaus, Munich
15th October 2024–2nd March 2025 |
:
Illustrations
Attributed works:
25. Installation
view of But
Live Here?
No Thanks:
Surrealism and
Anti-Fascism at
the Lenbachhaus,
Munich, 2024–25.
(Courtesy
Lenbachhaus,
Munich;
photograph
Lukas Schramm).
Attributed works:
26. From the
series Hitlerei
(Hitler egg),
by WoTi (Kati
Horna and Wolf
Hamburger).
1936. Gelatin
silver print,
11.4 by 16.5
cm. (Private
collection; exh.
Lenbachhaus,
Munich).
Attributed works:
27. Totem de
la subjectivité
blessée II, by
Victor Brauner.
1948. Oil on
canvas, 91.5 by
72.7 cm. (Centre
Pompidou,
Paris; exh.
Lenbachhaus,
Munich).
Exhibition Review
The Avant-garde Networks of ‘Amauta’: Argentina, Mexico, and Peru in the 1920s. Blanton Museum of Art, University of Texas at Austin
The Avant-garde Networks of
‘Amauta’: Argentina, Mexico, and
Peru in the 1920s
Blanton Museum of Art, University
of Texas at Austin
16th February–17th May |
:
Illustrations
Attributed works:
22. Mayor of
Chinchero, by
José Sabogal.
1925. Oil on
canvas, 169
by 109 cm.
(Pinacoteca
Municipal Ignacio
Merino, Lima;
exh. Blanton
Museum of Art,
University of
Texas at Austin).
Attributed works:
24. Installation
photograph
of The Avantgarde
Networks
of Amauta:
Argentina,
Mexico, and Peru
in the 1920s at the
Blanton Museum
of Art, University
of Texas at Austin,
2020.
Attributed works:
25. Mexican flag,
by Lola Velásquez
de Cueto. 1920s.
Silk tapestry
made with chain
stitch, 42 by
150 cm. (Private
collection, Lima;
Sucesi n Mireya
Cueto; photograph
of Lance Aaron;
exh. Blanton
Museum of Art,
University of
Texas at Austin).
Attributed works:
Opposite
23. Allegory to
the farmers, by
Carlos Quízpez
As n. 1928. Oil on
canvas, approx.
190 by 150 cm.
(Universidad
Nacional de
Ingenier a, Lima;
exh. Blanton
Museum of Art,
University of
Texas at Austin).
70. To Be Looked At (From the Other Side of the Glass) with One Eye, Close to, for Almost and Hour, by Marcel Duchamp. 1918 (Museum of Modern Art, New York)
Attributed works:
71. Dadaglobe solicitation letter to Alfred Vagts, signed by Tristan Tzara, Francis Picabia, George Ribemont-Dessaignes and Walter Serner. 1920 (Archivio Lafuente, Madrid; exh. Museum of Modern Art, New York)
Attributed works:
72. The Punching Ball or the Immortality of Buonarroti, by Max Ernst. 1920 (The Bluff Collection; exh. Museum of Modern Art, New York)
Attributed works:
73. Portrait of Sophie Taeuber with her Dada Head, by Nic. Aluf 1920 (Galerie Berinson, Berlin; exh. Museum of Modern Art, New York)
Publication Received
Constructivism. By Aleksei Gan, translation and introduction by Christina Lodder.