By using this website you agree to our Cookie policy

Search

20 articles
Article
The nude male form in Chen Yanqiao’s woodblock prints and cartoons, 1934–35
10/2021 | 1423 | 163
Pages: 898-907
related names
Author:
Emrich-Rougé, Elizabeth (Emrich-Rougé, Elizabeth)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
1. Pull, by Chen Yanqiao. 1934. Woodblock print, 25.1 by 19.1 cm. (Courtesy Lu Xun Memorial Museum, Shanghai).
Attributed works:
10. Beautiful illustrations of the body, by Wan Laiming. 1933. (From The Young Companion, no.78, July 1933; from online database CNBKSY – Quanguo Baokan Suoyin, Shanghai Library).
Attributed works:
2. Title page from Cartoons and Life no.2 (December 1935), featuring Struggle, by Chen Yanqiao. 1935. Ink drawing. (From online database CNBKSY – Quanguo Baokan Suoyin, Shanghai Library).
Attributed works:
3. China, roar!, by Li Hua. 1935. Woodblock print, 23 by 16.5 cm. (From Modern Prints 1, no.14, December 1935, reproduced in Progress in Prints: Chinese Modern Woodblock Prints in Lu Xun’s Collection, Shanghai 1991, I, p.251; courtesy Lu Xun Memorial Museum, Shanghai).
Attributed works:
4. The despairing (top) and Forced to wander as a refugee (below), by Chen Yanqiao. 1934–35. Woodblock prints. (From Cartoon Life, no.5, January 1935, p.30; from online database CNBKSY – Quanguo Baokan Suoyin, Shanghai Library).
Attributed works:
5. Sun chariot, by Zhu Yingpeng and Xu Suling. (From Vanguard Monthly 1, no.3, December 1930; from online database CNBKSY – Quanguo Baokan Suoyin, Shanghai Library).
Attributed works:
6. A beautifully brave and strong body. 1929. Photograph. (From Modern Miscellany 1, no.3, p.2; from online database CNBKSY – Quanguo Baokan Suoyin, Shanghai Library).
Attributed works:
7. Health and beauty. 1930. Photograph. (From Athletic China, no.1, October 1930; from online database CNBKSY – Quanguo Baokan Suoyin, Shanghai Library).
Attributed works:
8. Guerilla forces, by Chen Yanqiao. 1935. Woodblock print. (From Collected Wood Shavings, no.1, 20th April 1935, p.7; from online database CNBKSY – Quanguo Baokan Suoyin, Shanghai Library).
Attributed works:
9. Figures in the palm of his hand, by Wan Laiming. 1935. Ink drawing. (From Phenomenon Cartoon, no.2, May 1935; from online database CNBKSY – Quanguo Baokan Suoyin, Shanghai Library).
Exhibition Review
The Colours of Nadia
10/2021 | 1423 | 163
Pages: 941-944
related names
Reviewer:
Mundy, Jennifer (Mundy, Jennifer)
Subjects
artists:
dates:
museums and institutions:
Reviewed Items
subjects:
The Colours of Nadia Musée de l’Annonciade de Saint-Tropez 3rd July–14th November | :
Illustrations
Attributed works:
10. Self-portrait, by Nadia Léger. 1948. Oil on canvas, 91.5 by 65 cm. (Private collection; exh. Musée de l’Annonciade de Saint-Tropez).
Attributed works:
11. Still life, by Nadia Léger. 1949. Oil on canvas, 73 by 100 cm. (Private collection; exh. Musée de l’Annonciade de Saint-Tropez).
Article
The fate of Chinese history painting in an age of ideology
10/2021 | 1423 | 163
Pages: 908-915
related names
Author:
Yiqiang Cao (Yiqiang Cao)
Subjects
artists:
dates:
museums and institutions:
Illustrations
Attributed works:
1. Settling accounts, by Mo Pu. 1948. Oil on canvas, 90 by 116 cm. (National Art Museum of China, Beijing).
Attributed works:
10. Five heroes of Mount Langya, by Zhan Jianjun. 1959. Oil on canvas, 186 by 236 cm. (National Museum of China, Beijing).
Attributed works:
2. The founding of the nation, by Jin Shangyi and Zhao Yu after Dong Xiwen. 1972. Oil on canvas, 230 by 405 cm. (National Museum of China, Beijing).
Attributed works:
3. Tunnel warfare, by Luo Gongliu. 1951. Oil on canvas, 148 by 178 cm. (National Museum of China, Beijing).
Attributed works:
4. Fighting in Northern Shaanxi, by Shi Lu. 1959. Ink and brush on paper, 233 by 216 cm. (National Museum of China, Beijing).
Attributed works:
5. Eight women soldiers drowning themselves in the Yangtze River, by Wang Shenglie. 1957. Ink and brush on paper, 145 by 392 cm. (Military Museum of the Chinese People’s Revolution, Beijing).
Attributed works:
6. Death before surrender, by Quan Shanshi. 1961. Oil on canvas, 233 by 217 cm. (National Museum of China, Beijing).
Attributed works:
7. Bloody clothes, by Wang Shikuo. 1959. Charcoal on canvas, 192 by 345 cm. (National Museum of China, Beijing).
Attributed works:
8. Very good!, by Zhan Jianjun. 1975. Oil on canvas, 190 by 320 cm. (National Museum of China, Beijing).
Attributed works:
9. An Uzbek, by Quan Shanshi. 1957. Oil on canvas, 115 by 94 cm. (Private collection).
Article
Vasily Kandinsky and the Formal method
12/2018 | 1389 | 160
Pages: 1016-1023
related names
Author:
Bowlt, John E. (Bowlt, John E.)
Subjects
media:
places:
Illustrations
Attributed works:
1. Elementary life of the primary colour and its dependence on the simplest locale, by Vasily Kandinsky. Illustration to the lecture ‘On the Spiritual in Art’ delivered by Nikolai Kul’bin on Kandinsky’s behalf at the All-Russian Congress of Artists, St Petersburg, 29th and 31st December 1911. Published in Russian in I. Repin et al.: Trudy Vserossiiskogo s’ezda khudozhnikov (Transactions of the All-Russian Congress of artists), Petrograd 1914, I, pp.76–77.
Attributed works:
2. Improvisation 10, by Vasily Kandinsky. 1910. Canvas, 120 by 140 cm. (Fondation Beyeler, Basel; photograph courtesy Peter Schibli).
Attributed works:
3. Tsikl lektsii (Cycle of lectures), by Nikolay Punin. Petrograd 1920. Cover designed by Kazimir Malevich. (Photograph courtesy Museum of Modern Art, New York).
Attributed works:
5. Black lines, by Vasily Kandinsky. 1913. 129.4 by 131.1 cm. (Solomon R. Guggenheim Museum, New York; Bridgeman Images).
Attributed works:
6. Painting with the red spot, by Vasily Kandinsky. 1914. Canvas, 130 by 130 cm. (Centre Georges Pompidou, Paris; Bridgeman Images).
Non-western art unattributed:
4. Members of RAKhN (Russian Academy of Artistic Sciences) in the building of Svomas (Free State Art Studios), Moscow, June 1921. From left to right: Robert Fal’k, Evsei Shor, Nikolai Uspensky, Vasily Kandinsky, Evgenii Pavlov and Aleksandr Shenshin. Reproduced in C. Derouet and J. Boissel, eds.: exh. cat. Œuvres de Vassily Kandinsky (1866–1944), Paris (Centre Georges Pompidou) 1984, p.156.
Exhibition Review
Frida Kahlo: Making Her Self Up. Victoria and Albert Museum, London
10/2018 | 1387 | 160
Pages: 862-863
related names
Reviewer:
Oliver, Sophie (Oliver, Sophie)
Subjects
art literature:
dates:
places:
Illustrations
Attributed works:
18. Self-portrait, by Frida Kahlo. 1948. Panel, 50 by 40 cm. (Private collection; exh. Victoria and Albert Museum, London).
Attributed works:
20. Self-portrait on the border between Mexico and the United States of America, by Frida Kahlo. 1932. Oil on metal, 31 by 35 cm. (Modern Art International Foundation; courtesy María and Manuel Reyero; exh. Victoria and Albert Museum, London).
Western art unattributed:
19. Cotton huipil with machine-embroidered chain stitch; printed cotton skirt with embroidery and holán (ruffle). (Museo Frida Kahlo, Mexico City; exh. Victoria and Albert Museum, London).
Book Review
China’s Porcelain Capital: The Rise, Fall and Reinvention of Ceramics in Jingdezhen. By Maris Boyd Gillette
10/2018 | 1387 | 160
Pages: 871
related names
Reviewer:
Kerr, Rose (Kerr, Rose; K., R.)
Subjects
media:
places:
Book Review
Zooming In: Histories of Photography in China. By Wu Hung
10/2018 | 1387 | 160
Pages: 872-873
related names
Reviewer:
Stein, Lisa (Stein, Lisa)
Subjects
media:
places:
Illustrations
Attributed works:
5. Self-portrait in his dorm, by Jin Shisheng. 1936. Gelatin silver print. (Courtesy the estate of Jin Shisheng).
Book Review
Picturing the Proletariat: Artists and Labor in Revolutionary Mexico, 1908–1940. By John Lear
08/2018 | 1385 | 160
Pages: 706-707
related names
Reviewer:
Sullivan, Edward J. (Sullivan, Edward J.; S., E. J.)
Subjects
dates:
places:
Illustrations
Attributed works:
9. Detail of The worker’s struggle against monopolies, by Pablo O’Higgins. 1934. Fresco. (Mercado Abelardo Rodriguez, Mexico City; photograph John Lear).
Book Review
Explodity: Sound, Image, and Word in Russian Futurist Book Art. By Nancy Perloff & Aleksandr Zhitomirsky: Photomontage as a Weapon of World War II and the Cold War. By Erika Wolf & Communist Posters. Edited by Mary Ginsberg
03/2018 | 1380 | 160
Pages: 260-261
related names
Reviewer:
Collier, Marie (Collier, Marie)
Subjects
dates:
places:
Exhibition Review
The Left Front
04/2015 | 1345 | 157
Pages: 297-298
related names
Reviewer:
Blood, Anne (Blood, Anne)
Subjects
places:
Illustrations
Attributed works:
83. New Jersey landscape (Seine Cart), by Stuart Davis (Mary and Leigh Block Museum, Evanston; exh. Grey Art Gallery, New York)
Attributed works:
84. Steel town, by Harry Sternberg (Mary and Leigh Block Museum, Evanston; exh. Grey Art Gallery, New York)
load more