Résistances à l’idée d’art moderne dans
la peinture: Paris, Londres, New York,
1848–1931
By Pierre Sérié. 449 pp. incl. 59 col. + b. & w. ills.
(Presses Universitaires Blaise-Pascal, Clermont-
Ferrand, 2023), €26. ISBN 978–2–38377–222–4. |
:
Illustrations
Attributed works:
8. Le repos à Tonnerre, by Émile
Bernard. 1904. Oil on canvas,
120 by 150 cm. (Private collection).
Contact: Art and the Pull of Print
By Jennifer L. Roberts. 232 pp. incl. 117 col. + 14
b. & w. ills. (Princeton University Press, 2024),
£35. ISBN 978–0–691–25585–9. |
:
Exhibition Review
Legacies: Asian American Art
Movements in New York City
(1969–2001)
Legacies: Asian American Art
Movements in New York City
(1969–2001)
80WSE Gallery, New York
University
11th September–20th December |
:
Illustrations
Attributed works:
25. Installation
view of Legacies:
Asian American
Art Movements
in New York
City at 80WSE
Gallery, New
York University,
showing posters
by the Basement
Workshop.
(Courtesy 80WSE
Gallery, New
York University;
photograph
Carter Seddon).
Attributed works:
26. New York,
New York, 1979
(veterans day
parade) from
the series East
meets West, by
Tseng Kwong
Chi. 1979. Gelatin
silver print.
(Courtesy Muna
Tseng Dance
Projects; exh.
80WSE Gallery,
New York
University).
Attributed works:
27. Shareen
Lightfoot, by
Shu Lea Cheang.
2024. Neon
sign, televisions
and vinyl print,
dimensions
variable.
(Courtesy
the artist
and 80WSE
Gallery, New
York University;
photograph
Carter Seddon;
exh. 80WSE
Gallery, New
York University).
Marcel Duchamp and the Lure
of the Copy
By Paul B. Franklin. 234 pp. incl. numerous
col. + b. & w. ills. (Peggy Guggenheim
Collection and Marsilio Arte, Venice,
2024), £30. ISBN 979–12–5463–138–6. |
:
Illustrations
Attributed works:
28. Marcel
Duchamp with
an incomplete
example of
Boîte-envalise
at Peggy
Guggenheim’s
townhouse, New
York, in August
1942. (From
Time Magazine,
7th September
1942).
Mary Cassatt at Work
Edited by Jennifer A. Thompson and
Laurel Garber. 304 pp. incl. 240 col. ills.
(Philadelphia Museum of Art, 2024),
£45. ISBN 978–0–87633–304–4. |
:
Illustrations
Attributed works:
1. Maternal
caress, by Mary
Cassatt. 1896.
Oil on canvas,
38.1 by 54 cm.
(Philadelphia
Museum of Art).
Attributed works:
2. The bath, by
Mary Cassatt.
1890–91. Colour
drypoint,
aquatint and softground
etching,
printed à la
poupée on paper,
43.6 by 30 cm.
(Art Institute
of Chicago).
Attributed works:
3. Self-portrait,
by Mary Cassatt.
c.1880. Gouache,
watercolour
and graphite
on paper,
33.1 by 24.6
cm. (National
Portrait Gallery,
Smithsonian
Institute,
Washington).
Attributed works:
4. Driving, by
Mary Cassatt.
1881. Oil on
canvas, 88.8
by 129.8 cm.
(Philadelphia
Museum of Art).
Book Review
Charles J. Connick: America’s Visionary
Stained Glass Artist
Charles J. Connick: America’s Visionary
Stained Glass Artist
By Peter Cormack. 376 pp. incl. 297 col. + b. &
w. ills. (Yale University Press, New Haven and
London, 2024), £60. ISBN 978–0–30027–232–1. |
:
Warhol After Warhol: Power and Money
in the Modern Art World
by Richard Dorment. 276 pp. incl. numerous ills.
(Picador, London, 2023), £20. ISBN 978–1–
5290–8149–7. |
: