Enchanted Ground: André Breton,
Modernism and the Surrealist Appraisal
of Fin-de-Siècle Painting
By Gavin Parkinson. 352 pp incl. 15 col. + 113
b. & w. ills. (Bloomsbury, London and Oxford,
2018), £102. ISBN 978–1–5013–3725–3. |
:
Illustrations
Attributed works:
7. Be in love and you will be happy, by Paul
Gauguin. 1889. Wood relief, 95 by 72 by 6.4 cm.
(Museum of Fine Arts, Boston).
Book Review
The Militant Muse: Love, War and the Women of Surrealism. By Whitney Chadwick
18. Self-portrait, by Frida Kahlo. 1948. Panel, 50 by 40 cm. (Private collection; exh. Victoria and Albert Museum, London).
Attributed works:
20. Self-portrait on the border between Mexico and the United States of America, by Frida Kahlo. 1932. Oil on metal, 31 by 35 cm. (Modern Art International Foundation; courtesy María and Manuel Reyero; exh. Victoria and Albert Museum, London).
Western art unattributed:
19. Cotton huipil with machine-embroidered chain stitch; printed cotton skirt with embroidery and holán (ruffle). (Museo Frida Kahlo, Mexico City; exh. Victoria and Albert Museum, London).
Exhibition Review
Picasso 1932: Love, Fame, Tragedy. Tate Modern, London
71. Installation view of Yüksel Arslan at LaM, Villeneuve d'Ascq, 24th June to 15th October.
Attributed works:
72. Double face chromatic notation: large head in an open mouth (verso), by Charles Filiger. 1890 (Musée des beaux arts de Quimper; exh. LaM, Villeneuve d'Ascq)
62. Le cerveau de l'enfant, by Giorgio de Chirico. 1914. 80 by 65 cm. (Moderna Museet, Stockholm; Exh. Musée nationale d'art moderne, Paris).
Attributed works:
63. Composition au papillon, by Pablo Picasso. 1932. Mixed Media on Canvas, 16 by 22 by 2.5 cm. (Musée Picasso, Paris; Exh. Musée nationale d'art moderne, Paris).
Book Review
Collage. Critical Views [and: The Dada and Surrealist Word-Image; Andre Breton Today]