By using this website you agree to our Cookie policy

Search

13 articles
Exhibition Review
ED RUSCHA / NOW THEN
10/2024 | 1459 | 166
Pages: 1074–7
related names
Reviewer:
Cahill, James (Cahill, James; Cahill, J.)
Subjects
artists:
dates:
subjects:
Reviewed Items
subjects:
ED RUSCHA / NOW THEN Los Angeles County Museum of Art | :
Illustrations
Attributed works:
21. Large trademark with eight spotlights, by Ed Ruscha. 1962. Oil, house paint, ink and pencil on canvas, 169.5 by 338.5 cm. (© Ed Ruscha; Whitney Museum of American Art, New York; exh. Los Angeles County Museum of Art).
Attributed works:
22. Los Angeles County Museum of Art on fire, by Ed Ruscha. 1965–68. Oil on canvas, 135.9 by 339.1 cm. (© Ed Ruscha; Hirshhorn Museum and Sculpture Garden, Washington; exh. Los Angeles County Museum of Art).
Attributed works:
23. Our flag, by Ed Ruscha. 2017. Acrylic on canvas, 183.9 by 350.5 cm. (© Ed Ruscha; private collection; exh. Los Angeles County Museum of Art).
Attributed works:
24. Installation view of ED RUSCHA / NOW THEN at the Los Angeles County Museum of Art, 2024. (© Ed Ruscha; courtesy Museum Associates and Los Angeles County Museum of Art).
Supplement
Recent acquisitions at the J. Paul Getty Museum (2017–21)
01/2022 | 1426 | 164
Pages: 97-116
related names
Author:
Potts, Timothy (Potts, Timothy; Potts, Timothy F.)
Subjects
Illustrations
Attributed works:
11. Corpus Christi, by Veit Stoss (German, 1447–1533). c.1490–1500. Wood, 34.5 by 33 by 6.5 cm. 2019.94.
Attributed works:
12. Annunciation, by Giovanni di Balduccio (Italian, c.1300– after 1349). c.1333–34. Marble with traces of polychromy, angel: 75 by 22.5 by 20 cm.; Virgin: 78.5 by 24 by 19 cm. 2019.117.
Attributed works:
13. Bust of a young boy, by Desiderio da Settignano (Italian, c.1430–64). c.1460–64. Marble, 25 by 24.5 by 14 cm. 2018.5.
Attributed works:
14. Christ as the man of sorrows, by Quentin Metsys (Netherlandish, 1465 or 1466–1530). c.1520–25. Oil on panel, 49.5 by 37 cm. 2018.54.
Attributed works:
15. Anne of Brittany enthroned and accompanied by her ladies-in-waiting, from Ovid, excerpts from Heroides; Octovien de Saint-Gelais, Letters, by the Master of the Chronique scandaleuse (French, active c.1493–1510). c.1493. Tempera colours, gold and ink on parchment, 26.5 by 19 cm. MS. 121, fol.55, 2021.7.
Attributed works:
16. Head of a young man, by Francesco Mazzola, il Parmigianino (Italian, 1503–40). c.1539–40. Pen and brown ink, 16 by 10.5 cm. 2017.79.
Attributed works:
17. Study for the head of St Joseph (recto); Two studies of legs (verso), by Andrea del Sarto (Italian, 1486–1530). c.1526–27. Red and black chalk (recto); red chalk (verso), 37.5 by 22.6 cm. 2017.73.
Attributed works:
18. Study of a mourning woman, by Michelangelo Buonarroti (Italian, 1475–1564). c.1500–05. Pen and brown ink, heightened with white lead opaque watercolour, 26 by 16.5 cm. 2017.78.
Attributed works:
19. Head of a youth, by Domenico Beccafumi (Italian, 1484–1551). c.1530. Oil on paper, 27.6 by 21.1 cm. 2020.54.
Attributed works:
20. Virgin and Child with St Elizabeth and St John the Baptist, by Agnolo Bronzino (Italian, 1503–72). c.1540–45. Oil on panel, 102.7 by 83.4 cm. 2019.116.
Attributed works:
21. Virgin and Child with St John the Baptist and Mary Magdalene, by Parmigianino (Francesco Mazzola) (Italian, 1503–40). c.1535–40. Oil on paper, laid down on panel, 75.9 by 59.7 by 3 cm. 2017.22.
Attributed works:
22. Lucretia, by Artemisia Gentileschi (Italian, 1593–after 1654). c.1627. Oil on canvas, 92.9 by 72.7 cm. 2021.14.
Attributed works:
23. The Miracle of the Quails, by Jacopo dal Ponte, called Jacopo Bassano (Italian, c.1510–92). 1554. Oil on canvas, 150 by 235 cm. 2021.60.
Attributed works:
24. Study for Balthazar, by Peter Paul Rubens (Flemish, 1577–1640). c.1609–11. Oil on paper laid down on panel, 54 by 47.3 cm. 2018.48.
Attributed works:
25. Gospel book, by Ghoukas (Armenian, 16th century). 1583. Tempera colours and ink on paper, 27 by 19 cm. MS. 119, 2020.3.
Attributed works:
26. Crucifixion, by Samuel van Hoogstraten (Dutch, 1627–78). c.1650. Pen and brown ink with grey wash, red chalk and heightening with white opaque watercolour, corrections in white opaque watercolour, 24.5 by 25 cm. 2020.39.
Attributed works:
27. Head of a woman, by Annibale Carracci (Italian, 1560–1609). c.1582. Oil on paper, laid on canvas, 42.8 by 29.5 cm. 2019.4.
Attributed works:
28. Panoramic view of Dordrecht and the River Maas, by Aelbert Cuyp (Dutch, 1620–91). c.1645–52. Brush and dark brown ink with grey wash and ochre watercolour heightened with gum arabic over black chalk, 15.9 by 50.5 cm. 2017.74.
Attributed works:
29. Portrait of Nicolas-Claude Fabri de Peiresc, by Claude Mellan (French, 1598–1688). 1636. Black chalk, 14.5 by 11 cm. 2019.11.
Attributed works:
3. Intaglio with bust of Demosthenes, by Dioskourides (Greek, active late 1st century BC). Roman, c.25 BC. Amethyst, 2 by 1.4 by 0.5 cm. 2019.13.15.
Attributed works:
30. Metamorphosis of a small emperor moth on a damson plum, by Maria Sibylla Merian (German, 1647–1717). From the Caterpillar Book, Nuremburg 1679, plate 13. Translucent and opaque watercolour over counterproof print on parchment, 18.7 by 14.9 cm. 2020.10.
Attributed works:
31. La surprise, by Jean Antoine Watteau (French, 1684– 1721). 1718–19. Oil on panel, 36.4 by 28.2 cm. 2017.72.
Attributed works:
32. Box. Saint-Cloud Porcelain Manufactory, France, 1730–40. Soft-paste porcelain with glaze and enamel, 9.1 by 10.2 by 8.9 cm. Gift of MaryLou Boone. 2019.135.
Attributed works:
33. Two boys with a bladder, by Joseph Wright of Derby (English, 1734–97). c.1769–70. Oil on canvas, 92.7 by 73 cm. 2020.20.
Attributed works:
34. José Nicolás de Azara, Marquis of Nibbiano, by Anton Raphael Mengs (German, 1728–79). After 1774. Oil on canvas, 82.6 by 63.5 cm. Gift of Fabrizio Moretti in honour of Davide Gasparotto. 2019.132.
Attributed works:
35. Madame Charles Mitoire with her children, by Adélaïde Labille-Guiard (French, 1749–1803). 1783. Pastel on three sheets of blue paper, mounted on canvas, 98.5 by 79 cm. 2021.37.
Attributed works:
36. Bust of John the Baptist, by Auguste Rodin (French, 1840–1917). Model 1880; cast 1886. Bronze, 48 by 38.8 by 27 cm. 2018.33.
Attributed works:
38. The destruction of Pharaoh’s host, by John Martin (English, 1789–1854). 1836. Watercolour and oil paint with brown ink and scraping out on paper, 58.4 by 85.7 cm. 2018.45.
Attributed works:
39. House at 66 Avenue Montaigne, Paris, attributed to Bisson Frères (French, active 1840–64). c.1857. Hand-coloured salted paper print from a glass negative, 41.7 by 33 cm. 2019.8.
Attributed works:
40. After the bath (woman drying herself), by Edgar Degas (French, 1834–1917). c.1896. Pastel on paper laid down on board, 72 by 58 cm. 2017.75.1.
Attributed works:
41. Young man at his window, by Gustave Caillebotte (French, 1848–94). 1876. Oil on canvas, 116 by 81 cm. 2021.67.
Attributed works:
42. Spring in the Alps, by Giovanni Segantini (Italian, 1858–99). 1897. Oil on canvas, 116 by 227 cm. 2019.3.
Attributed works:
43. Landscape near Arnhem, by Piet Mondrian (Dutch, 1872–1944). 1900–01. Translucent and opaque watercolour over graphite, 52 by 74.8 cm. 2020.43.
Attributed works:
44. Self-portrait with plaster cast of the Elgin Marbles, by Imogen Cunningham (American, 1883–1976). 1909–10. Platinum print, 16.7 by 12.4 cm. 2020.24.1. (© Imogen Cunningham Trust).
Attributed works:
45. The Peugniez affair – view of the kitchen, 5th June, from Crime Album, by Alphonse Bertillon (French, 1853–1914). 1898. Gelatin silver print, 17.1 by 23.1 cm. 2019.22.41.
Attributed works:
46. Reflections on the oil ditch, by Shigemi Uyeda (American, born Japan, 1902–80). c.1925. Gelatin silver print, 33.5 by 26.5 cm. 2019.58.1. (© Family of Shigemi Uyeda).
Attributed works:
47. Hitlerfresse, by Erwin Blumenfeld (American, born Germany, 1897–1969). 30th January 1933. Gelatin silver print collage, 29.2 by 21.3 cm. 2017.108. (© The Estate of Erwin Blumenfeld).
Attributed works:
48. Interior with an easel, Bredgade 25, by Vilhelm Hammershøi (Danish, 1864–1916). 1912. Oil on canvas, 78.7 by 70.5 cm. 2018.59.
Attributed works:
49. Untitled, by Noboru Ueki (Japanese, 1905–91). c.1948. Hand-coloured gelatin silver print, 55.9 by 45.9 cm. 2020.59.1. (© Estate of Noboru Ueki, courtesy MEM, Tokyo).
Attributed works:
50. Aunt Stella, by Ming Smith (American, active 1970s to present). 1992. From the series August Wilson. Gelatin silver print, 48 by 34.5 cm. Purchased with funds provided by the Photographs Council. 2019.125.4. (© Ming Smith).
Attributed works:
51. Three eagles flying, by Laura Aguilar (American, 1959–2018). 1990. Three gelatin silver prints, each approx. 61 by 50.8 cm. Purchased with funds provided by the Photographs Council. 2019.15.1. (© Laura Aguilar Trust of 2016).
Attributed works:
52. Untitled (Self-portrait), by Sally Mann (American, b.1951). 2012. Tintype, each image 25.4 by 20.3 cm. 2018.3 (© Sally Mann, Inc.).
Attributed works:
53. Enduring, by John Edmonds (American, b.1989). 2019. Pigment print, 77.5 by 77.5 cm. In memory of George Floyd with our commitment to continue the fight for justice and racial equality, 25th May 2020; a gift from members of the Photographs Council. 2020.91. (© John Edmonds).
Attributed works:
54. The End, by Ed Ruscha (American, b.1937). 2017. Editioned Hologram, 29.5 by 39.4 cm. Gift of AMPC LLC through the auspices of Guy and Nora Barron. 2018.26.11. (© Ed Ruscha).
Attributed works:
Gallery view of the Getty Museum, Los Angeles.
Western art unattributed:
1.Votive statuette of a male youth (kouros). Greek (Lakonian), 550–530 BC. Bronze, height 18.3 cm. 2019.127.
Western art unattributed:
10. Rothschild Pentateuch. French or German, 1296. Tempera colours, gold and ink on parchment, 27.5 by 21 cm. Acquired with the generous support of Jo Carole and Ronald S. Lauder. MS. 116, 2018.43.
Western art unattributed:
2. Appliqué depicting the Sun God Usil. Etruscan (Vulci), 500–475 BC. Bronze, 20.7 by 18 cm. 2017.126.
Western art unattributed:
4. Intaglio with bust of Antinous (the Marlborough Antinous). Roman, 131–38 AD. Black chalcedony set in a modern gold mount, 3.5 by 2.9 cm. 2019.13.17.
Western art unattributed:
5. Bust of Germanicus. Roman, c.20–40 AD. Marble, height 52.1 cm. 2021.66.
Western art unattributed:
6. Portrait bust of a man. Roman, 140–60 AD. Marble, height 76.5 cm. 2018.31.
Western art unattributed:
7. Funerary relief of Hadirat Katthina, daughter of Sha’ad. Palmyran, 200–20 AD. Limestone with traces of pigment and gold, 50.8 by 40.6 by 20.3 cm. 2019.12.
Western art unattributed:
8. Head of a man (pseudo-Seneca/Hesiod(?) type). Roman, 1st century AD. Marble, height 35.6 cm. 2019.128.
Western art unattributed:
9. Bifolium from the Pink Qu’ran. Spanish, 13th century. Tempera colours, gold, silver and ink on dyed paper, 31.8 by 50.2 cm. MS. 122, 2021.44.
Exhibition Review
Hopper and the American Hotel
07/2020 | 1408 | 162
Pages: 614-617
related names
Reviewer:
Standring, Timothy J. (Standring, Timothy J.; Standring, T. J.)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Hopper and the American Hotel Indianapolis Museum of Art at Newfields 18th July–25th October | :
Illustrations
Attributed works:
16. Hotel room, by Edward Hopper. 1931. Oil on canvas, 152.4 by 165.7 cm. (Museo Thyssen- Bornemisza, Madrid; exh. Virginia Museum of Fine Arts, Richmond).
Attributed works:
17. Hotel lobby, by Edward Hopper. 1943. Oil on canvas, 81.9 by 103.5 cm. (Indianapolis Museum of Art; exh. Virginia Museum of Fine Arts, Richmond).
Attributed works:
18. Study for Hotel lobby, by Edward Hopper. 1942. Fabricated chalk and charcoal on paper, 38.3 by 56.2 cm. (Whitney Museum of American Art; exh. Virginia Museum of Fine Arts, Richmond).
Exhibition Review
Stephen Shore
04/2018 | 1381 | 160
Pages: 341-342
related names
Reviewer:
Raz-Russo, Michal (Raz-Russo, Michal)
Subjects
dates:
media:
Illustrations
Attributed works:
22. Verso and recto of American National Bank Building, 7th & Tyler from Greetings from Amarillo, ‘Tall in Texas’, by Stephen Shore. 1971. Offset lithograph (postcard), 8.9 by 14 cm. (Museum of Modern Art, New York; © Stephen Shore).
Attributed works:
23. Installation view showing All the Meat You Can Eat, by Stephen Shore. 147 prints, postcards and posters, dimensions variable, at the Museum of Modern Art, New York. (© Stephen Shore).
Attributed works:
24. Holden Street, North Adams, Massachusetts, July 13, 1974, by Stephen Shore. 1974. Chromogenic print, printed 2013, 42.8 by 54 cm. (Museum of Modern Art, New York; © Stephen Shore).
Exhibition Review
Ed Ruscha and the Great American West. San Francisco
10/2016 | 1363 | 158
Pages: 853-854
related names
Reviewer:
Silberman, Robert (Silberman, Robert; Silberman, Robert B.)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
93. Standard Station, Amarillo, Texas, by Ed Ruscha. 1963 (Whitney Museum of American Art, New York; exh. de Young, Fine Arts Museums of San Francisco)
Attributed works:
94. America's future, by Ed Ruscha. 1979 (Collection of Levi Strauss & Co., San Francisco; exh. de Young, Fine Arts Museums of San Francisco)
Attributed works:
95. Coyote, by Ed Ruscha. 1986 (Fine Arts Museums of San Francisco; exh. de Young, Fine Arts Museums of San Francisco)
Advertisements
Advertisements April 2011 (front)
04/2011 | 1297 | 153
Pages: s.p.
Subjects
advertisements:
advertisements:
collectors and dealers:
subjects:
Illustrations
Attributed works:
[A. Clayton-Payne. 14 Old Bond Street. London. John Martin (1789-1854). Diogenes throwing away his Cup. Signed and dated 'J.Martin.1833'. Watercolour with scratching out, heightened with gum arabic. 7 3/4 x 10 1/4 inches (19.5 x 26 cm)]
Attributed works:
[Austin/Desmond Fine Art. Pied Bull Yard. 68/69 Great Russell Street. London. Peter Lanyon, (1918-1964). Bodmin Moor, 1953. Oil on board, 67 x 22 cm]
Attributed works:
[Austin/Desmond, London. The strange coast (Dymchurch), by Paul Nash (1889-1946). 1920. Signed in pencil lower right. A proof impression printed on white wove paper. Lithograph, 31 by 40.5 cm]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. William James (Active circa 1761-1771). The Entrance of the Grand Canal with Santa Maria della Salute. Oil on canvas, 96 by 155 cm. (37 3/4 by 61 in)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Joseph Mallord William Turner, R.A. (1775-1851). The Blue Rigi]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Ludovico Carracci, Portrait of a Youth wearing a Ruff. c.1590, oil on canvas, 47 x 38cm]
Attributed works:
[Emanuel von Beyer, London. Saint Jerome in the wilderness, by Annibale Carracci (1560-1609). Etching with some engraving, 18.2 by 25.5 cm]
Attributed works:
[Fine Art Society, London. The Palaces, by James McNeil Whistler (1834-1903). 1879-80. Signed in pencil Etching drypoint, printed in black ink on laid paper, 31.3 by 40 cm]
Attributed works:
[Frederick Mulder, London. Picador and bull, by Pablo Picasso (1881.1973). 1959. Linocut printed in colours, 53 by 64.5 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Bartolomeo Bimbi. Settignano, 1648 - Florence, 1730. Exotic Birds from the aviaries of Grand Duke Cosimo III de'Medici in a landscape. Oil on canvas, 119.4 x 151.1 cm (47 x 59 1/2 in)]
Attributed works:
[Gilden's Arts Gallery, London. Four nude women and a sculptured head, by Pablo Picasso (1881-1972). 1934. Vollard Suite pl. 82. Print, 44.5 by 34.5 cm]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. William Etty (1787-1849). Young Negress. Oil on panel, 44 x 32.5 cm (17 1/4 x 12 3/4)]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Christoffel Jegher. Antwerp 1596 - 1652/3 Antwerp. Susannah and the Elders. Woodcut after Pieter Paul Rubens. Hollstein I, Leblanc I, the first of two states, with Ruben's privilege. An extremely fine impression with the complete border showing all around.]
Attributed works:
[Hill-Stone, New York. The waterside trees, by Armand Seguin (1869-1903). c.1893. Field, Strauss and Wagstaff 24, only state. Etching, 33 by 43.3 cm]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Pieter Brueghel the Young (1564-1638). Temptation of St. Anthony. Oil on wood, 46.5 x 64 cm]
Attributed works:
[Pascoe Pratt, London. Details of Renaissance paintings (Leonardo da Vinci, The Annunciation), by Andy Warhol (1928-87). 1984. Signed in pencil by the artist, numbered from the edition of 60. Screenprint in colours, 63.5 by 94 cm]
Attributed works:
[Richard Saltoun, London. Hole in the Sea, by Barry Flanagan (1941-2009). 1967-70. Photo-etching]
Attributed works:
[Sims Reed, London. Big Sur, by Peter Doig (born 1959). 2000-01. Signed in pencil and numbered from the edition of 46 Etching and aquatint printed in colour, 114 by 160.5 cm]
Attributed works:
[Sims Reed, London. Cheese mold standard with olive, by Ed Ruscha (born 1937). 1969. Signed in pencil and numbered from the edition of 150. Screenprint in colours, 65.5 by 101.5 cm]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. Paul Nash 1889-1946. On the Western Front. October-November 1917. Watercolour, ink, chalk and pencil on paper 11 1/4 x 11 3/4 inches. 28.5 x 30 cm]
Attributed works:
[The London Original Print Fair. The Royal Academy. Piccadilly. London. Grayson Perry. Map of Nowhere (detail), 2008 © The Artist and Paragon Press, London.]
Attributed works:
[Wolseley Fine Art, Walterstone, Herefordshire. Articulated forms, by Graham Sutherland (1903-80). 1950. Signed an numbered 34/60. Lithograph, 30 by 58 cm]
Exhibition Review
Ed Ruscha. London
01/2010 | 1282 | 152
Pages: 54-55
related names
Reviewer:
Boaden, James (Boaden, James)
Subjects
artists:
dates:
dates:
museums and institutions:
places:
subjects:
Reviewed Items
subjects:
Ed Ruscha: Fifty Years of Painting | institution: Hayward Gallery
Illustrations
Attributed works:
64. It’s only vanishing cream, by Ed Ruscha. 1973. Shellac varnish on satin, 91.4 by 101.6 cm. (Courtesy of the artist; exh. Hayward Gallery, London).
Attributed works:
65. The old Tech-Chem Building, by Ed Ruscha. 2003. Acrylic on canvas, 123 by 278.1 cm. (Broad Art Foundation, Santa Monica; exh. Hayward Gallery, London).
Attributed works:
66. Large trademark with eight spotlights, by Ed Ruscha. 1962. Canvas, 169 by 338.5 cm. (Whitney Museum of American Art, New York; exh. Hayward Gallery, London).
Publication Received
Ed Ruscha
03/2006 | 1236 | 148
Pages: 212
related names
Reviewer:
Stonard, John-Paul (Stonard, John-Paul)
Subjects
artists:
Reviewed Items
subjects:
Ed Ruscha | author: Marshall, Richard D.
Publication Received
Ed Ruscha: Leave any information at the signal: writings, interviews, bits, pages.
08/2005 | 1229 | 147
Pages: 566
related names
Reviewer:
Stonard, John-Paul (Stonard, John-Paul)
Subjects
artists:
dates:
Reviewed Items
subjects:
Ed Ruscha: Leave any information at the signal: writings, interviews, bits, pages. | editor: Schwartz, Alexandra
Exhibition Review
Recent and Contemporary Art: New York
08/2002 | 1193 | 144
Pages: 519-521
related names
Reviewer:
Kernan, Nathan (Kernan, Nathan)
Subjects
artists:
artists:
artists:
artists:
dates:
museums and institutions:
Illustrations
Attributed works:
70. Untitled, by Mark Rothko. 1958. 141.9 by 240 cm. (Collection of Kate Rothko Prizel; Exh. Knoedler, New York).
Attributed works:
71. Tablet #34, by Ellsworth Kelly. 1950s/60s. Ink and Printed Paper, 39.4 by 53.3 cm. (Collection of Ellsworth Kelly; Exh. The Drawing Center, New York).
Attributed works:
72. Mapping the Studio II with Color Shift, Flip, Flop, & Flip/Flop (Fat Chance John Cage), by Bruce Nauman. 2001. Mixed Media. (Exh. Sperone Westwater, New York).
Attributed works:
73. Orange Rocks, Red Ground (3), by Brice Marden. 2000-02. Linen, 190.6 by 271.8 cm. (Exh. Matthew Marks Gallery, New York).
Attributed works:
74. Step on No Pets, by Edward Ruscha. 2002. Acrylic, 162.9 by 183.2 cm. (Exh. Gagosian Gallery, New York).
load more