Charles J. Connick: America’s Visionary
Stained Glass Artist
By Peter Cormack. 376 pp. incl. 297 col. + b. &
w. ills. (Yale University Press, New Haven and
London, 2024), £60. ISBN 978–0–30027–232–1. |
:
4. In praise of womanhood, by Alexander
Fisher. 1901. Enamel on copper, 38 by 54 cm.
(open). (Victoria and Albert Museum, London).
Attributed works:
5. The triptych shown in Fig.4 (closed).
Attributed works:
6. The search for Eldorado, by Alexander
Fisher. 1899. Enamel on steel. (Present
whereabouts unknown; Alamy).
Attributed works:
7. Evensong, St Cecilia, by John Melhuish
Strudwick. 1897. Oil on canvas, 91.5 by 91.5 cm.
(Private collection).
Attributed works:
8. The lives of St Patrick in Ireland, by
Alexander Fisher. c.1903. Gilt brass inlaid with
enamel and silver, 45.7 by 35.6 cm. (National
Museum of Ireland, Dublin).
The Art of Wallpaper: Morris
& Co.
Dovecot Studios, Edinburgh
28th January–11th June |
:
Illustrations
Attributed works:
20. Daisy,
designed by
William Morris.
First issued 1864.
Block-printed
wallpaper.
(Sanderson
Design Group
Archive; exh.
Dovecot Studios,
Edinburgh).
Attributed works:
21. Page from
a Morris &
Co. logbook.
(Sanderson Design
Group Archive; exh.
Dovecot Studios,
Edinburgh).
Attributed works:
22. Ribbons
and bows,
manufactured by
William Woollams
& Co. Early
19th century.
Block-printed
wallpaper
accessories.
(Sanderson
Design Group
Archive; exh.
Dovecot Studios,
Edinburgh).
Exhibition Review
Young Poland: The Polish Arts and Crafts Movement, 1890–1918
Young Poland: The Polish Arts
and Crafts Movement, 1890–1918
Edited by Julia Griffin and Andrzej
Szczerski. 240 pp. incl. 254 col. + 43 b. & w.
ills. (Lund Humphries, London, 2020),
£40. ISBN 978–1–84822–453–7. |
:
Illustrations
Attributed works:
24. Design for
the stained-glass
window God
the Creator in
the Franciscan
Church, Kraków,
by Stanisław
Wyspianski,
juxtaposed with
the completed
window. 1904.
Tempera and
crayon on paper,
877 by 391 cm.
(National Museum
in Kraków;
exh. William
Morris Gallery,
Walthamstow).
Attributed works:
25. The House
under the
Firs, designed
by Stanisław
Witkiewicz.
1896–97. (House
under the Firs
Trust).
Attributed works:
26. Dining-room
chair, by Andrzej
Sydor to a design
by Stanisław
Wyspiański.
c.1905. Walnut
and sycamore,
120 by 51 by 51
cm. (National
Museum
in Kraków;
exh. William
Morris Gallery,
Walthamstow).
Publication Received
Dark Beauty: Hidden Detail in Harry Clarke’s Stained Glass. By Lucy Costigan and Michael Cullen
Dark Beauty: Hidden Detail in Harry
Clarke’s Stained Glass
By Lucy Costigan and Michael Cullen. 270 pp.
incl. over 300 col. + b. & w. ills. (Irish Academic
Press, Newbridge, 2019), 29.99.
ISBN 978–1–7853–233–9. |
:
17. ‘The gates of
the hills: detail
from ‘The Pass
of St Gothard’,
near Faido,
Switzerland, by
John Ruskin after
J.M.W.Turner.
1855. Watercolour,
32 by 33.6
cm. (Guild of
St George
and Museums
Sheffield; exh.
Two Temple
Place, London).
Attributed works:
18. John Ruskin,
by Benjamin
Creswick. 1887.
Terracotta, height
30.5 cm. (Guild
of St George
and Museums
Sheffield; exh.
Two Temple Place,
London).
Attributed works:
19. View of the
east end of Saint-
Pierre, Chartres,
from the River
Eure, France, by
Thomas Matthew
Rooke. 1885.
Watercolour, 42.5
by 42.8 cm. (Guild
of St George
and Museums
Sheffield; exh.
Two Temple
Place, London).
1. Death of the tulip, by Celia Anna Levetus. Illustration from Commonwealth 1, no.2 (1896), facing p.64.
Attributed works:
2. Headpiece by Celia Anna Levetus for ‘The Art of Prose Story’, The Quest 2, no.4 (November 1895), p.16.
Attributed works:
3. The cinder-youth and the three damsels, by Celia Anna Levetus. Illustration from Ignácz Kúnoz’s Turkish Fairy Tales and Folk Tales, trans. R. Nisbet Bain, London 1896, p.90. (Photograph courtesy the Cadbury Research Library, University of Birmingham).
Attributed works:
4. The dawn of love, by Celia Anna Levetus. Illustration from English Illustrated Magazine (September 1896), p.502.
6. Illustration by Celia Anna Levetus for ‘Introduction’, from W. Blake: Songs of Experience, London 1902, facing p.3.
Attributed works:
7. A reading from Herrick, by Celia Anna Levetus. The Yellow Book 9 (1896), p.103. (Photograph courtesy the Cadbury Research Library, University of Birmingham).
Attributed works:
8. Bookplate for Joe Burroughs, by Celia Anna Levetus. Reprinted in ‘Modern book-plate designers, no. 14—Miss Celia Levetus’, Ex-Libris Journal (1897), p.111.
Attributed works:
9. Bookplate for Violet Holden, by Celia Anna Levetus. Reprinted in ‘Modern book-plate designers, no. 14—Miss Celia Levetus’, Ex-Libris Journal (1897), p.113.
Book Review
The Letters of Philip Webb (1864–1914), edited by John Aplin