‘A Rage for the Lakes’: Lake District Views from Abbot Hall Art Gallery |
institution: Barber Institute of Fine Arts
Illustrations
Attributed works:
59. Borrowdale, by Thomas Girtin. c.1801. Pencil and watercolour, 31 by 47.1 cm. (Wordsworth Trust; exh. Wordsworth Museum, Grasmere).
Attributed works:
60. Ullswater, by Joseph Wright of Derby. 1795. Canvas, 44.4 by 52 cm. (Wordsworth Trust; exh. Wordsworth Museum, Grasmere).
Attributed works:
61. Derwentwater, by Edward Lear. 24th September 1836. Watercolour, black chalk and bodycolour, 18.1 by 25.6 cm. (Abbot Hall Art Gallery, Kendal; exh. Barber Institute of Fine Arts, Birmingham).
Exhibition Review
John Brett’s portraits. Birmingham, London and Cambridge
Matthew Boulton: Selling What All the World Desires |
institution: Gas Hall
Illustrations
Attributed works:
48. Portrait of Matthew Boulton, by Lemuel Francis Abbott. c.1798–1801. Canvas, 73.6 by 61.6 cm.
(Birmingham Museum and Art Gallery).
Attributed works:
49. View of Soho Manufactory, Birmingham, engraved by Francis Eginton. From S. Shaw: History and Antiquities of the County of Stafford, London 1798–1801, pl.XVII. Etching and engraving with quatint, 27.7 by 38.2 cm. (plate mark). (Birmingham Museum and Art Gallery).
Attributed works:
50. King’s vase, by Boulton & Fothergill. 1770–71. Blue john and ormolu, with tortoiseshell-veneered base, 56.1 cm. high. (Royal Collection, Windsor Castle; exh. Birmingham Museum and Art Gallery).
Attributed works:
51. A ceiling baffle, a vacuum trumpet and decorative plates from a coin press, by John Phillp. 1799. Coloured drawing on paper, 48.3 by 62 cm. (Birmingham Museum and Art Gallery).
Attributed works:
52. Sidereal Clock, by Boulton & Fothergill. 1771–72. Ormolu, silvered dial, 104.1 cm. high. (Birmingham Museum and Art Gallery).
50. Mother and child by the sea, by Johan Christian Dahl. 1840. 21 by 31 cm. (Barber Institute of Fine Arts, Birmingham).
Attributed works:
51. Greifswald in moonlight, by Caspar David Friedrich. 1816–17. 22.5 by 30.5 cm. (National Museum of Art, Architecture and Design, Oslo; exh. Barber Institute of Fine Arts, Birmingham).
Attributed works:
52. The face of the moon, by John Russell. 1793–97. Pastel on board, 64.2 by 47 cm. (Birmingham Museums and Art Gallery; exh. Barber Institute of Fine Arts, Birmingham).
50. Festival upon the opening of the Vintage at Macon, by J.M.W Turner. 1803. 146 by 237.5 cm. (Sheffield Galleries and Museums; exh. Gas Hall, Birmingham)
Attributed works:
51. England: Richmond Hill on the Prince Regent's Birthday, by J.M.W Turner. 1819. 180 by 334.5 cm. (Tate, London; exh. Gas Hall, Birmingham)
Attributed works:
52. Sun Rising through the Vapour, by J.M.W Turner. c.1809. 69 by 102 cm. (Barber Institute of Fine Arts, Birmingham)
Attributed works:
53. Sheerness as seen from the Nore, by J.M.W Turner. 1808. 104.5 by 149.5 cm. (Richard Green, London; exh. Barber Institute of Fine Arts, Birmingham)
Attributed works:
54. Rockets and Blue Lights (Close at Hand) to warn steam-boats of shoal water, by J.M.W Turner. 1840. 91.8 by 122.2 cm. (Sterling and Francine Clark Art Institute, Williamstown; exh. Burrell Collection, Glasgow).
75. Isaac Blessing Jacob, by Matthias Stom. 136 by 182 cm. (Barber Institute of Fine Arts, Birmingham).
Attributed works:
76. Christ before Pilate, by Matthias Stom. 152.4 by 203.2 cm. (Private Collection; Exh. Barber Institute of Fine Arts, Birmingham).
Attributed works:
77. Old Woman and Boy by Candlelight, by Matthias Stom. Oak Panel, 58.4 by 71.1 cm. (Birmingham Museums and Art Gallery; Exh. Barber Institute of Fine Arts, Birmingham).