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86 articles
Article
Architectural ornament by Jee, Eginton and Co.
08/2020 | 1409 | 162
Pages: 678-685
related names
Author:
Lucey, Conor (Lucey, Conor)
Subjects
media:
places:
Illustrations
Attributed works:
1. Metal ornaments on joinery (now painted) in the first-floor drawing room at 36 Westland Row, Dublin. (Photograph Louis Haugh).
Attributed works:
10. Ornament no.353 (‘Vase & Honeysuckle’) from List of Ornaments Manufactured by Jee, Eginton, and Co. in Whitall’s Street, Birmingham. c.1790. (Courtesy Winterthur Library: Printed Book and Periodical Collection).
Attributed works:
2. Detail of Vitruvian scroll pattern on a chair-rail in the first-floor saloon, Tower of the Winds, Mount Stewart, County Down. (Photograph Tony Corey; © Crown DfC Historic Environment Division).
Attributed works:
3. Ornament no.628 from No.1, Containing Twelve Plates in Aqua-Tinta: After the Composition Ornaments, Manufactured by Jee and Eginton, Birmingham, Birmingham 1784. (Courtesy Winterthur Library, Printed Book and Periodical Collection).
Attributed works:
4. Ornament no.369 (‘Griffins with Foliage Tail’) from List of Ornaments Manufactured by Jee, Eginton, and Co. in Whitall’s Street, Birmingham. c.1790. (Courtesy Winterthur Library, Printed Book and Periodical Collection).
Attributed works:
5. Ornament no.322 (‘Vase’) from List of Ornaments Manufactured by Jee, Eginton, and Co. in Whitall’s Street, Birmingham. c.1790. (Courtesy Winterthur Library, Printed Book and Periodical Collection).
Attributed works:
6. Metal ornaments in the door architrave of the entrance hall at 19 North Great George’s Street, Dublin. (Photograph Louis Haugh).
Attributed works:
7. Unpainted metal ornaments on the chair-rail and door architrave in the first-floor drawing room at 17 St Stephen’s Green, Dublin. (Courtesy Irish Architectural Archive, Dublin).
Attributed works:
8. Ornament no.157 (‘Surbase’) from List of Ornaments Manufactured by Jee, Eginton, and Co. in Whitall’s Street, Birmingham. c.1790. (Courtesy Winterthur Library, Printed Book and Periodical Collection).
Attributed works:
9. Metal ornaments on the window architrave in the first-floor room at 36 Westland Row, Dublin. (Courtesy Irish Architectural Archive, Dublin).
Article
A Renaissance bronze in Birmingham, the bailli de Breteuil and Luigi Valadier
11/2018 | 1388 | 160
Pages: 928-937
related names
Author:
Warren, Jeremy (Warren, Jeremy)
Subjects
dates:
Illustrations
Attributed works:
10. Allegorical figure, by Jean-Robert Ango after a terracotta relief by François Berruer. 1767. Red chalk, 43.8 by 28.4 cm. (Marquis de Breteuil).
Attributed works:
11. The Callipygian Venus, by Jean-Robert Ango, after a marble statue attributed to Jean Louis Breton after a drawing by Laurent Guiard. 1765. Black chalk, 28.2 by 22 cm. (Marquis de Breteuil).
Attributed works:
12. A Furietti centaur, one of a pair, by Jean-Robert Ango, after bronze statuettes after the antique statues. c.1765–70. Black chalk, 28.4 by 22 cm. and 28.7 by 22 cm. (Marquis de Breteuil).
Attributed works:
13. Satyr holding grapes with panther, and Figure of a warrior, known as the Executioner, by Jean-Robert Ango, after bronze statuettes attributed to Massimiliano Soldani-Benzi and François Duquesnoy. 1765. Black chalk, 28.2 by 21.7 cm. (Marquis de Breteuil).
Attributed works:
14. Assemblage with a vase and a plaque depicting Henri IV, by Jean-Robert Ango, after a model attributed to Jacques-Laure Le Tonnelier, bailli de Breteuil and Luigi Valadier. c.1765–70. Red chalk, 47.5 by 34.8 cm. (Marquis de Breteuil).
Attributed works:
15. Seated Rome, by Luigi and Giuseppe Valadier. 1780–86. Hardstones, silver- and bronze-gilt, height 46 cm. (Musée du Louvre, Paris).
Attributed works:
3. Jacques-Laure Le Tonnelier, bailli de Breteuil, by Louis Jacques Pilon. 1785. Plaster, height 87 cm. (Marquis de Breteuil).
Attributed works:
4. Boy riding upon a horse, by the workshop of Severo Calzetta (Severo da Ravenna). c.1510–30. The base is here attributed to the workshop of Luigi Valadier, Rome. c.1770–80. Bronze, marble and gilt-bronze, 18 by 22 cm. (Musée du Louvre, Paris).
Attributed works:
5. The salon of the bailli de Breteuil in Palazzo Malta, Rome, by Hubert Robert. c.1765. Red chalk, 34.9 by 48.8 cm. (Musée du Louvre, Paris).
Attributed works:
6. Agrippina as Minerva, by Jean-Robert Ango, after a possibly Roman bronze statuette. c.1765–70. Black chalk, 28 by 22 cm. (Marquis de Breteuil).
Attributed works:
7. Figure of a boy (‘Souffleur de bulles de savon’), by Jean-Robert Ango after a bronze statuette, model by François Duquesnoy. c.1765–70. Red chalk, 21.7 by 18.8 cm. (Marquis de Breteuil).
Attributed works:
8. Detail from Antique vases and statuettes and a modern vase, by Jean-Robert Ango after antique models and a bronze model by Luigi Valadier, incorporating designs by François Duquesnoy. 1765. Black chalk. 27.5 by 43.5 cm. (Marquis de Breteuil).
Attributed works:
9. A dog, by Jean-Robert Ango after a possibly Roman bronze statuette. c.1765–70. Black chalk, 28 by 21.5 cm. (Marquis de Breteuil).
Western art unattributed:
1. Boy riding upon a goat. Italian, probably Padua, early sixteenth century. The base is here attributed to the workshop of Luigi Valadier, Rome, c.1770–80. Bronze, marble and gilt-bronze, 21.7 by 22.1 cm. (Barber Institute of Fine Arts, University of Birmingham).
Western art unattributed:
2. Detail of Fig.1, showing the shell.
Exhibition Review
Jan Steen
05/2018 | 1382 | 160
Pages: 412-414
related names
Reviewer:
White, Christopher (White, Christopher; White, Christopher John; White; W., C. J.; White, Christoper)
Subjects
artists:
collectors and dealers:
dates:
media:
Illustrations
Attributed works:
7. The toilet of Bathsheba, by Jan Steen. c.1670–75. Panel, 57.5 by 44.5 cm. (J. Paul Getty Museum, Los Angeles; exh. Mauritshuis, The Hague).
Attributed works:
8. Amnon and Tamar, by Jan Steen. c.1668–70. Panel, 67 by 83 cm. (Wallraf-Richartz Museum and Fondation Corbaud, Cologne; exh. Mauritshuis, The Hague).
Attributed works:
9. Lucelle and Ascagnes, by Jan Steen. c.1668–70. Panel, 38.2 by 32.4 cm. (Bute Collection, Mount Stuart; exh. Mauritshuis, The Hague).
Article
Rediscovering Celia Anna Levetus
01/2018 | 1378 | 160
Pages: 31-37
related names
Author:
Mitchell, Rebecca N. (Mitchell, Rebecca N.)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
1. Death of the tulip, by Celia Anna Levetus. Illustration from Commonwealth 1, no.2 (1896), facing p.64.
Attributed works:
2. Headpiece by Celia Anna Levetus for ‘The Art of Prose Story’, The Quest 2, no.4 (November 1895), p.16.
Attributed works:
3. The cinder-youth and the three damsels, by Celia Anna Levetus. Illustration from Ignácz Kúnoz’s Turkish Fairy Tales and Folk Tales, trans. R. Nisbet Bain, London 1896, p.90. (Photograph courtesy the Cadbury Research Library, University of Birmingham).
Attributed works:
4. The dawn of love, by Celia Anna Levetus. Illustration from English Illustrated Magazine (September 1896), p.502.
Attributed works:
5. The Hanuca hymn, by Celia Anna Levetus. Illustration from E. de Haas: ‘Men and women of mark in modern Judea’, leather-bound album, Jewish Museum, London, C 1997.1, p.267 (© Jewish Museum, London).
Attributed works:
6. Illustration by Celia Anna Levetus for ‘Introduction’, from W. Blake: Songs of Experience, London 1902, facing p.3.
Attributed works:
7. A reading from Herrick, by Celia Anna Levetus. The Yellow Book 9 (1896), p.103. (Photograph courtesy the Cadbury Research Library, University of Birmingham).
Attributed works:
8. Bookplate for Joe Burroughs, by Celia Anna Levetus. Reprinted in ‘Modern book-plate designers, no. 14—Miss Celia Levetus’, Ex-Libris Journal (1897), p.111.
Attributed works:
9. Bookplate for Violet Holden, by Celia Anna Levetus. Reprinted in ‘Modern book-plate designers, no. 14—Miss Celia Levetus’, Ex-Libris Journal (1897), p.113.
Exhibition Review
Govert Flinck
02/2016 | 1355 | 158
Pages: 153-155
related names
Reviewer:
Buvelot, Quentin (Buvelot, Quentin)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
91. Self-portrait, by Govert Flinck. 1643 (The Leiden Collection, New York; exh. Museum Kurhaus Kleve, Cleves)
Attributed works:
92. Salomon's prayer for wisdom, by Govert Flinck. c.1658 (Bob Jones University Museum and Gallery, Greenville; exh. Museum Kurhaus Kleve, Cleves)
Attributed works:
93. Portrait of a boy, presumably David Leeuw, by Govert Flinck. 1640 (Barber Institute of Fine Arts, Birmingham)
Exhibition Review
Andy Warhol
04/2015 | 1345 | 157
Pages: 283-284
related names
Reviewer:
Bracewell, Michael (Bracewell, Michael)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
56. Installation image from Transmitting Andy Warhol, Tate Liverpool, showing Exploding plastic inevitable, by Andy Warhol (Tate Liverpool)
Attributed works:
57. Debbie Harry: Rockbird. Album sleeve by Andy Warhol (The Andy Warhol Foundation for the Visual Arts, New York; exh. Tate Liverpool)
Attributed works:
58. Time magazine cover of Michael Jackson, by Andy Warhol. 19th March 1984
Attributed works:
59. Installation image of the upper gallery of Love is Enough at Modern Art Oxford, showing (left) Shirley Temple (unknown photographer); and (right) Marilyn Tapestry (Andy Warhol) hung on William Morris wallpaper
Exhibition Review
Photorealism
03/2014 | 1332 | 156
Pages: 183-185
related names
Reviewer:
Anfam, David (Anfam, David)
Subjects
dates:
subjects:
Illustrations
Attributed works:
32. Schaefer beer, by Robert Cunningham (Louis K. Meisel Gallery, New York; exh. Birmingham Museums and Art Gallery)
Attributed works:
33. Queen, by Audrey Flack (Collection of Susan P. and Louis K. Meisel, New York; exh. Birmingham Museums and Art Gallery)
Attributed works:
34. Plum delicious, by Peter Maier (Private collection; exh. Birmingham Museums and Art Gallery)
Book Review
Henry Raeburn: Content, Reception and Reputation, V. Coltman and S. Lloyd, eds. [and Birmingham Town Hall: An Architectural History, Anthony Peers, with a foreword by Frank Salmon]
01/2014 | 1330 | 156
Pages: 35-36
related names
Reviewer:
Green, Richard (Green, Richard)
Subjects
artists:
dates:
places:
places:
Illustrations
Attributed works:
40. John Robison, LLD, Professor of Natural Philosophy in the University of Edinburgh, by Charles Turner after Henry Raeburn. 1805. Mezzotint, 50.3 by 35.2 cm. (British Museum, London).
Exhibition Review
Catlin’s American Indian portrait. London and Birmingham
08/2013 | 1325 | 155
Pages: 572-573
related names
Reviewer:
Vaizey, Marina (Vaizey, Marina)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
47. Shón-ka, The Dog, Chief of the Bad Arrow Points Band, by George Catlin (Smithsonian American Art Museum, Washington; exh. Birmingham Museum and Art Gallery)
Attributed works:
48. Medicine man, performing his mysteries over a dying man, by George Catlin (Smithsonian American Art Museum, Washington; exh. Birmingham Museum and Art Gallery)
Exhibition Review
Pre-Raphaelite drawings. Birmingham and Sydney
06/2011 | 1299 | 153
Pages: 423-424
related names
Reviewer:
Harrison, Colin (Harrison, Colin)
Subjects
dates:
print:
subjects:
subjects:
Reviewed Items
subjects:
The Poetry of Drawing: Pre-Raphaelite Designs, Studies and Watercolours | institution: Art Gallery of New South Wales , institution: Birmingham Museum and Art Gallery
Illustrations
Attributed works:
62. Dante Gabriel Rossetti, by William Holman Hunt. 1853. Coloured chalks on cream paper, 28.6 by 25.9 cm. (Manchester City Galleries; exh. Birmingham Museum and Art Gallery).
Attributed works:
63. Cascade de la folie, Chamonix, by John Ruskin. 1849. Pen, ink, watercolour and bodycolour on paper, 46.1 by 37.3 cm. (Birmingham Museum and Art Gallery).
Attributed works:
64. ‘Oh, wha’s that in the hollow, so pale, I quake to follow?’, by Edward Robert Hughes. 1893. Watercolour with gum and scratching out on paper, 63.2 by 93.3 cm. (Royal Watercolour Society, London; exh. Birmingham Museum and Art Gallery).
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