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12 articles
Letter
Brett and Constable
11/2012 | 1316 | 154
Pages: 790-791
related names
Author:
Payne, Christiana (Payne, Christiana)
Subjects
artists:
dates:
subjects:
subjects:
subjects:
Book Review
John Brett – Pre-Raphaelite Landscape Painter
07/2012 | 1312 | 154
Pages: 498-499
related names
Reviewer:
Newall, Christopher (Newall, Christopher)
Subjects
artists:
dates:
print:
Reviewed Items
subjects:
John Brett – Pre-Raphaelite Landscape Painter | author: Payne, Christiana
Illustrations
Attributed works:
29. The glacier of Rosenlaui, by John Brett. 1856. Canvas, 44.5 by 41.9 cm. (Tate, London).
Exhibition Review
John Brett’s portraits. Birmingham, London and Cambridge
07/2010 | 1288 | 152
Pages: 488-489
related names
Reviewer:
Treuherz, Julian (Treuherz, Julian)
Subjects
artists:
dates:
print:
subjects:
Reviewed Items
subjects:
Objects of Affection. Pre-Raphaelite Portraits by John Brett | institution: Barber Institute of Fine Arts , institution: Fine Art Society , institution: Fitzwilliam Museum
Illustrations
Attributed works:
42. Christina Rossetti, by John Brett. 1857. Panel, 13.3 by 10.1 cm. (Private collection; exh. Barber Institute of Fine Arts, Birmingham).
Attributed works:
43. Georgina Weldon with her dog, by John Brett. 1866. Pencil, 26 by 17.8 cm. (Private collection; exh. Barber Institute of Fine Arts, Birmingham).
Article
John Brett’s ‘Christmas morning, 1866'
12/2008 | 1269 | 150
Pages: 813-820
related names
Author:
Payne, Christiana (Payne, Christiana)
Subjects
artists:
collectors and dealers:
dates:
print:
subjects:
Illustrations
Attributed works:
10. Christmas morning, 1866, by John Brett. 1868. Canvas, 152.4 by 243.8 cm. (Russell-Cotes Art Gallery and Museum, Bournemouth).
Attributed works:
11. Deatil of Fig.10.
Attributed works:
12. Sunrise, Xmas Day, Beaumaris, 1866, by John Brett. 1866. Graphite on paper, page from Sketchbook no.21, ‘Towyn 1866–67’, PAF 9179–80v. (National Maritime Museum, Greenwich, London).
Attributed works:
14. Study of a rough sea, by John Brett. Dated 22nd July 1867. Graphite and white chalk on grey paper, 14 by 35.6 cm. (Private collection).
Attributed works:
15. Sketch for Christmas morning, 1866, by John Brett. 1868. Monochrome wash and white chalk on grey paper, 19 by 29.2 cm. (Private collection).
Attributed works:
16. Photograph of the Music Room, Fonthill Abbey. 1890s. (National Monuments Record, English Heritage, Swindon). Christmas morning, 1866 is hanging over the fireplace on the right-hand wall.
Attributed works:
17. The British Channel seen from the Dorsetshire cliffs, by John Brett. 1871. Canvas, 106 by 212.7 cm. (Tate, London).
Attributed works:
18. Britannia’s realm, by John Brett. 1880. Canvas, 105 by 212 cm. (Tate, London).
Western art unattributed:
13. ‘Foundering of the Australian Screw Steamer, “London”, in the Bay of Biscay, on the 11th of January, 1866’. Engraving from The Life-boat Journal (2nd July 1866), facing p.196. (Bodleian Library, Oxford).
Article
‘Val d’Aosta’: John Brett and John Ruskin in the Alps, 1858
03/2007 | 1248 | 149
Pages: 165-172
related names
Author:
Newall, Christopher (Newall, Christopher)
Subjects
art literature:
artists:
dates:
places:
print:
print:
Illustrations
Attributed works:
20. The Glacier of Rosenlaui, by John Brett. 1856. Canvas, 44.5 by 41.9 cm. (Tate, London).
Attributed works:
21. Val d’Aosta, by John Brett. 1858. Canvas, 87.6 by 68 cm. (Collection Lord Lloyd-Webber).
Attributed works:
22. The stonebreaker, by John Brett. 1857. Canvas, 51.3 by 68.5 cm. (National Museums Liverpool, Walker Art Gallery).
Attributed works:
23. Castle of Ivrea, by John Brett. 1858. Watercolour and bodycolour, 12.7 by 18.1 cm. (Maas Gallery, London).
Attributed works:
24. Photograph of the westward view from Mont-Torretta, as seen in Brett’s Val d’Aosta, taken by the author in September 2006.
Attributed works:
25. Landscape study in the Aosta Valley, by John Brett. 1858. Watercolour, 24.5 by 19.4 (Collection Lord Lloyd-Webber).
Attributed works:
26. Photograph of metamorphic gneiss bedrock in the immediate vicinity of Brett’s vantage point on Mont-Torretta when painting Val d’Aosta, taken by the author in September 2006.
Attributed works:
27. The Mountain Gloom, photogravure plate after John Ruskin’s drawing, from Modern Painters IV, Works VI, repr. opposite p.416.
Attributed works:
28. Albumen photograph by W. Jeffrey of Val d’Aosta in its unfinished state. 1858. 18.1 by 13.7 cm. (Maas Gallery, London).
Short Notice
John Brett and Ruskin's 'The Elements of Drawing'
09/2005 | 1230 | 147
Pages: 613-616
related names
Author:
Brett, Charles (Brett, Charles)
Subjects
art literature:
artists:
dates:
print:
print:
subjects:
Illustrations
Attributed works:
39. Grass profiles, by John Brett. 8th July 1857. Pen and ink, 18 by 11.4 cm. (Private collection).
Attributed works:
40. Ash profile, by John Brett. 13th July 1857. Pen and ink, 11.2 by 18 cm. (Private collection).
Attributed works:
41. Spanish chestnut, by John Brett. c.1857. Watercolour, 15.2 by 22.9 cm. (Private collection).
Attributed works:
42. Study of a tree trunk (detail), by John Brett. c.1857. Watercolour, 15.2 by 15.2 cm. (Private collection).
Attributed works:
43. Study of a shawl, by John Brett. c.1857. Watercolour, 21.6 by 16.5 cm. (Private collection).
Attributed works:
44. Chateau of Amboise, by John Brett after J.M.W. Turner. 21st March 1859. Pencil and bodycolour on paper, 10.8 by 16.4 cm. (Private collection).
Attributed works:
45. Dunollie Castle, by John Brett. 3rd August 1885. 17.8 by 35.6 cm. (Private collection).
Exhibition Review
John Brett in Wales. Cardiff
11/2001 | 1184 | 143
Pages: 711-712
related names
Reviewer:
Grieve, Alastair (Grieve, Alastair; Grieve, A. I.; Grieve, Alistair; Grieve, Alastair Ian)
Subjects
artists:
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Illustrations
Attributed works:
40. Forest Cove, Cardigan Bay, by John Brett. 1883. 38.5 by 76.5 cm. (National Museum and Gallery of Wales, Cardiff).
Attributed works:
41. Britannia's Realm, by John Brett. 1880. 105 by 212 cm. (Tate Britain, London; Exh. National Museum and Gallery of Wales, Cardiff).
Attributed works:
42. Pearly Summer, by John Brett. 1892. 104 by 213 cm. (Forbes Magazine Collection, New York; Exh. National Museum and Gallery of Wales, Cardiff).
Short Notice
John Brett and Ruskin
08/1996 | 1121 | 138
Pages: 521-525
related names
Author:
Hickox, Michael (Hickox, Michael)
Subjects
artists:
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
29. Val D'Aosta, by John Brett. 1858. 87.6 by 68 cm. (Private Collection).
Attributed works:
30. Sketch for The Hedger, by John Brett. c.1859. Monochrome Wash and Bodycolour, 25 by 18.5 cm. (Private Collection).
Attributed works:
31. Woman Reading by Candlelight, by John Brett. 21st November 1859. Pen and Ink, 25.6 by 18.7 cm. (Private Collection).
Attributed works:
32. Woman Sewing, by John Brett. 4th December 1860. Pen and Ink, 20.7 by 17.6 cm. (Private Collection).
Article
'The Stonebreaker': An Examination of the Landscape in a Painting by John Brett
03/1982 | 948 | 124
Pages: 141-145
related names
Author:
Cordingly, David (Cordingly, David)
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artists:
dates:
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Illustrations
Attributed works:
18. The Stonebreaker, by John Brett. Signed and Dated 1857-58. 51.3 by 68.5 cm. (Walker Art Gallery, Liverpool).
Attributed works:
19. View from Norbury. Engraving after the Drawing by Thomas Allom. From The Topographical History of Surrey, by Edward Brayley.
Attributed works:
20. The Wayside: Study for The Stonebreaker, by John Brett. Pen and Ink, 12.1 by 19 cm. (Private Collection, England).
Attributed works:
21. Study for the Figure in The Stonebreaker, by John Brett. Pen and Ink, 12.1 by 19 cm. (Private Collection, England).
Attributed works:
22. Detail from Preliminary Study for The Stonebreaker, by John Brett. Pen and Ink, 11.4 by 11.4 cm. (Private Collection, England).
Attributed works:
23. Preliminary Study for The Stonebreaker, by John Brett. Dated 'Aug 7/57'. Pen and Ink, 12.1 by 19 cm. (Private Collection, England).
Advertisements
Advertisements August 1974 (Front)
08/1974 | 857 | 116
Pages: i-xxviii
Subjects
artists:
Illustrations
Attributed works:
[ Box 87401, c/o John Webster, Elm House, 10-16 Elm Sreet, London ] Attributed to Pietro da Cortona, "La Lavanda dei Piedi", Canvas, 97 by 131 cm. Collection Tacconis, Brussels
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf ] Nicolaes Berchem. Brown Pen and Brush over Chalk 140 by 198 mm
Attributed works:
[ Colnaghi's, 14 Old Bond Street, London ] Pandolfo Reschi (C. 1643-1699). Copper: Circular 10½″
Attributed works:
[ David Geider Gallery, 9 West Halkin Street, Belgravia, London ] Jacob de Wit 1695-1754. Oil on Canvas 35¾ by 52½ Inches
Attributed works:
[ David M. Koetser Gallery, 37 Talstrasse, Zurich ] P. van der Hulst. p. 30½ × 38½″
Attributed works:
[ Fischer Fine Art Limited, 30 King Street, St James's, London ] Henry Moore. Arrangement of Figures. Tapestry, 66 × 110 ins., Woven 1973
Attributed works:
[ Heim Gallery, 59 Jermyn Street, St James's, London ] "Joseph Accused by Potiphar's Wife" by Noel Hallé (Paris 1711-1781). Canvas. H. 55¼ ins. (140.5 cm.) W. 65⅛ ins. (165.5 cm.)
Attributed works:
[ Herbert E. Feist, 1125 Madison Avenue, New York ] Michel Ange Challe 1718-1778. Sketch from the Coliseum
Attributed works:
[ How, 2-3 Pickering Place St James's Street, London ] Salver. By T. Farrer. London 1733. Weight 46 ozs. 8 dwts
Attributed works:
[ Kunsthandel Xaver Scheidwimmer, 3 Ottostrasse, Munich ] Peeter Verbrugghen (1635-1681), Flowers in a Vase. Canvas, 80 × 58 cm.
Attributed works:
[ Newhouse Galleries, 19 East 66th Street, New York ] A Morning in Delft by Cornelis de Man 1621-1706. A Signed Work by the Master. Size 29 1/4 by 23¾ Inches.
Attributed works:
[ Silvano Lodi, 6911 Campione D'Italia, Viale Marcoo d. C. 32 ] Georg Hainz, Active 1666 and after 1681. Signed, Oil on Canvas, 40 by 55 cm.
Attributed works:
[ Sotheby's at Gleneagles Hotel, Scotland ] A Fine Stand of Great Highland Bagpipes, by Peter Henderson, Stamped P. Henderson, Glasgow. An Unusual Enamelled Silver and Gilt Metal Incense Burner, Mid-Nineteenth Century, 20¼ Inches
Attributed works:
[ Sotheby's at Gleneagles Hotel, Scotland ] A Glass Paste Portrait Medallion of Catherine the Great, Empress of Russia, Inscribed on the Truncation Maria. F. 21st April, 1789, 2½ Inches. A D. B. 12-Bore over-and-under Single Trigger Self-Opening Ejector Sporting Gun, by J. Purdey & Sons, Serial no. 26710
Attributed works:
[ Sotheby's at Gleneagles Hotel, Scotland ] A Scottish Bullet Teapot, Maker's Mark Apparently T. L. Edinburgh, 1754, 5¾ Inches. A Pair of George III Oblong Tea Caddies and a Mixing Bowl, en suite, and an Oblong Ivory Case: The Bowl, Maker's Mark T. L., in a Serrated Shield, T. Lagford, 1771.
Attributed works:
[ Sotheby's at Gleneagles Hotel, Scotland ] Anne Redpath, Self Portrait in a Venetian Mirror, Recto, A Spanish Village, Verso, Both Signed, on Panel, 32 by 36 Inches
Attributed works:
[ Sotheby's at Gleneagles Hotel, Scotland ] Archibald Thorburn, Partridge in the Snow, Heightened with Bodycolour, Signed and Dated 1898, 14¾ by 21¼ Inches
Attributed works:
[ Sotheby's at Gleneagles Hotel, Scotland ] Jacob Thompson, The Highland Bride's Departure, Signed and Dated 1851, 49 by 76½ Inches
Attributed works:
[ Sotheby's at Gleneagles Hotel, Scotland ] Samuel Bough, R. S. A., On the Avon, Signed, 17½ by 23½ Inches
Attributed works:
[ Sotheby's at Gleneagles Hotel, Scotland ] Samuel John Peploe, Black Bottle, Pears and Apples, Signed, 17½ by 15½ Inches
Attributed works:
[ Sotheby's at Gleneagles Hotel, Scotland ] Sir Alfred Munnings, P. R. A., A Study of Racehorses with Jockeys up, on Board, 12 by 26 Inches
Attributed works:
[ Sotheby's at Gleneagles Hotel, Scotland ] Sir Edwin Henry Landseer, P. R. A., Return from Deer Stalking, on Panel, 24 by 30 Inches
Attributed works:
[ Sotheby's at Gleneagles Hotel, Scotland ] Sir William Russell Flint, P. R. W. S., R. A., Red Interior, Signed, 20 by 26 Inches
Attributed works:
[ Sotheby's at Gleneagles Hotel, Scotland ]A Bronze Group of a Stag and Doe, by Charles Paillet, Signed Ch. Paillet and with Founder's Mark of Chardon, French, Late Nineteenth Century, 2 Feet 5 Inches. One of a Pair of Minton Vases and Covers in Sèvres Style, 11 Inches
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] A Frederick the Great Presentation Snuff Box, in Diamonds and Hardstones, Berlin, 1750, 3¾ Inches, £86,000. 10.VI. A Henry VII, London Sovereign, c.1505, £20,000. 26.VI.74. A Louis XV Gold and Enamel Tabatière by Jean Moynat, Paris 1749 3 Inches
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] A Magnificent and Historic Frederick the Great Presentation Snuff Box, in Diamonds and Hardstones, Berlin 1760, $3frac{3}{4}$ Inches A Very Fine and Attractive Austrian Gold and Enamel Box, Enamel Panels Signed Schindler, c.1770, $2frac{5}{8}$ Inches A Louis XV Gold and Enamel tabatière by Jean Moynat, Paris 1749, 3 Inches, £26,000. 10.VI.74
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Sebastiano Luciani Called Sebastiano del Piombo, The Virgin and Child, Black Chalk Heightened with White Chalk, on Green Blue Paper, 255 by 187 mm. Jean-Auguste-Dominique Ingres, Portrait of Prosper Debia, Graphite, Signed and Dated, 210 by 161 mm, £11,000. 27.VI.74
Attributed works:
[ Spink & Son Ltd, King Street, St James's, London ] One of the Earliest Known Irish Silver Chocolate Pots by John Humphrys, Dublin 1693-95. Weight 27 oz 12 dwt. Height 8″ (20.3 cm). Ex Collection Mrs Violet Trefusis.
Attributed works:
[ The Fine Art Society Ltd, 148 New Bond Street, London ] John Brett ARA, 1830-1902. Casa di Castella, 1864-66. Water-Colour, 27 by 44.8 cm. Illustrated: Burlington Magazine, February 1973 Allcn Staley, "Some Water-Colours by John Brett"
Non-western art unattributed:
[ Galleria dell'Angelo, Piazza Cioccaro 11 Lugano ] One of a Set of Six Chinese XVIIIth Century Armchairs
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