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2 articles
Exhibition Review
Angus Fairhurst. Bristol
04/2009 | 1273 | 151
Pages: 257-258
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Reviewer:
Cullinan, Nicholas (Cullinan, Nicholas)
Subjects
artists:
Fairhurst, Angus
dates:
2000-2009
museums and institutions:
Arnolfini Gallery, Bristol, Great Britain
places:
England / Bristol
print:
Fairhurst, Angus
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Angus Fairhurst | institution: Arnolfini Gallery
Illustrations
Attributed works:
65. 4th lower expectations, by Angus Fairhurst. 1996. Acrylic silkscreen on panel, 90 by 60 cm. (Sadie Coles HQ, London; exh. Arnolfini, Bristol).
Attributed works:
66. The problem with banana skins divided/inverted, by Angus Fairhurst. 1998. Polyurethane rubber, 36 by 36 by 7 cm. (Sadie Coles HQ, London; exh. Arnolfini, Bristol).
Attributed works:
67. A magazine with the body and text removed, by Angus Fairhurst. 2003. Cut-out magazine on paper, 29.8 by 22.4 cm. (Sadie Coles HQ, London; exh. Arnolfini, Bristol).
Exhibition Review
Black Mountain College. Bristol and Cambridge
03/2006 | 1236 | 148
Pages: 214–16
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related names
Reviewer:
Anfam, David (Anfam, David)
Subjects
artists:
Cage, John
dates:
2000-2009
dates:
1930-1939 / 1940-1959
museums and institutions:
Black Mountain College, Black Mountain, N.C., United States
museums and institutions:
Kettle's Yard Gallery, Cambridge, Great Britain / Arnolfini Gallery, Bristol, Great Britain
places:
Cambridge / Bristol / England
print:
Black Mountain College
subjects:
Reviews / Exhibitions
subjects:
Art education / Installations (visual works) / Music
Reviewed Items
subjects:
Starting at Zero: Black Mountain College, 1933–57 | institution: Arnolfini Gallery , institution: Kettle\'s Yard Gallery
Illustrations
Attributed works:
75. Untitled #16, by Elaine de Kooning. Enamel on paper on canvas, 81.3 by 127 cm. (Private Collection, Cambridge MA; exh. Kettle's Yard, Cambridge).
Attributed works:
76. Necklace, by Anni Albers. c.1940. Drain strainer, chain and paper clips, 7.7 cm. diam.; chain 40.7 cm. long. (The Josef and Anni Albers Foundation; exh. Kettle's Yard, Cambridge).
Attributed works:
77. Everything comes from everything, by Ben Shahn. c.1959. Mixed media on paper, 78.7 by 58.5 cm. (D.C. Moore Gallery, New York; exh. Kettle's Yard, Cambridge).