65. 4th lower expectations, by Angus Fairhurst. 1996. Acrylic silkscreen on panel, 90 by 60 cm. (Sadie Coles HQ, London; exh. Arnolfini, Bristol).
Attributed works:
66. The problem with banana skins divided/inverted, by Angus Fairhurst. 1998. Polyurethane rubber, 36 by 36 by 7 cm. (Sadie Coles HQ, London; exh. Arnolfini, Bristol).
Attributed works:
67. A magazine with the body and text removed, by Angus Fairhurst. 2003. Cut-out magazine on paper, 29.8 by 22.4 cm. (Sadie Coles HQ, London; exh. Arnolfini, Bristol).
Exhibition Review
Leighton’s drawings. London, Scarborough, Bristol, Bournemouth and Glasgow
57. Study for ‘Elijah in the wilderness’: Elijah, by Frederic, Lord Leighton. c.1877. Black and white chalk on blue paper, 22.4 by 28.3 cm. (Leighton House, London).
Attributed works:
58. Study for ‘Hercules wrestling with Death for the body of Alcestis’: drapery for Death, by Frederic, Lord Leighton, c.1870. Black and white chalk on blue paper, 40.5 by 28.4 cm. (Leighton House, London).
75. Untitled #16, by Elaine de Kooning. Enamel on paper on canvas, 81.3 by 127 cm. (Private Collection, Cambridge MA; exh. Kettle's Yard, Cambridge).
Attributed works:
76. Necklace, by Anni Albers. c.1940. Drain strainer, chain and paper clips, 7.7 cm. diam.; chain 40.7 cm. long. (The Josef and Anni Albers Foundation; exh. Kettle's Yard, Cambridge).
Attributed works:
77. Everything comes from everything, by Ben Shahn. c.1959. Mixed media on paper, 78.7 by 58.5 cm. (D.C. Moore Gallery, New York; exh. Kettle's Yard, Cambridge).
60. Installation of Works by Liam Gillick at Arnolfini, Bristol, with (On Floor) McNamara. 1997. Video (Courtesy Corvi-Mora, London) and (On Ceiling) Discussion Island Moderation Platform. 1997. Anodised Aluminium, Plexiglass, Fittings (Schipper & Krome, Berlin).
Attributed works:
61. Installation View of Works by Liam Gillick at Arnolfini, Bristol, with (Right) Twinned Retraction Screens #1 and #2. 2000. Anodised Aluminium and Plexiglass (Schipper & Krome, Berlin) and (Centre Back) Renovation Filter Lobby Diagram #2. 2000. Blue Paint on Wall (Corvi-Mora, London).
Exhibition Review
'Some Went Mad, Some Ran Away...'; B. T. New Contemporaries. Helsinki and Bristol
94. Installation View: Including Apple, by Michael Joaquin Grey (Hanging from Ceiling, at Right). Urethane, Self-Skimming Foam, Fibreglass and Aluminium, 230 by 105 by 150 cm.; and Misfit, by Abigail Lane (In Foreground). Wax, Glass, Plaster and Clothing, 60 by 85 by 192 cm. (Exh. Nordic Arts Centre, Helsinki).
Attributed works:
95. Solomon Island Shark, by Ashley Bickerton. 1993. Rubber, Leather, Canvas, Rope, Coconuts, Acrylic, PVC and Scope, 113 by 37 by 27 cm. (Exh. Nordic Arts Centre, Helsinki).