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49 articles
Exhibition Review
Maeve Brennan. London
06/2017 | 1371 | 159
Pages: 493-494
related names
Reviewer:
Martin, Richard (Martin, Richard)
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Illustrations
Attributed works:
48. Film still from The Drift, by Maeve Brennan. 2017 (Courtesy the artist; exh. Chisenhale Gallery, London)
Attributed works:
49. Film still from The Drift, by Maeve Brennan. 2017 (Courtesy the artist; exh. Chisenhale Gallery, London)
Exhibition Review
John Akomfrah
04/2016 | 1357 | 158
Pages: 308-309
related names
Reviewer:
Martin, Richard (Martin, Richard)
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Illustrations
Attributed works:
80. Film still from The Airport, by John Akomfrah. 2015 (Lisson Gallery, London)
Attributed works:
81. Installation view of Vertigo Sea, by John Akomfrah. 2015 (Lisson Gallery, London; exh. Arnolfini, Bristol)
Attributed works:
82. Film still from Tropikos, by John Akomfrah. 2016 (Lisson Gallery, London; exh. Arnolfini, Bristol)
Publication Received
The Buildings of England: Somerset: North and Bristol
11/2012 | 1316 | 154
Pages: 804
related names
Reviewer:
McLaughlin, David (McLaughlin, David)
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Publication Received
Public Sculpture of Bristol
11/2012 | 1316 | 154
Pages: 804
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Reviewer:
Blood, Anne (Blood, Anne)
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Exhibition Review
Angus Fairhurst. Bristol
04/2009 | 1273 | 151
Pages: 257-258
related names
Reviewer:
Cullinan, Nicholas (Cullinan, Nicholas)
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Reviewed Items
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Angus Fairhurst | institution: Arnolfini Gallery
Illustrations
Attributed works:
65. 4th lower expectations, by Angus Fairhurst. 1996. Acrylic silkscreen on panel, 90 by 60 cm. (Sadie Coles HQ, London; exh. Arnolfini, Bristol).
Attributed works:
66. The problem with banana skins divided/inverted, by Angus Fairhurst. 1998. Polyurethane rubber, 36 by 36 by 7 cm. (Sadie Coles HQ, London; exh. Arnolfini, Bristol).
Attributed works:
67. A magazine with the body and text removed, by Angus Fairhurst. 2003. Cut-out magazine on paper, 29.8 by 22.4 cm. (Sadie Coles HQ, London; exh. Arnolfini, Bristol).
Exhibition Review
Leighton’s drawings. London, Scarborough, Bristol, Bournemouth and Glasgow
03/2007 | 1248 | 149
Pages: 203-204
related names
Reviewer:
Treuherz, Julian (Treuherz, Julian)
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Reviewed Items
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A Victorian Master. Drawings by Frederic, Lord Leighton | institution: Bristol Museum and Art Gallery , institution: Hunterian Museum and Art Gallery , institution: Leighton House , institution: Russell-Cotes Art Gallery and Museum , institution: Scarborough Art Gallery
Illustrations
Attributed works:
57. Study for ‘Elijah in the wilderness’: Elijah, by Frederic, Lord Leighton. c.1877. Black and white chalk on blue paper, 22.4 by 28.3 cm. (Leighton House, London).
Attributed works:
58. Study for ‘Hercules wrestling with Death for the body of Alcestis’: drapery for Death, by Frederic, Lord Leighton, c.1870. Black and white chalk on blue paper, 40.5 by 28.4 cm. (Leighton House, London).
Exhibition Review
Black Mountain College. Bristol and Cambridge
03/2006 | 1236 | 148
Pages: 214–16
related names
Reviewer:
Anfam, David (Anfam, David)
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Reviewed Items
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Starting at Zero: Black Mountain College, 1933–57 | institution: Arnolfini Gallery , institution: Kettle\'s Yard Gallery
Illustrations
Attributed works:
75. Untitled #16, by Elaine de Kooning. Enamel on paper on canvas, 81.3 by 127 cm. (Private Collection, Cambridge MA; exh. Kettle's Yard, Cambridge).
Attributed works:
76. Necklace, by Anni Albers. c.1940. Drain strainer, chain and paper clips, 7.7 cm. diam.; chain 40.7 cm. long. (The Josef and Anni Albers Foundation; exh. Kettle's Yard, Cambridge).
Attributed works:
77. Everything comes from everything, by Ben Shahn. c.1959. Mixed media on paper, 78.7 by 58.5 cm. (D.C. Moore Gallery, New York; exh. Kettle's Yard, Cambridge).
Exhibition Review
Victor Burgin. Bristol, Manchester and Norwich
02/2003 | 1199 | 145
Pages: 112-113
related names
Reviewer:
Watney, Simon (Watney, Simon)
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museums and institutions:
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Illustrations
Attributed works:
55. Still from Listen to Britain, by Victor Burgin. 2002. Projected DVD installation. (Exh. Cornerhouse, Manchester, and Norwich Gallery, Norwich)
Exhibition Review
Liam Gillick. Bristol
12/2000 | 1173 | 142
Pages: 788-789
related names
Reviewer:
Godfrey, Tony (Godfrey, Tony)
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Illustrations
Attributed works:
60. Installation of Works by Liam Gillick at Arnolfini, Bristol, with (On Floor) McNamara. 1997. Video (Courtesy Corvi-Mora, London) and (On Ceiling) Discussion Island Moderation Platform. 1997. Anodised Aluminium, Plexiglass, Fittings (Schipper & Krome, Berlin).
Attributed works:
61. Installation View of Works by Liam Gillick at Arnolfini, Bristol, with (Right) Twinned Retraction Screens #1 and #2. 2000. Anodised Aluminium and Plexiglass (Schipper & Krome, Berlin) and (Centre Back) Renovation Filter Lobby Diagram #2. 2000. Blue Paint on Wall (Corvi-Mora, London).
Exhibition Review
'Some Went Mad, Some Ran Away...'; B. T. New Contemporaries. Helsinki and Bristol
08/1994 | 1097 | 136
Pages: 569-570
related names
Reviewer:
Maloney, Martin (Maloney, Martin)
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Illustrations
Attributed works:
94. Installation View: Including Apple, by Michael Joaquin Grey (Hanging from Ceiling, at Right). Urethane, Self-Skimming Foam, Fibreglass and Aluminium, 230 by 105 by 150 cm.; and Misfit, by Abigail Lane (In Foreground). Wax, Glass, Plaster and Clothing, 60 by 85 by 192 cm. (Exh. Nordic Arts Centre, Helsinki).
Attributed works:
95. Solomon Island Shark, by Ashley Bickerton. 1993. Rubber, Leather, Canvas, Rope, Coconuts, Acrylic, PVC and Scope, 113 by 37 by 27 cm. (Exh. Nordic Arts Centre, Helsinki).
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