16. Installation
view of Barbara
Walker: Being
Here at the
Whitworth
Art Gallery,
University of
Manchester,
2024–25,
showing Burden
of proof, by
Barbara Walker.
2024. Charcoal
wall drawing.
(Courtesy
Whitworth
Art Gallery,
University of
Manchester;
photograph
Michael Pollard).
65. 4th lower expectations, by Angus Fairhurst. 1996. Acrylic silkscreen on panel, 90 by 60 cm. (Sadie Coles HQ, London; exh. Arnolfini, Bristol).
Attributed works:
66. The problem with banana skins divided/inverted, by Angus Fairhurst. 1998. Polyurethane rubber, 36 by 36 by 7 cm. (Sadie Coles HQ, London; exh. Arnolfini, Bristol).
Attributed works:
67. A magazine with the body and text removed, by Angus Fairhurst. 2003. Cut-out magazine on paper, 29.8 by 22.4 cm. (Sadie Coles HQ, London; exh. Arnolfini, Bristol).
75. Untitled #16, by Elaine de Kooning. Enamel on paper on canvas, 81.3 by 127 cm. (Private Collection, Cambridge MA; exh. Kettle's Yard, Cambridge).
Attributed works:
76. Necklace, by Anni Albers. c.1940. Drain strainer, chain and paper clips, 7.7 cm. diam.; chain 40.7 cm. long. (The Josef and Anni Albers Foundation; exh. Kettle's Yard, Cambridge).
Attributed works:
77. Everything comes from everything, by Ben Shahn. c.1959. Mixed media on paper, 78.7 by 58.5 cm. (D.C. Moore Gallery, New York; exh. Kettle's Yard, Cambridge).
60. Installation of Works by Liam Gillick at Arnolfini, Bristol, with (On Floor) McNamara. 1997. Video (Courtesy Corvi-Mora, London) and (On Ceiling) Discussion Island Moderation Platform. 1997. Anodised Aluminium, Plexiglass, Fittings (Schipper & Krome, Berlin).
Attributed works:
61. Installation View of Works by Liam Gillick at Arnolfini, Bristol, with (Right) Twinned Retraction Screens #1 and #2. 2000. Anodised Aluminium and Plexiglass (Schipper & Krome, Berlin) and (Centre Back) Renovation Filter Lobby Diagram #2. 2000. Blue Paint on Wall (Corvi-Mora, London).
Exhibition Review
'Some Went Mad, Some Ran Away...'; B. T. New Contemporaries. Helsinki and Bristol
94. Installation View: Including Apple, by Michael Joaquin Grey (Hanging from Ceiling, at Right). Urethane, Self-Skimming Foam, Fibreglass and Aluminium, 230 by 105 by 150 cm.; and Misfit, by Abigail Lane (In Foreground). Wax, Glass, Plaster and Clothing, 60 by 85 by 192 cm. (Exh. Nordic Arts Centre, Helsinki).
Attributed works:
95. Solomon Island Shark, by Ashley Bickerton. 1993. Rubber, Leather, Canvas, Rope, Coconuts, Acrylic, PVC and Scope, 113 by 37 by 27 cm. (Exh. Nordic Arts Centre, Helsinki).
60. Inverted Architrave, by Edward Allington. 1990. (Exh. Ikon Gallery, Birmingham).
Attributed works:
61. The Enclosure of Sanctity, by Shirazeh Houshiary. 1992-3. Mixed Media, (Lisson Gallery, London; Exh. Douglas Hyde Gallery, Dublin).
Attributed works:
62. New Touchstone, by Peter Randall-Page. 1991. Kilkenny Limestone, 36.5 by 32.8 by 31 cm. (Private Collection, Devon; Exh. Castlefield Gallery, Manchester).
Attributed works:
63. Once upon a Duchamp, by Cathy de Monchaux. 1992. Velvet, Leather, Brass, Ribbons and Enamel. (Galerie Jennifer Flay, Paris; Exh. Centre for Contemporary Arts, Glasgow).