• MENU
logo logo white logo sticky

Burlington Contemporary is the Burlington Magazine’s free online platform for reviews and research on international contemporary art.

Want to continue reading? Get 1 month digital access for only .

Subscribe now
By using this website you agree to our Cookie policy
  • MENU
logo logo white logo sticky

Search

content
A TO Z
clear all
8 articles
Exhibition Review
Judson Dance Theater: The Work Is Never Done. Museum of Modern Art, New York
12/2018 | 1389 | 160
Pages: 1058-1060
Subscribe to read
related names
Reviewer:
Bradnock, Lucy (Bradnock, Lucy)
Subjects
artists:
Forti, Simone / Rainer, Yvonne / Brown, Trisha / Halprin, Anna / Waring, James / Dunn, Robert Ellis / Dunn, Judith / Cunningham, Merce / Cage, John / Hay, Deborah / Gordon, David / Childs, Lucinda / Paxton, Steve
dates:
2010-2019
media:
Performance art / Photographs / Videos / Sketches / Documents / Music scores / Art objects
museums and institutions:
Museum of Modern Art, New York, United States
places:
United States / New York
subjects:
choreography / Dance / Film (cinema) / Music / Dancers / Musicians / Artists / Artists' groups and associations / Collaborators / Poetry / Happenings / Interviews / Archives
Illustrations
Attributed works:
24. See-saw, by Simone Forti. 1960. Performed by Yvonne Rainer and Robert Morris at Reuben Gallery, New York, 16th–18th December 1960. (Photograph Robert R. McElroy Photographs of Happenings and Early Performance Art; Getty Research Institute, Los Angeles).
Attributed works:
25. The branch, by Anna Halprin. 1957. Performed by A.A. Leath, Anna Halprin ad Simone Forti on the Halprin’s family Dance Deck, Kentfield CA, 1957. Photograph Warner Jepson (Courtesy the Estate of Warner Jepson).
Attributed works:
26. We shall run, by Yvonne Rainer. 1963. Performed by Robert Rauschenberg, Joseph Schlichter (hidden), Sally Gross, Tony Holder, Deborah Hay, Yvonne Rainer, Alex Hay, Robert Morris (behind) and Lucinda Childs at Two Evenings of Dances by Yvonne Rainer at Wadsworth Atheneum, Hartford CT, 7th March 1965. Photograph by Peter Moore (© Barbara Moore; courtesy Paula Cooper Gallery, New York).
Exhibition Review
Tacita Dean: LANDSCAPE, PORTRAIT, STILL LIFE. London
08/2018 | 1385 | 160
Pages: 666-669
Read now
related names
Reviewer:
Paterson, Dominic (Paterson, Dominic)
Subjects
artists:
Dean, Tacita / Twombly, Cy / Morandi, Giorgio / Merz, Mario / Cunningham, Merce / Cage, John / Oldenburg, Claes / Hockney, David / Mehretu, Julie / Hilliard, Nicholas / Demand, Thomas / Horn, Roni / Tillmans, Wolfgang / Barbari, Jacopo de' / John, Gwen / Chardin, Jean-Baptiste-Siméon / Nash, Paul
dates:
2010-2019
media:
Videos / Photographs / Prints / Drawings / Documents / Books / Paintings
museums and institutions:
National Gallery, London, Great Britain / National Portrait Gallery, London, Great Britain / Royal Academy of Arts, London, Great Britain
places:
Great Britain / London
subjects:
Landscapes (visual works) / Portraits / Still lifes / Studios (work spaces) / Artists' books / Actors and actresses / Curators / Clouds / Birds / John the Baptist, Saint / Oedipus / Antigone / Blind (people) / Poetry / Sublime
Illustrations
Attributed works:
1. Still from Mario Merz, by Tacita Dean. 2002. 16mm. colour film. (Courtesy the artist; exh. National Portrait Gallery, London).
Attributed works:
2. Detail of GAETA (fifty photographs plus one), by Tacita Dean. 2015. Photographs and cibachromes. Dimensions variable. (Courtesy the artist; exh. National Portrait Gallery, London).
Attributed works:
3. Still from His Picture in Little, by Tacita Dean. 2017. 35mm. colour anamorphic film, reduced to spherical 16mm. for exhibition as miniature. (Courtesy the artist; exh. National Portrait Gallery, London).
Attributed works:
4. Still from Antigone, by Tacita Dean. 2018. Two synchronised 35mm. colour anamorphic films. (Courtesy the artist; exh. Royal Academy of Arts, London).
Book Review
The Art of Mechanical Reproduction: Technology and Aesthetics from Duchamp to the Digital
12/2016 | 1365 | 158
Pages: 987-988
Subscribe to read
related names
Reviewer:
Morgan Evans, Thomas (Morgan Evans, Thomas)
Subjects
artists:
Duchamp, Marcel / Klee, Paul / Cage, John / Kelly, Ellsworth / Smithson, Robert / Huebler, Douglas / Richter, Gerhard / Dean, Tacita
subjects:
Kinetic / Digital technology / Aesthetics / Reproductions / Photography / Photomechanical processes
Illustrations
Attributed works:
49. Betty, by Gerhard Richter. 1988 (Saint Louis Art Museum)
Exhibition Review
Black Mountain College. Boston, Los Angeles and Columbus
09/2016 | 1362 | 158
Pages: 764-766
Subscribe to read
related names
Reviewer:
Shales, Ezra (Shales, Ezra)
Subjects
artists:
Archer, Hazel Larsen, 1921-2001 / Albers, Anni / Albers, Josef / Cunningham, Merce / Cage, John / Rauschenberg, Robert / Johnson, Ray / Parreno, Philippe
dates:
2010-2019
museums and institutions:
Wexner Center for the Arts, Columbus, United States / Hammer Museum, Los Angeles, United States / Black Mountain College, Black Mountain, N.C., United States
places:
United States / Los Angeles / Columbus (Ohio) / Boston
subjects:
Reviews / Exhibitions / Black Mountain College, Black Mountain, N.C., United States
Illustrations
Attributed works:
66. Buckminster Fuller inside his Geodesic Dome, by Hazel Larsen Archer. 1949 (Black Mountain College Museum and Arts Center, Asheville; exh. Wexner Center for the Arts, Columbus)
Attributed works:
67. Knot 2, by Anni Albers. 1947 (Josef and Anni Albers Foundation, Bethany; exh. Wexner Center for the Arts, Columbus)
Attributed works:
68. Minutiae, by Robert Rauschenberg. 1954/1976 (Walker Art Center, Minneapolis; exh. Wexner Center for the Arts, Columbus, Columbus © Robert Rauschenberg Foundation/Licensed by VAGA, New York, NY)
Exhibition Review
Dancing around Duchamp’s Bride. Philadelphia and London
02/2013 | 1319 | 155
Pages: 112-113
Subscribe to read
related names
Reviewer:
Blood, Anne (Blood, Anne)
Subjects
artists:
Cage, John / Cunningham, Merce / Johns, Jasper / Rauschenberg, Robert / Duchamp, Marcel
dates:
2010-2019
museums and institutions:
Philadelphia Museum of Art, Philadelphia, United States / Barbican Art Gallery, London, Great Britain
places:
United States / Philadelphia / London / England
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
39. Photograph of Walkaround time, choreographed by Merce Cunningham, stage set and costumes by Jasper Johns (Exh. Barbican Art Gallery, London)
Attributed works:
40. Express, by Robert Rauschenberg (Museo Thyssen-Bornemisza, Madrid; exh. Barbican Art Gallery, London)
Attributed works:
41. The bride, by Marcel Duchamp (Philadelphia Museum of Art; exh. Barbican Art Gallery, London)
Exhibition Review
Black Mountain College. Bristol and Cambridge
03/2006 | 1236 | 148
Pages: 214–16
Subscribe to read
related names
Reviewer:
Anfam, David (Anfam, David)
Subjects
artists:
Cage, John
dates:
2000-2009
dates:
1930-1939 / 1940-1959
museums and institutions:
Black Mountain College, Black Mountain, N.C., United States
museums and institutions:
Kettle's Yard Gallery, Cambridge, Great Britain / Arnolfini Gallery, Bristol, Great Britain
places:
Cambridge / Bristol / England
print:
Black Mountain College
subjects:
Reviews / Exhibitions
subjects:
Art education / Installations (visual works) / Music
Reviewed Items
subjects:
Starting at Zero: Black Mountain College, 1933–57 | institution: Arnolfini Gallery , institution: Kettle\'s Yard Gallery
Illustrations
Attributed works:
75. Untitled #16, by Elaine de Kooning. Enamel on paper on canvas, 81.3 by 127 cm. (Private Collection, Cambridge MA; exh. Kettle's Yard, Cambridge).
Attributed works:
76. Necklace, by Anni Albers. c.1940. Drain strainer, chain and paper clips, 7.7 cm. diam.; chain 40.7 cm. long. (The Josef and Anni Albers Foundation; exh. Kettle's Yard, Cambridge).
Attributed works:
77. Everything comes from everything, by Ben Shahn. c.1959. Mixed media on paper, 78.7 by 58.5 cm. (D.C. Moore Gallery, New York; exh. Kettle's Yard, Cambridge).
Publication Received
Random Order: Robert Rauschenberg and the neo-avant-garde.
07/2005 | 1228 | 147
Pages: 500
Subscribe to read
related names
Reviewer:
Lawrence, James (Lawrence, James)
Subjects
artists:
Rauschenberg, Robert
artists:
Cage, John
dates:
1940-1959 / 1960-1979 / 1980-1989 / 1990-2009
print:
Rauschenberg, Robert
subjects:
American (United States of America) / Performance art / Art theory
subjects:
Avant-garde
Reviewed Items
subjects:
Random Order: Robert Rauschenberg and the neo-avant-garde. | author: Joseph, Branden W.
Exhibition Review
Cage, Cunningham, Johns. Liverpool
01/1990 | 1042 | 132
Pages: 54-55
Subscribe to read
related names
Reviewer:
Robertson, Bryan (Robertson, Bryan)
Subjects
artists:
Cage, John
artists:
Johns, Jasper
dates:
1990-1999
museums and institutions:
Tate Liverpool, Liverpool, Great Britain
places:
Liverpool / England
subjects:
Cunningham, Merce
subjects:
Exhibitions / Reviews
Illustrations
Attributed works:
48. Merce Cunningham in Walkaround Time. Photograph by James Klosty. 1968. Sets and Costumes by Jasper Johns, Based on The Large Glass by Marcel Duchamp. (Exh. Tate Gallery, Liverpool).
Attributed works:
49. Tantric Detail, by Jasper Johns. 1980. Charcoal on Paper, 147.3 by 104.1 cm. (Jasper Johns Collection; Exh. Tate Gallery, Liverpool).