Josef Albers: Late Modernism,
and Pedagogic Form
By Jeffrey Saletnik. 320 pp. incl. 53 col. +
87 b. & w. ills. (University of Chicago Press,
2022), £32. ISBN 978–0–226–69917–2. |
:
Illustrations
Attributed works:
6. Structural constellation: transformation
of a scheme no. 23, by Josef Albers. 1951.
Machine-engraved plastic laminate, 43.2 by
57.2 cm. (Josef and Anni Albers Foundation
and Artists Rights Society (ARS), New York).
Exhibition Review
Black Mountain College. Boston, Los Angeles and Columbus
66. Buckminster Fuller inside his Geodesic Dome, by Hazel Larsen Archer. 1949 (Black Mountain College Museum and Arts Center, Asheville; exh. Wexner Center for the Arts, Columbus)
Attributed works:
67. Knot 2, by Anni Albers. 1947 (Josef and Anni Albers Foundation, Bethany; exh. Wexner Center for the Arts, Columbus)
75. Untitled #16, by Elaine de Kooning. Enamel on paper on canvas, 81.3 by 127 cm. (Private Collection, Cambridge MA; exh. Kettle's Yard, Cambridge).
Attributed works:
76. Necklace, by Anni Albers. c.1940. Drain strainer, chain and paper clips, 7.7 cm. diam.; chain 40.7 cm. long. (The Josef and Anni Albers Foundation; exh. Kettle's Yard, Cambridge).
Attributed works:
77. Everything comes from everything, by Ben Shahn. c.1959. Mixed media on paper, 78.7 by 58.5 cm. (D.C. Moore Gallery, New York; exh. Kettle's Yard, Cambridge).